The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat

Total Page:16

File Type:pdf, Size:1020Kb

The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat Sun, Feb 07, 2021 - The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 09:23 Mendelssohn String Symphony No. 02 in D English String 01460 Nimbus 5141 083603514129 Orchestra/Boughton 00:12:2347:12 Stenhammar Piano Concerto No. 1 in B flat Widlund/Royal 00391 Chandos 9074 095115907429 minor Stockholm Philharmonic/Rozhdest vensky 01:01:0517:24 Bach Concerto in D for 3 Violins, Peabody/Rood/Sato/P 01652 ESS.A.Y 1002 N/A BWV 1064 hilharmonia Virtuosi/Kapp 01:19:2909:47 Sibelius The Swan of Tuonela Philadelphia 01095 RCA 6528 07863565282 Orchestra/Ormandy 01:30:4629:00 Mozart Clarinet Concerto in A, K. 622 Marcellus/Cleveland 03728 Sony 62424 074646242421 Orchestra/Szell Classical 02:01:1621:57 Karlowicz Serenade for Strings, Op. 2 Polish National 02170 Harmonia 278 1088 314902505612 Radio-TV Mundi 2 Orchestra/Wit 02:24:13 11:08 Weber Invitation to the Dance, Op. 65 Orchestra of the 03176 Philips 420 812 028942081222 Vienna People's Opera/Bauer-Theussl 02:36:5123:25 Mendelssohn String Quartet in F minor, Op. Talich Quartet 06241 Calliope 9313 794881725922 80 03:01:4631:57 Beethoven String Quartet No. 8 in E minor, Smetana Quartet 00270 Denon 7033 N/A Op. 59 No. 2 03:35:1310:56 Schubert Impromptu in F minor, D. 935 Mitsuko Uchida 04691 Philips 456 245 028945624525 No. 1 03:47:0912:16 Corelli Concerto Grosso in B flat, Op. Cantilena/Shepherd 00794B Chandos 8336/7/8 N/A 6 No. 5 04:00:5514:27 Mozart Horn Concerto No. 2 in E flat, Clevenger/Franz Liszt 04046 Sony 62639 074646263921 K. 417 Chamber Orch/Rolla 04:16:2209:54 Tchaikovsky Melancholy Serenade, Op. 26 Honda/Slovak 11036 Naxos 8.578009 747313800971 Philharmonic/Clark 04:27:1632:08 Schumann Symphony No. 1 in B flat, Op. Dresden State 01805 EMI 69471 077776947129 38 "Spring" Orchestra/Sawallisch 05:00:5406:17 Liszt Hungarian Rhapsody No. 6 in Martha Argerich 04470 DG 447 430 028944743029 D flat 05:08:1119:40 Haydn Symphony No. 032 in C Academy of Ancient 04197 L'Oiseau 436 428 028943642828 Music/Hogwood Lyre 05:28:5112:30 Brahms Two Rhapsodies, Op. 79 Glenn Gould 00242 CBS 37800 07464378002 SONY 05:42:2106:54 Rossini Overture to The Barber of Philharmonia 01267 EMI 47118 077774711821 Seville Orchestra/Muti 05:50:10 09:15 Fill Music: announcer selects 06:01:15 03:21 Bairstow Let all mortal flesh keep silence Guildford Cathedral 01697 Priory 257 n/a Choir/Millington 06:05:5109:20 Chopin Ballade No. 1 in G minor, Op. Jennifer Tao 05349 Eroica 3015 714548301528 23 06:16:26 10:30 Bach, W.F. Sinfonia in D Tafelmusik/Lamon 10410 Sony 62720 074646272022 06:28:4630:39 Mendelssohn Piano Trio No. 2 in C minor, Angelich/Capucon/Cap 08263 EMI 58472 094635847222 Op. 66 ucon 07:01:1504:47 Traditional Deep River Pine/Hagle 07684 Cedille 097 735131909723 07:07:17 13:02 Tournier Suite for Flute, Violin, Viola, O'Connor/Lee/Neubau 11904 Music@Me n/a 653738268626 Cello