ATLAS Higgs Workshop 2014 Rome, April 14-18, 2014
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Planning Versus Fortification: Sangallo's Project for the Defence of Rome Simon Pepper
Fort Vol. 2 1976 Planning versus fortification: Sangallo's project for the defence of Rome Simon Pepper Since 1527, when Rome had been captured and sacked by the mutinous soldiers of Charles V, it had been clear that the defences of the Papal capital were hopelessly outdated. The walls of the Borgo (the Vatican precinct) were constructed during the pontificate of Leo IV (847-855): those of Trastevere and the left bank, enclosing by far the largest part of the city, dated from the reign of the Emperor Aurelian (AD270-75) [1]. Impressive both for their length and antiquity, these walls were poorly maintained and fundamentally unsuitable for defence against gunpowder artillery. In 1534 the Romans were once again forcefully reminded of their vulnerability when a large Turkish fleet moored off the Tiber estuary. Fortunately the hostile intentions of the Turks were directed elsewhere: after taking on fresh water they sailed north to raid the Tuscan coastline. But in the immediate aftermath of the Turkish scare the newly elected Paul III committed himself to an ambitious scheme of re-fortification. Antonio da Sangallo the Younger, advised by many of the leading architects and soldiers employed by the Pope, was commissioned to submit design proposals [2]. Father Alberto Guglielmotti, the nineteenth-century historian of the Papal armed forces, tells us that Sangallo and his consultants decided to replace the Aurelian wall with a new line of works defending the developed areas on both banks of the river. The 18000 metre Aurelian circumfer- ence was to be reduced by half, a decision which is not difficult to understand when one glances at a contemporary map of the city. -
556251Syl .Pdf
PROPOSAL (REVISED) FOR RUTGERS SAS CURRICULUM COMMITTEE PAPAL ROME AND ITS PEOPLE, 1500-PRESENT: A SELECT HISTORY ARTS & SCIENCES INTERDISCIPLINARY STUDIES 01:556:251 Online course, proposed for spring semester 2014 T. Corey Brennan (Department of Classics; Rutgers—NB) DESCRIPTION (FOR CATALOG) A case-study approach toward select aspects of the social, cultural, intellectual and political history of the early modern and modern Popes, with a particular focus on their relationship to the city of Rome. Highlights the reigns of Popes Gregory XIII Boncompagni (1572-1585) and Gregory XV Ludovisi (1621-1623), and their subsequent family history to the present day. Some course lectures pre-recorded on-site in Rome. COURSE OBJECTIVES 1) Gain a fundamental understanding of the history of the Papacy in outline and the significance of that institution from the early modern period to the present day, in the context especially of Italian and wider European history 2) Understand on a basic level the implications of Papal urban interventions in Rome, and the Popes’ more significant patronage and preservation efforts in that city 3) Gain a broad familiarity with the most important Italian families of the Papal nobility who have made a substantial physical contribution to the city of Rome 4) Appreciate the range of primary sources that can be critically employed and analyzed for Papal history, including iconographic material that ranges beyond painting and sculpture to include numismatic evidence, historic photographs and newsreels LEARNING GOALS (THEORETICAL) -
AVVISO PUBBLICO PER LA RICERCA DI UN IMMOBILE in LOCAZIONE L'ispettorato Nazionale Del Lavoro D'ora in Poi Anche “INL“ H
