In This Issue: Joshua Bell, Featured Above, and Jeremy Denk Will Perform Denk Will Perform and Jeremy Bell, Featured Above, Joshua Nationalat Conference
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Understanding the Value of Arts & Culture | the AHRC Cultural Value
Understanding the value of arts & culture The AHRC Cultural Value Project Geoffrey Crossick & Patrycja Kaszynska 2 Understanding the value of arts & culture The AHRC Cultural Value Project Geoffrey Crossick & Patrycja Kaszynska THE AHRC CULTURAL VALUE PROJECT CONTENTS Foreword 3 4. The engaged citizen: civic agency 58 & civic engagement Executive summary 6 Preconditions for political engagement 59 Civic space and civic engagement: three case studies 61 Part 1 Introduction Creative challenge: cultural industries, digging 63 and climate change 1. Rethinking the terms of the cultural 12 Culture, conflict and post-conflict: 66 value debate a double-edged sword? The Cultural Value Project 12 Culture and art: a brief intellectual history 14 5. Communities, Regeneration and Space 71 Cultural policy and the many lives of cultural value 16 Place, identity and public art 71 Beyond dichotomies: the view from 19 Urban regeneration 74 Cultural Value Project awards Creative places, creative quarters 77 Prioritising experience and methodological diversity 21 Community arts 81 Coda: arts, culture and rural communities 83 2. Cross-cutting themes 25 Modes of cultural engagement 25 6. Economy: impact, innovation and ecology 86 Arts and culture in an unequal society 29 The economic benefits of what? 87 Digital transformations 34 Ways of counting 89 Wellbeing and capabilities 37 Agglomeration and attractiveness 91 The innovation economy 92 Part 2 Components of Cultural Value Ecologies of culture 95 3. The reflective individual 42 7. Health, ageing and wellbeing 100 Cultural engagement and the self 43 Therapeutic, clinical and environmental 101 Case study: arts, culture and the criminal 47 interventions justice system Community-based arts and health 104 Cultural engagement and the other 49 Longer-term health benefits and subjective 106 Case study: professional and informal carers 51 wellbeing Culture and international influence 54 Ageing and dementia 108 Two cultures? 110 8. -
Art, Life Story and Cultural Memory: Profiles of the Artists of the Lewis and Clark Bicentennial Elise S
University of St. Thomas, Minnesota UST Research Online Education Doctoral Dissertations in Leadership School of Education Spring 2015 Art, Life Story and Cultural Memory: Profiles of the Artists of the Lewis and Clark Bicentennial Elise S. Roberts University of St. Thomas, Minnesota, [email protected] Follow this and additional works at: https://ir.stthomas.edu/caps_ed_lead_docdiss Part of the Art Education Commons, Bilingual, Multilingual, and Multicultural Education Commons, Educational Leadership Commons, Educational Methods Commons, Liberal Studies Commons, Other Education Commons, Other Educational Administration and Supervision Commons, and the Urban Education Commons Recommended Citation Roberts, Elise S., "Art, Life Story and Cultural Memory: Profiles of the Artists of the Lewis and Clark Bicentennial" (2015). Education Doctoral Dissertations in Leadership. 63. https://ir.stthomas.edu/caps_ed_lead_docdiss/63 This Dissertation is brought to you for free and open access by the School of Education at UST Research Online. It has been accepted for inclusion in Education Doctoral Dissertations in Leadership by an authorized administrator of UST Research Online. For more information, please contact [email protected]. Art, Life Story and Cultural Memory: Profiles of the Artists of the Lewis and Clark Bicentennial A DISSERTATION SUBMITTED TO THE FACULTY OF THE SCHOOL OF EDUCATION OF THE UNIVERSITY OF ST. THOMAS ST. PAUL, MINNESOTA By Elise S. Roberts IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF EDUCATION May 2015 UNIVERSITY OF ST. THOMAS MINNESOTA Art, Life Story and Cultural Memory: Profiles of the Artists of the Lewis and Clark Bicentennial We certify that we have read this dissertation and approved it as adequate in scope and quality. -
