Langue Et Discours De La Contestation. Enjeux Et Représentations Des Luttes

Total Page:16

File Type:pdf, Size:1020Kb

Langue Et Discours De La Contestation. Enjeux Et Représentations Des Luttes Langue et discours de la contestation. Enjeux et repr´esentations des luttes sociales et politiques en Italie (1967 - 1980) Ilaria Vezzani To cite this version: Ilaria Vezzani. Langue et discours de la contestation. Enjeux et repr´esentations des luttes sociales et politiques en Italie (1967 - 1980). Litt´eratures.Ecole normale sup´erieurede lyon - ENS LYON, 2013. Fran¸cais. <NNT : 2013ENSL0852>. <tel-01015847> HAL Id: tel-01015847 https://tel.archives-ouvertes.fr/tel-01015847 Submitted on 27 Jun 2014 HAL is a multi-disciplinary open access L'archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destin´eeau d´ep^otet `ala diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publi´esou non, lished or not. The documents may come from ´emanant des ´etablissements d'enseignement et de teaching and research institutions in France or recherche fran¸caisou ´etrangers,des laboratoires abroad, or from public or private research centers. publics ou priv´es. THÈSE en vue de l'obtention du grade de Docteur de l’Université de Lyon, délivré par l’École Normale Supérieure de Lyon Discipline : Italien Laboratoire TRIANGLE – UMR 5206 École Doctorale Philosophie, Histoire, Créations, Représentations (ED 487) présentée et soutenue publiquement le 15 novembre 2013 par Madame Ilaria Vezzani LANGUE ET DISCOURS DE LA CONTESTATION ENJEUX ET REPRÉSENTATIONS DES LUTTES SOCIALES ET POLITIQUES EN ITALIE (1967-1980) Directeur de thèse : M. le Professeur Jean-Claude ZANCARINI (Ens de Lyon), Après l'avis de : Mme Marie-Anne Matard-Bonucci M. Christophe Mileschi Devant la commission d'examen formée de : Guido Crainz (Università degli studi di Teramo), Examinateur Pierre Girard (Université Lyon III), Examinateur Marie-Anne Matard-Bonucci (Université Paris 8), Rapporteur Christophe Mileschi (Université Paris X), Rapporteur Jean-Claude Zancarini (Ens de Lyon), Directeur 1 Laboratoire Triangle - UMR 5206 Action, discours, pensée politique et économique ENS de Lyon 15, parvis René Descartes 69342 Lyon Cedex 07 École Doctorale Philosophie, Histoire, Créations, Représentations (ED 487) Université Lyon 3 18 rue Chevreuil 69007 Lyon 2 Résumé de la thèse en français : La thèse porte sur la langue et les discours de la contestation en Italie dans les années 1970. L’étude vise à définir les enjeux et les représentations qui ont prévalu dans l’utilisation de certains mots plutôt que d’autres, en essayant de se placer du point de vue des acteurs qui ont vécu la période. Elle analyse d’une part l’utilisation de certains mots dans la langue politique de l'époque, en la comparant avec la production analogue précédente, et notamment avec les traditions politiques de référence. Elle étudie d'autre part la spécificité de la langue de la période en s’interrogeant sur la question d’un lexique politique propre à une époque donnée. Elle étudie enfin les débats linguistiques qui ont accompagné cette modification du lexique politique, en s’attachant plus particulièrement aux textes qui ont marqué des tournants linguistiques et idéologiques. L’étude vise à adopter une démarche scientifique qui comprend une historicisation précise des textes et des enjeux de leur écriture et qui a été définie par l’expression « philologie politique ». À travers la description d'un corpus très varié, comportant les textes politiques de référence (articles de journaux, tracts, affiches, documents théoriques, débats) produits par les organisations majeures d’extrême gauche (gauche extraparlementaire, mouvements, lutte armée) et leur interaction avec d’autres types de discours (Pci, Dc, presse) ; mais aussi des textes historiographiques et différentes formes de témoignage, cette étude pose la question plus générale de la création d’une langue politique propre à une époque donnée et du caractère particulier de la langue politique des années 1970 en Italie. Mots clés en français : Stratégie de la tension/ Massacre d’Etat (Strage di stato) Mouvements collectifs/ Violence politique Lutte armée /Terrorisme Compromis historique/Démocratie Société civile/Etat/Pouvoir Italie / 1967-1980 3 Title Language and debates of protests Stakes and representations of political and social