and Harp, Op. 34 er/Atapine/Kibbey nlo Live 07:21:3407:53 Stanley Organ Concerto in D, Op. 10 Gifford/Northern 01011 CRD 3409 N/A No. 2 Sinfonia 07:30:00 28:30 SING FOR JOY www.stolaf.edu Sun, Feb 07, 2021 - The Classical Station, WCPE 2 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 08:01:30 03:26 Gawthrop Prayer For Grace Utah State University 09664 Utah State n/a 710396886125 Chamber University Singers/Evans 08:04:5603:51 Byrd Christe qui lux es The Cardinall's 04567 ASV 170 743625017021 Musick/Carwood 08:08:4703:28 Bach Jesu, Joy of Man's Desiring Choir of King's 07366 EMI 54468 094635446821 College, Cambridge/Academy of St. Martin-in-the-Fields/Ma rriner 08:14:4504:29 Traditional There is a Balm in Gilead Battle/Norman/Levine 08079 DG 429 790 028942979024 08:19:1402:02 Handel Awake the trumpet's lofty Howard University 01403 Arabesque Z6538 02363506538 sound! from Samson Choir/Handel Festival Orchestra/Simon 08:21:1603:52 Still Reverie Philip Brunnelle, organ 03615 COLLINS 14542 502339114542 1 08:27:38 02:19 GSM Commentary: Stanley Stanley Thurston GSMC4 Thurston 08:29:5703:27 Traditional Praise to the Lord St. Olaf Choir/Jennings 03398 St. Olaf 646 n/a Records 08:33:2402:59 Verdi Sanctus from Requiem Vienna Philharmonic & 00380 DG 415 091 028941509123 State Opera Chorus/Karajan 08:38:5310:14 Berlioz Epilogue from L'enfance du Beuron/London 11884 LSO Live 0606 822231160625 Christ, Op. 25 Symphony/Tenebrae Choir/C. Davis 08:49:1709:46 Bach Prelude and Fugue in D, BWV Kevin Bowyer 02805 Nimbus 5289 083603528928 532 09:02:1317:04 Bach Cantata 126, "Erhalt uns, Herr, Bach Collegium 08342 Bis 9033/35 731859903335 bei deinem Wort" Japan/Suzuki 8 09:20:4711:17 Purcell My beloved spake Tolzer 03376 Sony 53981 07464539812 Knabenchor/Leonhardt 09:35:0467:12 Mendelssohn Elijah, Part I Atlanta Symphony & 03387 Telarc 80389 089408038921 Chorus/Shaw 10:44:0665:07 Mendelssohn Elijah, Part II Atlanta Symphony & 03387 Telarc 80389 089408038921 Chorus/Shaw 11:50:28 08:57 Fill Music: announcer selects 12:01:1509:57 Bottesini Duetto for Clarinet and Double Stoltzman/Frederickso 08458 Navona 5801 896931002011 Bass n/Slovak Radio Symphony/Trevor 12:12:2729:23 Dvorak Serenade in E for Strings, Munich 10650 Sony 88725409 887254091127 Op.22 Philharmonic/Kempe 112 12:43:4014:51 Schumann Introduction and Allegro Biret/Polish National 05582 Naxos 8.554088 636943408827 Concertante in D minor for Radio Symphony/Wit Piano & Orchestra, Op.134 13:00:2113:38 Still Suite for Violin and Piano L. Chang/Taylor 02740 New World 80399 093228039921 Records 13:15:49 12:22 Beethoven 12 Variations on Handel's "See Bailey/Dinnerstein 08477 Telarc 80740 089408074028 the Conquering Hero Comes" 13:29:2628:44 Mozart Violin Concerto No. 5 in A, K. Manze/English Concert 04579 Harmonia 907385 093046738525 219 "Turkish" Mundi 14:00:00 21:27 Rodrigo Concierto de Aranjuez Parkening/Royal 03513 EMI 554665 020831455127 Philharmonic/Litton 0 14:23:17 11:36 Fill Music: announcer selects 14:36:0823:17 Dussek