DOCSLIB.ORG

Romantik 08 2019

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Romantik 08 2019 Journal for the Study of Romanticisms (2019), Volume 08, DOI 10.14220/jsor.2019.8.issue-1 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 © 2019, Vandenhoeck & Ruprecht GmbH & Co. KG, Göttingen Journal for the Study of Romanticisms (2019), Volume 08, DOI 10.14220/jsor.2019.8.issue-1 Romantik Journal for the Study of Romanticisms Editors Cian Duffy(Lund University), Karina Lykke Grand (Aarhus University), Thor J. Mednick (University of Toledo), Lis Møller (Aarhus University), ElisabethOx- feldt (UniversityofOslo), Ilona Pikkanen (Tampere University and the Finnish Literature Society), Robert W. Rix (University of Copenhagen), and AnnaLena Sandberg (University of Copenhagen) Advisory Board Charles Armstrong (UniversityofBergen), Jacob Bøggild (University of Southern Denmark, Odense), David Fairer (University of Leeds), Karin Hoff (Georg-August-Universität Göttingen),Stephan Michael Schröder (University of Cologne), David Jackson (University of Leeds),Christoph Bode (LMU München), CarmenCasaliggi (Cardiff Metropolitan University), Gunilla Hermansson (University of Gothernburg), Knut Ljøgodt (Nordic Institute of Art, Oslo), and Paula Henrikson (Uppsala University) Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 © 2019, Vandenhoeck & Ruprecht GmbH & Co. KG, Göttingen Journal for the Study of Romanticisms (2019), Volume 08, DOI 10.14220/jsor.2019.8.issue-1 Romantik Journal for the Study of Romanticisms Volume 08|2019 V&Runipress Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 © 2019, Vandenhoeck & Ruprecht GmbH & Co. KG, Göttingen Journal for the Study of Romanticisms (2019), Volume 08, DOI 10.14220/jsor.2019.8.issue-1 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 © 2019, Vandenhoeck & Ruprecht GmbH & Co. KG, Göttingen Journal for the Study of Romanticisms (2019), Volume 08, DOI 10.14220/jsor.2019.8.issue-1 Contents Foreword .................................... 7 Articles Andreas Hjort Møller (Aarhus University) Bards, Ballads, and Barbarians in Jena. Germanic Medievalism in the Early Works of Friedrich Schlegel ...................... 13 Kang-Po Chen (University of Edinburgh) ‘Sick within the rose’sjust domain’:the ‘Material Sublime’ and Pathological Poetics in Keats’s Isabella;or, the Pot of Basil ........ 35 D. Gareth Walters (Swansea University) Espronceda’s The Student of Salamanca and Chopin:Poetry and Musical Structures ............................... 59 Marie-Louise Svane (University of Copenhagen) Tragedy or Melodrama?The Greek War of Independence in European Theatre ..................................... 77 Natalya Khokholova (North Eastern Federal University, RF) Gossiping and Ageing Princesses in Odoevsky’sSocietal Tales .....111 Troy Wellington Smith (University of California, Berkeley) Romantic Latecomers:P.L.Møller on Pushkin, Kierkegaard, and Flaubert ....................................131 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 © 2019, Vandenhoeck & Ruprecht GmbH & Co. KG, Göttingen Journal for the Study of Romanticisms (2019), Volume 08, DOI 10.14220/jsor.2019.8.issue-1 6 Contents Reviews Gunilla Hermansson C. J. L. Almqvist, Murnis:Idyllion. Ed. by Petra Söderlund .........155 John Öwre The Reception of William Blake in Europe. Ed. by Morton Paley and Sibylle Erle ...................................159 Mattias Pirholt Fantasiens morgonrodnad. By Ljubica Miocevic ..............163 About the Authors ...............................167 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 © 2019, Vandenhoeck & Ruprecht GmbH & Co. KG, Göttingen Journal for the Study of Romanticisms (2019), Volume 08, DOI 10.14220/jsor.2019.8.issue-1 Foreword Romantik: Journal for the Study of Romanticisms started out as aprint pub- lication but has for anumber of years been aperiodical with open access. All articles published during the lifetime of the journal are now available in various digital formats. The development of the journal reflects how the reading, viewing, and conceptualization of romanticism is changing. As students and researchers, we find ourselves in the fortunate situation that anumber of digital projects related to the texts and art of the romantic period havereceived funding, and more such projects will undoubtedly emerge in the years to come. There is acertain comfort and convenience in handling print material, but the new digital platforms bring several advantages: they are searchable in terms of content, and it is often possible to zoom in to study artworks or facsimiles of book pages close up. The photomechanical reproductions that are confined to the printed book remain inflexible in this regard. One of the romantic-period artists who has benefitted greatly from the new technology is