conflicts in Italy (1967-1980) Abstract The dissertation tackles the language and the debates of protests in Italy in the Seventies. The research looks at defining the stakes and the representations that have been predominant through the use of certain words instead of others, by trying to show the point of view of the stakeholders that have lived this historical period. On one hand, the use of certain words utilized in the political language of that time has been analyzed, and compared with the precedent analogue production, notably with the political traditions of reference. On the other hand, the dissertation tackles the specificity of the language of that period by questioning the theme of a political vocabulary relatively of a specific time. Eventually, an analysis is made of the linguistic debates that have gone along with this change in the political vocabulary, by linking itself in particular to the writings that have marked linguistic and ideological turning points. The study aims at adopting a scientific method that entails a precise historization of the texts and the stakes connected to their writing which has been defined with the expression of « political philology ». The research utilizes the description of a very diversified collection of documents that include the political writings of reference (newspaper articles, leaflets, posters, theoretical documents, debates) produced by the main organizations of the extreme left wing (extra parliamentary left wing, movements, armed struggle) and their interaction with different types of speeches (PCI, DC, press); moreover the study includes historiographic texts and different forms of witness’ documents. The aim is to discuss more generally the creation of a political language belonging to a specific time and the particular character of the political language in the Seventies in Italy. Key Words in English Strategy of Tension / State Massacre Collective Movements/Political Violence Armed Struggle/Terrorism Historical Compromise/Democracy Civil Society/State/Power Italy 1967/1980 4 TABLE DES MATIÈRES LANGUE ET DISCOURS DE LA CONTESTATION ENJEUX ET REPRÉSENTATION DES LUTTES POLITIQUES ET SOCIALES EN ITALIE 1967-1980 INTRODUCTION ____________________________________________________ 9 I. Langue et discours ______________________________________________ 10 II. Les agents des discours et les sources _____________________________ 14 III. Des « années de plomb » ? _____________________________________ 17 IV. Thèse ______________________________________________________ 20 V. Langue et histoire ____________________________________________ 23 VI. La philologie politique _________________________________________ 28 Chapitre 1 _________________________________________________________ 33 L’origine des discours de la violence en Italie ______________________________ 33 Analyse et reconstruction des traditions langagières des années 1970 ___________ 33 I. L'Après-Guerre et la Résistance (1943-1950) _________________________ 34 1) La référence à la Résistance dans la langue des années 1970 _________ 34 2) L’idée d’une filiation « existentielle » ___________________________ 44 II. La question du conflit entre la société et l'Etat et le retour à la Résistance _ 49 1) La répression violente des luttes ouvrières dans les années 1950 et 1960 52 a) De Modène à Turin, en passant par Reggio Emilia (1950-1962) ______ 52 b) L’apparition de nouveaux concepts: l’opéraïsme, l’ouvrier-masse, et le renouveau du concept d’ autonomie ouvrière ______________________________ 61 2) Les « acrobaties nominalistes » du Pci __________________________ 67 3) Le retour du fascisme : l'extrême droite et la « guerre non-orthodoxe » _ 73 4) Conclusion ________________________________________________ 78 Chapitre 2 _________________________________________________________ 81 Le renouveau linguistique de 1968 : du « spontanéisme » à « l’organisation » ____ 81 I. L'apparition de nouvelles pratiques politiques et langagières _____________ 83 1) Le langage de 1968 _________________________________________ 83 2) Deux exemples : l’« Université négative » de Trente et « Il Potere operaio » de Pise _____________________________________________________ 89 a) L’ « Université négative » de Trente ____________________________ 89 b) Il Potere operaio de Pise_____________________________________ 95 