DOCSLIB.ORG

Michael Tilson THOMAS

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

2017–18 SEASON SYMPHONY SUBSCRIBE TODAY FOR THE BEST SEATS AT THE BEST PRICE. MTT Celebrates Bernstein’s Centennial JOIN MICHAEL Itzhak Perlman and Martha Argerich in Recital TILSON THOMAS AND MTT Conducts Mahler’s Symphonies Nos. 3, 4, and 5 THE SAN FRANCISCO Yuja Wang in Recital SYMPHONY FOR THE @sfsymphony 2 017–18 SEASON. SAN FRANCISCO SAN FRANCISCO FEATURED PHOTOGRAPHY: Cory Weaver and Spencer Lowell ADDITIONAL PHOTOGRAPHY: Stefan Cohen, Kristen Loken, and Jennifer Siu SUBSCRIBE NOW ON THE COVER: Michael Tilson Thomas music director, Jacob Nissly principal percussion, TO GUARANTEE Nadya Tichman associate concertmaster, Timothy Higgins principal trombone, Jessica Valeri French horn, Suzanne Leon violin YOUR SEATS! ON THE BACK COVER: Christina King viola, Melissa Kleinbart violin, Eugene Izotov principal oboe, Margaret Tait cello, Eliot Lev violin, Douglas Rioth principal harp volume LISTEN TO MUSIC EXCERPTS: SFSYMPHONY.ORG JOIN MiCHAEL TiLSON THOMAS AND THE SAN FRANCISCO Why SYMPHONY FOR THE Subscribe 2017–18 SEASON. MELISSA KLEINBART VIOLIN JACOB NISSLY PRINCIPAL PERCUSSION SECURE THE BEST SEATS AT THE BEST PRICE AND ENJOY SPECIAL PERKS: Single ticket prices may rise—prices for subscribers 1 remain the same all season. Purchase additional tickets at the discounted subscriber price. See pages 26–27 for a list 2 of Amazing Add-Ons. 3 Get access to concerts before the general public. 4 Enjoy a free seat upgrade. 5 Exchange tickets easily if your plans change. 6 Pay half now and half later.* Access to the online Subscriber Secret Store: deals and discounts at Bay Area 7 restaurants and merchants. Davies Symphony Hall Classical and Great Performers Series subscribers can save up to $15 per ticket off regular prices to the general public. *The partial payment plan is for credit card purchases only, and is not available online. After the initial payment is processed, the balance, plus a one-time extended payment handling fee, is automatically charged on May 12, 2017. iii volume LISTEN TO MUSIC EXCERPTS: SFSYMPHONY.ORG SUBSCRIBE: 415-864-6000 & SFSYMPHONY.ORG 1 How Table to Subscribe f Contents o Online sfsymphony.org/subscribe 04 SEASON HIGHLIGHTS Call the Box Office 415-864-6000 MICHAEL TILSON THOMAS In person 07 Davies Symphony Hall CONCERTS Box Office Mon–Fri: 10am–6pm | Sat: 12pm–6pm Mail the order form with payment to Patron Services 17 San Francisco Symphony SUBSCRIPTION Davies Symphony Hall PACKAGES 201 Van Ness Avenue San Francisco, CA 94102 DOUGLAS RIOTH PRINCIPAL HARP QUESTIONS? Call our Patron Services Department and talk to an experienced representative who can help you 21 choose the programs, series, and seats that best fit your taste, budget, and schedule. SPECIAL SERIES Patron Services Phone 415-864-6000 or fax 415-554-0108 WEST SIDE STORY THE SAN FRANCISCO SYMPHONY SALUTES ITS MAJOR PARTNERS SECOND CENTURY PARTNER MAJOR PARTNERS 26 AMAZING ADD-ONS Inaugural Partner OFFICIAL PARTNER MEDIA PARTNERS PUBLIC FUNDING YO-YO MA Official Airline 2 volume LISTEN TO MUSICEUGENE EXCERPTS: IZOTOV SFSYMPHONY.ORG PRINCIPAL OBOE SUBSCRIBE: 415-864-6000 & SFSYMPHONY.ORG 3 SEASON HIGHLIGHTS SEASON HIGHLIGHTS Photos by Don Hunstein © Sony Music Entertainment Cultural Ties: Celebrating Music LEONARD BERNSTEIN RECORDING Bernstein WITH THE BOSTON SYMPHONY ORCHESTRA, DECEMBER 1972 from Home Opening Night Gala SEP 14 Overture to Candide - p. 26 Prelude, Fugue, and Riffs Join us in celebrating the 100th SEP 22–24 Guest conductors from around the Birthday of Leonard Bernstein Chichester Psalms world present programs featuring Arias and Barcarolles and experience the vibrant joy Symphonic Dances from music from their homelands. Join of his music as the San Francisco West Side Story - p. 7 them as they celebrate the sounds Symphony pays tribute to one The Age of Anxiety, of Poland, the Czech Republic, NOV 2–5 of the greatest composers, Symphony No. 2 - p. 9 Finland, France, and Russia. conductors, and educators JAN 19–21 MTT Conducts Candide - p. 11, 26 of the 20th century. OCT 6–8 MAY 10–12 Krzysztof Urbański Conducts Stéphane Denève Conducts West Side Story Penderecki Saint-Saëns and Connesson FEB 1–3 Film with Live Orchestra - p. 6, 27 (Poland) (France) OCT 13–15 MAY 31–JUN 2 The SFS Celebrates FEB 22–24 Jakub Hrůša Conducts Dvořák, Semyon Bychkov Conducts the Bliss of Bernstein Smetana, and Janáček Taneyev and Tchaikovsky Divertimento and Serenade - p. 12 (Czech Republic) (Russia) OCT 26–28 JUN 7–9 Osmo Vänskä Conducts Sibelius Susanna Mälkki Conducts Saariaho (Finland) (Finland) 4 volume LISTEN TO MUSIC EXCERPTS: SFSYMPHONY.ORG SUBSCRIBE: 415-864-6000 & SFSYMPHONY.ORG 5 SEASON HIGHLIGHTS SEP–OCT CONCERTS Film Series NORTH BY NORTHWEST Concerts North By Northwest BERNSTEIN AT 100 MTT Conducts Symphonie fantastique FRI DEC 1 | SAT DEC 2 West Side Story Beautiful Davies Symphony Hall, home THU B SAT B SUN B Experience your favorite films like An astounding success upon its release in 1959, FRI FEB 2 | SAT FEB 3 THU SEP 28 8PM | SAT SEP 30 8PM | SUN OCT 1 2PM North By Northwest remains one of the most of the San Francisco Symphony, hosts