Charing Cross Bridge at Night, 1909 £1,500 REF: 2478 Artist: JOSEPH PENNELL

Total Page:16

File Type:pdf, Size:1020Kb

Charing Cross Bridge at Night, 1909 £1,500 REF: 2478 Artist: JOSEPH PENNELL Charing Cross Bridge at Night, 1909 £1,500 REF: 2478 Artist: JOSEPH PENNELL Height: 17.5 cm (6 1/1") Width: 25 cm (9 3/4") Framed Height: 38.5 cm - 15 1/4" Framed Width: 45 cm - 17 3/4" 1 Sarah Colegrave Fine Art By appointment only - London and North Oxfordshire | England +44 (0)77 7594 3722 https://sarahcolegrave.co.uk/charing-cross-bridge-at-night-1909 28/09/2021 Short Description JOSEPH PENNELL (1857-1926) Charing Cross Bridge at Night, 1909 Signed Etching Plate size17.5 by 25 cm., 7 by 10 in. (frame size 38.5 by 45 cm., 15 ¼ by 17 ¾ in.) Pennell was born in Philadelphia where he studied at School of Industrial Art and the Academy of Fine Arts. In 1884 he was commissioned by the Century Magazine to supply a series of drawings of London and Italy. He and his wife, Elizabeth, moved to London where they co-authored a number of books and articles, often featuring their extensive European travels. In London he became friends with a number of writers and artists including Henry James, H G Wells, John Singer Sargent, and most importantly, James MacNeill Whistler, who was to significantly influence his work. Whistler asked Pennell to accompany him to Paris and aid in the printing of his series of etching of Parisian shop fronts. Inspired by Whistler, Pennell then produced a series of deeply atmospheric aquatint nocturnes of London and the River Thames. Pennell and his wife wrote a biography of Whistler in 1906 and despite the opposition of his family over the right to use his letters it was published in 1908. In the early years of the 20th Century the Pennells made several trips to America resulting in a famous group of iconic etchings and mezzotints of the buildings of the growing New York. 2 Sarah Colegrave Fine Art By appointment only - London and North Oxfordshire | England +44 (0)77 7594 3722 https://sarahcolegrave.co.uk/charing-cross-bridge-at-night-1909 28/09/2021.
Recommended publications
  • Letterpress and Picture in the Literary Periodicals of the 1890S Author(S): Linda Dowling Source: the Yearbook of English Studies, Vol
    Letterpress and Picture in the Literary Periodicals of the 1890s Author(s): Linda Dowling Source: The Yearbook of English Studies, Vol. 16, Literary Periodicals Special Number (1986), pp. 117-131 Published by: Modern Humanities Research Association Stable URL: http://www.jstor.org/stable/3507769 . Accessed: 09/03/2011 14:30 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at . http://www.jstor.org/action/showPublisher?publisherCode=mhra. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Modern Humanities Research Association is collaborating with JSTOR to digitize, preserve and extend access to The Yearbook of English Studies. http://www.jstor.org Letterpress and Picture in the Literary Periodicals of the I89os LINDA DOWLING Albuquerque,New Mexico It is not, I think, a mere Wildean paradox manqueto say that the characteris- tic literary periodicals of the i89os are important for their pictures.
    [Show full text]
  • Global Vistas: American Art and Internationalism in the Gilded Age
    Global Vistas: American Art and Internationalism in the Gilded Age Nicole Williams Honorary Guest Scholar and Postdoctoral Teaching Fellow (2019–2020) in the Department of Art History & Archaeology in Arts & Sciences at Washington University in St. Louis Global Vistas: American Art and Internationalism in the Gilded Age explores the importance of international travel and exchange to American art of the late nineteenth century, a period of transition for the United States marked by the rise of global trade, international tourism, massive waves of immigration, and forces of orientalism and imperialism. Through a selection of paintings, prints, photographs, and decorative arts from the Mildred Lane Kemper Art Museum, as well as other collections at Washington University in St. Louis, this Teaching Gallery exhibition reveals how Americans increasingly defined their nation by looking to the foreign cultures and landscapes of Asia, the Middle East, Europe, and the Caribbean basin. They imbued their art with a modern, multicultural spirit that also announced the country’s emerging status as a global power. In the decades following the Civil War, many Americans eagerly turned away from recent violence at home toward new vistas of adventure and opportunity abroad. A boom in international travel was facilitated by improvements to communication and transportation networks, such as the laying of the first transatlantic cable, the completion of the transcontinental railroad, the opening of the Suez Canal, and the introduction of regular steamship service between San Francisco and Yokohama, Japan. Young American artists flocked to study in Europe’s great art centers, often staying overseas for many years and establishing vibrant expatriate communities.