3) Le « pouvoir étudiant » et le Pci ______________________________ 102 II. Après 1968, la recherche de nouvelles formes d’organisation politique __ 106 1) La naissance des organisations extraparlementaires _______________ 106 2) Les travaux de Patrizia Violi sur le langage de Lc et de Po _________ 111 a) Les caractéristiques langagières de Potere Operaio _______________ 111 b) Les caractéristiques langagières de Lotta Continua _______________ 113 3) Les discours des journaux Lotta continua et Potere operaio : la « qualité des temps » et la « guerre » _____________________________________________ 117 4) Conclusion _______________________________________________ 124 Chapitre 3 ________________________________________________________ 127 Piazza Fontana, 12 décembre1969, un tournant? __________________________ 127 I. Le massacre de piazza Fontana et la « stratégie de la tension » : les réactions de la presse au lendemain des bombes: le début de la guerre
Recommended publications
  • Emily Jacir: Europa 30 Sep 2015 – 3 Jan 2016 Large Print Labels and Interpretation Galleries 1, 8 & 9
    Emily Jacir: Europa 30 Sep 2015 – 3 Jan 2016 Large print labels and interpretation Galleries 1, 8 & 9 1 Gallery 1 Emily Jacir: Europa For nearly two decades Emily Jacir has built a captivating and complex artistic practice through installation, photography, sculpture, drawing and moving image. As poetic as it is political, her work investigates movement, exchange, transformation, resistance and silenced historical narratives. This exhibition focuses on Jacir’s work in Europe: Italy and the Mediterranean in particular. Jacir often unearths historic material through performative gestures and in-depth research. The projects in Europa also explore acts of translation, figuration and abstraction. (continues on next page) 2 At the heart of the exhibition is Material for a film (2004– ongoing), an installation centred around the story of Wael Zuaiter, a Palestinian intellectual who was assassinated outside his home in Rome by Israeli Mossad agents in 1972. Taking an unrealised proposal by Italian filmmakers Elio Petri and Ugo Pirro to create a fi lm about Zuaiter’s life as her starting point, the resulting installation contains documents, photographs, and sound elements, including Mahler’s 9th Symphony as one of the soundtracks to the work. linz diary (2003), is a performance by Jacir captured by one of the city’s live webcams that photographed the artist as she posed by a fountain in a public square in Linz, Austria, at 6pm everyday, over 26 days. During the performance Jacir would send the captured webcam photo of herself to her email list along with a small diary entry. In the series from Paris to Riyadh (drawings for my mother) (1998–2001), a collection of white vellum papers dotted with black ink are delicately placed side by side.
    [Show full text]
  • Investigating Italy's Past Through Historical Crime Fiction, Films, and Tv
    INVESTIGATING ITALY’S PAST THROUGH HISTORICAL CRIME FICTION, FILMS, AND TV SERIES Murder in the Age of Chaos B P ITALIAN AND ITALIAN AMERICAN STUDIES AND ITALIAN ITALIAN Italian and Italian American Studies Series Editor Stanislao G. Pugliese Hofstra University Hempstead , New York, USA Aims of the Series This series brings the latest scholarship in Italian and Italian American history, literature, cinema, and cultural studies to a large audience of spe- cialists, general readers, and students. Featuring works on modern Italy (Renaissance to the present) and Italian American culture and society by established scholars as well as new voices, it has been a longstanding force in shaping the evolving fi elds of Italian and Italian American Studies by re-emphasizing their connection to one another. More information about this series at http://www.springer.com/series/14835 Barbara Pezzotti Investigating Italy’s Past through Historical Crime Fiction, Films, and TV Series Murder in the Age of Chaos Barbara Pezzotti Victoria University of Wellington New Zealand Italian and Italian American Studies ISBN 978-1-137-60310-4 ISBN 978-1-349-94908-3 (eBook) DOI 10.1057/978-1-349-94908-3 Library of Congress Control Number: 2016948747 © The Editor(s) (if applicable) and The Author(s) 2016 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifi cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed.