more never before at Davies Symphony Celebrate the 50th anniversary of this iconic film, Berlioz’s magnificent Symphonie fantastique paints a lively popular spy thrillers of all time. Directed by as the San Francisco Symphony plays Leonard than 200 concerts throughout the season picture of the life of an artist who revels and despairs over Hall. With the orchestra performing Alfred Hitchcock, the film was nominated Bernstein’s electrifying score live while the an unrequited love. Carnival scenes, pastoral interludes, and for 3 Academy Awards® and is listed by the and offers in-house food and drinks, the score live and the film projected re-mastered film is shown on the big screen ghastly dances with witches and sorcerers make this among Writers Guild of America as one of the greatest with the original vocals and dialog intact. Winner unique shopping, and more. the most vibrant orchestral music ever written. Also on the on the big screen, movie night at screenplays ever written. Featuring Bernard of ten Academy Awards®, the film, directed program, Jeremy Denk brings his “rhapsodic and poetic” Herrmann’s score, see this newly restored the Symphony is a unique and by Robert Wise and Jerome Robbins, features artistry (The New York Times) to Bartók’s grandiose and brilliant film orchestrated by Christopher Husted from Turn to page 17 Robbins’ choreography, screenplay by Ernest Second Piano Concerto. unforgettable way to immerse Herrmann’s original manuscripts, including Lehman, book by Arthur Laurents and lyrics for package summaries. music that wasn’t included in the final film. Michael Tilson Thomas conductor yourself in the sights and sounds by Stephen Sondheim. Jeremy Denk piano of the cinema. Academy West Side Story © 1961, San Francisco Symphony Award® winner Metro-Goldwyn-Mayer BERNSTEIN AT 100 Home Alone BEST PICTURE Studios Inc. All rights reserved. Celebrating Bernstein with MTT Bartók Piano Concerto No. 2 Turn to page 21 SAT DEC 16 | SUN DEC 17 © A.M.P.A.S. Berlioz Symphonie fantastique FRI C SAT A SUN A for package summaries. A true holiday favorite, this beloved comedy FRI SEP 22 8PM | SAT SEP 23 8PM | SUN SEP 24 2PM classic features renowned composer John Amadeus Williams’ charming and delightful score FRI APR 6 | SAT APR 7 Experience the exuberance, joy, and brilliance of one of the Urbański Conducts Shostakovich’s Tenth performed live to picture by the San Francisco 20th century’s greatest composers, Leonard Bernstein. Hear Follow the story of Mozart’s final years in Amadeus, OPEN FRI E SAT D SUN A Symphony. Macaulay Culkin stars as Kevin his Chichester Psalms, combining Broadway-inspired melodies winner of eight Academy Awards®, including FRI OCT 6 10AM | FRI OCT 6 8PM | SAT OCT 7 8PM | SUN OCT 8 2PM McCallister, an 8-year-old boy who’s accidentally with sacred texts for chorus and orchestra. Then, the Orchestra Best Picture and Best Actor. These performances left behind when his family leaves for Christmas performs the vibrant Symphonic Dances from West Side Story. Returning after a successful debut in the 2015-16 season, also feature the Grammy-winning San Francisco vacation and who must defend his home Listen for syncopated Latin rhythms laying the scene for an young conductor Krzysztof Urbański, hailed as “remarkable” Symphony Chorus, reprising their role in the against two bungling thieves. Hilarious and impossible romance between two star-crossed lovers, Tony and “gorgeously expressive” (San Francisco Chronicle), conducts fi m’s original soundtrack. heart-warming, Home Alone is holiday fun and Maria, the Romeo and Juliet of 1950s New York City. Mendelssohn’s Violin Concerto performed by Augustin for the entire family! Amadeus Live is a production of Avex Classics International Hadelich. Then, hear Shostakovich’s Tenth Symphony which Michael Tilson Thomas conductor Academy the composer completed just one year after Stalin’s death. © 1990 Twentieth Century Fox Isabel Leonard mezzo-soprano Award® winner This orchestral showpiece culminates in a celebratory Ryan McKinny bass-baritone BEST PICTURE march representing victory over the oppressive regime. Carey Bell clarinet San Francisco Symphony Chorus, Ragnar Bohlin director Krzysztof Urbański conductor San Francisco Symphony Augustin Hadelich violin San Francisco Symphony Bernstein Prelude, Fugue, and Riffs Bernstein Chichester Psalms Penderecki Threnody for the Victims of Hiroshima Bernstein Arias and Barcarolles Mendelssohn Violin Concerto Bernstein Symphonic Dances from West Side Story Shostakovich Symphony No. 10 6 volume LISTEN TO MUSIC EXCERPTS: SFSYMPHONY.ORG SUBSCRIBE: 415-864-6000 & SFSYMPHONY.ORG 7 CONCERTS / OCT OCT–NOV / CONCERTS George Li in Recital Rebellious Genius: Shostakovich’s Trifonov Plays Chopin in Recital GPS A First Symphony GPS A SUN OCT 8 7:30PM MON OCT 30 8PM THU M FRI F SAT A Pianist George Li presents an incredible program of piano THU OCT 26 2PM | FRI OCT 27 8PM | SAT OCT 28 8PM Experience Chopin the prodigy, virtuoso, and composer in masterworks ranging from Rachmaninoff’s dramatic and this performance by young Russian pianist Daniil Trifonov.
Recommended publications
  • Brahms Reimagined by René Spencer Saller