Harp Concerto in E flat, Op. 15 Platilova/I 01656 Supraphon 2202 081759013602 Musici/Eliska Sun, Feb 07, 2021 - The Classical Station, WCPE 3 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 15:01:15 23:09 Haydn String Quartet in B flat, Op. 76 Mosaic Quartet 11178 astree 8665 329849008665 No. 4 "Sunrise" 0 15:25:3914:23 Stenhammar Midwinter, Op. 24 Swedish Radio 02314 Musica 626 n/a Symphony & Sveciae Choir/Salonen 15:41:5216:24 Mozart Horn Quintet in E flat, K. 407 Sommerville/Boston 06633 BSO 0601 828020000424 Symphony Chamber Players 16:00:06 13:56 Telemann Viola Concerto in G Kyselak/Capella 03370 Naxos 8.550156 730099515627 Istropolitana/Edlinger 16:15:5231:07 Brahms Serenade No. 2 in A, Op. 16 Scottish Chamber 05451 Telarc 80522 089408052224 Orchestra/Mackerras 16:48:14 11:11 Fill Music: announcer selects 17:01:15 59:00 My Life In Music Mark Abel 18:02:0509:42 Rimsky-Korsak The Sea and Sinbad's Ship Oslo PV1326 Lawo 1198 709002018220 ov from Scheherazade, Op. 35 Philharmonic/Petrenko 9 18:13:02 15:47 Leclair Violin Concerto in A minor, Op. Ruhadze/Ensemble DownloadBrilliant 95290 502842195290 7 No. 5 Violini Capricciosi Classics 1 18:30:0430:19 Mozart Piano Concerto No. 20 in D Grimaud/Camerata DownloadDeutsche n/a n/a minor, K. 466 Salzburg Grammaph on 19:02:13 09:26 The Classical Station’s Rob Kennedy speaks with pianist Liza Stepanova about her CD, "E Pluribus Unum". 19:12:3903:46 Khaleghian "The Day of Alast" from Tahirih Liza Stepanova DownloadNavona 6300 n/a the Pure Records 19:17:4002:52 Lauro Natalia Isbin/Davin PV1323 Zoho 202005 880956200521 19:21:4737:18 Price Symphony No. 1 in E minor Fort Smith PV1181 Naxos 8.559827 636943982723 Symphony/Jeter 20:00:55 06:48 Locklair "Fantasy in the Woods" from Pangaea Chamber DownloadNavona 6279 n/a Reynolda Reflections Players Records 20:08:5813:34 Farrenc Grand Variations on a Theme Muller/European DownloadNaxos 8.574094 747313409471 by Count Gallenburg, Op. 25 Soloists of Luxembourg/Konig 20:23:4735:28 Rachmaninoff Symphonic Dances, Op. 45 Philadelphia DownloadDeutsche n/a n/a Orchestra/Nezet-Segui Grammaph n on 21:01:05 03:50 Golson Classical Dreams Lara Downes DownloadRising Sun n/a n/a Music 21:06:1013:03 Abels Delights & Dances for String Harlem 11433 Cedille 141 n/a Quartet and String Orchestra Quartet/Chicago Sinfonietta/Chen 21:20:2814:13 Shorter Terra Incognita Imani Winds 08864 E1 Music 7782 n/a 21:36:11 22:28 Brouwer Concierto Elegiaco (No. 3) Cobo/Pro Musica 03749 ESS.A.Y 1040 090998104026 Kiev/Kapp 22:00:2908:00 Codex Las Chants for Night Anonymous 4 09491 Harmonia 807510 093046751067 Huelgas Mundi 22:10:14 47:31 Mozart Six Preludes and Fugues for Grumiaux Trio 12822 Philips 422 697 028942251328 String Trio, K. 404a 22:59:3510:59 Mendelssohn Hear my prayer Gomez/Swann/First 05438 Gothic 49124 000334912420 United Methodist Lubbock/McMillan 23:12:0434:30 Schubert Piano Sonata in B flat, D. 960 Clifford Curzon 10098 London 417 642 028941764225 23:47:49 11:36 Fill Music: announcer selects.