William Blake (1757–1827). His composite art, combining both illustration and text (what he himself referred to as ‘illuminated printing’ in his 1793 prospectus), can now be accessed as high-resolution images on The William Blake Archive (http://www.blakearchive.org/). Launched in 1996, this archivewas one of the earliest free websites focusing on romantic texts with a visual component. The scope, content, and features of the platform haveex- panded exponentially over the years. As all areas of individual plates or pictures havebeen tagged with detailed descriptions, it is now possible to explore alarge body of Blake’spictorial art by using the image-searching tool. Users are able to scrutinise the minute particulars of an image in high resolution without the need to touch the often fragile original, and the Archive affords users the possibility of comparing different versions of plates from several copies. For example, one may study the widely diverse colourings of Blake’sillustration to his famous poem ‘The Tyger’ and ponder how each version may convey adifferent idea of the animal, which come across as either ferocious or (most often) alittle tame. Such acomparativestudy would havebeen well-nigh impossible for researchers Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 © 2019, Vandenhoeck & Ruprecht GmbH & Co. KG, Göttingen Journal for the Study of Romanticisms (2019), Volume 08, DOI 10.14220/jsor.2019.8.issue-1 8 Foreword in pre-Archive days, as copies of Blake’sworks are scattered at research li- braries, rare books reading rooms, as well as private collections across the UK and North America. Alarge number of those who havebought Blake’sworks havegiven the Archive permission to include thousands of images and texts on the website. The reason why we havesingled out The Blake Archive as an example of technological innovation is not only because it remains at the forefront of de- velopment, but because 2019 is also aparticular interesting year for scholars and admirers of Blake’swork. This year will see aspecial exhibition of Blake’sworks at Tate Britain, London (William Blake: The Artist,from 11 September 2019 to 2 February 2020). Tate Britain has for long time had apermanent Blake room in the museum, but the new exhibition will be the largest display of Blake’spaintings since 2000, with over 300 original works on show. The sheer scale of the ex- hibition contrasts with the more modest display Blake himself organised in 1809, abovehis brother’shumble hosiery shop in Broad Street, London. At that time, only sixteen works were shown. Nonetheless, Blake thought this number suffi- cient to promote himself as apainter worthy of public attention. This washis attempt to avoid being pigeonholed as merely an engraver and sometime illus- trator. The exhibition in 1809 wasadisaster, with only afew visitors, and it became apublic humiliation for Blake. (Accounts of and reactions to the ex- hibition can be found in G. E. Bentley’s Blake Records,newed. [London and New Haven, Yale University Press, 2004], pp. 281–295). Visitors to the 2019 Tate Britain exhibition will be able to experience the small domestic room in which Blake showed his art. Perhaps are-evaluation of what wasonoffer 210 years ago is now in order?The press release also promises that one of Blake’sdreams may be fulfilled. Blake had grand ambitions as avisual artist and wanted to show his works as ‘frescoes’ on ahuge scale. However, his commercial failure as an artist made this unrealisable in his own time. This aspiration is brought to fruition through the use of digital technology, which will enable the immersiveexperience that Blake intended his art to provide. The twopaintings The Spiritual Form of Nelson Guiding Leviathan (c. 1805–1809) and The Spiritual Form of Pitt Guiding Behemoth (c. 1805) will be digitally en- larged and projected onto the gallery wall. So, in the museum world, too, ad- vances in technology are opening up avenues for the new ways of consuming and exploring romantic art. This issue of Romantik features areview of the recently published The Re- ception of William Blake in Europe (edited by Morton Paley and Sibylle Erle). This is the first comprehensiveguide to the extensiveinfluence that Blake had across Europe. Chapters on individual countries or regions examine Blake’sphenom- enal impact on literary production, art, music, and culture, but also his status as a Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 © 2019, Vandenhoeck & Ruprecht GmbH & Co. KG, Göttingen Journal for the Study of Romanticisms (2019), Volume 08, DOI 10.14220/jsor.2019.8.issue-1 Foreword 9 political and countercultural icon throughout the twentieth and twenty-first cen- turies. But the contents of the 2019 number of Romantik also range well beyond the work of William Blake.