Prot. 148/2016/RIS del 6 dicembre 2016 Data di Pubblicazione: 07/12/2016 Data di scadenza: 09/01/2017 AVVISO PUBBLICO PER LA RICERCA DI UN IMMOBILE IN LOCAZIONE L’Ispettorato Nazionale del Lavoro d’ora in poi anche “INL“ ha necessità di individuare un immobile o porzione di immobile da assumere in locazione, da adibire alla sede centrale dell’INL. 1. CARATTERISTICHE ESSENZIALI DELL’IMMOBILE RICERCATO 1.a DIMENSIONI e REQUISITI FUNZIONALI La struttura edilizia dovrà garantire l’allocazione di circa 200 unità di personale e corrispondere alle seguenti caratteristiche tecniche: 1) superficie complessiva di circa 4500 mq lordi con destinazione ad ufficio pubblico da suddividersi, indicativamente, come segue. mq. 3600/3700 da adibire complessivamente ad uffici; mq. 300/400 da adibire ad archivi con quantità di carta superiore a 50 quintali (attività n. 34 D.P.R.151/2011, soggetta a CPI); superfici dedicate a sale conferenza, sale riunioni; superfici idonee ad allocare locali tecnici; superfici predisposte per l’allocazione del Centro Elaborazione Dati. 1.b UBICAZIONE e REQUISITI LOGISTICI - l’immobile richiesto dovrà essere ubicato nel comune di Roma nei rioni Ludovisi, Sallustiano, Castro Pretorio, ovvero in posizione attigua ai due plessi ministeriali di via Veneto e di via di Flavia; - l’immobile dovrà essere agevolmente collegato con le principali vie di comunicazione e facilmente raggiungibile con i mezzi pubblici; ISPETTORATO NAZIONALE DEL LAVORO ROMA, VIA FORNOVO 8 – CAP 00192 1.c REQUISITI TECNICI - indipendenza del fabbricato -
Elenco Stazionamenti Taxi Del Comune Di Roma
Elenco stazionamenti taxi del Comune di Roma Gli stazionamenti sottolineati sono dotati di colonnina di chiamata taxi. Per chiamare la colonnina comporre lo 06.06.09 e seguire le istruzioni automatiche. MUNICIPIO ZONA ATTIVA DI STAZIONAMENTO UBICAZIONE 1 PIAZZA BARBERINI DA CIV. 40 A 46 (solo riserva) 1 PIAZZA BARBERINI CIV. 23 - FRONTE HOTEL BERNINI BRISTOL 1 PIAZZA DELLA MADONNA DI LORETO FRONTE MILITE IGNOTO - NN. 17/26 1 VIA CAVOUR FR. CIV. 213M - ENTRATA HOTEL PALATINO 1 PIAZZA INDIPENDENZA CIVICO 24 1 PIAZZA DI SPAGNA CIVICO 52-54 1 PIAZZA DI SPAGNA CIVICO 93 1 VIA LIBERIANA CIVICO 18 1 PIAZZA SAN CARLO AL CORSO ANG. VIA DEL GROTTINO - FRONTE HOTEL PLAZA 1 PIAZZA ALBANIA CIVICO 35 1 VIA CAMPANIA ANG. VIA VENETO 1 VIA LUDOVISI 49 FRONTE HOTEL EDEN 1 LARGO CARLO GOLDONI 43 ANGOLO VIA TOMACELLI 1 LARGO DEGLI SCHIAVONI ANGOLO VIA TOMACELLI 1 PIAZZA DELLA REPUBBLICA CIVICO 10 1 VIA NAZIONALE CIVICO 194 - FRONTE PALAZZO DELLE ESPOSIZIONI 1 VIA MARSALA CIVICO 42. - ENTRATA STAZIONE 1 VIA GIOLITTI FRONTE CIV. 10 - ENTRATA STAZIONE 1 PIAZZA DI PORTA SAN GIOVANNI FR. BASILICA - ADIAC. CAPOLINEA AUTOBUS 1 PIAZZA DEL COLOSSEO STAZIONE METRO - ANG. VIA CLIVIO DI ACILIO 1 PIAZZA VENEZIA CIVICO 13/15 1 PIAZZA DELLE CINQUE LUNE CIVICO 109 - ANG. PIAZZA TOR SANGUIGNA 1 PIAZZA DELLA ROTONDA VIA DELLA ROTONDA CIV. 21/26 1 PIAZZA DELLA MINERVA PIAZZA DELLA MINERVA 1 PIAZZA PASQUALE PAOLI CIVICO 1 - 3 1 LARGO CHIGI CIVICO 12 1 PIAZZA DI PORTA MAGGIORE FRONTE VIA DI PORTA MAGGIORE 1 PIAZZA DELLA TRINITA' DE' MONTI CIVICO 18 - FRONTE HOTEL HASSLER 1 PIAZZA DEI CINQUECENTO FRONTE STAZIONE TERMINI 1 PIAZZA DEL POPOLO TRA CIV. -
1 GENERAL 4 February 2020 ENGLISH ONLY OPEN-ENDED