    [Show full text]
  • Ugo Tognazzi: a Film Series
    Presents Ugo Tognazzi: a Film Series Saturday, April 27, 2019 Castro Theatre 429 Castro Street San Francisco, CA 94114 In collaboration with The Italian Cultural Institute and the Consul General of Italy in San Francisco Organized by Cinema Italia San Francisco For our 9th program at the Castro Theatre, we are proud to present Italian icon Ugo Tognazzi. As an actor, director and screenwriter, Tognazzi performed in over 150 films in the Golden Age of Italian Cinema. Together with Vittorio Gassman, Marcello Mastroianni, Alberto Sordi and Nino Manfredi, Ugo Tognazzi invented and popularized the commedia all'italiana, a genre mixing comedy and melancholy, that swept the box office in Italy from 1960 to 1970. All five films will be projected from 35 mm prints. 1 Saturday, April 27 - Full Schedule: 10:00 am - Elio Petri’s Property is No Longer a Theft (1973), 127 min., Cinecittà 35 mm, Titanus. 12:45 pm - Bernardo Bertolucci’s Tragedy of a Ridiculous Man (1981), 116 min., Cinecittà 35 mm, Warner Bros. 3:30 pm - Dir. Dino Risi’s In the Name of the Italian People (1971), 102 min., Cinecittà 35 mm, Rialto. 6:30 pm - Édouard Molinaro’s La Cage aux Folles (1978), 97 min., 35 mm, Park Circus. 8:30-10:00 pm - The Big Feast Party 10:00 pm - Marco Ferreri’s La Grande Bouffe (1973), 129 min., Cinecittà 35 mm, Drafthouse. Property is No Longer a Theft La proprietà non è più un furto Directed by Elio Petri Screenplay by Elio Petri, Ugo Pirro With Ugo Tognazzi, Flavio Bucci, Daria Nicolodi In Italian with English subtitles.
    [Show full text]
  • Esteban Anchustegui Igartua
    Anno IV, n. 2 – 2012 Storia e Politica Rivista quadrimestrale Università degli Studi di Palermo Dipartimento di Studi Europei (D.E.M.S.) Ciudadanía y multiculturalismo 190 Esteban Anchustegui Igartua Anno IV n. 2 Maggio-Agosto 2012 Ricerche/Articles Esteban Anchustegui Igartua Ciudadanía y multiculturalismo 193 Anna Li Donni Carmelo Provenzano Politica industriale ed evoluzione dei settori industriali: alcune implicazioni di evolutionary economics 212 Luigi Mastrangelo Brutus Romae tra mitologia fondativa, ricostruzioni storiografiche e rielaborazioni ideologiche 230 Carlo Verri Il federalismo antifascista di Silvio Trentin 250 Fabio Di Giannatale Il «Vicesatana» Mazzini e la Civiltà Cattolica Aspetti dell’intransigentismo risorgimentale 269 Michihiro Kaino Bentham’s Legal Theory and the Common Law tradition: defining some key elements of continuity 291 Pietro Daniel Omodeo Giordano Bruno nell’Illuminismo radicale tedesco: la diatriba historico-philosophica di Friedrich Christian Laudkhard 306 Flavio Silvestrini Il duplice volto del Monarca dantesco tra teoria politica e realtà storica 324 Manuela Girgenti Politica e diritto nel pensiero di Maimonide 347 Atti del Seminario di Studio su Karol Wojtyla (Palermo, 2 aprile 2009) Giovanni Paolo II tra teologia, pedagogia e politica Interventi di Antonio Bellingreri, Anselmo Lipari, Rosanna Marsala 367 191 Ciudadanía y multiculturalismo Note e discussioni/ Notes and Discussions Peter A. Mazur – Simon Ditchfield Raccontare la conversione in età moderna: a proposito di Schiavitù mediterranee 411 Alessandro Argiroffi Hannah Arendt, l’effettività e la terzietà 427 Recensioni/Reviews T. Casadei, Tra ponti e rivoluzioni. Diritti, costituzioni, cittadinanza in Thomas Paine (S. Samorì); Montesquieu, Pensieri diversi, a cura di D. Felice (F. Fraulini); M. Ciardi, Reazioni tricolori. Aspetti della chimica italiana nell’età del Risorgimento (P.