Load more

Recommended publications
  • 00 Portadillas
    La primera Historia de la Literatura romana: el programa de curso de F. A. Wolf (1787) 1 Francisco GarCía -J UradO Bernd MarIzzI Universidad Complutense [email protected] [email protected] recibido: 31 de marzo de 2009 aceptado: 20 de octubre de 2009 RESUMEN Se ofrece por primera vez en versión castellana el programa de Historia de la Literatura romana publi - cado por Friedrich august Wolf en 1787. El programa, escrito originalmente en alemán (y no en latín, como era normal en este tipo de publicaciones), contiene la primera formulación de una historia litera - ria en términos de literatura nacional. asimismo, se hace un estudio biográfico del autor y de su im - pronta en España, al tiempo que se ofrece un comentario de las ideas historiográficas que sustentan el curso, no ajenas a la estética del llamado Clasicismo de Weimar. Palabras clave: Historia literaria. Literatura romana. Friedrich august Wolf. GarCía -J UradO , F., MarIzzI , B., «La primera Historia de la Literatura romana: el programa de curso de F. a. Wolf (1787)», Cuad. fil. clás. Estud. Lat . 29.2 (2009) 145-177. The first History of roman Literature: F. a. Wolf’s lecture programme (1787) AbStRAct This is the first time F. a. Wolf’s History of roman Literature Programme is translated to Spanish since its first edition in 1787. The programme is written in German (not in Latin, as it was usual in this kind of studies), and roman Literature is shown as a national literature. In addition, we study Wolf’s life, his influence in Spain and we offer a commentary on historiographic ideas found in his programme.
    [Show full text]
  • Romantik 08 2019
    Journal for the Study of Romanticisms (2019), Volume 08, DOI 10.14220/jsor.2019.8.issue-1 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 © 2019, Vandenhoeck & Ruprecht GmbH & Co. KG, Göttingen Journal for the Study of Romanticisms (2019), Volume 08, DOI 10.14220/jsor.2019.8.issue-1 Romantik Journal for the Study of Romanticisms Editors Cian Duffy(Lund University), Karina Lykke Grand (Aarhus University), Thor J. Mednick (University of Toledo), Lis Møller (Aarhus University), ElisabethOx- feldt (UniversityofOslo), Ilona Pikkanen (Tampere University and the Finnish Literature Society), Robert W. Rix (University of Copenhagen), and AnnaLena Sandberg (University of Copenhagen) Advisory Board Charles Armstrong (UniversityofBergen), Jacob Bøggild (University of Southern Denmark, Odense), David Fairer (University of Leeds), Karin Hoff (Georg-August-Universität Göttingen),Stephan Michael Schröder (University of Cologne), David Jackson (University of Leeds),Christoph Bode (LMU München), CarmenCasaliggi (Cardiff Metropolitan University), Gunilla Hermansson (University of Gothernburg), Knut Ljøgodt (Nordic Institute of Art, Oslo), and Paula Henrikson (Uppsala University) Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 © 2019, Vandenhoeck & Ruprecht GmbH & Co. KG, Göttingen Journal for the Study of Romanticisms (2019), Volume 08, DOI 10.14220/jsor.2019.8.issue-1 Romantik Journal for the Study of Romanticisms Volume 08|2019 V&Runipress Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 © 2019, Vandenhoeck & Ruprecht GmbH & Co. KG, Göttingen Journal for the Study of Romanticisms (2019), Volume 08, DOI 10.14220/jsor.2019.8.issue-1 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 © 2019, Vandenhoeck & Ruprecht GmbH & Co.