CBD Distr. GENERAL 4 February 2020 ENGLISH ONLY OPEN-ENDED WORKING GROUP ON THE POST- 2020 GLOBAL BIODIVERSITY FRAMEWORK Second meeting 24-29 February 2020 Rome, Italy INFORMATION NOTE FOR PARTICIPANTS QUICK LINKS (Control + click on icons for web page, click on page number to directly access text in document) INFORMATION HIGHLIGHTS 1. OFFICIAL OPENING .......................... 2 2. VENUE .............................................. 2 Visa Information (page 5) 3. PRE-REGISTRATION ........................ 3 4. ACCESS TO THE MEETING VENUE AND NAME BADGES .......................... 4 5. MEETING ROOM Meeting Documents (page 4) ALLOCATIONS/RESERVATIONS ....... 4 6. DOCUMENTS .................................... 4 7. GENERAL INFORMATION ON ACCESS TO ROME ............................ 4 8. VISA INFORMATION ......................... 5 Hotel Information (pages 6, 8) 9. SERVICES FOR PARTICIPANTS ........ 5 10. PROMOTIONAL MATERIAL .............. 6 11. SIDE-EVENTS .................................... 6 Weather Information (page 7) 12. HOTEL INFORMATION ..................... 6 ANNEX A - LIST OF HOTELS .......... 8 13. PAYMENT OF THE DAILY SUBSISTENCE ALLOWANCE (DSA) . 6 14. OFFICIAL LANGUAGE ...................... 7 Currency Information (page 7) 15. WEATHER AND TIME ZONE INFORMATION .................................. 7 16. ELECTRICITY ................................... 7 URRENCY 17. C ....................................... 7 18. HEALTH REQUIREMENTS ................ 7 19. DISCLAIMER .................................... 7 1 1. OFFICIAL OPENING -
Ave Roma Immortalis, Vol. 1, by Francis Marion Crawford This Ebook Is for the Use of Anyone Anywhere at No Cost and with Almost No Restrictions Whatsoever
Roma Immortalis, Vol. 1, by Francis Marion Crawford 1 Roma Immortalis, Vol. 1, by Francis Marion Crawford Project Gutenberg's Ave Roma Immortalis, Vol. 1, by Francis Marion Crawford This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Ave Roma Immortalis, Vol. 1 Studies from the Chronicles of Rome Author: Francis Marion Crawford Release Date: April 26, 2009 [EBook #28614] Language: English Roma Immortalis, Vol. 1, by Francis Marion Crawford 2 Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK AVE ROMA IMMORTALIS, VOL. 1 *** Produced by Juliet Sutherland, Josephine Paolucci and the Online Distributed Proofreading Team at http://www.pgdp.net. AVE ROMA IMMORTALIS STUDIES FROM THE CHRONICLES OF ROME BY FRANCIS MARION CRAWFORD IN TWO VOLUMES VOL. I New York THE MACMILLAN COMPANY LONDON: MACMILLAN & CO., LTD. 1899 All rights reserved Copyright, 1898, By The Macmillan Company. Set up and electrotyped October, 1898. Reprinted November, December, 1898. Norwood Press J. S. Cushing & Co.--Berwick & Smith Norwood, Mass., U.S.A. TABLE OF CONTENTS Roma Immortalis, Vol. 1, by Francis Marion Crawford 3 VOLUME I PAGE THE MAKING OF THE CITY 1 THE EMPIRE 22 THE CITY OF AUGUSTUS 57 THE MIDDLE AGE 78 THE FOURTEEN REGIONS 100 REGION I MONTI 106 REGION II TREVI 155 REGION III COLONNA 190 REGION IV CAMPO MARZO 243 REGION V PONTE 274 REGION VI PARIONE 297 LIST OF PHOTOGRAVURE PLATES VOLUME I Map of Rome Frontispiece FACING PAGE The Wall of Romulus 4 Roma Immortalis, Vol. -
Aventino Città Del Campo Marzio Ludovisi Trevi M
V V i i a a l i FLAMINO e k PARIOLI s V d TRIESTE i u a ls i L P o u F o n a n ll Villa a l e i g a a o T i r c m t t i c EUCLIDE i s e i v z s r Nomentana r Monte Mario i Parco e ia n Parco e E r r P e i a n a e o l a M i Virgiliano a della Villa i V le V ia V T V i r a i i o L i h u F E se n n l V c a n V . Piazza m i g i c V a V n f in a Piazza V o e o v i M e i e a i e Vi i i MONTE o i a i a r V a Villa n t e V d G S a n Villa-- Ada B n Annibaliano l V a V d o ia r V a V a C o e . l Volsinio d v e i e a e i i a e i P n ia u ia L ell s a Vi m io n V a . s A in V i r i x a m i f e m i e s i . F . d s n e V l V Via F i e r p a ru ll l a MARIO a a e ia a b o V o G. -
The Ludovisi “Throne”, the Boston “Throne” and the Warren Cup: Retrospective Works Or Forgeries?