Recommended publications
  • Fall/Winter 2002/2003
    PRELUDE, FUGUE News for Friends of Leonard Bernstein RIFFS Fall/ Winter 2002 Bernstein's Mahler: A Personal View @ by Sedgwick Clark n idway through the Adagio £male of Mahler's Ninth M Symphony, the music sub­ sides from an almost desperate turbulence. Questioning wisps of melody wander throughout the woodwinds, accompanied by mut­ tering lower strings and a halting harp ostinato. Then, suddenly, the orchestra "vehemently burst[s] out" fortissimo in a final attempt at salvation. Most conductors impart a noble arch and beauty of tone to the music as it rises to its climax, which Leonard Bernstein did in his Vienna Philharmonic video recording in March 1971. But only seven months before, with the New York Philharmonic, His vision of the music is neither Nearly all of the Columbia cycle he had lunged toward the cellos comfortable nor predictable. (now on Sony Classical), taped with a growl and a violent stomp Throughout that live performance I between 1960 and 1974, and all of on the podium, and the orchestra had been struck by how much the 1980s cycle for Deutsche had responded with a ferocity I more searching and spontaneous it Grammophon, are handily gath­ had never heard before, or since, in was than his 1965 recording with ered in space-saving, budget-priced this work. I remember thinking, as the orchestra. Bernstein's Mahler sets. Some, but not all, of the indi­ Bernstein tightened the tempo was to take me by surprise in con­ vidual releases have survived the unmercifully, "Take it easy. Not so cert many times - though not deletion hammerschlag.
    [Show full text]
  • 2017–2018 Season Artist Index
    2017–2018 Season Artist Index Following is an alphabetical list of artists and ensembles performing in Stern Auditorium / Perelman Stage (SA/PS), Zankel Hall (ZH), and Weill Recital Hall (WRH) during Carnegie Hall’s 2017–2018 season. Corresponding concert date(s) and concert titles are also included. For full program information, please refer to the 2017–2018 chronological listing of events. Adès, Thomas 10/15/2017 Thomas Adès and Friends (ZH) Aimard, Pierre-Laurent 3/8/2018 Pierre-Laurent Aimard (SA/PS) Alarm Will Sound 3/16/2018 Alarm Will Sound (ZH) Altstaedt, Nicolas 2/28/2018 Nicolas Altstaedt / Fazil Say (WRH) American Composers Orchestra 12/8/2017 American Composers Orchestra (ZH) 4/6/2018 American Composers Orchestra (ZH) Anderson, Laurie 2/8/2018 Nico Muhly and Friends Investigate the Glass Archive (ZH) Angeli, Paolo 1/26/2018 Paolo Angeli (ZH) Ansell, Steven 4/13/2018 Boston Symphony Orchestra (SA/PS) Apollon Musagète Quartet 2/16/2018 Apollon Musagète Quartet (WRH) Apollo’s Fire 3/22/2018 Apollo’s Fire (ZH) Arcángel 3/17/2018 Andalusian Voices: Carmen Linares, Marina Heredia, and Arcángel (SA/PS) Archibald, Jane 3/25/2018 The English Concert (SA/PS) Argerich, Martha 10/20/2017 Orchestra dell’Accademia Nazionale di Santa Cecilia (SA/PS) 3/22/2018 Itzhak Perlman / Martha Argerich (SA/PS) Artemis Quartet 4/10/2018 Artemis Quartet (ZH) Atwood, Jim 2/27/2018 Louisiana Philharmonic Orchestra (SA/PS) Ax, Emanuel 2/22/2018 Emanuel Ax / Leonidas Kavakos / Yo-Yo Ma (SA/PS) 5/10/2018 Emanuel Ax (SA/PS) Babayan, Sergei 3/1/2018 Daniil
    [Show full text]
  • Geoffrey Baer, Who Each Friday Night Will Welcome Local Contestants Whose Knowledge of Trivia About Our City Will Be Put to the Test
    From the President & CEO The Guide The Member Magazine Dear Member, for WTTW and WFMT This month, WTTW is excited to premiere a new series for Chicago trivia buffs and Renée Crown Public Media Center curious explorers alike. On March 26, join us for The Great Chicago Quiz Show hosted by 5400 North Saint Louis Avenue Chicago, Illinois 60625 WTTW’s Geoffrey Baer, who each Friday night will welcome local contestants whose knowledge of trivia about our city will be put to the test. And on premiere night and after, visit Main Switchboard (773) 583-5000 wttw.com/quiz where you can play along at home. Turn to Member and Viewer Services page 4 for a behind-the-scenes interview with Geoffrey and (773) 509-1111 x 6 producer Eddie Griffin. We’ll also mark Women’s History Month with American Websites wttw.com Masters profiles of novelist Flannery O’Connor and wfmt.com choreographer Twyla Tharp; a POV documentary, And She Could Be Next, that explores a defiant movement of women of Publisher color transforming politics; and Not Done: Women Remaking Anne Gleason America, tracing the last five years of women’s fight for Art Director Tom Peth equality. On wttw.com, other Women’s History Month subjects include Emily Taft Douglas, WTTW Contributors a pioneering female Illinois politician, actress, and wife of Senator Paul Douglas who served Julia Maish in the U.S. House of Representatives; the past and present of Chicago’s Women’s Park and Lisa Tipton WFMT Contributors Gardens, designed by a team of female architects and featuring a statue by Louise Bourgeois; Andrea Lamoreaux and restaurateur Niquenya Collins and her newly launched Afro-Caribbean restaurant and catering business, Cocoa Chili.