    [Show full text]
  • German Historical Institute London Bulletin Vol 23 (2001), No. 1
    German Historical Institute London Bulletin Volume XXIII, No. 1 May 2001 CONTENTS Seminars 3 Review Article Raiding the Storehouse of European Art: National Socialist Art Plunder during the Second World War (Ines Schlenker) 5 Debate Stefan Berger responds to Ulrich Muhlack 21 Book Reviews I. S. Robinson, Henry IV of Germany, 1056-1106 (Hanna Vollrath) 34 Gerd Althoff, Spielregeln der Politik im Mittelalter: Kommuni- kation in Frieden und Fehde (Timothy Reuter) 40 William Gervase Clarence-Smith, Cocoa and Chocolate, 1765-1914 (Andreas Eckert) 48 L. G. Mitchell, Lord Melbourne 1779-1848 (Patrick Bahners) 53 Wolfgang Piereth, Bayerns Pressepolitik und die Neuordnung Deutschlands nach den Befreiungskriegen (Michael Rowe) 65 Margit Szöllösi-Janze, Fritz Haber 1868-1934: Eine Biographie (Raymond Stokes) 71 Gesine Krüger, Kriegsbewältigung und Geschichtsbewußtsein: Realität, Deutung und Verarbeitung des deutschen Kolonial- kriegs in Namibia 1904 bis 1907 (Tilman Dedering) 76 Contents Kurt Flasch, Die geistige Mobilmachung: Die deutschen Intellektuellen und der Erste Weltkrieg. Ein Versuch (Roger Chickering) 80 Notker Hammerstein, Die Deutsche Forschungsgemeinschaft in der Weimarer Republik und im Dritten Reich: Wissenschafts- politik in Republik und Diktatur; Michael Fahlbusch, Wissen- schaft im Dienst der nationalsozialistischen Politik? Die ‘Volksdeutschen Forschungsgemeinschaften’ von 1931-1945 (Paul Weindling) 83 Peter Strunk, Zensur und Zensoren: Medienkontrolle und Propagandapolitik unter sowjetischer Besatzungsherrschaft in Deutschland (Patrick Major) 89 Paul Nolte, Die Ordnung der deutschen Gesellschaft: Selbstent- wurf und Selbstbeschreibung im 20. Jahrhundert (Thomas Rohrkrämer) 93 Noticeboard 98 Library News 111 Recent Acquisitions 2 SEMINARS AT THE GHIL SUMMER 2001 15 May PROFESSOR GÜNTHER HEYDEMANN (Leipzig) The Revolution of 1989/90 in the GDR—Recent Research Günther Heydemann has published widely on European history of the nineteenth century and the twentieth-century German dictator- ships.