    [Show full text]
  • The Art of Fiction and the Art of War: Henry James, H. G. Wells, and Ford Madox Ford
    <http://nbn-resolving.de/urn:nbn:de:bsz:21-opus-49437> | <https://doi.org/10.25623/conn001.1-wiesenfarth-1> Connotations Vol. l.1 (1991) The Art of Fiction and the Art of War: Henry James, H. G. Wells, and Ford Madox Ford JOSEPH WIESENFARTI-1 The house of fiction has . a number of possible windaws. At each of them stands a figure ... with a field-glass, which [insures] to the person making use of it an impression distinct from every other. -Henry James Almost a year after the war broke out between the Allied Forces and the Central Powers in August 1914, a battle was fought between Henry James and H. G. Wells on the literary front. These two instances of hostility, although vastly different in their significance, are nevertheless not unrelated. France, for instance, was the object of attack in both the military and literary campaigns. For Kaiser Wilhelm II, France was the cultural capital of Europe which, in its pride, looked down upon Germany; for H. G. Wells, France threatened England because Henry James-American scion of Balzac, Flaubert, and de Maupas- sant-sought to disseminate a foreign aesthetic in preference to the indigenous one espoused by Wells himself. So just as the German emperor sought to conquer and humiliate France, the British novelist sought to conquer and humiliate Henry James, who, along with Joseph Conrad, a Pole; Stephen Crane, an American; and Ford Madox Ford, an Anglo-German, formed for Wells "a ring of foreign conspirators" (Seymour 14) who were plotting to overthrow the English novel.
    [Show full text]
  • Supplement – May 2021 Apologia
    Supplement – May 2021 Why a supplement? Not a month went by when, within a day or so of submitting my pieces to the David Parr House, I would stumble across additional information or a picture which would have been perfect. And, what to do with the interesting information that didn’t make my 2020 ‘Afterword’s? Moreover, new discoveries have come to light in the interim. Compton – Designed 1882 Blackthorn wallpaper - 1892 Acanthus – 1875 Designer: William Morris Designer: William Morris Designer: William Morris Collection: V&A Museum, London Collection: V&A Museum Collection: V&A Museum, London Apologia In one of my 2020 ‘Afterwords’, I included the following quote, which Joseph and Elizabeth Robins Pennell - James McNeill Whistler’s friends and official biographers - had slipped into their work: ‘His [James Abbott McNeill Whistler’s] decorations bewildered people even more than the work of the new firm of Morris, Marshall, Faulkner and Co.’ Even though my piece was posted on the David Parr House website, the team were, nevertheless, surprised at its inclusion. Had I let them and the David Parr House down? Had I mistaken the Pennells’s quote for impartial observation when I ought to have picked up the scent of a nasty undercurrent? I began to read more widely to find out where I had gone wrong. In doing so, I found a story of redemption, and some interesting asides. Dear Reader, you are probably wondering why I had included the quote in the first place. To my mind, it was just as to be expected: doesn’t every new generation of artists and designers, those who strive to produce something new by going against the stayed views of their elders, © 2021 Nicola Gifford 1 struggle to gain recognition and meet with criticism, often from those who wish to guard their elevated positions having been through same struggle? I thought it (albeit mistakenly) interesting that William Morris hadn’t been exempt from such problems.
