A Finding Aid to the Charles Scribner's Sons Art Reference Department Records, 1839-1962, in the Archives of American Art
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Durham E-Theses
Durham E-Theses The priesthood of Christ in Anglican doctrine and devotion: 1827 - 1900 Hancock, Christopher David How to cite: Hancock, Christopher David (1984) The priesthood of Christ in Anglican doctrine and devotion: 1827 - 1900, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/7473/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 VOLUME II 'THE PRIESTHOOD OF CHRIST IN ANGLICAN DOCTRINE AND DEVOTION: 1827 -1900' BY CHRISTOPHER DAVID HANCOCK The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. Submitted for the Degree of Doctor of Philosophy, University of Durham, Department of Theology, 1984 17. JUL. 1985 CONTENTS VOLUME. II NOTES PREFACE 1 INTRODUCTION 4 CHAPTER I 26 CHAPTER II 46 CHAPTER III 63 CHAPTER IV 76 CHAPTER V 91 CHAPTER VI 104 CHAPTER VII 122 CHAPTER VIII 137 ABBREVIATIONS 154 BIBLIOGRAPHY 155 1 NOTES PREFACE 1 Cf. -
Letters from Arthur Penrhyn Stanley, (NLW MS 12877C.)
Llyfrgell Genedlaethol Cymru = The National Library of Wales Cymorth chwilio | Finding Aid - Letters from Arthur Penrhyn Stanley, (NLW MS 12877C.) Cynhyrchir gan Access to Memory (AtoM) 2.3.0 Generated by Access to Memory (AtoM) 2.3.0 Argraffwyd: Mai 08, 2017 Printed: May 08, 2017 Wrth lunio'r disgrifiad hwn dilynwyd canllawiau ANW a seiliwyd ar ISAD(G) Ail Argraffiad; rheolau AACR2; ac LCSH Description follows NLW guidelines based on ISAD(G) 2nd ed.; AACR2; and LCSH https://archifau.llyfrgell.cymru/index.php/letters-from-arthur-penrhyn-stanley archives.library .wales/index.php/letters-from-arthur-penrhyn-stanley Llyfrgell Genedlaethol Cymru = The National Library of Wales Allt Penglais Aberystwyth Ceredigion United Kingdom SY23 3BU 01970 632 800 01970 615 709 [email protected] www.llgc.org.uk Letters from Arthur Penrhyn Stanley, Tabl cynnwys | Table of contents Gwybodaeth grynodeb | Summary information .............................................................................................. 3 Natur a chynnwys | Scope and content .......................................................................................................... 3 Nodiadau | Notes ............................................................................................................................................. 4 Pwyntiau mynediad | Access points ............................................................................................................... 4 Llyfryddiaeth | Bibliography .......................................................................................................................... -
Testament of Thomas Carlyle SC70/6/21 P.461
Testament of Thomas Carlyle SC70/6/21 p.461 Thomas Carlyle SC70/6/21 [page 461] I, Thomas Carlyle of 5 Great Cheyne Row, Chelsea in the County of Middlesex Esquire declare this to be my last Will and Testament Revoking all former Will I direct all my just debts, funeral and testamentary expences to be paid as soon as may be after my decease And it is my express instruction that since I cannot be laid in the Grave at Haddington I shall be placed beside my Father and Mother in the Churchyard of Ecclefechan. I appoint my Brother John Aitken Carlyle, Doctor of Medicine and my friend John Foster of Palace Gate House, Kensington, Esquire Executors and Trustees of this my Will. If my said Brother should die in my lifetime I appoint my Brother James Carlyle to be an Executor and Trustee in his stead and if the said John Forster should die in my [p.463] my lifetime I appoint my friend James Anthony Froude to be an Executor and Trustee in his stead. I give to my dear and ever helpful Brother John A. Carlyle my Leasehold messuage in Great Cheyne Row in which I reside subject to the rent and covenants under which I hold the same and all such of my Furniture plate linen china books prints pictures and other effects therein as are not hereinafter bequeathed specifically My Brother John has no need of my money or help and therefore in addition to this small remembrance I bequeath to him only the charge of being Executor of my Will and of seeing everything peaceably fulfilled If he survives me as is natural he will not refuse My poor and indeed almost pathetic collection of books (with the exception of those hereinafter specifically given) I request him to accept as a memento of me while he stays behind I give my Watch to my Nephew Thomas the son of my Brother Alexander "Alicks Tom" as a Memorial of the affection I have for him and of my thankful (and also hopeful) approval of all that I have ever got to know or surmise about him. -
Charing Cross Bridge at Night, 1909 £1,500 REF: 2478 Artist: JOSEPH PENNELL