    [Show full text]
  • University Town of Tübingen
    University Town of Tübingen Report on the application of Tübingen for the UNESCO World Heritage List Gutachten zur Bewerbung Tübingens um Aufnahme in die UNESCO-Welterbeliste (Englische Fassung) Prof. em. Dr. Dr. h.c. Willem Frijhoff Erasmus University Rotterdam / VU-University, Amsterdam) Report on the application of Tübingen for the UNESCO World Heritage List View from the Österberg across the historic city centre to Hohentübingen Castle Blick vom Österberg über die Altstadt zum Schloss Hohentübingen 2 Report on the application of Tübingen for the UNESCO World Heritage List Preamble This report has been written to substantiate the candidacy of the city of Tübingen (Baden-Württemberg, Germany) for the inclusion on the World Heritage List as the very model of a ‘university town’.* Many cities of Euro- pe and the Americas can rightfully boast of the richness of their historical legacy in matters of higher education and university life. Besides Tübingen, several other European towns owe their reputation to the preservation of a large number of historical buildings related to their university: Paris, Bolog- na, Oxford and Cambridge, Salamanca, Prague, Vilnius, Coimbra, Louvain, Uppsala and Alcalá de Henares, or outside Europe México City, Williams- burg (Virginia), even the modern Ciudad Universitaria of Caracas (placed on the World Cultural Heritage list in 2000). Just like Tübingen, other Ger- man towns such as Marburg, Heidelberg, Göttingen, Freiburg, Wittenberg, Helmstedt, Erfurt, Ingolstadt, Leipzig or Jena still possess many older or newer buildings attesting to their historical importance as towns endowed with a university. Even so, very few among them unite the prerequisites for “…Tübingen holds an unparalleled a nomination to the World Heritage List as a ‘university town’ in the fullest place because of the exceptional and most comprehensive sense of the word.
    [Show full text]
  • 9. Gundolf's Romanticism
    https://www.openbookpublishers.com © 2021 Roger Paulin This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Roger Paulin, From Goethe to Gundolf: Essays on German Literature and Culture. Cambridge, UK: Open Book Publishers, 2021, https://doi.org/10.11647/OBP.0258 Copyright and permissions for the reuse of many of the images included in this publication differ from the above. Copyright and permissions information for images is provided separately in the List of Illustrations. In order to access detailed and updated information on the license, please visit, https://doi.org/10.11647/OBP.0258#copyright Further details about CC-BY licenses are available at, https://creativecommons.org/ licenses/by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Updated digital material and resources associated with this volume are available at https://doi.org/10.11647/OBP.0258#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. ISBN Paperback: 9781800642126 ISBN Hardback: 9781800642133 ISBN Digital (PDF): 9781800642140 ISBN Digital ebook (epub): 9781800642157 ISBN Digital ebook (mobi): 9781800642164 ISBN Digital (XML): 9781800642171 DOI: 10.11647/OBP.0258 Cover photo and design by Andrew Corbett, CC-BY 4.0.
    [Show full text]
  • Thiers Et Le Baron Cotta. Étude Sur La Collaboration De Thiers À La Gazette
    ROBERT MARQUANT . THIERS ET LE BARON COTTA TRAVAUX ET MÉMOIRES DES INSTITUTS FRANÇAIS EN ALLEMAGNE 7 - ROBERT MARQUANT THIERS ET LE BARON COTTA ÉTUDE SUR LA COLLABORATION DE THIERS A LA GAZETTE D'AUGSBOURG 1959 PRESSES UNIVERSITAIRES DE FRANCE . PARIS 108, BOULEVARD SAINT-GERMAIN INTRODUCTION Les relations entre Thiers et Cotta sont demeurées peu connues jusqu'à présent. Elles ont toujours gardé aux yeux des contempo- rains un caractère secret et ce silence devait persister longtemps encore après la mort de Thiers, grâce aux précautions prises de leur vivant par les intéressés. Il devenait gênant, au surplus, de rappeler dans les ouvrages écrits après la guerre de 1870-71 en l'honneur du «Libérateur du Territoire», que c'était à un Allemand qu'il devait, pour une bonne part, la notoriété et les premiers succès acquis sous la Restauration, au temps de sa jeunesse. Ces rapports qui durèrent presque dix ans, de novembre 1823 à la mort de Cotta en 1832, eurent deux aspects. Thiers accepta, en effet, de servir d'homme de paille à l'éditeur allemand pour cer- taines affaires de presse menées en France, tandis que par ailleurs il fournissait régulièrement à la Gazelle d'Augsbourg une correspon- dance parisienne. Le secret semble avoir été plus soigneusement gardé dans ce dernier domaine que dans le premier. La collaboration à la Gazelle d'Augsbourg et la correspondance adressée par Thiers à Cotta, qui en est la base, sont demeurées réellement inconnues jusqu'à une date récente. Le premier travail qui signale cette chronique est celui de Schâffle sur Cotta 1 en 1895, puis vient l'étude de Heyck sur la Gazelle d'Augsbourg 2, parue en 1898.