    [Show full text]
  • Volume 9, Number 2
    RHODE ISLAND JEWISH HISTORICAL NOTES FRONT COVER The Feital Family, Pincus, son Jacob, Annie, (5) 1900. (Rhode Island Jewish Historical Association, donation of Diana Feital Goldstein). RHODE ISLAND JEWISH HISTORICAL NOVEMBER, 1984 VOLUME 9, NUMBER 2 Copyright November, 1984 by the RHODE ISLAND JEWISH HISTORICAL ASSOCIATION 130 SESSIONS STREET, PROVIDENCE, RHODE ISLAND 02906 RHODE ISLAND JEWISH HISTORICAL ASSOCIATION 130 Sessions Street, Providence, Rhode Island DAVID CHARAK ADELMAN (1892-1967), Founder EXECUTIVE COMMITTEE OFFICERS OF THE ASSOCIATION SEEBERT J. GOLDOWSKY, M.D President GERALDINE S. FOSTER Vice President STELLA GLASSMAN Secretary SIDNEY D. LONG Recording Secretary BERTHA I. KASPER Treasurer HONORARY MEMBERS OF THE EXECUTIVE COMMITTEE RABBI ELI A. BOHNEN RABBI WILLIAM G. BRAUDE PAST PRESIDENTS MARVIN PITTERMAN, PH.D. JEROME B. SPUNT BENTON H. ROSEN ERWIN E. STRASMICH MF.MBERS-A T-LARGF. OF I E EXECUTIVE COMMITTEE BERNARD E. BELL BERNARD KUSINITZ, M.D. BONNIE N. GOLDOWSKY BARBARA LONG SIDNEY GOLDSTEIN, PH.D. FLORENCE MARKOFF ZELDA GOURSE RUTH PAGE ELEANOR F. HORVITZ LOUIS I. SWEET SANFORD KROLL MELVIN L. ZURIER GEORGE H. KELLNER, PH.D., Editor SEEBERT J. GOLDOWSKY, M.D., Editor Emeritus ELEANOR F. HORVITZ, Librarian DOROTHY M. ABBOTT, Librarian Emerita Printed in the U. S. A. by the William R. Brown Printing Co., Providence, Rhode Island TABLE OF CONTENTS HARRY CUTLER: AN OUTLINE OF A NEGLECTED PATRIOT 127 by Stanley B. Abrams ORGANIZED IMPULSES OF RESISTANCE AND ASSIMILATION WITHIN THE PROVIDENCE JEWISH COMMUNITY, 1880-1921 141 by Patrick Janson THE JEWS OF NEW ENGLAND: ANYTHING SPECIAL? 155 by Lawrence H. Fuchs, Ph.D. THE JEWS OF PAWTUCKET AND CENTRAL FALLS PART I 161 by Eleanor F.
    [Show full text]
  • Polysèmes, 22 | 2019 the Englishness of English Landscapes in the Eyes of Two American Artists: He
    Polysèmes Revue d’études intertextuelles et intermédiales 22 | 2019 Landscapes/Cityscapes The Englishness of English Landscapes in the Eyes of Two American Artists: Henry James’s English Hours, Illustrated by Joseph Pennell Le caractère profondément anglais du paysage anglais : regard de deux artistes américains dans English Hours de Henry James illustré par Joseph Pennell Marie-Odile Salati Electronic version URL: http://journals.openedition.org/polysemes/5580 ISSN: 2496-4212 Publisher SAIT Electronic reference Marie-Odile Salati, « The Englishness of English Landscapes in the Eyes of Two American Artists: Henry James’s English Hours, Illustrated by Joseph Pennell », Polysèmes [Online], 22 | 2019, Online since 20 December 2019, connection on 24 December 2019. URL : http://journals.openedition.org/ polysemes/5580 This text was automatically generated on 24 December 2019. Polysèmes The Englishness of English Landscapes in the Eyes of Two American Artists: He... 1 The Englishness of English Landscapes in the Eyes of Two American Artists: Henry James’s English Hours, Illustrated by Joseph Pennell Le caractère profondément anglais du paysage anglais : regard de deux artistes américains dans English Hours de Henry James illustré par Joseph Pennell Marie-Odile Salati 1 In 1905 Henry James published English Hours, a travel book made up of sixteen essays, which for the most part had been released in magazines at a much earlier period, before or shortly after he settled permanently in Britain (1872 and 1877). In an earlier collection comprising half of them along with pieces on Italy and America, Portraits of Places, released in 1884, the text stood by itself. However, for the final edition, the novelist chose to solicit the pictorial contribution of another American-born expatriate, the “illustrator, etcher, and lithographer”1 Joseph Pennell, who lived in London from 1884 to 1917 and taught at the Slade School of Art.