    Brahms Reimagined by René Spencer Saller

    CONCERT PROGRAM Friday, October 28, 2016 at 10:30AM Saturday, October 29, 2016 at 8:00PM Jun Märkl, conductor Jeremy Denk, piano LISZT Prometheus (1850) (1811–1886) MOZART Piano Concerto No. 23 in A major, K. 488 (1786) (1756–1791) Allegro Adagio Allegro assai Jeremy Denk, piano INTERMISSION BRAHMS/orch. Schoenberg Piano Quartet in G minor, op. 25 (1861/1937) (1833–1897)/(1874–1951) Allegro Intermezzo: Allegro, ma non troppo Andante con moto Rondo alla zingarese: Presto 23 ACKNOWLEDGMENTS These concerts are part of the Wells Fargo Advisors Orchestral Series. Jun Märkl is the Ann and Lee Liberman Guest Artist. Jeremy Denk is the Ann and Paul Lux Guest Artist. The concert of Saturday, October 29, is underwritten in part by a generous gift from Lawrence and Cheryl Katzenstein. Pre-Concert Conversations are sponsored by Washington University Physicians. Large print program notes are available through the generosity of The Delmar Gardens Family, and are located at the Customer Service table in the foyer. 24 CONCERT CALENDAR For tickets call 314-534-1700, visit stlsymphony.org, or use the free STL Symphony mobile app available for iOS and Android. TCHAIKOVSKY 5: Fri, Nov 4, 8:00pm | Sat, Nov 5, 8:00pm Han-Na Chang, conductor; Jan Mráček, violin GLINKA Ruslan und Lyudmila Overture PROKOFIEV Violin Concerto No. 1 I M E TCHAIKOVSKY Symphony No. 5 AND OCK R HEILA S Han-Na Chang SLATKIN CONDUCTS PORGY & BESS: Fri, Nov 11, 10:30am | Sat, Nov 12, 8:00pm Sun, Nov 13, 3:00pm Leonard Slatkin, conductor; Olga Kern, piano SLATKIN Kinah BARBER Piano Concerto H S ODI C COPLAND Billy the Kid Suite YBELLE GERSHWIN/arr.
  • Osmo Vänskä, Conductor Augustin Hadelich, Violin