    [Show full text]
  • Biobibliographien Gothaer Geowissenschaftler
    Biobibliographien Gothaer Geowissenschaftler zusammengestellt von Franz Köhler Gotha 2008 Zum Geleit Am Anfang dieser Biobibliographien stand die Frage, wer die Autoren von Petermanns Mitteilungen waren. Die Großen der Zunft fanden und finden ihre Darsteller, ja man kann die Literatur über sie kaum noch überblicken. Indes brachten auch die Personen der zweiten und dritten Reihe wertvolle Erkenntnisse, doch über sie kann man die Lebensdaten und Lebenswege mitunter verzweifelt suchen. So sollte die Biobibliographie Abhilfe schaffen: Übersicht in der Fülle sollte ebenso gewährt werden wie der Blick in die Ästchen und Verzweigungen des Er- kenntnisfortschritts. Im Laufe der Arbeiten ist die Biobibliographie ihrer ursprünglichen Absicht entwachsen und auch das wurde aufgenommen, was zu den Mitteilungen aus Gotha in keiner Beziehung stand bzw. steht. Nach Jahren des Sam- melns umfasst die Datenbank inzwischen über 22000 Personen, für die über 84000 Literaturangaben gefunden und eingearbeitet wurden. Aus ihr wurden die hier dargestellten „Gothaer“ selektiert. Was hier so gewaltig erscheint, bedarf des kritischen Nutzers. Eine Biobibliographie wird wohl nie zu einem Ende kommen können. Ständig wächst Material zu, und der Bearbeiter entdeckte nach jahrelanger Vertrautheit mit der Materie immer wieder neue Daten, wichtige Quellen. Diese fließende Situation sollte jedoch nicht zu einer Zurückhaltung verleiten, vielmehr soll das Anliegen anderen nutzen. Daher sei es gewagt, mit dieser Biobibliogra- phie an die Öffentlichkeit zu treten. Nur so kann der Bearbeiter auf eine freundliche Resonanz und auf kritische Hinweise zur Ergänzung und Berichtigung hoffen. Am Ende sind Übersichten zu den Abkürzungen zu finden. Gotha, im Frühjahr 2008. Barich 1825 "Hertha. Eine Zeitschrift für Erd-, Völker- und Karl Staatenkunde.
    [Show full text]
  • Christian Gottlob Heyne and the Changing Fortunes of the Commentary in the Age of Altertumswissenschaft
    Christian Gottlob Heyne and the changing fortunes of the commentary in the age of Altertumswissenschaft Book or Report Section Accepted Version Harloe, K. (2015) Christian Gottlob Heyne and the changing fortunes of the commentary in the age of Altertumswissenschaft. In: Kraus, C. S. and Stray, C. (eds.) Classical Commentaries: Explorations in a scholarly genre. Oxford University Press, Oxford, pp. 435-456. ISBN 9780199688982 Available at http://centaur.reading.ac.uk/39805/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Publisher: Oxford University Press All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Christian Gottlob Heyne and the Changing Fortunes of the Commentary in the Age of Altertumswissenschaft Katherine Harloe This chapter seeks to explore issues raised by the major commentaries on Tibullus, Virgil and the Iliad that came from the pen of Christian Gottlob Heyne (1729–1812). For a long time Heyne was neglected within classical scholars’ understanding of their own history, yet in his own age he was something of a European intellectual celebrity, and even at the end of the nineteenth century Friedrich Paulsen could identify him as ‘indisputably the leader in the field of classical studies in Germany during the second half of the eighteenth century’ (1885: 441).