“PRESENCE” of JAPAN in KOREA's POPULAR MUSIC CULTURE by Eun-Young Ju
TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE by Eun-Young Jung M.A. in Ethnomusicology, Arizona State University, 2001 Submitted to the Graduate Faculty of School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Eun-Young Jung It was defended on April 30, 2007 and approved by Richard Smethurst, Professor, Department of History Mathew Rosenblum, Professor, Department of Music Andrew Weintraub, Associate Professor, Department of Music Dissertation Advisor: Bell Yung, Professor, Department of Music ii Copyright © by Eun-Young Jung 2007 iii TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE Eun-Young Jung, PhD University of Pittsburgh, 2007 Korea’s nationalistic antagonism towards Japan and “things Japanese” has mostly been a response to the colonial annexation by Japan (1910-1945). Despite their close economic relationship since 1965, their conflicting historic and political relationships and deep-seated prejudice against each other have continued. The Korean government’s official ban on the direct import of Japanese cultural products existed until 1997, but various kinds of Japanese cultural products, including popular music, found their way into Korea through various legal and illegal routes and influenced contemporary Korean popular culture. Since 1998, under Korea’s Open- Door Policy, legally available Japanese popular cultural products became widely consumed, especially among young Koreans fascinated by Japan’s quintessentially postmodern popular culture, despite lingering resentments towards Japan. -
Sur Le Nom Du Compositeur)
FR - Répertoire des œuvres jouées depuis le début du festival en 1958 (Clic sur le nom du compositeur) NL - Repertoire van de uitgevoerde werken sinds de oprichting van het festival in 1958 (klik op de naam van de componist) EN - Repertoire of the works performed since the foundation of the festival in 1958 (click on the composer’s name) DE - Repertoire der Werke, die beim Festival seit seiner Gründung im Jahr 1958 aufgeführt wurden (Klicken Sie auf den Namen des Komponisten) A B ABEL, Karl Friedrich ALBRECHTSBERGER, Johann ARENSKY, Anton BACARISSE, Salvador BACH, Johann Sebastian Georg ABLONIZ, Miguel ALKAN, Charles Valentin ARRIAGA, Juan Criostomo de BACH, Carl Philipp Emmanuel BACH, Wilhelm Friedemann ABSIL, Jean ALLEGRI, Gregorio ASSAD, Sergio BACH, Johann BAERMANN, Carl ADLER DE OLIVEIRA, Judith AMELLER, André BACH, Johann Bernhard BALAKIREV, Mily AGER, Klaus. ANONYME BACH, Johann Christoph BARBER, Samuel ALBENIZ, Isaac. ANDRIESSEN, Hendrik BACH, Johann Christoph BARBIER, René Friedrich ALBENIZ, Mateo ARAUJO, Juan de BACH, Johann Ludwig BARTHOLOMÉE, Pierre ALBICASTRO, Henrico ARNE, Thomas Augustine BACH, Johann Michael BARTOK, Bela ALBINONI, Tomaso ARBAN, Jean-Baptiste BACH, Johann Christian BARTSCH, Charles C BAX, Arnold BODIN DE BOISMORTIER, BOVICELLI, Giovanni Battista BUSONI, Ferruccio CABANILLES, Juan de Joseph BEETHOVEN, Ludwig van BOEHM, Georg BOYCE, William BUXTEHUDE, Dieterich CACCINI, Francesca BENNET, John BOESMANS, Philippe BOYD, Anne BYRD William CAIX D’HERVELOIS, Louis BERG, Alban BOGAR, Istvan BOZZA, Eugène CALDARA, Antonio BERIO, Luciano BOIELDIEU, François-Adrien BRADE, William CAMPRA, André BERLIOZ, Hector BOLOGNINI, Ennio BRAHMS, Johannes CAPLET André BERNIER, René BORODINE, Alexandre BRIDGE, Frank CARISSIMI, Giacomo BERTALI, Antonio BOULANGER, Lili BRITTEN, Benjamin CASTEDERE, Jacques BIBER, Heinrich Ignaz Franz BOULANGER, Nadia BROTONS, Salvador CASTELLO, Dario von BIZET, Georges BOULEZ, Pierre BRUCH, Max CASTIL-BLAZE, François H. -
Color Front Cover