Charing Cross Bridge at Night, 1909 £1,500 REF: 2478 Artist: JOSEPH PENNELL Height: 17.5 cm (6 1/1") Width: 25 cm (9 3/4") Framed Height: 38.5 cm - 15 1/4" Framed Width: 45 cm - 17 3/4" 1 Sarah Colegrave Fine Art By appointment only - London and North Oxfordshire | England +44 (0)77 7594 3722 https://sarahcolegrave.co.uk/charing-cross-bridge-at-night-1909 28/09/2021 Short Description JOSEPH PENNELL (1857-1926) Charing Cross Bridge at Night, 1909 Signed Etching Plate size17.5 by 25 cm., 7 by 10 in. (frame size 38.5 by 45 cm., 15 ¼ by 17 ¾ in.) Pennell was born in Philadelphia where he studied at School of Industrial Art and the Academy of Fine Arts. In 1884 he was commissioned by the Century Magazine to supply a series of drawings of London and Italy. He and his wife, Elizabeth, moved to London where they co-authored a number of books and articles, often featuring their extensive European travels. In London he became friends with a number of writers and artists including Henry James, H G Wells, John Singer Sargent, and most importantly, James MacNeill Whistler, who was to significantly influence his work. Whistler asked Pennell to accompany him to Paris and aid in the printing of his series of etching of Parisian shop fronts. Inspired by Whistler, Pennell then produced a series of deeply atmospheric aquatint nocturnes of London and the River Thames. Pennell and his wife wrote a biography of Whistler in 1906 and despite the opposition of his family over the right to use his letters it was published in 1908. -
00 Portadillas
La primera Historia de la Literatura romana: el programa de curso de F. A. Wolf (1787) 1 Francisco GarCía -J UradO Bernd MarIzzI Universidad Complutense [email protected] [email protected] recibido: 31 de marzo de 2009 aceptado: 20 de octubre de 2009 RESUMEN Se ofrece por primera vez en versión castellana el programa de Historia de la Literatura romana publi - cado por Friedrich august Wolf en 1787. El programa, escrito originalmente en alemán (y no en latín, como era normal en este tipo de publicaciones), contiene la primera formulación de una historia litera - ria en términos de literatura nacional. asimismo, se hace un estudio biográfico del autor y de su im - pronta en España, al tiempo que se ofrece un comentario de las ideas historiográficas que sustentan el curso, no ajenas a la estética del llamado Clasicismo de Weimar. Palabras clave: Historia literaria. Literatura romana. Friedrich august Wolf. GarCía -J UradO , F., MarIzzI , B., «La primera Historia de la Literatura romana: el programa de curso de F. a. Wolf (1787)», Cuad. fil. clás. Estud. Lat . 29.2 (2009) 145-177. The first History of roman Literature: F. a. Wolf’s lecture programme (1787) AbStRAct This is the first time F. a. Wolf’s History of roman Literature Programme is translated to Spanish since its first edition in 1787. The programme is written in German (not in Latin, as it was usual in this kind of studies), and roman Literature is shown as a national literature. In addition, we study Wolf’s life, his influence in Spain and we offer a commentary on historiographic ideas found in his programme. -
Collecting Old Masters for New York: Henry Gurdon Marquand and the Metropolitan Museum of Art
Volume 9, Issue 1 (Winter 2017) Collecting Old Masters for New York: Henry Gurdon Marquand and the Metropolitan Museum of Art Esmée Quodbach [email protected] Recommended Citation: Esmée Quodbach, “Collecting Old Masters for New York: Henry Gurdon Marquand and the Metropolitan Museum of Art,” JHNA 9:1 (Winter 2017), DOI: 10.5092/jhna.2017.9.1.2 Available at https://jhna.org/articles/collecting-old-masters-new-york-henry-gurdon-mar- quand-metropolitan-museum-of-art/ Published by Historians of Netherlandish Art: https://hnanews.org/ Republication Guidelines: https://jhna.org/republication-guidelines/ Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. This PDF provides paragraph numbers as well as page numbers for citation purposes. ISSN: 1949-9833 JHNA 7:2 (Summer 2015) 1 COLLECTING OLD MASTERS FOR NEW YORK: HENRY GURDON MARQUAND AND THE METROPOLITAN MUSEUM OF ART Esmée Quodbach The subject of this article is the collector Henry Gurdon Marquand (1819–1902), banker and railroad financier, and a noted member of the burgeoning class of newly prosperous business magnates of Gilded Age New York. An exception- ally civic-minded patron, Marquand set out in the early 1880s to assemble a group of first-class Old Master paintings for the Metropolitan Museum of Art. This paper explores Marquand’s acquisitions, especially the Flemish and Dutch paintings he bought. Focusing on Marquand’s 1889 gift of thirty-seven Old Masters to the museum—the first gift of its kind—this paper also considers Marquand’s aspirations, not only as a major private collector but especially as a leading donor to the institution, whose second president he became in 1889. -