    [Show full text]
  • Arturo Benedetti Michelangeli Il Divo ASCETA
    Arturo Benedetti Michelangeli Il divo ASCETA Vezzi, capricci. manie. Il terrore degli organizzatori per l'eccentricità e le cancellazioni. A 20 anni dalla scomparsa del pianista, un testimone ne rivela invece il profilo spirituale francescano, il rigore anticonsumista di artigiano della musica di Carlo Piccardi iò che più sorprese alla morte di Arturo Benedetti Michelangeli, nel Cgiugno 1995, fu il funerale nella chiesetta di Pura (il villaggio presso Lugano in cui da anni abitava), con una cerimonia priva di fasto e l’inumazione in una modesta tomba, per sua volontà, priva di lapide. La cronaca di quella circostanza servì a gettare una luce di verità sulla sua vicenda esistenziale e artistica. Essa rivelava la religiosità di un uomo al servizio della musica, intesa non come ideale estetico ma concepita come transizione verso una dimensione di profondo spessore spirituale, sulla spinta del sentimento meditato e circoscritto al modello francescano dell’umiltà, della sobrietà e della rinuncia. Sapere che si circondava solo dell’essenziale in una camera spoglia, con un libro di meditazioni, un rosario accanto al letto e un crocefisso alla parete faceva capire molte cose. Faceva capire soprattutto il dramma di un artista più di altri consapevole della vanità del mondo, costretto per mestiere a confrontarsi con le sue regole fatue. In verità proprio la sua coerenza, il suo rigore nel TM Amadeus Amadeus 71 Più rifuggiva dalla mondanità e più diventava argomento di pettegolezzo, più esigeva in fatto di condizioni ottimali e più appariva eccentrico mettere tutto al servizio non del rapporto parte nel tutto. Ora sappiamo che tale potuta essere trasmessa se egli si fosse ipnotizzante col pubblico ma del messaggio riduzione alla dimensione artigianale non assoggettato alle regole che ai moderni musicale, lo portarono a essere male era solo un mezzo per ottenere abbaglianti interpreti impongono frenetici itinerari interpretato, a subire oltre misura la esiti sonori, ma anche la realizzazione di un concertistici, ossessivamente cadenzati da divinizzazione.
    [Show full text]
  • News from Primo Artists | March 2017 View This Email in Your Browser
    News from Primo Artists | March 2017 View this email in your browser PERLMAN LEADS THE PHILADELPHIA ORCHESTRA WITH AN "INCREDIBLY DEFT TOUCH" AND IS SET TO TOUR WITH MARTHA ARGERICH IN MARCH 2018 On March 15th and 16th, Itzhak Perlman play/conducted concerts with the Philadelphia Orchestra to standing ovations and top praise from The Philadelphia Inquirer. “The Mozart work took on an emotional deliberation that suggested the late Nikolaus Harnoncourt. Clearly, Perlman – who conducts with a contained Ormandyesque beat – had worked on a series of attractively evolving textures in the symphony. Primary themes spoke with a highly inflected sense of purpose. In the Dvorak 8, Perlman gave a Viennese lilt to the mysterious waltz music of the third movement, which was an incredibly deft touch.” Primo announces the first-ever tour of Itzhak Perlman and Martha Argerich in the 2017-18 season! Two living legends reuniting for a tour of the United States, surely one for the records. March 2018. 6 concerts. 5 cities. Los Angeles, San Francisco, Chicago, Washington D.C. and New York. Click here for tour details. BENEDETTI'S BANNER MONTH IN NORTH AMERICA: TOURING TO 21 CITIES AND FEATURED IN THE ECONOMIST, CNN AND ON THE TAVIS SMILEY SHOW March was a busy month for Nicola Benedetti! Viewers around the world followed the massive success of Benedetti’s 13-city Venice Baroque Orchestra North American tour and over 125,000 watched their viral tour video. Then straight onto an 8-concert tour with Royal Scottish National Orchestra which received glowing tour reviews. The Herald Scotland wrote: “Benedetti was at the top of her game on both the Bruch concerto she clearly loves so well and on the Brahms concerto.” From there, Benedetti performed Bruch with Michael Tilson Thomas on subscription concerts with the San Francisco Symphony.