    [Show full text]
  • Between "Bildung" and "Wissenschaft": the 19Th-Century German Ideal of Scientific Education by Bas Van Bommel
    Between "Bildung" and "Wissenschaft": The 19th-Century German Ideal of Scientific Education by Bas van Bommel Prior to the 19th century, poetry, rhetoric, historiography and moral philosophy were considered particularly valuable to humane education, as they transmitted knowledge of beauty, goodness and truth. These so‐called "fine sciences" ("schöne Wissenschaften") were discredited by Immanuel Kant, who no longer recognised values as objects of scientific knowledge. Kant advanced an ideal of "rigorous science" entailing a novel concept of "scientific education" ("wissenschaftliche Bildung"): through methodically exploring the harmonious totality of human knowledge, the human mind would take on a correspondingly harmonious form. In the course of the 19th century, the disciplinary differentiation and specialisation that resulted from the new concept of rigorous science proved ever more difficult to reconcile with the educational ideal that had once been its motivating force. TABLE OF CONTENTS 1. Introduction 2. Bildung in the late 18th century: schöne Wissenschaften 3. The Kantian turn 4. Classical philology as "pure science": Friedrich August Wolf 5. Bildung transformed: classical philology as an educational science 6. The educational value of the natural sciences 7. The institutional impact of the German concept of scientific education 8. Scientific education abroad 9. The conflict between science and education 10. Conclusion 11. Appendix 1. Sources 2. Literature 3. Notes Indices Citation Introduction Mathematics and the natural sciences have worked their way up to unsuspected heights, and ... acquired a classicism that can almost compete with the aesthetic classicism of ancient literature.1 Without a doubt, the most influential concept in German university history is that of the "unity of teaching and research" ("Einheit von Lehre und Forschung").
    [Show full text]
  • Recapturing a Homeric Legacy
    Hellenic Studies 35 Recapturing a Homeric Legacy Images and Insights From the Venetus A Manuscript of the Iliad Other Titles in the Hellenic Studies Series Plato’s Rhapsody and Homer’s Music The Poetics of the Panathenaic Festival in Classical Athens Labored in Papyrus Leaves Perspectives on an Epigram Collection Attributed to Posidippus (P.Mil.Vogl. VIII 309) Helots and Their Masters in Laconia and Messenia Histories, Ideologies, Structures Recapturing a Archilochos Heros The Cult of Poets in the Greek Polis Master of the Game Competition and Performance in Greek Poetry Homeric Legacy Greek Ritual Poetics edited by Casey Dué Black Doves Speak Herodotus and the Languages of Barbarians Pointing at the Past From Formula to Performance in Homeric Poetics Homeric Conversation The Life and Miracles of Thekla Victim of the Muses Poet as Scapegoat, Warrior and Hero in Greco-Roman and Indo-European Myth and History Amphoterōglossia A Poetics of the Twelfth Century Medieval Greek Novel Priene (second edition) Plato’s Symposium Issues in Interpretation and Reception Poetic and Performative Memory in Ancient Greece Heroic Reference and Ritual Gestures in Time and Space http://chs.harvard.edu/chs/publications Center for Hellenic Studies Trustees for Harvard University Washington, D.C. Distributed by Harvard University Press Cambridge, Massachusetts, and London, England 2009 Recapturing a Homeric Legacy : Images and Insights From the Venetus A Manuscript of the Iliad Edited by Casey Dué Copyright © 2009 Center for Hellenic Studies, Trustees for Harvard University All Rights Reserved. Published by Center for Hellenic Studies, Trustees for Harvard University, Washington, D.C. Distributed by Harvard University Press, Cambridge, Massachusetts and London, England Printed in Ann Arbor, MI by Edwards Brothers, Inc.