    [Show full text]
  • Hofstra University Film Library Holdings
    Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987.
    [Show full text]
  • Nuovo INV Ugo Pirro
    Sheet1 FASCICOLO ESTREMI BUSTANumerazione PEZZI TIPOLOGIA TITOLO FILM TITOLO ROMANZO TITOLO ALTRO TITOLO AMBITI E CONTENUTO CRONOLOGICI provvisoria Colpita da improvviso Sceneggiatura ds., rilegata, pp. 276. Presenti note 1 1.0001 1 SCRIPT Mercati Generali [1975] benessere, 1975 ms. Colpita da improvviso Trattamento ds., carte sciolte, pp. 208. Presenti 1 1.0002 1 SCRIPT Mercati Generali [1975] benessere, 1976 note ms. Colpita da improvviso Trattamento ds., rilegato, pp. 84. Presenti 1 1.0003 1 SCRIPT Mercati Generali (trattamento) [1975] benessere, 1977 annotazioni ms. sul frontespizio. Colpita da improvviso Soggetto di Barbara Alberti e Amedeo Pagani, ds., 1 1.0004 1 SCRIPT Storia Mercati Generali [1975] benessere, 1978 rilegato, pp. 71. Colpita da improvviso Soggetto di Barbara Alberti e Amedeo Pagani, ds., 1 1.0005 1 SCRIPT Mercati Generali [1975] benessere, 1979 rilegato, pp. 64. Colpita da improvviso Appunti, descrizione scene e dialoghi ms.; scaletta 1 1.0006 3 SCRIPT Mercati Generali (originali) [1975] benessere, 1980 ds. e ms.. Soggetto ds., rilegato, pp. 69. Annotazione ms. sul 1 1.0007 1 SCRIPT INEDITI Furti e rapine con brio e amore frontespizio: “1° stesura”. Presenti note ms. e carte sciolte ms.. Soggetto ds., pp. 56. Presenti note ms. e carte 1 1.0008 1 SCRIPT INEDITI Furti e rapine con brio e amore sciolte ms.. (Furti e rapine con brio e amore) 1 1.0009 1 SCRIPT INEDITI Soggetto ms., pp. 37. Originali Piccolo pene Bozza di sceneggiatura, carte sciolte ms. e ds., cc. 2 2.0010 1 SCRIPT INEDITI [1974] (originali) 192. [Paolo Barca, maestro Scaletta, soggetto e trattamento; carte sciolte ms.
    [Show full text]
  • Dead Silent: Life Stories of Girls and Women Killed by the Italian Mafias, 1878-2018 Robin Pickering-Iazzi University of Wisconsin-Milwaukee, [email protected]
    University of Wisconsin Milwaukee UWM Digital Commons French, Italian and Comparative Literature Faculty French, Italian and Comparative Literature Books Department 2019 Dead Silent: Life Stories of Girls and Women Killed by the Italian Mafias, 1878-2018 Robin Pickering-Iazzi University of Wisconsin-Milwaukee, [email protected] Follow this and additional works at: https://dc.uwm.edu/freita_facbooks Part of the Criminology and Criminal Justice Commons, Italian Language and Literature Commons, and the Women's Studies Commons Recommended Citation Pickering-Iazzi, Robin, "Dead Silent: Life Stories of Girls and Women Killed by the Italian Mafias, 1878-2018" (2019). French, Italian and Comparative Literature Faculty Books. 2. https://dc.uwm.edu/freita_facbooks/2 This Book is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in French, Italian and Comparative Literature Faculty Books by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. DEAD SILENT: Life Stories of Girls and Women Killed by the Italian Mafias, 1878-2018 Robin Pickering-Iazzi Robin Pickering-Iazzi is Professor of Italian and Comparative Literature in the Department of French, Italian, and Comparative Literature at the University of Wisconsin-Milwaukee. She is the author of The Mafia in Italian Lives and Literature: Life Sentences and Their Geographies, published in Italian as Le geografie della mafia nella vita e nella letteratura dell’Italia contemporanea, and editor of the acclaimed volumes The Italian Antimafia, New Media, and the Culture of Legality and Mafia and Outlaw Stories in Italian Life and Literature. She is currently working on a book that examines representations of feminicide in Italian literature, film, and media.