Aqueduct Racetrack Is “The Big Race Place”
Table of Contents Chapter 1: Welcome to The New York Racing Association ......................................................3 Chapter 2: My NYRA by Richard Migliore ................................................................................6 Chapter 3: At Belmont Park, Nothing Matters but the Horse and the Test at Hand .............7 Chapter 4: The Belmont Stakes: Heartbeat of Racing, Heartbeat of New York ......................9 Chapter 5: Against the Odds, Saratoga Gets a Race Course for the Ages ............................11 Chapter 6: Day in the Life of a Jockey: Bill Hartack - 1964 ....................................................13 Chapter 7: Day in the Life of a Jockey: Taylor Rice - Today ...................................................14 Chapter 8: In The Travers Stakes, There is No “Typical” .........................................................15 Chapter 9: Our Culture: What Makes Us Special ....................................................................18 Chapter 10: Aqueduct Racetrack is “The Big Race Place” .........................................................20 Chapter 11: NYRA Goes to the Movies .......................................................................................22 Chapter 12: Building a Bright Future ..........................................................................................24 Contributors ................................................................................................................26 Chapter 1 Welcome to The New York Racing Association On a -
Introduction
1 Introduction A jackal who had fallen into a vat of indigo dye decided to exploit his mar- velous new appearance and declared himself king of the forest. He ap- pointed the lions and other animals as his vassals, but took the precaution of having all his fellow jackals driven into exile. One day, hearing the howls of the other jackals in the distance, the indigo jackal’s eyes filled with tears and he too began to howl. The lions and the others, realizing the jackal’s true nature, sprang on him and killed him. This is one of India’s most widely known fables, and it is hard to imagine that anyone growing up in an Indian cultural milieu would not have heard it. The indigo jackal is as familiar to Indian childhood as are Little Red Rid- ing Hood or Snow White in the English-speaking world. The story has been told and retold by parents, grandparents, and teachers for centuries in all the major Indian languages, both classical and vernacular. Versions of the collec- tion in which it first appeared, the Pañcatantra, are still for sale at street stalls and on railway platforms all over India. The indigo jackal and other narratives from the collection have successfully colonized the contemporary media of television, CD, DVD, and the Internet. I will begin by sketching the history and development of the various families of Pañcatantra texts where the story of the indigo jackal first ap- peared, starting with Pu–rnabhadra’s. recension, the version on which this inquiry is based. -
Arguing with the Coloniser: Linguistic Strategies in John Jacob Thomas's Froudacity (1889) 1
151 JANA GOHRISCH Arguing with the Coloniser: Linguistic Strategies in John Jacob Thomas's Froudacity (1889) 1. Introduction In the West Indies there is indefinite wealth waiting to be developed by intelligence and capital; and men with such resources, both English and American, might be tempted still to settle there, and lead the blacks along with them into more settled manners and higher forms of civilisation. But the future of the blacks, and our own influence over them for good, depend on their being protected from themselves and from the schemers who would take advantage of them. […] As it has been in Hayti, so it must be in Trinidad if the Eng- lish leave the blacks to be their own masters. […] [T]he keener-witted Trinidad blacks are watching as eagerly as we do the development of the Irish problem. They see the identity of the situation. (Froude 1888, 79; 86; 87) Anyhow, Mr. Froude's history of the Emancipation may here be amended for him by a reminder that, in the British Colonies, it was not Whites as masters, and Blacks as slaves, who were affected by that momentous measure. In fact, 1838 found in the British Colonies very nearly as many Negro and Mulatto slave-owners as there were white. Well then, these black and yellow planters received their quota, it may be presumed, of the £ 20,000,000 sterling indemnity. They were part and parcel of the proprietary body in the Colonies, and had to meet the crisis like the rest. They were very wealthy, some of these Ethiopic accomplices of the oppressors of their own race. -
