Understanding Schopenhauer Through the Prism of Indian Culture
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La primera Historia de la Literatura romana: el programa de curso de F. A. Wolf (1787) 1 Francisco GarCía -J UradO Bernd MarIzzI Universidad Complutense [email protected] [email protected] recibido: 31 de marzo de 2009 aceptado: 20 de octubre de 2009 RESUMEN Se ofrece por primera vez en versión castellana el programa de Historia de la Literatura romana publi - cado por Friedrich august Wolf en 1787. El programa, escrito originalmente en alemán (y no en latín, como era normal en este tipo de publicaciones), contiene la primera formulación de una historia litera - ria en términos de literatura nacional. asimismo, se hace un estudio biográfico del autor y de su im - pronta en España, al tiempo que se ofrece un comentario de las ideas historiográficas que sustentan el curso, no ajenas a la estética del llamado Clasicismo de Weimar. Palabras clave: Historia literaria. Literatura romana. Friedrich august Wolf. GarCía -J UradO , F., MarIzzI , B., «La primera Historia de la Literatura romana: el programa de curso de F. a. Wolf (1787)», Cuad. fil. clás. Estud. Lat . 29.2 (2009) 145-177. The first History of roman Literature: F. a. Wolf’s lecture programme (1787) AbStRAct This is the first time F. a. Wolf’s History of roman Literature Programme is translated to Spanish since its first edition in 1787. The programme is written in German (not in Latin, as it was usual in this kind of studies), and roman Literature is shown as a national literature. In addition, we study Wolf’s life, his influence in Spain and we offer a commentary on historiographic ideas found in his programme. -
Christian Gottlob Heyne and the Changing Fortunes of the Commentary in the Age of Altertumswissenschaft
Christian Gottlob Heyne and the changing fortunes of the commentary in the age of Altertumswissenschaft Book or Report Section Accepted Version Harloe, K. (2015) Christian Gottlob Heyne and the changing fortunes of the commentary in the age of Altertumswissenschaft. In: Kraus, C. S. and Stray, C. (eds.) Classical Commentaries: Explorations in a scholarly genre. Oxford University Press, Oxford, pp. 435-456. ISBN 9780199688982 Available at http://centaur.reading.ac.uk/39805/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Publisher: Oxford University Press All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Christian Gottlob Heyne and the Changing Fortunes of the Commentary in the Age of Altertumswissenschaft Katherine Harloe This chapter seeks to explore issues raised by the major commentaries on Tibullus, Virgil and the Iliad that came from the pen of Christian Gottlob Heyne (1729–1812). For a long time Heyne was neglected within classical scholars’ understanding of their own history, yet in his own age he was something of a European intellectual celebrity, and even at the end of the nineteenth century Friedrich Paulsen could identify him as ‘indisputably the leader in the field of classical studies in Germany during the second half of the eighteenth century’ (1885: 441). -
Between "Bildung" and "Wissenschaft": the 19Th-Century German Ideal of Scientific Education by Bas Van Bommel
Between "Bildung" and "Wissenschaft": The 19th-Century German Ideal of Scientific Education by Bas van Bommel Prior to the 19th century, poetry, rhetoric, historiography and moral philosophy were considered particularly valuable to humane education, as they transmitted knowledge of beauty, goodness and truth. These so‐called "fine sciences" ("schöne Wissenschaften") were discredited by Immanuel Kant, who no longer recognised values as objects of scientific knowledge. Kant advanced an ideal of "rigorous science" entailing a novel concept of "scientific education" ("wissenschaftliche Bildung"): through methodically exploring the harmonious totality of human knowledge, the human mind would take on a correspondingly harmonious form. In the course of the 19th century, the disciplinary differentiation and specialisation that resulted from the new concept of rigorous science proved ever more difficult to reconcile with the educational ideal that had once been its motivating force. TABLE OF CONTENTS 1. Introduction 2. Bildung in the late 18th century: schöne Wissenschaften 3. The Kantian turn 4. Classical philology as "pure science": Friedrich August Wolf 5. Bildung transformed: classical philology as an educational science 6. The educational value of the natural sciences 7. The institutional impact of the German concept of scientific education 8. Scientific education abroad 9. The conflict between science and education 10. Conclusion 11. Appendix 1. Sources 2. Literature 3. Notes Indices Citation Introduction Mathematics and the natural sciences have worked their way up to unsuspected heights, and ... acquired a classicism that can almost compete with the aesthetic classicism of ancient literature.1 Without a doubt, the most influential concept in German university history is that of the "unity of teaching and research" ("Einheit von Lehre und Forschung"). -