    Osmo Vänskä, Conductor Augustin Hadelich, Violin

    Pittsburgh Symphony Orchestra 2019-2020 Mellon Grand Classics Season December 6 and 8, 2019 OSMO VÄNSKÄ, CONDUCTOR AUGUSTIN HADELICH, VIOLIN CARL NIELSEN Helios Overture, Opus 17 WOLFGANG AMADEUS Concerto No. 2 in D major for Violin and Orchestra, K. 211 MOZART I. Allegro moderato II. Andante III. Rondeau: Allegro Mr. Hadelich Intermission THOMAS ADÈS Violin Concerto, “Concentric Paths,” Opus 24 I. Rings II. Paths III. Rounds Mr. Hadelich JEAN SIBELIUS Symphony No. 3 in C major, Opus 52 I. Allegro moderato II. Andantino con moto, quasi allegretto III. Moderato — Allegro (ma non tanto) Dec. 6-8, 2019, page 1 PROGRAM NOTES BY DR. RICHARD E. RODDA CARL NIELSEN Helios Overture, Opus 17 (1903) Carl Nielsen was born in Odense, Denmark on June 9, 1865, and died in Copenhagen on October 3, 1931. He composed his Helios Overture in 1903, and it was premiered by the Danish Royal Orchestra conducted by Joan Svendsen on October 8, 1903. These performances mark the Pittsburgh Symphony premiere of the work. The score calls for piccolo, two flutes, two oboes, two clarinets, two bassoons, four horns, three trumpets, three trombones, tuba, timpani and strings. Performance time: approximately 12 minutes. On September 1, 1889, three years after graduating from the Copenhagen Conservatory, Nielsen joined the second violin section of the Royal Chapel Orchestra, a post he held for the next sixteen years while continuing to foster his reputation as a leading figure in Danish music. His reputation as a composer grew with his works of the ensuing decade, most notably the Second Symphony and the opera Saul and David, but he was still financially unable to quit his job with the Chapel Orchestra to devote himself fully to composition.
  • View Full Issue As

    View Full Issue As

    VOLUME EIGHT, NO. 1--Jamuary 5, 1995--January 18, 1995--Issue 170 FREE Give the People Light and they will find their own way. V The Wisconsin Light Government PrideFest to Remain at Veterans' Approves Test for Park HIV Using Saliva for 1995 June Celebration Instead of Blood Washington, D.C.-AP- The first AIDS vi- Negotiations With Summerfest Continue for 1996 rus test that uses saliva instead of blood has (Milwaukee, WI)-- PrideFest announces that calendar includes events on all but one week- In been approved by the Food and Drug Admini- November, the Summerfest Board ap- it will remain at its Veterans Park site in 1995. end of June. proved a stration (FDA). plan to upgrade the grounds. In The organization is planning to negotiate a The Summerfest grounds will host four December a Board The test, called Orasure, is made by the Task Force decided that move to the Summerfest grounds in 1996. events in June 1995. PrideFest asked to use the amount of time biotechnology company Epitope Inc., in Bea- needed to complete the PrideFest had been negotiating to move the the grounds on June 10th and 11th. In Octo- upgrade meant that no verton, Oregon, and will cost about $2 to $4, a events could be sched- celebration to the Summerfest grounds begin- ber, PrideFest negotiators were told that uled on the fraction of the price of blood tests. grounds for the weekend of the ning in June, 1995. However, the Summerfest weekend was open. 10th and 11th. Although the test isn't as accurate as blood tests, Epitope expressed the hope following the Summerfest Staff and December 23 FDA approval that the test will Board members said they help more people learn whether they have needed to keep that weekend HIV.
  • Fall/Winter 2002/2003