    [Show full text]
  • Michael Tilson Thomas and the San Francisco
    Contact: Public Relations San Francisco Symphony (415) 503-5474 [email protected] sfsymphony.org/press FOR IMMEDIATE RELEASE / FEBRUARY 12, 2020 (High resolution images are available for download from the San Francisco Symphony’s Online Photo Library. MICHAEL TILSON THOMAS AND THE SAN FRANCISCO SYMPHONY EMBARK ON FINAL TOUR OF NEW YORK AND EUROPE TOGETHER WITH PERFORMANCES IN EIGHT COUNTRIES, MARCH 17–APRIL 7, 2020 Tour begins with two performances at New York’s Carnegie Hall March 17 & 18 featuring Stravinsky’s The Firebird, Saint-Saëns’ Cello Concerto No. 1 with Gautier Capuçon, the New York Premiere of San Francisco Symphony and Carnegie Hall Co-Commission I Still Dance by John Adams, and Mahler’s Symphony No. 6 European tour performances feature Pianist Daniil Trifonov in London, Hamburg, Berlin, and Vienna; and Cellist Gautier Capuçon in Munich, Amsterdam, Antwerp, Luxembourg, Lyon, and Paris SAN FRANCISCO, CA—Music Director Michael Tilson Thomas (MTT) and the San Francisco Symphony (SFS) embark on their final tour of New York and Europe together before MTT concludes his distinguished 25-year tenure as Music Director at the end of the 2019–20 season. The tour begins with two concerts at New York’s Carnegie Hall March 17–18, and continues with 14 performances in ten cities across Europe, March 21–April 7. The March 17 performance at Carnegie Hall features the New York premiere of John Adams’ new composition, I Still Dance, co-commissioned by the San Francisco Symphony and Carnegie Hall. An explosive eight-minute work written in a single movement, I Still Dance features densely interwoven parts that are driven forward by propulsive arpeggiated figures.
    [Show full text]
  • Vilde Frang, Violin
    VILDE FRANG, VIOLIN Vilde is the recipient of the 2012 Credit Suisse Young Artists Award and will perform with the Vienna Philharmonic and Bernard Haitink at the Lucerne Summer Music Festival in September 2012. Noted particularly for her superb musical expression, as well as her well- developed virtuosity and musicality, Vilde Frang has established herself as one of the leading young violinists of her generation since she was engaged by Mariss Jansons at the age of twelve to debut with Oslo Philharmonic Orchestra. Highlights among her recent and forthcoming engagements include performances with Mahler Chamber Orchestra, Kremerata Baltica, Academy of St. Martin in the Fields, BBC Symphony, Symphonieorchester des Bayerischen Rundfunks, Konzerthausorchester Berlin, HR- Sinfonieorchester Frankfurt, Tonhalle-Orchester Zurich, Russian National Orchestra, Rotterdam Philharmonic, the NHK Symphony in Tokyo and Orchestre Philharmonique de Monte-Carlo, with conductors including Ivan Fischer, Paavo Järvi, Vladimir Ashkenazy, Mariss Jansons, David Zinman, Vassily Sinaisky, Esa-Pekka Salonen and Gianandrea Noseda. She appears as a recitalist and chamber musician at festivals in Schleswig- Holstein, Mecklenburg-Vorpommern, Rheingau, Lockenhaus, Gstaad, Verbier and Lucerne. Amongst her collaborators were Gidon Kremer, Yuri Bashmet, Martha Argerich, Julian Rachlin, Leif Ove Andsnes and Maxim Vengerov, and together with Anne-Sophie Mutter she has toured in Europe and the US, playing Bach's Double Concerto with Camerata Salzburg. After her 2007 debut with London Philharmonic Orchestra, Vilde was immediately re-engaged for a concert with the orchestra and Vladimir Nordic Artists Management / Denmark VAT number: DK29514143 http://nordicartistsmanagement.com Jurowski at the Royal Festival Hall in the 2009 season, followed by a recital at Wigmore Hall.