    [Show full text]
  • Joseph and Elizabeth R. Pennell
    Joseph and Elizabeth R. Pennell: An Inventory of Their Papers at the Harry Ransom Center Descriptive Summary Creator: Pennell, Joseph (1857-1926) and Elizabeth R. (1855-1936) Title: Joseph and Elizabeth R. Pennell Papers Dates: 1832-1951 Extent: 24 boxes Abstract: The collection contains correspondence, diaries, appointment books, documents, photographs, notebooks, clippings, and some artwork (not by Joseph Pennell). Nothing of signficance relating to the published works of the Pennells is present, nor are there any examples of Joseph Pennell's graphic art. RLIN Record #: TXRC97-A16 Access: Open for research Administrative Information Acquisition: Gift, 1961 Processed by: Bob Taylor, 1997 Repository: Harry Ransom Center, The University of Texas at Austin Pennell, Joseph (1857-1926) and Elizabeth R. (1855-1936) Biographical Sketch Joseph Pennell (1857-1926), one of America's premier etchers and illustrators, was born on July 4, 1857, to Larkin and Rebecca Barton Pennell of Philadelphia. Growing up in a quiet Quaker household as a doted-upon only child, young Joseph developed an early independence of mind and an artistic bent. By his late teens Pennell risked his parents' disapproval to pursue a career in art, and before he was 25 his energy and skill had made him a commercially successful magazine illustrator, turning out well-received renderings of American and, later, European scenes. Elizabeth Robins (1855-1936) collaborated with Pennell on an article on Philadelphia for the Century Magazine in 1882, after her uncle Charles Godfrey Leland had suggested her in his stead. Following work with George Washington Cable and William Dean Howells in (respectively) New Orleans and Italy, Joseph Pennell returned to Philadelphia and wed Elizabeth Robins in June 1884.
    [Show full text]
  • Against Ruskin
    AGAINST RUSKIN Joseph and Elizabeth Pennell’s recasting of Venice [Received August 28th 2020; accepted March 1st 2021 – DOI: 10.21463/shima.116] William Bainbridge University of Hertfordshire, UK <[email protected]> ABSTRACT: The images of Venice by Philadelphian Joseph Pennell (1857-1926) have never really escaped from James McNeill Whistler’s long shadow. His etchings, drawings, pastels, and lithographs all show the influence of the master. Together with his wife, Elizabeth Robins Pennell (1855-1936), he would publish a two-volume biography of his friend (1908). Their allegiance to Whistler and the Barbaro Circle brought the Pennells to endorse a new image of Venice away from the hegemonic cult of Ruskin pervasive in tourist and travel books about the city. This article seeks to reassess the contribution of both Pennells to this group of erudite intellectuals and reconsider their promotion of a more truthful and intimate representation of Venice beyond the mass of tourists and polished marble façades. Its special focus is on the Pennells’ – Elizabeth’s in particular – antagonistic relationship with Ruskin, whose iconic The Stones of Venice had mourned a city forever lost to tourists, over- restoration, and the onslaught of the railroad. KEYWORDS: Joseph Pennell, Elizabeth Pennell, John Ruskin, James McNeill Whistler, John Singer Sargent Introduction Ruskin’s The Stones of Venice (1851-1853) classically formulates a strong argument against the destruction wrought upon the aesthetic and environmental integrity of the maritime city in the 19th Century. Chief among Ruskin’s concerns were those damaging forces linked to the onslaught of mass tourism and the railroad.1 While promoting Venice as a tourist destination in its own right, however, Ruskin also argued that it was precisely tourism that was responsible for the city’s demise (Hanley, 2010).
    [Show full text]
  • Pennell Family Papers Ms
    Pennell family papers Ms. Coll. 50 Finding aid prepared by Maggie Kruesi. Last updated on June 29, 2020. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 1999 Pennell family papers Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 7 Administrative Information......................................................................................................................... 10 Controlled Access Headings........................................................................................................................10 Other Finding Aids......................................................................................................................................11 Bibliography.................................................................................................................................................11 Collection Inventory.................................................................................................................................... 13 Joseph and Elizabeth Robins Pennell Correspondence.........................................................................13
    [Show full text]
  • Rome, Venice, in the Aesthetic Eighties
    NIGHTS ROME VENICE LONDON PARIS SECOND EDITION LIFE OF JAMES McNEILL WHISTLER BY ELIZABETH ROBINS PENNELL AND JOSEPH PENNELL THOROUGHLY REVISED. FIFTH EDITION Authorized Life, with much new matter added which was not available at the time of issue of the elaborate two-volume edition, now out of print. Fully illustrated with 97 plates reproduced from Whistler s works. Crown octavo. XX-450 pages, Whistler binding, deckle edge. $3 50 net. Three-quarter grain levant, $7.50 net. OUR PHILADELPHIA BY ELIZABETH ROBINS PENNELL ILLUSTRATED BY JOSEPH PENNELL A N intimate personal record in text and in picture of the &quot; lives of the famous author and artist in the city whose recent story will be to many an absolute surprise a city with a brilliant history, great beauty, immense wealth. Mr. Pennell s one hundred and five illustrations, made especially for this volume, will be a revelation in their interest and as art inspired by the love of his native town. Quarto, 7^ by 10 inches, XIV-552 pages. Handsomely bound in red buck ram, boxed. $7.50 net. JOSEPH PENNELL S PICTURES OF THE PANAMA CANAL FIFTH PRINTING T W ENTY-EIGHT reproductions of lithographs made on the Isthmus of Panama, January-March, 1912, with Mr. Pennell s introduction, giving his experiences and impressions, and a full description of each picture. Volume 7% by 10 inches. Beautifully printed on dull-finished paper. Litho graph by Mr. Pennell on cover. $1.25 net. JOSEPH PENNELL S PICTURES IN THE LAND OF TEMPLES &quot;C*ORTY reproductions of lithographs made in the Land of Temples, March-June, 1913, together with impressions and notes by the artist.
