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Font: IBM Plex Sans Bold, 36 Point) [Main Submission Title] (Font: IBM Plex Sans Bold, 36 point) [Author Names] Abstract: [Abstract Text] Authors must use this tem- Author 1 [Anonymised for submis- plate to prepare their Stage 2 submission to Research sion]1, Author 2 [Anonymised]2 (each author name separated through Design 2019 (RTD 2019): a visual paper doc- by commas) and Author 3 [Ano- umenting a ‘research through design’ project or pro- 3 nymised] (Font: IBM Plex Sans gramme of work. This template provides guidelines Bold, 10 point) for preparing the submission, which authors are [Institution Names] required to follow. The predefined typeface*, charac- 1 Institution Name, Town/ City, Country (Font: IBM Plex ter styles and paragraph styles, which are indicated Sans Medium, 10 point) in square brackets [i.e. paragraph style], are intended Contact email address (leave blank to guide authors in producing submissions that are for review), additional email legible and coherent in style. We ask that authors use address (separated by comma) this typeface and these paragraph styles to format 2 Institution Name, Town/ their work. However, experimentation with illustra- City, Country (Font: IBM Plex tion and visual communication is encouraged; and Sans Medium, 10 point) Contact email address we include placeholder image boxes in the template (leave blank for review) in no particular arrangement for suggestion only (apart from on Page 2). The Abstract (Font: IBM Plex 3 Institution Name, Town/ City, Country (Font: IBM Plex Serif Regular, 13 point) should be no more than 200 Sans Medium, 10 point) words and one paragraph only in length, and should Contact email address communicate the rationale and motivations behind (leave blank for review) the work and may summarise process and prac- tice, and resultant experiences and insights for the Research Through Design (RTD) community. Avoid quotation and citing references in the Abstract. The deadline for Stage 2 submission is midnight (HST) on October 5th 2018. Please submit the paper to the conference review system at https://easychair.org/ account/signin.cgi?key=76809419.xCE9UUB1NOzGfeYk- Keywords: [Keywords] maximum of Please include your Abstract text only on this page. six; separated by semi-colons; formatting; guidelines; use of template (Font: IBM Plex Mono * IBM Plex can be downloaded for free at: Text, 8 point) https://github.com/IBM/plex/releases/tag/v1.0.2 1 Frictions and Shifts in RTD [Please include a feature image of your work here and remove this text. This image will also be included in the paper proceedings at the conference.] #rtd2019 #researchthroughdesign #delft #rotterdam 2 Authors surnames [ANONYMISED FOR3 STAGE 2 SUBMISSION], separated by commas | Title of represented work [Authors Names]. Please do not add additional caption text here! Introduction accepted into the conference, Formatting Guidelines to link to external resources Authors of successful Research through Design (RTD) 2019 Ab- authors will be required at a later The layout design of this template is intended to provide guid- and material such as videos stract submissions are invited to submit a visual and written date to provide the Exhibition ance and options to authors for formatting their paper. Where should place links in round- commentary on their work (maximum of 16 pages, including Ab- Chairs with additional details appropriate to the content and intent, authors are encour- ed brackets in the main body Frictions and Shifts in RTD stract, Feature Image page and References) via the EasyChair about their proposed exhibit aged to creatively interpret these guidelines for best support- text rather than use footnotes submission system by October 5th 2018 (midnight HST): https:// and display requirements. ing the communication of their work, in alignment with the (https://vimeo.com/129775325); easychair.org/account/signin.cgi?key=76809419.xCE9UUB1NOzGfeYk RTD 2019 themes. However authors are required to adhere to again, please consider the Authors should treat Stage 2 as a new submission. Au- Visual papers and accompanying the following requirements in preparing their submission. need for your submission to thors must remain anonymised in their submissions. images of exhibited artefacts will remain anonymised when be published as digital confer- Stage 2 submissions should be no more than 16 pages in length (in- providing links to supple- In preparing the Stage 2 submission, authors should read these ence proceedings with unique cluding abstract, feature image page and references). Submissions mentary online material. template guidelines all the way through. Papers should be submit- DOIs via Figshare (http://www. should be based on this template and prepared in print quality (300 ted at Stage 2 in PDF format using this template, accompanied by figshare.com), available at the dpi) PDF format at A4 size, upright orientation, accompanied by Citations the source file (in Adobe InDesign). Please note that authors may be conference and on the confer- the source file (i.e. packagedAdobe InDesign document, including Authors must ensure