Recapturing a Homeric Legacy
Hellenic Studies 35 Recapturing a Homeric Legacy Images and Insights From the Venetus A Manuscript of the Iliad Other Titles in the Hellenic Studies Series Plato’s Rhapsody and Homer’s Music The Poetics of the Panathenaic Festival in Classical Athens Labored in Papyrus Leaves Perspectives on an Epigram Collection Attributed to Posidippus (P.Mil.Vogl. VIII 309) Helots and Their Masters in Laconia and Messenia Histories, Ideologies, Structures Recapturing a Archilochos Heros The Cult of Poets in the Greek Polis Master of the Game Competition and Performance in Greek Poetry Homeric Legacy Greek Ritual Poetics edited by Casey Dué Black Doves Speak Herodotus and the Languages of Barbarians Pointing at the Past From Formula to Performance in Homeric Poetics Homeric Conversation The Life and Miracles of Thekla Victim of the Muses Poet as Scapegoat, Warrior and Hero in Greco-Roman and Indo-European Myth and History Amphoterōglossia A Poetics of the Twelfth Century Medieval Greek Novel Priene (second edition) Plato’s Symposium Issues in Interpretation and Reception Poetic and Performative Memory in Ancient Greece Heroic Reference and Ritual Gestures in Time and Space http://chs.harvard.edu/chs/publications Center for Hellenic Studies Trustees for Harvard University Washington, D.C. Distributed by Harvard University Press Cambridge, Massachusetts, and London, England 2009 Recapturing a Homeric Legacy : Images and Insights From the Venetus A Manuscript of the Iliad Edited by Casey Dué Copyright © 2009 Center for Hellenic Studies, Trustees for Harvard University All Rights Reserved. Published by Center for Hellenic Studies, Trustees for Harvard University, Washington, D.C. Distributed by Harvard University Press, Cambridge, Massachusetts and London, England Printed in Ann Arbor, MI by Edwards Brothers, Inc. -
Anthony Grafton Reviews 'Latin' by Jürgen Leonhardt, Translated By
Anthony Grafton reviews ‘Latin’ by Jürgen Leonhardt, translated by Kenneth Kronenberg · LRB 8 January 2015 1/12/15 10:11 PM Back to article page Not Dead Yet Anthony Grafton Latin: Story of a World Language by Jürgen Leonhardt, translated by Kenneth Kronenberg Harvard, 352 pp, £22.95, November 2013, ISBN 978 0 674 05807 1 On 22 May 1724 James Logan, a wealthy Philadelphian fur trader, scientist and bibliophile, took a day trip with friends from London to Windsor. Big crowds accompanied them, and no wonder: they were making their way to a dramatic public occasion – a scientific counterpart to the hangings at Tyburn that drew enthusiastic spectators in droves in the same period. A solar eclipse was about to take place. Two rival astronomers, William Whiston and Edmond Halley, had predicted where it would reach totality. As he had done once before, in 1715, Halley published in advance a map of the shadow that the eclipse would project on the earth, as seen from above – a brilliant feat of visual imagination and a superb disposal of quantitative data. Whiston held that the eclipse would not be total anywhere near London. Halley, by contrast, included Windsor in the zone of totality. Who won? No one knew for certain. ‘Expecting to see the sun wholly obscured,’ Logan recalled, ‘we returned in a state of frustration. For the heavens favoured Halley, since they were covered by clouds. Still, we considered it certain that the moon did not block off all of the sun’s light, as Halley had predicted.’ Four days later, attending a meeting of the Royal Society, Logan heard Isaac Newton ask Halley to discuss the eclipse. -
The Persistence of the Homeric Question