    [Show full text]
  • Italian Hours
    I- va V\\ 1' I f G - i ? a I909 CORNELL UNIVERSITY LIBRARY THE BROWN-PENNELL COLLECTION GIFT OF RALPH M. BROWN, '01 IN MEMORY OF HIS MOTHER ANNA MELIUS BROWN 1941 C;l'^3C Cornell University Library DG 428.J27 1909 Italian hours / 3 1924 028 395 915 Cornell University \\<\ Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924028395915 ITALIAN HOURS orHER WORKS ILLUSTRATED By Joseph Pennell ENGLISH HOURS. By Henry James. In One Vol. Pott 4to, price los. net. A LITTLE TOUR IN FRANCE. By Henry James. In One Vol. Crown 8vo, price 6s. CASTILIAN DAYS. By Hon. J. Hay. In One Vol. Pott 4to, price los. net. ITALIAN JOURNEYS. By W. D. HOWELLS. In One Vol. Pott 4to, price los. net. LONDON : WILLIAM HEINEMANN 21 Bedford Street, W.C. THE HARBOUR, GENOA ITALIAN HOURS BY HENRY TAMES AUTHOR OF "ENGLISH HOURS," "A LITTLE TOUR IN FRANCE, ETC. ILLUSTRATED BY JOSEPH PENNELL LONDON WILLIAM HEINEMANN 1909 J\- ijr-^- Copyright, London 1909, by William Heinemann And Washington, U.S.A., by HOUGHTON, Mifflin & Company PREFACE chapters of which this volume is composed have THEwith few exceptions already been collected, and were then associated with others commemorative of other impressions of (no very extensive) excursions and wanderings. The notes on various visits to Italy are here for the first time exclusively placed together, and as they largely refer to quite other days than these—the date affixed to each paper sufficiently indicating this—I have introduced a few pas- sages that speak for a later and in some cases a frequently repeated vision of the places and scenes in question.
    [Show full text]
  • Elizabeth Robins Pennell (1855–1936): Pioneer Bicycle Tourist in Italy, Travel Writer, and Cycling Advocate for Women Paola Malpezzi Price Colorado State University
    LINGUA ROMANA VOL 11, ISSUE 2 ARTICLE Elizabeth Robins Pennell (1855–1936): Pioneer Bicycle Tourist in Italy, Travel Writer, and Cycling Advocate for Women Paola Malpezzi Price Colorado State University SUMMARY In 1896 Susan B. Anthony wrote that bicycling had done more than anything else for women’s emancipation. Elizabeth Robins Pennell exemplifies this assertion in both her personal life and professional accomplishments. Born and raised in Victorian Philadelphia, Robins Pennell “discovered” the world through her husband and collaborator, Joseph Pennell, an avid cyclist and brilliant illustrator, with whom she lived in London for over thirty years. Touring Italy by bicycle, Robins Pennell is probably the first woman who pedaled from Florence to Rome in 1884. She recounted this trip and several others taken with her husband on a tricycle and, eventually, on “safety bicycles” in France, England and Eastern Europe with vivid and detailed descriptions. She also became known as a keen art critic, a collector and writer of cookbooks, and a biographer of family members and friends. Her extensive autobiography left us with many details of her life and work. One of the accomplishments that made her most proud was to have been the first woman to cross over nine Alpine passes on a bicycle, with six being climbed in one week! KEYWORDS: Elizabeth Robins Pennel – women’s cycling – pioneer cyclist – cycling in Italy – touring cyclist – travelogue writer – bicycle advocate – women’s sports – nineteenth-century women Let me tell you what I think about bicycling. I think it has done more to emancipate women than anything else in the world.
    [Show full text]