that rele- required to submit any image files linked to this source file in due ence website after the event. images). Authors are required to use the page margins given in the vant work is cited at the appro- course, ahead of publication. Stage 2 submissions will be double Selected works of exceptional template (outside = 20 millimetres (mm), inside = 10 mm, top =10 priate points in the text. Please blind peer reviewed. Stage 2 submissions, based on this template quality will be invited to be part mm, bottom = 17 mm), and must not obscure the RTD2019 logotype use the Harvard referencing design, should take the form of visual papers combining prose and of an archival publication to that is included on each spread. The template is based on a three format; find a guide here: http:// illustrations (see Formatting Guidelines to follow). Examples of vi- be produced after the event. column grid, which may be used in any way, as long as the Body Text www.citethisforme.com/har- sual papers are available to view in the RTD 2015 proceedings at: is not set any wider than two columns. Authors are required to use vard-referencing. In-text citation http://researchthroughdesign.org/2015/proceedings.html If you have any questions at all the paragraph styles provided, as well as the prescribed typeface should appear as (Author Year) about preparing your submis- IBM Plex (This open source typeface can be downloaded here for and as an alphabetised list at We advise that authors respond proactively to the comments and sion, or the submission pro- free: https://github.com/IBM/plex/releases/tag/v1.0.2); the main Body Text the end of your submission un- suggestions made by the Programme Committee (PC) as part of the cess, please don’t hesitate to (Font: IBM Plex Serif Regular) must be no smaller than 13 point in der a heading called Referenc- Stage 1 peer review process. Bear in mind that Stage 2 submissions contact the RTD 2019 Chairs: the 200 word abstract, 10 point in the remaining Body Text, and the es; please refer to References will be reviewed in conjunction with the Stage 1 submissions and submissions2019@research- Caption Text (Font: IBM Plex Mono Text) must be no smaller than 8 section in this template docu- reviews. Stage 2 submissions should comprehensively document a throughdesign.org point. Section Headers (Font: IBM Plex Sans Bold) must be embold- ment for examples of format- research through design project, describing aims, process, practice, ened in 13 point and Sub-Headers (Font: IBM Plex Sans Bold) must ting. If text from publications (intended) outcomes and critical reflections that offer up transfer- be emboldened in 11 point. Captions (Font: IBM Plex Mono Text) or other sources is being quot- able insights for the RTD community. Contributions to RTD 2019 may optionally be placed under pictures. Please leave 5mm white ed, then please quote ‘by using may fall under (but are not limited to) the following themes: Agency: space above the Caption Text and 10mm white space below it. single quotation marks and From Research Tools to Design Partners; Temporality: From Multiple Iter- then citing afterwards as per ations to Sustained Co-Creation; Materiality: From Products to Flows and Predefined character and paragraph styles are provided in this Harvard format’ (Bloggs 2014). Constellations. For more information on the conference themes, please template, indicated in square brackets [i.e. paragraph style]. This visit the conference website: http://researchthroughdesign.org/2019 is to help guide authors produce a paper that that is legible and Anonymity coherent in style. Whilst adhering to the paragraph styles, exper- The Stage 2 submission should Please be reminded that criteria for selection are based on the au- imentation with visual layout is encouraged to support authors be anonymised in reference to thors’ presentation of artefacts (constituting design research pro- in self-directing the communication of their work. The Illustra- author names, affiliations and cess or outcomes) as central to their submission; these artefacts tion of work is also encouraged. Authors should note that review collaborating organisations. should be proposed for inclusion in the curated exhibition at RTD criteria at Stage 2 submission will include legibility, coherence 2019, and the visual paper should accompany the exhibited arte- and visual communication. We therefore encourage authors fact in a presentation of ‘research through design’ at the confer- to carefully consider legibility when preparing their work. ence. Please see the conference website for more information about the format of presentation unique to RTD, in Rooms of Interest: Please submit work in UK English. If English is not your first language http://researchthroughdesign.org/2019/about/ then please ensure that a fluent speaker proofreads your paper or use a proof reading service such as Scribendi (http://www.scribendi.com). It is important at Stage 2 to offer the reviewers and conference or- ganisers a clear depiction of the artefact(s) intended to be exhibited Images and external resources at RTD 2019.
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