    [Show full text]
  • Jansen/Maisky/ Argerich Trio Tuesday 6 February 2018 7.30Pm, Hall
    Jansen/Maisky/ Argerich Trio Tuesday 6 February 2018 7.30pm, Hall Beethoven Cello Sonata in G minor, Op 5 No 2 Shostakovich Piano Trio No 2 in E minor, Op 67 interval 20 minutes Schumann Violin Sonata No 1 in A minor, Op 105 Mendelssohn Piano Trio No 1 in D minor, Op 49 Janine Jansen violin Mischa Maisky cello Martha Argerich piano Adriano Heitman Adriano Part of Barbican Presents 2017–18 Programme produced by Harriet Smith; printed by Trade Winds Colour Printers Ltd; advertising by Cabbell (tel. 020 3603 7930) Confectionery and merchandise including organic ice cream, quality chocolate, nuts and nibbles are available from the sales points in our foyers. Please turn off watch alarms, phones, pagers etc during the performance. Taking photographs, capturing images or using recording devices during a performance is strictly prohibited. If anything limits your enjoyment please let us know The City of London during your visit. Additional feedback can be given Corporation is the founder and online, as well as via feedback forms or the pods principal funder of located around the foyers. the Barbican Centre Welcome Tonight we are delighted to welcome three friend Ivan Sollertinsky, an extraordinarily musicians so celebrated that they need no gifted man in many different fields. introduction. Martha Argerich and Mischa Maisky have been performing together We begin with Beethoven, and his Second for more than four decades, while Janine Cello Sonata, a work that is groundbreaking Jansen is a star of the younger generation. for treating string instrument and piano equally and which ranges from sheer Together they present two vastly different wit to high drama.
    [Show full text]
  • Print-At-Home Programme
    Wednesday 26 May 2021 Thursday 27 May 2021 Barbican GRIEG, RACHMANINOFF & BEETHOVEN Edvard Grieg The Last Spring Serge Rachmaninoff Piano Concerto No 2 Ludwig van Beethoven Symphony No 5 Michael Tilson Thomas conductor Yuja Wang piano London Symphony Orchestra Welcome A warm welcome to these LSO concerts. After 14 months away, it was wonderful last week to make our long-awaited return to our Barbican home, and to be able to reunite with audiences in person, sharing once again in the joy of live music. Sincere thanks to all of our supporters: your generosity has enabled us to continue sharing music with audiences across the globe through these challenging times, and now continues to assist our return to live performance and our recovery from the pandemic. With these concerts we welcome back LSO Conductor Laureate Michael Tilson Thomas, who has been sorely missed over the past year. Across four concerts at the Barbican and LSO St Luke’s, he conducts music by Grieg and Copland, piano concertos by Rachmaninoff and Shostakovich, and symphonies by Beethoven and Tchaikovsky. It is a pleasure to be joined also by soloist Yuja Wang, who has performed with the Orchestra and Michael Tilson Thomas regularly over the years, most recently in 2017 when she joined the Orchestra on tour in Europe. Following these London performances of Rachmaninoff’s and Shostakovich’s Second Piano Concertos, we look forward to Yuja Wang – and Michael Tilson Thomas – joining us for further concerts at Snape Maltings next week. I hope you enjoy these performances. Our thanks to all of you, our audience members, for your support.