    Fall/Winter 2002/2003

    PRELUDE, FUGUE News for Friends of Leonard Bernstein RIFFS Fall/ Winter 2002 Bernstein's Mahler: A Personal View @ by Sedgwick Clark n idway through the Adagio £male of Mahler's Ninth M Symphony, the music sub­ sides from an almost desperate turbulence. Questioning wisps of melody wander throughout the woodwinds, accompanied by mut­ tering lower strings and a halting harp ostinato. Then, suddenly, the orchestra "vehemently burst[s] out" fortissimo in a final attempt at salvation. Most conductors impart a noble arch and beauty of tone to the music as it rises to its climax, which Leonard Bernstein did in his Vienna Philharmonic video recording in March 1971. But only seven months before, with the New York Philharmonic, His vision of the music is neither Nearly all of the Columbia cycle he had lunged toward the cellos comfortable nor predictable. (now on Sony Classical), taped with a growl and a violent stomp Throughout that live performance I between 1960 and 1974, and all of on the podium, and the orchestra had been struck by how much the 1980s cycle for Deutsche had responded with a ferocity I more searching and spontaneous it Grammophon, are handily gath­ had never heard before, or since, in was than his 1965 recording with ered in space-saving, budget-priced this work. I remember thinking, as the orchestra. Bernstein's Mahler sets. Some, but not all, of the indi­ Bernstein tightened the tempo was to take me by surprise in con­ vidual releases have survived the unmercifully, "Take it easy. Not so cert many times - though not deletion hammerschlag.
  • 2018–2019 Annual Report

    2018–2019 Annual Report

    18|19 Annual Report Contents 2 62 From the Chairman of the Board Ensemble Connect 4 66 From the Executive and Artistic Director Digital Initiatives 6 68 Board of Trustees Donors 8 96 2018–2019 Concert Season Treasurer’s Review 36 97 Carnegie Hall Citywide Consolidated Balance Sheet 38 98 Map of Carnegie Hall Programs Administrative Staff Photos: Harding by Fadi Kheir, (front cover) 40 101 Weill Music Institute Music Ambassadors Live from Here 56 Front cover photo: Béla Fleck, Edgar Meyer, by Stephanie Berger. Stephanie by Chris “Critter” Eldridge, and Chris Thile National Youth Ensembles in Live from Here March 9 Daniel Harding and the Royal Concertgebouw Orchestra February 14 From the Chairman of the Board Dear Friends, In the 12 months since the last publication of this annual report, we have mourned the passing, but equally importantly, celebrated the lives of six beloved trustees who served Carnegie Hall over the years with the utmost grace, dedication, and It is my great pleasure to share with you Carnegie Hall’s 2018–2019 Annual Report. distinction. Last spring, we lost Charles M. Rosenthal, Senior Managing Director at First Manhattan and a longtime advocate of These pages detail the historic work that has been made possible by your support, Carnegie Hall. Charles was elected to the board in 2012, sharing his considerable financial expertise and bringing a deep love and further emphasize the extraordinary progress made by this institution to of music and an unstinting commitment to helping the aspiring young musicians of Ensemble Connect realize their potential. extend the reach of our artistic, education, and social impact programs far beyond In August 2019, Kenneth J.
  • 2017–2018 Season Artist Index

    2017–2018 Season Artist Index

    2017–2018 Season Artist Index Following is an alphabetical list of artists and ensembles performing in Stern Auditorium / Perelman Stage (SA/PS), Zankel Hall (ZH), and Weill Recital Hall (WRH) during Carnegie Hall’s 2017–2018 season. Corresponding concert date(s) and concert titles are also included. For full program information, please refer to the 2017–2018 chronological listing of events. Adès, Thomas 10/15/2017 Thomas Adès and Friends (ZH) Aimard, Pierre-Laurent 3/8/2018 Pierre-Laurent Aimard (SA/PS) Alarm Will Sound 3/16/2018 Alarm Will Sound (ZH) Altstaedt, Nicolas 2/28/2018 Nicolas Altstaedt / Fazil Say (WRH) American Composers Orchestra 12/8/2017 American Composers Orchestra (ZH) 4/6/2018 American Composers Orchestra (ZH) Anderson, Laurie 2/8/2018 Nico Muhly and Friends Investigate the Glass Archive (ZH) Angeli, Paolo 1/26/2018 Paolo Angeli (ZH) Ansell, Steven 4/13/2018 Boston Symphony Orchestra (SA/PS) Apollon Musagète Quartet 2/16/2018 Apollon Musagète Quartet (WRH) Apollo’s Fire 3/22/2018 Apollo’s Fire (ZH) Arcángel 3/17/2018 Andalusian Voices: Carmen Linares, Marina Heredia, and Arcángel (SA/PS) Archibald, Jane 3/25/2018 The English Concert (SA/PS) Argerich, Martha 10/20/2017 Orchestra dell’Accademia Nazionale di Santa Cecilia (SA/PS) 3/22/2018 Itzhak Perlman / Martha Argerich (SA/PS) Artemis Quartet 4/10/2018 Artemis Quartet (ZH) Atwood, Jim 2/27/2018 Louisiana Philharmonic Orchestra (SA/PS) Ax, Emanuel 2/22/2018 Emanuel Ax / Leonidas Kavakos / Yo-Yo Ma (SA/PS) 5/10/2018 Emanuel Ax (SA/PS) Babayan, Sergei 3/1/2018 Daniil
  • The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat

    The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat

    Sun, Feb 07, 2021 - The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 09:23 Mendelssohn String Symphony No. 02 in D English String 01460 Nimbus 5141 083603514129 Orchestra/Boughton 00:12:2347:12 Stenhammar Piano Concerto No. 1 in B flat Widlund/Royal 00391 Chandos 9074 095115907429 minor Stockholm Philharmonic/Rozhdest vensky 01:01:0517:24 Bach Concerto in D for 3 Violins, Peabody/Rood/Sato/P 01652 ESS.A.Y 1002 N/A BWV 1064 hilharmonia Virtuosi/Kapp 01:19:2909:47 Sibelius The Swan of Tuonela Philadelphia 01095 RCA 6528 07863565282 Orchestra/Ormandy 01:30:4629:00 Mozart Clarinet Concerto in A, K. 622 Marcellus/Cleveland 03728 Sony 62424 074646242421 Orchestra/Szell Classical 02:01:1621:57 Karlowicz Serenade for Strings, Op. 2 Polish National 02170 Harmonia 278 1088 314902505612 Radio-TV Mundi 2 Orchestra/Wit 02:24:13 11:08 Weber Invitation to the Dance, Op. 65 Orchestra of the 03176 Philips 420 812 028942081222 Vienna People's Opera/Bauer-Theussl 02:36:5123:25 Mendelssohn String Quartet in F minor, Op. Talich Quartet 06241 Calliope 9313 794881725922 80 03:01:4631:57 Beethoven String Quartet No. 8 in E minor, Smetana Quartet 00270 Denon 7033 N/A Op. 59 No. 2 03:35:1310:56 Schubert Impromptu in F minor, D. 935 Mitsuko Uchida 04691 Philips 456 245 028945624525 No. 1 03:47:0912:16 Corelli Concerto Grosso in B flat, Op. Cantilena/Shepherd 00794B Chandos 8336/7/8 N/A 6 No. 5 04:00:5514:27 Mozart Horn Concerto No.
  • Geoffrey Baer, Who Each Friday Night Will Welcome Local Contestants Whose Knowledge of Trivia About Our City Will Be Put to the Test

    Geoffrey Baer, Who Each Friday Night Will Welcome Local Contestants Whose Knowledge of Trivia About Our City Will Be Put to the Test

    From the President & CEO The Guide The Member Magazine Dear Member, for WTTW and WFMT This month, WTTW is excited to premiere a new series for Chicago trivia buffs and Renée Crown Public Media Center curious explorers alike. On March 26, join us for The Great Chicago Quiz Show hosted by 5400 North Saint Louis Avenue Chicago, Illinois 60625 WTTW’s Geoffrey Baer, who each Friday night will welcome local contestants whose knowledge of trivia about our city will be put to the test. And on premiere night and after, visit Main Switchboard (773) 583-5000 wttw.com/quiz where you can play along at home. Turn to Member and Viewer Services page 4 for a behind-the-scenes interview with Geoffrey and (773) 509-1111 x 6 producer Eddie Griffin. We’ll also mark Women’s History Month with American Websites wttw.com Masters profiles of novelist Flannery O’Connor and wfmt.com choreographer Twyla Tharp; a POV documentary, And She Could Be Next, that explores a defiant movement of women of Publisher color transforming politics; and Not Done: Women Remaking Anne Gleason America, tracing the last five years of women’s fight for Art Director Tom Peth equality. On wttw.com, other Women’s History Month subjects include Emily Taft Douglas, WTTW Contributors a pioneering female Illinois politician, actress, and wife of Senator Paul Douglas who served Julia Maish in the U.S. House of Representatives; the past and present of Chicago’s Women’s Park and Lisa Tipton WFMT Contributors Gardens, designed by a team of female architects and featuring a statue by Louise Bourgeois; Andrea Lamoreaux and restaurateur Niquenya Collins and her newly launched Afro-Caribbean restaurant and catering business, Cocoa Chili.
  • VITA – 2020/21 Season “The Essence of Hadelich's