    [Show full text]
  • Ugo Pirro: La Scrittura Del Conflitto Uno Scrittore in Bicicletta Sulle Strade Della Grecia
    UGO PIRRO: LA SCRITTURA DEL CONFLITTO UNO SCRITTORE IN BICICLETTA SULLE STRADE DELLA GRECIA Dottoranda: Donata Carelli XXIX ciclo Università degli Studi di Roma Tor Vergata in cotutela con Università Aristotele di Salonicco, Grecia Tutor Prof. Rino Caputo Tutor Prof.ssa Ada Boubara Coordinatore Prof. Fabio Pierangeli UGO PIRRO: Η ΓΡΑΦΗ ΤΟΥ ΠΟΛΕΜΟΥ ΕΝΑΣ ΣΥΓΓΡΑΦΕΑΣ ΜΕ ΠΟΔΗΛΑΤΟ ΣΤΟΥΣ ΔΡΟΜΟΥΣ ΤΗΣ ΕΛΛΑΔΑΣ Υποψήφια Διδάκτορας: Donata Carelli XXIX κύκλος Πανεπιστήμιο της Ρώμης Tor Vergata σε συνεπίβλεψη με το Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης Επιβλέπων: Rino Caputo, Καθηγητής Επιβλέπουσα: Άντα Μπουμπάρα, Αν. Καθηγήτρια Συντονιστής: Fabio Pierangeli, Αν. Καθηγητής 2 ΠΕΡΙΛΗΨΗ O Ugo Pirro, καλλιτεχνικό ψευδώνυμο του Ugo Mattone, στις μέρες μας μνημονεύεται κατά κύριο λόγο ως σεναριογράφος μέσα από του τίτλους των πιο γνωστών κινηματογραφικών του έργων. Η παρούσα έρευνα, ωστόσο, έχει ως σκοπό να εξετάσει τον συγγραφέα Ugo Pirro, ιδιότητα με την οποία γνώρισε την καταξίωση πριν γίνει γνωστός ως σεναριογράφος: τη δεκαετία του ’50, όταν και πρωτοεμφανίστηκε στο λογοτεχνικό γίγνεσθαι με το έργο του Le soldatesse και ακολούθησαν τα Mille tradimenti, Jovanka e le altre, Freddo furore και L’isola in terraferma, καθώς και πολλά άλλα βιβλία που μεταφράστηκαν σε ολόκληρο τον κόσμο. Ο τύπος της εποχής επευφήμησε το βιβλίο του σα να ’ταν ένας από του μεγάλους μυθιστοριογράφους. Όταν ο Pirro δήλωσε ότι θα εγκατέλειπε τη λογοτεχνία για να αφιερωθεί αποκλειστικά στον κινηματογράφο, ο Cesare Zavattini ξέσπασε: «Είναι αδιανόητο κάτι τέτοιο!» Στα πρώτα χρόνια της δραστηριότητάς του ο Ugo Pirro αφηγήθηκε ιστορίες του πολέμου, στη συνέχεια έγραψε μυθιστορήματα με κοινωνικό υπόβαθρο, καταγγελτικά, αστυνομικά καθώς και αυτοβιογραφικά. Έζησε τον πόλεμο στο πετσί του, στην Ελλάδα, στη Γιουγκοσλαβία, στη Σαρδηνία, αποκομίζοντας από ένα τέτοιοι γεγονός όλη την πίκρα που οι σκοτεινές πτυχές της σύγκρουσης είχαν αφήσει πάνω του.