    [Show full text]
  • Marist CLS Favorite Concertos January 11, 2021
    Marist CLS Favorite Concertos January 11, 2021 Paul Stoddard Zoom reminders • Use the View icon to change from gallery to speaker if you want. • When I share my screen (which will be most of the class) you will see my Power Point slides and YouTube videos in the main window. • If you want to ask a question: - Click the Raise Hand icon (you can find it after you click the Participants button). - Or, type your question in the Chat • Keep yourself muted unless asking your question after I call on you. Thanks! 2 Concertos (Concerti if you speak Italian) ✢ Music for an instrumental soloist and orchestra. The vast majority are for piano or violin soloist. ✢ Cello is a distant third. There are also some for clarinet, flute, oboe, French horn, trumpet, etc. ✢ Other instruments have only a few, although in the 20th century composers started writing them for all kinds of odd instruments. (See the list “Concertos for other instruments” at the end of the Wikipedia article.) 3 Concertos – your favorites and mine Mozart ✢ Violin Concerto No 5 played by Anne Sophie-Mutter ✢ Piano Concerto No 17 played by Lenny (Mozart wrote 27) ✢ Piano Concerto No 21, 2nd movement played by Yeol Eum Son ✢ One of my favorites, Piano Concerto No 22 played by Mitsuko Uchida ✢ Horn Concerto No 4 E flat major K 495 played by Radek Baborák (Mozart wrote 5 for Horn, 1 for bassoon) ✢ Clarinet Concerto K.622 played by Richard Stoltzman ✢ Sinfonia Concertante (violin & viola) played by Perlman and Zuckerman ✢ Concerto for Flute Harp and Orchestra in C major, K 299 5 Musical Forms – understanding structure v Classical pieces are long.
    [Show full text]
  • Oxford Philharmonic Orchestra
    Oxford Philharmonic Orchestra Praised as ‘excellent’ by Gramophone magazine and ‘thoroughly impressive’ by BBC Music Magazine, the Oxford Philharmonic Orchestra’s reputation is based on the uncompromising artistic standards of its Founder and Music Director, Marios Papadopoulos, and maintained by some of the finest musicians in the UK. Established in 1998 and formerly known as Oxford Philomusica, the Oxford Philharmonic Orchestra occupies a unique position within the UK orchestral landscape. As an orchestra of the highest quality, the Oxford Philharmonic attracts some of the world’s greatest artists to appear in its series, including Maxim Vengerov, Valery Gergiev, Anne-Sophie Mutter, Martha Argerich, András Schiff, Renée Fleming, Lang Lang, Nicola Benedetti, and Vladimir Ashkenazy. In addition to the Oxford Philharmonic Orchestra’s annual concert season in Oxford, touring performances across the UK, family concerts, annual Oxford Piano Festival, and Chamber Music Series, it boasts a growing list of international engagements. Acclaimed recordings include works by Nimrod Borenstein for Chandos, cello concertos by Shostakovich and Mats Lidström (Solo Cello of the Oxford Philharmonic), both conducted by Vladimir Ashkenazy, on the BIS label, A Merton Christmas with Merton College Choir, Haydn’s The Creation with the Choir of New College, and the Handel/Mendelssohn Acis and Galatea with Christ Church Cathedral Choir. Following his remarkable debut with the Orchestra in 2013, Maxim Vengerov became its first Artist in Residence. Over an unprecedented
    [Show full text]
  • Print-At-Home Programme
    Sunday 30 May 2021 LSO St Luke's COPLAND, SHOSTAKOVICH & TCHAIKOVSKY Aaron Copland Our Town – Suite Dmitri Shostakovich Piano Concerto No 2 Pyotr Ilyich Tchaikovsky Symphony No 2 Michael Tilson Thomas conductor Yuja Wang piano London Symphony Orchestra Welcome A warm welcome to these LSO concerts. After 14 months away, it was wonderful last week to make our long-awaited return to our Barbican home, and to be able to reunite with audiences in person, sharing once again in the joy of live music. Sincere thanks to all of our supporters: your generosity has enabled us to continue sharing music with audiences across the globe through these challenging times, and now continues to assist our return to live performance and our recovery from the pandemic. With these concerts we welcome back LSO Conductor Laureate Michael Tilson Thomas, who has been sorely missed over the past year. Across four concerts at the Barbican and LSO St Luke’s, he conducts music by Grieg and Copland, piano concertos by Rachmaninoff and Shostakovich, and symphonies by Beethoven and Tchaikovsky. It is a pleasure to be joined also by soloist Yuja Wang, who has performed with the Orchestra and Michael Tilson Thomas regularly over the years, most recently in 2017 when she joined the Orchestra on tour in Europe. Following these London performances of Rachmaninoff’s and Shostakovich’s Second Piano Concertos, we look forward to Yuja Wang – and Michael Tilson Thomas – joining us for further concerts at Snape Maltings next week. I hope you enjoy these performances. Our thanks to all of you, our audience members, for your support.
    [Show full text]