    VITA – 2020/21 Season “The Essence of Hadelich's

    VITA – 2020/21 Season “The essence of Hadelich’s playing is beauty: reveling in the myriad ways of making a phrase come alive on the violin, delivering the musical message with no technical impediments whatsoever, and thereby revealing something from a plane beyond ours.” WASHINGTON POST Augustin Hadelich is one of the great violinists of our time. From Bach to Paganini, from Brahms to Bartók to Adès, he has mastered a wide-ranging and adventurous repertoire. He is often referred to by colleagues as a musician's musician. Named Musical America’s 2018 "Instrumentalist of the Year", he is consistently cited worldwide for his phenomenal technique, soulful approach, and insightful interpretations. Highlights of Augustin Hadelich’s 2020/21 season include appearances with the Atlanta, Baltimore, Colorado, Dallas, Milwaukee, North Carolina and Seattle symphony orchestras, as well as the Leipzig Gewandhaus Orchestra, WDR radio orchestra Cologne, Philharmonia Zürich, Dresden Philharmonic, ORF Vienna Radio Symphony, Danish National Orchestra, City of Birmingham Symphony Orchestra, Finnish Radio Symphony Orchestra, BBC Scottish Orchestra, and Elbphilharmonie Orchestra Hamburg, where he was named Associate Artist starting with the 2019/20 season. Augustin Hadelich has appeared with every major orchestra in North America, including the Boston Symphony, Chicago Symphony, Cleveland Orchestra, Los Angeles Philharmonic, New York Philharmonic, Philadelphia Orchestra, San Francisco Symphony. His worldwide presence has been rapidly rising, with recent appearances with the Bavarian Radio Orchestra, Royal Concertgebouw Orchestra, London Philharmonic, Munich Philharmonic, Orquesta Nacional de España, Oslo Philharmonic, São Paulo Symphony, the radio orchestras of Frankfurt, Saarbrücken, Stuttgart, and Cologne, and the Academy of St. Martin in the Fields.
  • Tchaikovsky (1840-1893) Concerto in D Major for Violin & Orchestra, Op

    Tchaikovsky (1840-1893) Concerto in D Major for Violin & Orchestra, Op

    JAN. 8–10 classical series SEGERSTROM CENTER FOR THE ARTS RENÉE AND HENRY SEGERSTROM CONCERT HALL presents 2014-15 HAL & JEANETTE SEGERSTROM FAMILY FOUNDATION CLASSICAL SERIES Performance begins at 8 p.m.; Preview talk with Alan chapman begins at 7 p.m. LEO HUSSAIN • conductor | AUGUSTIN HADELICH • violin toru takemitsu (1930-1996) Requiem Piotr ilyich tchaikovsky (1840-1893) Concerto in D Major for Violin & Orchestra, Op. 35, TH 59 Allegro moderato canzonetta: Andante Finale: Allegro vivacissimo Augustin Hadelich intErMiSSion Jean Sibelius (1865-1957) Symphony No. 2 in D Major, Op. 43 Allegretto Andante; ma rubato vivacissimo Finale: Allegro moderato this appearance by Augustin Hadelich is generously sponsored by Sam B. Ersan. PACIFIC SYMPHONY PROUDLY RECOGNIZES ITS OFFICIAL PARTNERS official vehicle official Hotel official television Station official classical radio Station the Saturday, Jan. 10, performance is being recorded for broadcast on Sunday, March 8, at 7 p.m. on classical KuSc. NOTES by michael clive thousands of Japanese civilians living underground in a network of shelters in the mountains west of tokyo that had been excavated as a civil defense measure against invasion. the 14-year-old takemitsu had never heard non-Japanese music, and no music was permitted in the shelters except for patriotic songs. But in the midst of these bleak, militarized conditions, an officer played some unauthorized music to distract some children including takemitsu. His revelation came at an unlikely moment, as he listened to the French monologist and chanteuse lucienne Boyer singing her biggest hit, the romantic “Parlez-moi d’amour.” But he credited it as the beginning of his musical awareness.
  • Metamorphoses Curated by Claire Chase Soundbox