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by RERO DOC Digital Library FACULTE DES LETTRES PROGRAMME DE LITTERATURE COMPAREE THE PERSISTENCE OF THE HOMERIC QUESTION THESE DE DOCTORAT présentée par GEORGES JEAN VARSOS Directeur de thèse: WLAD GODZICH Président du jury: RICK WASWO JUILLET 2002 i PREFACE Work directly related to this thesis started, I think, when I read the first of Ezra Pound’s Cantos, during my post-graduate studies in Comparative Literature, in Montreal. My M.A. dissertation compared Pound’s translation and Heidegger’s transposition of the figure of Odyssean return (Pound et Heidegger, lecteurs d’Homère, Université de Montréal, 1992). I subsequently requested and was granted permission to pursue doctoral work focusing on Homer’s Odyssey – which involved transferring to the University of Geneva. The turn to the field of Homeric studies brought along the inevitable: not only the systematic reading of the original in canonical modern editions, but also an inquiry into the history of these editions and of the correlative Homeric Question. This led me to Wolf’s Prolegomena – and to the question of the manuscript tradition. A first draft of the doctoral dissertation comprised two relatively distinct parts: an overview of the philological debate on Homer, and a re-reading of selected passages of the Odyssey, especially those that poetise figures of language, humanity and memory. There only seemed to lack a brief middle part, bridging what was sensed as a gap between the two. Paul de Man provided that bridge – more specifically, his approach to reading and history, as evinced in his lecture on Walter Benjamin’s “Aufgabe des Übersetzers”. -
It Seems Correct to Assume That No Century Prior to the Twentieth
From Aestheticism to Naturalism: A Reassessment of Nietzsche’s ‘postmodernist’ Philosophy of History by Joshua Travis Johnston B.A., University of the Fraser Valley, 2007 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in the Department of History © Joshua Travis Johnston, 2012 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee From Aestheticism to Naturalism: A Reassessment of Nietzsche’s ‘postmodernist’ Philosophy of History By Joshua Travis Johnston B.A., University of the Fraser Valley, 2007 Supervisory Committee Dr. Tom Saunders, (Department of History) Supervisor Dr. Gregory Blue, (Department of History) Departmental Member iii Abstract Supervisory Committee Dr. Tom Saunders, (Department of History) Supervisor Dr. Gregory Blue, (Department of History) Department Member Since the 1960’s it has been common for many historians to treat Friedrich Nietzsche as a proto-postmodernist. Nietzsche’s scepticism and apparent embrace of aestheticism have fueled the belief among historians that Nietzsche’s philosophy anticipated a postmodern understanding of history. This project seeks to challenge the proto-postmodernist reading of Nietzsche’s philosophy of history by arguing that Nietzsche’s thought underwent a significant change after the termination of his friendship with the German composer Richard Wagner. Utilizing Nietzsche’s personal correspondence, material from his many notebooks, records of the books he read and owned, as well as the works he published, this thesis attempts to unravel the proto- postmodern reading of Nietzsche’s philosophy in favour of a naturalist interpretation of his thought. -
The Sound Figures in Goethe, Schopenhauer, and Nietzsche
Visions in sand: the sound figures in Goethe, Schopenhauer, and Nietzsche The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:39947189 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Visions in sand: the sound figures in Goethe, Schopenhauer, and Nietzsche A dissertation presented by Steven Patrick Lydon to The Department of Germanic Languages and Literatures in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Germanic Languages and Literatures Harvard University Cambridge, Massachusetts September 2018 ! i © 2018 Steven Patrick Lydon All rights reserved. ii Dissertation Advisor: Prof. John Hamilton Steven Patrick Lydon Prof. Oliver Simons Visions in sand: the sound figures in Goethe, Schopenhauer, and Nietzsche Abstract On the reception of the sound figures, an eighteenth-century acoustical experiment, in the writings of Goethe, Schopenhauer, and Nietzsche. It focuses especially on the philosophical ramifications for literary studies and the history of science. ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! iii ! ! Table of contents Introduction: the sound figures between metaphysics and metaphor 1 1. Signatura rerum: Chladni's sound figures in Schelling, August Schlegel, and 12 Brentano 2. Beyond words: Goethe's interpretation of Chladni's sound figures via the 34 entoptic colors 3. Words without meaning: Schopenhauer decoding Chladni's sound figures via 56 Goethe and Jean Paul 4. -
A Finding Aid to the Charles Scribner's Sons Art Reference Department Records, 1839-1962, in the Archives of American Art