SIRI SANDE The Ludovisi “throne”, the Boston “throne” and the Warren cup: Retrospective works or forgeries? Abstract The Ludovisi and Boston “thrones” are among the most discussed monuments in the history of art. It is here ar- gued that certain details on the “thrones” find their closest parallels among artefacts of the Augustan period such as decorative reliefs and candelabra, Arretine ware and silver work: notably the so-called Warren cup in the Brit- ish Museum. The “thrones” cannot therefore be dated to the early Classical period. But does that mean that they are Roman retrospective works? Both the “thrones” and lately also the Warren cup have been regarded by some scholars as forgeries. The author of this article strongly suspects that all three were created in the late 19th century. There are certain enigmas in Ancient art which continue to worry the collective subcon- sciousness of art historians. One is the authenticity of the so-called Boston “throne” (FIGS. 3- 4 a-b) , and, to a lesser degree, the Ludovisi “throne” (FIGS. 1-2 a-b). It is like exploring a loose tooth with the tip of the tongue. You do it now and then, to feel that it is dangling, but still in place. The debate over the so-called “thrones” has been going on since they appeared on the Roman art market at the end of the nineteenth century. In 1892, a few years after its discovery in 1887, E. Petersen published the Ludovisi “throne” as an Early Classical work (around 470 BC).1 In a long and well-researched article from 1911, F. -
La Distruzione Di Villa Ludovisi the Destruction of Villa Ludovisi
LA TERZA ROMA OPERAIA: IL QUARTIERE SAN LORENZO THE THIRD, WORKING CLASS ROME: THE SAN LORENZO NEIGHBOURHOOD La zona extraurbana compresa tra la Via inurbati che non potevano trovare alloggio The suburban area bounded by Via labourers newly arrived to the city, who Nomentana a nord e la Via Prenestina a all’interno delle mura, nella città Nomentana to the north and Via could not find housing inside the city walls, sud non aveva mai interessato le famiglie “borghese” che contribuivano a Prenestina to the south was never of much in the “bourgeois” city that they were nobili romane; definita vigna era in gran costruire. La tipologia edilizia è quella della interest to the noble families of Rome; helping construct. The building typology parte proprietà di enti ecclesiastici. case a ringhiera: con abitazioni prive di called the vigna, it was largely owned by was balcony access blocks: with flats that La presenza del cimitero del Verano e il acqua corrente e servizi igienici elementari, religious bodies. had no sewage system, kitchens, or running diffiie collgmno cn i centr “ cesso alla turca” in comune sul ballatoio; The presence of the Verano Cemetery and water, and instead of toilets had a shared facevano di San Lorenzo un’area assenza di rete fognaria e cucina. lack of an easy connection to the city squat toilet along the access balcony. extraurbana di poco pregio confrontata Il degrado e le condizioni igieniche erano centre made San Lorenzo a suburb of little The decay and sanitary conditions were con Prati di Castello o il quartiere Ludovisi. -
The Original Documents Are Located in Box 16, Folder “6/3/75 - Rome” of the Sheila Weidenfeld Files at the Gerald R
The original documents are located in Box 16, folder “6/3/75 - Rome” of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald R. Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Digitized from Box 16 of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library 792 F TO C TATE WA HOC 1233 1 °"'I:::: N ,, I 0 II N ' I . ... ROME 7 480 PA S Ml TE HOUSE l'O, MS • · !? ENFELD E. • lt6~2: AO • E ~4SSIFY 11111~ TA, : ~ IP CFO D, GERALD R~) SJ 1 C I P E 10 NTIA~ VISIT REF& BRU SE 4532 UI INAl.E PAL.ACE U I A PA' ACE, TME FFtCIA~ RESIDENCE OF THE PR!S%D~NT !TA y, T ND 0 1 TH HIGHEST OF THE SEVEN HtL.~S OF ~OME, A CTENT OMA TtM , TH TEMPLES OF QUIRl US AND TME s E E ~oc T 0 ON THIS SITE. I THE CE TER OF THE PR!SENT QU?RINA~ IAZZA OR QUARE A~E ROMAN STATUES OF C~STOR .... -