COLOR FRONT COVER COLOR CGOTH IS I COLOR CGOTH IS II COLOR CONCERT SERIES Welcome to our 18th Season! In this catalog you will find a year's worth of activities that will enrich your life. Common Ground on the Hill is a traditional, roots-based music and arts organization founded in 1994, offering quality learning experiences with master musicians, artists, dancers, writers, filmmakers and educators while exploring cultural diversity in search of a common ground among ethnic, gender, age, and racial groups. The Baltimore Sun has compared Common Ground on the Hill to the Chautauqua and Lyceum movements, precursors to this exciting program. Our world is one of immense diversity. As we explore and celebrate this diversity, we find that what we have in common with one another far outweighs our differences. Our common ground is our humanity, often best expressed by artistic traditions that have enriched human experience through the ages. We invite you to join us in searching for common ground as we assemble around the belief that we can improve ourselves and our world by searching for the common ground in one another, through our artistic traditions. In a world filled with divisive, negative news, we seek to discover, create and celebrate good news. How we have grown! Common Ground on the Hill is a multifaceted year-round program, including two separate Traditions Weeks of summer classes, concerts and activities, held on the campus of McDaniel College, two separate Music and Arts festivals held at the Carroll County Farm Museum, two seven-event Monthly Concert Series held in Westminster and Baltimore, and a new program this summer at the Lutheran Theological Seminary at Gettysburg, Common Ground on Seminary Ridge. -
Pressedienst ______26
Pressedienst _______________________________________ 26. Juli 2016 Abschlusskonzert des 4. Meisterkurses Violine mit Prof. Koji Toyoda Ausgewählte Teilnehmerinnen und Teilnehmer des Meisterkurses für Violine treten am Freitag, 29. Juli, 19 Uhr, unter der Leitung von Prof. Koji Toyoda im Udo-van-Meeteren-Saal der Clara-Schumann-Musikschule auf. Auf dem Programm stehen Werke von Mendelssohn, Sibelius, Saint-Saens und Kreisler. Der Eintritt ist frei. Interessierte Zuhörerinnen und Zuhörer sind herzlich willkommen. Vom 21. Juli bis 30. Juli unterrichtet Prof. Koji Toyoda, langjähriger Konzertmeister des Radio-Symphonie-Orchesters Berlin und bis 2000 Professor an der Berliner Universität der Künste, junge Geigerinnen und Geiger aus Deutschland und Japan in der Clara-Schumann-Musikschule. Aufgrund seiner Ausbildung in Japan, Frankreich und Belgien bei herausragenden Musikern sowie seiner exponierten Stelle im Orchester in Verbindung mit seiner langjährigen Lehrtätigkeit in Berlin verkörpert Prof. Koji Toyoda das glückliche Zusammenwirken von mehreren bedeutenden Musiktraditionen. Im Meisterkurs begegnen sich Studierende aus Übersee und fortgeschrittene Schülerinnen und Schüler aus Deutschland. Der Austausch untereinander ist mit den Gelegenheiten des gemeinsamen Musizierens ein Beitrag zur Völkerverständigung durch Musik. Veranstalter des Meisterkurses ist der Verein der Freunde und Förderer der Clara-Schumann-Musikschule e. V. Der Meisterkurs wird von der Düsseldorfer Flughafen Gesellschaft unterstützt. Hintergrund: Prof. Koji Toyoda Koji Toyoda wurde in Hamamatsu (Japan) geboren. Nach der Ausbildung bei Shinichi Suzuki (Matsumoto) studierte er bei René Benedetti am Conservatoire National Supérior de Paris. Anschließend folgten weitere Studien bei Georges Enesco (Paris) und Arthur Grumiaux (Brüssel). Bei den internationalen Wettbewerben von Paris, Genf und Brüssel zählte er zu den Preisträgern. Von 1962 bis 1979 war er 1. -
MEC FM Dial: 99,3Mhz Cidade: Rio De Janeiro UF: RJ Data Hora Nome Da Música Nome Do Intérprete Nome Do Compositor Gravadora Vivo Mec