    [Show full text]
  • ARMI in PUGNO 22 7 10 2-09-2010 11:53 Pagina 1
    ARMI IN PUGNO 22_7_10 2-09-2010 11:53 Pagina 1 ARMI IN PUGNO di PINO CASAMASSIMA ARMI IN PUGNO 22_7_10 2-09-2010 11:53 Pagina 2 PINO CASAMASSIMA giornalista e scrittore di lungo corso, collabora con la trasmissione “La storia siamo noi” di Giovanni Minoli. Autore teatrale, è stato opinionista del network statunitense CBS e consulente per Rizzoli. Nella sua bibliografia compare una ventina di titoli, tra cui Il libro nero delle Brigate Rosse (Newton&Compton), 68, l’anno che ritorna con Franco Piperno (Rizzoli) e Il sangue dei rossi. Morire di politica negli anni Settanta (Cairo). Ha inoltre curato Il dizionario della musica leggera (Le Lettere). © 2010 Pino Casamassima © 2010 Stampa Alternativa/Nuovi Equilibri Questo libro è rilasciato con licenza Creative Commons-Attribuzione-Non commerciale-Non opere derivate 2.5 Ita- lia. Il testo integrale della licenza è disponibile all’indirizzo http://creativecommons.org/licenses/by-nc-nd/2.5/it/. L’autore e l’editore inoltre riconoscono il principio della gratuità del prestito bibliotecario e sono contrari a norme o direttive che, monetizzando tale servizio, limitino l’accesso alla cultura. Dunque l’autore e l’editore rinunciano a ri- scuotere eventuali introiti derivanti dal prestito bibliotecario di quest’opera. Per maggiori informazioni, si consulti il sito «Non Pago di Leggere», campagna europea contro il prestito a pagamento in biblioteca <http://www.nopa- go.org/>. ARMI IN PUGNO 22_7_10 2-09-2010 11:53 Pagina 3 INTRODUZIONE La fame, la miseria, l’indigenza: altro che Nord Est dei tanti miracoli. Per decenni i veneti hanno dovuto lasciare le loro terre e raggiungere il Nuovo Mondo: quell’America che accoglieva anche lombardi e friulani, calabresi e pugliesi.
    [Show full text]
  • La Direzione Investigativa Antimafia: Origini, Attività E Prospettive
    Dipartimento di Scienze politiche Cattedra Sociologia del diritto, della devianza e del crimine organizzato La Direzione investigativa antimafia: origini, attività e prospettive Chiar.mo Prof. Antonio Filippo Dassori La Spina 082022 RELATORE CANDIDATO Anno Accademico 2018/1019 Sommario Introduzione Capitolo I: Cenni storici 1. Le organizzazioni mafiose italiane: le storie e le strutture 1.1 Cosa Nostra 1.2 Camorra 1.3 ‘Ndrangheta 1.4 La criminalità organizzata pugliese e lucana 2. Il quadro storico della mafia nell’Italia della Prima Repubblica 3. Le proposte di Falcone intorno al contrasto della criminalità organizzata 3.1 L’importanza del pentitismo 3.2 La dimensione economica della lotta alla criminalità organizzata 3.3 Cooperazione e coordinamento fra le forze di contrasto alle mafie 4. La nascita della DIA Capitolo II: Composizione e struttura attuale 1. Il modello organizzativo e funzionale 2. Le componenti della D.I.A. e la sua presenza sul territorio italiano 2.1 Gli Organi: il Direttore e i Vicedirettori 2 2.2 La struttura centrale 2.2.1 Reparto Investigazioni Preventive 2.2.2 Reparto Investigazioni Giudiziarie 2.2.3 Reparto Relazioni Investigative ai fini investigativi 2.2.4 Ufficio Ispettivo 2.2.5 Ufficio di Gabinetto 2.2.6 Ufficio Personale 2.2.7 Ufficio Addestramento 2.2.8 Ufficio Informatica 2.2.9 Ufficio Supporti Tecnico-Investigativi 2.2.10 Ufficio Amministrazione 2.2.11 Ufficio Servizi di Ragioneria 2.3 I Centri Operativi 3. Il personale della D.I.A. 3.1 Modalità di accesso 3.2 La dotazione organica 3.3 L’attribuzione degli incarichi 3.4 Status giuridico 3.5 Logo e placca di riconoscimento Capitolo III: Natura, compiti e attività della D.I.A.