Istanbul 2016 T.C. Fatih Sultan Mehmet Vakif Üniversitesi
T.C. FATİH SULTAN MEHMET VAKIF ÜNİVERSİTESİ MEDENİYETLER İTTİFAKI ENSTİTÜSÜ YÜKSEK LİSANS TEZİ BİLİMSEL BİR SÖYLEM FORMU OLARAK TEMSİL: MANDEVİLLE’İN ARILAR MASALI ÜZERİNE BİR İNCELEME FİRDEVS BULUT 130401003 TEZ DANIŞMANI: PROF. DR. RECEP ŞENTÜRK PROF. DR. TAHSİN GÖRGÜN ISTANBUL 2016 T.C. FATİH SULTAN MEHMET VAKIF ÜNİVERSİTESİ MEDENİYETLER İTTİFAKI ENSTİTÜSÜ YÜKSEK LİSANS TEZİ BİLİMSEL BİR SÖYLEM FORMU OLARAK TEMSİL: MANDEVİLLE’İN ARILAR MASALI ÜZERİNE BİR İNCELEME FİRDEVS BULUT 130401003 Enstitü Anabilim Dalı: Medeniyet Araştırmaları Enstitü Bilim Dalı: Medeniyet Araştırmaları Bu tez 23/06/2016 tarihinde aşağıdaki jüri tarafından oy birliğiyle kabul edilmiştir. BEYAN Bu tezin yazımında bilimsel ahlâk kurallarının gözetildiğini, başkalarının eserlerinden yararlanırken bilimsel normlara uygun olarak kaynak gösteriminin yapıldığını, kullanılan veriler üzerinde herhangi bir değişiklik yapılmadığını, tezin herhangi bir kısmının bu üniversite veya başka bir üniversitedeki başka bir tez çalışmasına ait olarak sunulmadığını beyan ederim. FİRDEVS BULUT ÖZET Bu tezde, Bernard de Mandeville’in 1714 yılında kaleme aldığı ve klasik temsili anlatım türünün bir örneği olan Arılar Masalı (The Fable of the Bees) eseri incelenecek, metinde öne çıkan kavramlar ve metnin yazıldığı dönemin özellikleri, temsili anlatım ile bilgi üretimi arasındaki ilişkiyi ortaya koyması açısından ele alınacaktır. Ortaya koyduğu toplum teorisi ve erken modern Batı toplumu örnekliği ile yazıldığı dönemin ender eserlerinden biri olan Arılar Masalı, bu çalışmada öncelikle döneminin düşünsel birikiminin bir parçası olarak değerlendirilecektir. Daha sonra metnin şu ana kadarki iktisadi ve ahlaki açıklama ve yorumlarının ötesine geçilmeye çalışılarak, edebi bir metin olarak ele alınacaktır. Fabl türü ve temsil getirme metodu ile siyasi ve ahlaki bir toplum teorisi kuran eserin, bir edebiyat ürünü olarak döneminin neresinde bulunduğu açıklanacaktır. -
Letterpress and Picture in the Literary Periodicals of the 1890S Author(S): Linda Dowling Source: the Yearbook of English Studies, Vol
Letterpress and Picture in the Literary Periodicals of the 1890s Author(s): Linda Dowling Source: The Yearbook of English Studies, Vol. 16, Literary Periodicals Special Number (1986), pp. 117-131 Published by: Modern Humanities Research Association Stable URL: http://www.jstor.org/stable/3507769 . Accessed: 09/03/2011 14:30 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at . http://www.jstor.org/action/showPublisher?publisherCode=mhra. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Modern Humanities Research Association is collaborating with JSTOR to digitize, preserve and extend access to The Yearbook of English Studies. http://www.jstor.org Letterpress and Picture in the Literary Periodicals of the I89os LINDA DOWLING Albuquerque,New Mexico It is not, I think, a mere Wildean paradox manqueto say that the characteris- tic literary periodicals of the i89os are important for their pictures. -
Mundella Papers Scope
University of Sheffield Library. Special Collections and Archives Ref: MS 6 - 9, MS 22 Title: Mundella Papers Scope: The correspondence and other papers of Anthony John Mundella, Liberal M.P. for Sheffield, including other related correspondence, 1861 to 1932. Dates: 1861-1932 (also Leader Family correspondence 1848-1890) Level: Fonds Extent: 23 boxes Name of creator: Anthony John Mundella Administrative / biographical history: The content of the papers is mainly political, and consists largely of the correspondence of Mundella, a prominent Liberal M.P. of the later 19th century who attained Cabinet rank. Also included in the collection are letters, not involving Mundella, of the family of Robert Leader, acquired by Mundella’s daughter Maria Theresa who intended to write a biography of her father, and transcriptions by Maria Theresa of correspondence between Mundella and Robert Leader, John Daniel Leader and another Sheffield Liberal M.P., Henry Joseph Wilson. The collection does not include any of the business archives of Hine and Mundella. Anthony John Mundella (1825-1897) was born in Leicester of an Italian father and an English mother. After education at a National School he entered the hosiery trade, ultimately becoming a partner in the firm of Hine and Mundella of Nottingham. He became active in the political life of Nottingham, and after giving a series of public lectures in Sheffield was invited to contest the seat in the General Election of 1868. Mundella was Liberal M.P. for Sheffield from 1868 to 1885, and for the Brightside division of the Borough from November 1885 to his death in 1897.