    [Show full text]
  • Robert Schumann a Youth Pilgrimage to Munich 1828
    Robert Schumann Youth Pilgrimage Robert Schumann A Youth Pilgrimage to Munich 1828 Robert Schumann Youth Pilgrimage Introduction The young Schumann’s original sheets titled “Jünglings-Wallfarthen [Youth Pilgrimages]”, which he wrote down as a student in Heidelberg in 1830, are held at the Robert Schumann House in Zwickau. The nine journeys made between 1826 and 1830 took him to the following places: 1. Journey to Gotha, Eisenach, Weimar, Jena, 1826 2. Journey to Prague, 1827 3. Journey to Munich through Bavaria, 1828 4. Journey on the Rhine up to Heidelberg, 1829 5. Journey through Switzerland up to Venice, 1829 6. Journey through Baden to Strasbourg, 1830 7. Journey through Hesse to Frankfurt, 1830 8. Schwetzingen, Speyer, Worms and Rhenish Bavaria (Palatinate), 1830 9. Journey on the Rhine to Wesel and through Westphalia to Leipzig, 1830 The subsequent seven pages of prose text were titled “Erstes Gemählde. Reise nach Prag [First Picture. Journey to Prague]” but broke off in the middle of a sentence describing Colditz Castle. Unfortunately, Schumann never again got around to writing out his diary, kept in the form of keywords, as a continuous travel report. The slightly abridged version of Pilgrimage No. 3 below only covers the period between his departure from Zwickau and his stay in Munich. Legal notice Concept: Walter Müller, CH-8320 Fehraltorf Design/ prepress/print: Bucherer Druck AG, 8620 Wetzikon Photographs: Walter Müller Issue: July 2015 Robert Schumann Youth Pilgrimage Zwickau–Bayreuth Diary of Robert Schumann [Thursday, 24th April: Zwickau (departure early 01:00) – Plauen – Hof – reunion with Rosen1 – arrival Bayreuth evening 19:30 (Goldene Sonne Inn mediocre) Travel time: Zwickau–Hof 12 hours, Hof–Bayreuth 15 hours Friday, 25th April: Jean Paul’s tomb2 – deep pain – Rollwenzel Inn3 – Jean Paul’s study4 and chair – Hermitage5 – fond memory of Jean Paul – stroll to Fantasie Palace6 – monuments] 1 Gisbert Rosen, youth friend of Schumann, who started to study law together with him at the University of Leipzig.
    [Show full text]
  • HUNTIA a Journal of Botanical History
    HUNTIA A Journal of botanical History VolUme 13 NUmber 2 2007 Hunt Institute for botanical Documentation Carnegie mellon University Pittsburgh The Hunt Institute for botanical Documentation, a research division of Carnegie mellon University, specializes in the history of botany and all aspects of plant science and serves the international scientific community through research and documentation. To this end, the Institute acquires and maintains authoritative collections of books, plant images, manuscripts, portraits and data files, and provides publications and other modes of information service. The Institute meets the reference needs of botanists, biologists, historians, conservationists, librarians, bibliographers and the public at large, especially those concerned with any aspect of the North American flora. Huntia publishes articles on all aspects of the history of botany, including exploration, art, literature, biography, iconography and bibliography. The journal is published irregularly in one or more numbers per volume of approximately 200 pages by the Hunt Institute for botanical Documentation. external contributions to Huntia are welcomed. Page charges have been eliminated. All manuscripts are subject to external peer review. before submitting manuscripts for consideration, please review the “Guidelines for Contributors,” which are available on our Web site or by request. Direct editorial correspondence to the editor. Send books for announcement or review to the book reviews and Announcements editor. The subscription rate is $60.00 per volume. Send orders for subscriptions and back issues to the Institute. Hunt Institute Associates may elect to receive Huntia as a benefit of membership; contact the Institute for more information. Hunt Institute for botanical Documentation Carnegie mellon University 5000 Forbes Avenue Pittsburgh, PA 15213-3890 Telephone: 412-268-2434 email: [email protected] Web site: http://huntbot.andrew.cmu.edu/ HIbD/Publications/HI-Pubs/Pub-Huntia.shtml editor and layout Scarlett T.
    [Show full text]