    [Show full text]
  • Property Bd Booklet
    ACADEMY ACADEMY ARROW ACADEMY ARROW ACADEMY ACADEMY ARROW ACADEMY ACADEMY ARROW ARROW ACADEMY ACADEMY ARROW ARROW ACADEMY ACADEMY ARROW ARROW ACADEMY ACADEMY ARROW ARROW ACADEMY ARROW ARROW ACADEMY ARROW 1 ACADEMY ARROW ARROW ACADEMY ACADEMY ARROW ACADEMY ARROW ACADEMY ACADEMY ARROW ACADEMY ACADEMY ARROW ARROW ACADEMY ACADEMY ARROW ARROW ACADEMY ACADEMY ARROW ARROW ACADEMY ACADEMY ARROW ARROW ACADEMY ARROW ARROW ACADEMY ARROW 2 ACADEMY ARROW ARROW A Grotesque Entanglement of Property, Power, and Desire (2016) CONTENTS Cast and Crew 3 by Camilla Zamboni About the Restoration 5 7 22 ACADEMY ACADEMY ARROW ACADEMY ARROW ACADEMY ACADEMY ARROW ACADEMY ACADEMY ARROW ARROW ACADEMY ACADEMY ARROW ARROW ACADEMY ACADEMY ARROW ARROW ACADEMY ACADEMY ARROW ARROW ACADEMY ARROW ARROW ACADEMY ARROW A Film by Elio Petri 4 Ugo Tognazzi Flavio Bucci Daria Nicolodi ACADEMY Mario Scaccia Orazio Orlando Julien Guiomar ARROW Luigi Proietti Salvo Randone Story and Screenplay by Production Design and Costumes by Elio Petri Ugo Pirro Gianni Polidori Original Score by ARROW Ennio Morricone Ruggero Mastroianni Edited by Director of Photography Luigi Kuveiller ClaudioProduced Mancini by Directed by Elio Petri 5 ACADEMY ACADEMY ARROW ACADEMY A GROTESQUE ENTANGLEMENT ARROW OF PROPERTY, POWER, AND DESIRE ACADEMY ACADEMY by Camilla Zamboni Property, power, and desire: these are the themes that violently emerge from Elio Petri’s ARROW film Property Is No Longer a Theft (La proprietà non è più un furto). Released in 1973, the film focuses on Total (Flavio Bucci), a bank teller who is allergic to money bills and who becomes obsessed with the idea of rebelling against a capitalist society ruled by the love and accumulation of property.
    [Show full text]
  • Langue Et Discours De La Contestation. Enjeux Et Représentations Des Luttes Sociales Et Politiques En Italie
    Langue et discours de la contestation. Enjeux et repr´esentations des luttes sociales et politiques en Italie (1967 - 1980) Ilaria Vezzani To cite this version: Ilaria Vezzani. Langue et discours de la contestation. Enjeux et repr´esentations des luttes sociales et politiques en Italie (1967 - 1980). Litt´eratures.Ecole normale sup´erieurede lyon - ENS LYON, 2013. Fran¸cais. <NNT : 2013ENSL0852>. <tel-01015847> HAL Id: tel-01015847 https://tel.archives-ouvertes.fr/tel-01015847 Submitted on 27 Jun 2014 HAL is a multi-disciplinary open access L'archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destin´eeau d´ep^otet `ala diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publi´esou non, lished or not. The documents may come from ´emanant des ´etablissements d'enseignement et de teaching and research institutions in France or recherche fran¸caisou ´etrangers,des laboratoires abroad, or from public or private research centers. publics ou priv´es. THÈSE en vue de l'obtention du grade de Docteur de l’Université de Lyon, délivré par l’École Normale Supérieure de Lyon Discipline : Italien Laboratoire TRIANGLE – UMR 5206 École Doctorale Philosophie, Histoire, Créations, Représentations (ED 487) présentée et soutenue publiquement le 15 novembre 2013 par Madame Ilaria Vezzani LANGUE ET DISCOURS DE LA CONTESTATION ENJEUX ET REPRÉSENTATIONS DES LUTTES SOCIALES ET POLITIQUES EN ITALIE (1967-1980) Directeur de thèse : M. le Professeur Jean-Claude ZANCARINI
    [Show full text]