I Give Permission for Public Access to My Honors Paper and for Any
I give permissionfor public accessto my Honorspaper and for any copying or digitizationto be doneat the discretionof the CollegeArchivist and/orthe ColleseLibrarian. fNametyped] MackenzieSteele Zalin Date G-rr.'. 1 30. zoal Monuments of Rome in the Films of Federico Fellini: An Ancient Perspective Mackenzie Steele Zalin Department of Greek and Roman Studies Rhodes College Memphis, Tennessee 2009 Submitted in partial fulfillment of the requirements for the Bachelor of Arts degree with Honors in Greek and Roman Studies This Honors paper by Mackenzie Steele Zalin has been read and approved for Honors in Greek and Roman Studies. Dr. David H. Sick Project Sponsor Dr. James M. Vest Second Reader Dr. Michelle M. Mattson Extra-Departmental Reader Dr. Kenneth S. Morrell Department Chair Acknowledgments In keeping with the interdisciplinary nature of classical studies as the traditional hallmark of a liberal arts education, I have relied upon sources as vast and varied as the monuments of Rome in writing this thesis. I first wish to extend my most sincere appreciation to the faculty and staff of the Intercollegiate Center for Classical Studies in Rome during the spring session of 2008, without whose instruction and inspiration the idea for this study never would have germinated. Among the many scholars who have indelibly influenced my own study, I am particularly indebted to the writings of Catherine Edwards and Mary Jaeger, whose groundbreaking work on Roman topography and monuments in Writing Rome: Textual approaches to the city and Livy’s Written Rome motivated me to apply their theories to a modern context. In order to establish the feasibility and pertinence of comparing Rome’s antiquity to its modernity by examining their prolific juxtapositions in cinema as a case study, I have also relied a great deal upon the works of renowned Italian film scholar, Peter Bondanella, in bridging the ages. -
St. Mary Major Termini Visitors Centre Vatican City
VISITORS CENTRE VATICAN CITY VIA LUDOVISI 8 VENETO VISITORS CENTRE 9 BARBERINI VISITORS CENTRE TERMINI STATION VISITORS CENTRE ST. PETER’S BASILICA TREVI 7 1 TERMINI FOUNTAIN VATICAN & ST ANGELO 6 17 12 ST. MARY MAJOR 10 2 11 1 7 15 13 16 PIAZZA FREE WALKING TOURS VENEZIA 5 2 Walk 1: In the heart of the Eternal City 6 14 2 Capitoline Hill 11 Piazza Farnese 5 13 Piazza Venezia 12 Piazza Navona 7 Largo Argentina 10 Pantheon 4 1 Campo de’ Fiori 17 Trevi Fountain 9 8 Walk 2: Colosseum and Ancient Forum 3 COLOSSEUM 2 Capitoline Hill 5 Forum 13 Piazza Venezia 4 Colosseum 3 15 Trajan’s Column 9 Palatine Hill 16 Trajan’s Markets CIRCO 4 MASSIMO Walk 3: From Ghetto to Colosseum 14 Teatro Marcello 3 Circus Maximus 6 Ghetto 9 Palatine Hill 8 Mouth of Truth 4 Colosseum MAP LEGEND STOPS AND ATTRACTIONS DATES AND TIMES PANORAMIC ROUTE / WEEKDAYS FREQUENCY PANORAMIC ROUTE / HOLIDAYS 1 TERMINI STATION DAILY First Dep: 8:30 AM | Last Complete Run: 6:45 PM | End of service: 8:30 PM 10/15 MINUTES LARGO DI VILLA PERETTI CORNER PIAZZA DEI CINQUECENTO I LOVE ROME Main Train Station, if you get o! here you can visit FIRST DEPARTURE POINTS the National Roman Museum , Piazza della Repubblica and Via Nazionale for relaxing shopping. TERMINI STATION 8:30 AM I LOVE ROME GUIDED TOURS AND ACTIVITIES 2 ST. MARY MAJOR First Dep: 8:40 AM | Last Complete Run: 5:10 PM | End of service: 6:55 PM LAST DEPARTURE PIAZZA ESQUILINO, 12 TERMINI STATION GENERAL INFORMATION Visit one of the most ancient Basilicas of Christianity and, very M T W T F S S close, the S.