A Finding Aid to the Charles Scribner's Sons Art Reference Department records, 1839-1962, in the Archives of American Art Jean Fitzgerald Funding for the digitization of this collection was provided by the Terra Foundation for American Art. March 2006 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Historical Note.................................................................................................................. 2 Scope and Content Note................................................................................................. 3 Arrangement..................................................................................................................... 4 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Portrait Files, 1839-1962, undated........................................................... 5 Series 2: Illustrator Files, 1878-1921, undated...................................................... 36 Series 3: Miscellaneous Reference -
Classical Humanism and the Challenge of Modernity
Classical Humanism and the Challenge of Modernity Debates on classical education in Germany c. 1770-1860 Classical Humanism and the Challenge of Modernity Debates on classical education in Germany c. 1770-1860 Klassiek Humanisme en de Uitdaging van de Moderniteit Debatten over klassieke vorming in Duitsland ca. 1770-1860 (met een samenvatting in het Nederlands) Proefschrift ter verkrijging van de graad van doctor aan de Universiteit Utrecht op gezag van de rector magnificus, prof. dr. G.J. van der Zwaan, ingevolge het besluit van het college voor promoties in het openbaar te verdedigen op dinsdag 22 oktober 2013 des middags te 4.15 uur door Sebastiaan Pieter van Bommel geboren op 11 september 1979 te Amsterdam Promotoren: Prof. dr. J.H. Blok Prof. dr. P.G. Ziche Uxori carissimae CONTENTS Preface ................................................................................................................ ix Introduction ........................................................................................... 1 1. Classical education and modern society................................... 1 2. The concept of ‘neohumanism’ (Neuhumanismus) .................. 3 3. ‘Neohumanism’ versus classical humanism ........................... 7 4. The paradigm of modernity ....................................................... 13 5. Structure and method ................................................................. 15 Part I The Persistence of Classical Humanism ......... 19 19th century classical humanism The case of Karl Gottfried Siebelis (1769-1843) -
Guide to the Immanuel Bekker Papers 1806-1853
University of Chicago Library Guide to the Immanuel Bekker Papers 1806-1853 © 2006 University of Chicago Library Table of Contents Descriptive Summary 3 Information on Use 3 Access 3 Digital Images 3 Citation 4 Biographical Note 4 Scope Note 6 Related Resources 7 Subject Headings 7 INVENTORY 7 Descriptive Summary Identifier ICU.SPCL.BEKKER Title Bekker, Immanuel. Papers Date 1806-1853 Size 0.5 linear feet (1 box) Repository Special Collections Research Center University of Chicago Library 1100 East 57th Street Chicago, Illinois 60637 U.S.A. Abstract Immanuel Bekker (1785-1871) Philologist. The Papers consist entirely of correspondence addressed to Bekker. Some are semi-official communications (Niebuhr, W.V.Humboldt); many are of a scholarly nature, occasionally with extensive Greek quotations. Those written by Bekker's closer intimates are often typical of the need felt in the Romantic era to open one's heart to a friend, while a few are no more than short invitations (Reimer). The letters cover the period 1806 to 1853. Information on Use Access The collection is open for research. Digital Images Original documents, texts, and images represented by digital images linked to this finding aid are subject to U. S. copyright law. It is the user's sole responsibility to secure any necessary copyright permission to reproduce or publish documents, texts, and images from any holders of rights in the original materials. The University of Chicago Library, in its capacity as owner of the physical property represented by the digital images linked to this finding aid, encourages the use of these materials for educational and scholarly purposes. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ProQuest Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMI* THE LAST OFTHE HOMERIDAI: GOETHE’S ROADTOHERAIANN UND DOROTHEA DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Amy ElvaKaiulani Vail, M.A. ***** The Ohio State University 2001 Dissertation Committee: Approved by Professor Duane W.