    Metamorphoses Curated by Claire Chase Soundbox

    METAMORPHOSES CURATED BY CLAIRE CHASE SOUNDBOX 1 “Each of the pieces on this program explores, in different ways, the idea of metamorphosis, transformation, transfiguration—the ways that we take on new forms and ultimately transcend what we were before.” —Claire Chase 2 Esa-Pekka Salonen SAN FRANCISCO SYMPHONY MUSIC DIRECTOR San Francisco Symphony Music Director Esa-Pekka Salonen has, through his many high-profile conducting roles and work as a leading composer, shaped a unique vision for the present and future of the contemporary symphony orchestra. Salonen recently concluded his tenure as Principal Conductor & Artistic Advisor for London’s Philharmonia Orchestra and he is Artist in Association at the Finnish National Opera and Ballet. He is a member of the faculty of the Colburn School in Los Angeles, where he developed and directs the pre-professional Negaunee Conducting Program. Salonen is the Conductor Laureate for both the Swedish Radio Symphony Orchestra and the Los Angeles Philharmonic, where he was Music Director from 1992 until 2009. Salonen co-founded— and from 2003 until 2018 served as the Artistic Director for—the annual Baltic Sea Festival. 3 The Orchestra Esa-Pekka Salonen, Music Director SECOND VIOLINS CELLOS Michael Tilson Thomas, Music Director Laureate Dan Carlson, Principal Vacant, Principal Herbert Blomstedt, Conductor Laureate Dinner & Swig Families Chair Philip S. Boone Chair Daniel Stewart, San Francisco Symphony Youth Helen Kim, Associate Principal Peter Wyrick, Associate Principal Orchestra Wattis Foundation Music Director Audrey Avis Aasen-Hull Chair Peter & Jacqueline Hoefer Chair Ragnar Bohlin, Chorus Director Jessie Fellows, Assistant Principal Amos Yang, Assistant Principal Vance George, Chorus Director Emeritus Vacant Vacant The Eucalyptus Foundation Second Century Chair Lyman & Carol Casey Second Century Chair FIRST VIOLINS Raushan Akhmedyarova Barbara Andres Alexander Barantschik, Concertmaster David Chernyavsky The Stanley S.
  • Arturo Benedetti Michelangeli Il Divo ASCETA

    Arturo Benedetti Michelangeli Il Divo ASCETA

    Arturo Benedetti Michelangeli Il divo ASCETA Vezzi, capricci. manie. Il terrore degli organizzatori per l'eccentricità e le cancellazioni. A 20 anni dalla scomparsa del pianista, un testimone ne rivela invece il profilo spirituale francescano, il rigore anticonsumista di artigiano della musica di Carlo Piccardi iò che più sorprese alla morte di Arturo Benedetti Michelangeli, nel Cgiugno 1995, fu il funerale nella chiesetta di Pura (il villaggio presso Lugano in cui da anni abitava), con una cerimonia priva di fasto e l’inumazione in una modesta tomba, per sua volontà, priva di lapide. La cronaca di quella circostanza servì a gettare una luce di verità sulla sua vicenda esistenziale e artistica. Essa rivelava la religiosità di un uomo al servizio della musica, intesa non come ideale estetico ma concepita come transizione verso una dimensione di profondo spessore spirituale, sulla spinta del sentimento meditato e circoscritto al modello francescano dell’umiltà, della sobrietà e della rinuncia. Sapere che si circondava solo dell’essenziale in una camera spoglia, con un libro di meditazioni, un rosario accanto al letto e un crocefisso alla parete faceva capire molte cose. Faceva capire soprattutto il dramma di un artista più di altri consapevole della vanità del mondo, costretto per mestiere a confrontarsi con le sue regole fatue. In verità proprio la sua coerenza, il suo rigore nel TM Amadeus Amadeus 71 Più rifuggiva dalla mondanità e più diventava argomento di pettegolezzo, più esigeva in fatto di condizioni ottimali e più appariva eccentrico mettere tutto al servizio non del rapporto parte nel tutto. Ora sappiamo che tale potuta essere trasmessa se egli si fosse ipnotizzante col pubblico ma del messaggio riduzione alla dimensione artigianale non assoggettato alle regole che ai moderni musicale, lo portarono a essere male era solo un mezzo per ottenere abbaglianti interpreti impongono frenetici itinerari interpretato, a subire oltre misura la esiti sonori, ma anche la realizzazione di un concertistici, ossessivamente cadenzati da divinizzazione.