Relatório de Programação Musical Razão Social: Empresa Brasil de Comunicação S/A CNPJ:09.168.704/0001-42 Nome Fantasia: MEC FM Dial: 99,3Mhz Cidade: Rio de Janeiro UF: RJ Data Hora Nome da música Nome do intérprete Nome do compositor Gravadora Vivo Mec. ENSEMBLE HELIOS 18 DUSSEK(Franz Xaver)(1731- 01/04/2021 02:00:35 SINFONIA MI BEMOL MAIOR. DIREÇÃO MUSICAL: MARIE-LOUISE X 1799)(República Checa) OSCHATZ. VIOLINO: ISAAC STERN (1797 - 1828) 01/04/2021 02:26:22 FANTASIA EM DÓ MAIOR, D 934 - "EU O SAÚDO!" X PIANO: DANIEL BAREMBÓIM SCHUBERT (Franz) REGENTE: THOMAS FEY SALIERI (Antonio) (1750-1825) 01/04/2021 02:52:34 LES DANAIDES - Suíte de ballet X ORQUESTRA MOZART DE MANNHEIM (Itália) TROMPETE: LUCIENNE RENAUDIN VARY ROSSINI (Gioacchino) (1792-1868) 01/04/2021 03:16:15 La Danza (das Soirées Musicales) ORQUESTRA NACIONAL DE LILLE X (Itália) REGENTE: ROBERTO RIZZI BRIGNOLI (1841 - 1904) ORQUESTRA FILARMÔNICA DE BERLIM 01/04/2021 03:19:56 DUAS DANÇAS ESLAVAS DVORÁK (Antonín)(1841 - X REGENTE: DANIEL BARENBOIM 1904)(República Checa) SCHERZO NÚMERO 3, EM DÓ SUSTENIDO MENOR, CHOPIN (FREDERICK) 01/04/2021 03:29:33 PIANO: NELSON FREIRE X OPUS 39 (1810-1849) FANTASIA SOBRE TEMA DA ÓPERA "UMA VIDA PARA (1837 - 1910) 01/04/2021 03:37:08 PIANO: ALEXANDER PALEY X O TZAR", DE GLINKA BALAKIREV (Mily Alexeyevich) ORQUESTRA FILARMÔNICA DE BERLIM (1839 - 1881) 01/04/2021 03:51:20 MARCHA FESTIVA DA ÓPERA `MLADA` X REGÊNCIA: CLÁUDIO ABBADO MUSSORGSKY (Modeste) "A HISTÓRIA DO SOLDADO" - QUATRO MOVIMENTOS STRAVINSKY (Igor) 01/04/2021 03:56:57 PIANO: CHRISTOPHER -
Walter Felsenstein
IANUARY 1976 $1.50 LAZAR BERMAN: Mystery HIGH Soviet pianist talks about FIDELITy his coming U.S.A. tour -rd musical amensea THEProblems MET and prospects CO lea o ES • lieenE5 a CU SAE M. VIB FM tuner Realistic (RA-770 receiver GAS Ampzilla amplifier kit Thorens ID- 115 turntable lo Lab Test •=so eports liber CG- 360 cassette deck •r -- - " ' d KIM CL-4loudspeaker Hitachi D-3500 cassette deck Aud;o-Technica AT- 706 headphones Dolby under $200 Twin illuminated VU meters, plus Frequency Response (Chrome Tape): separate input level controls for each 30-16,000 Hz channel help you set accurate Wow & Flutter ( WRMS): 0.12% recording levels. Stereo microphone Signal- to- Noise Ratio ( with Dolby): 58dB inputs as well as the headphone Input Sensitivity: 0.3mV — 63mV ( mic); 63mV — 12V ( tine) output jack are all easily accessible Outputs: 450mV ( line & DIN): 80mV 8ohms on the front panel. (headphones) By any point of reference, compare the CT-F2121's combination U.S. Pioneer Electronics Corp., of performance and features with 75 Oxford Drive, Moonachie, The CT-F2121 comes ready for custom New Jersey 07074. installation. Handsome, optional cabinet wi cassette decks costing much more. walnut veneered top and sides also avoua You can come to only one conclusion West: 13300 S. Estrella, Los Angeles — at under $ 200t this is the most 90248 / Midwest: 1500 Greenleaf, extraordinary cassette deck value Elk Grove Village, III. 60007 / Canada: ever offered. S. H. Parker Co. when you want something be' CIRCLE 26 ON READER- SERVICE CARD PAUSE E 'Dolby is atrademark ot Dolby Laboratories, Inc. -
Performance Art Context R
Literature: Literature: (...continued) Literature: Literature: Literature: (... continued) Literature: Literature: (... continued) Literature: Kunstf. Bd.137 / Atlas der Künstlerreisen Literature: (...continued) Literature: (... continued) Richard Kostelnatz / The Theater of Crossings (catalogue) E. Jappe / Performance Ritual Prozeß Walking through society (yearbook) ! Judith Butler !! / Bodies That Matter Victoria Best & Peter Collier (Ed.) / article: Kultur als Handlung Kunstf. Bd.136 / Ästhetik des Reisens Butoh – Die Rebellion des Körpers PERFORMANCE ART CONTEXT R. Shusterman / Kunst leben – Die Ästhetik Mixed Means. An Introduction to Zeitspielräume. Performance Musik On Ritual (Performance Research) Eugenio Barber (anthropological view) Performative Acts and Gender Constitution Powerful Bodies – Performance in French Gertrude Koch Zeit – Die vierte Dimension in der (Kazuo Ohno, Carlotta Ikeda, Tatsumi des Pragmatismus Happenings, Kinetic Environments ... ! Ästhetik / Daniel Charles Richard Schechner / Future of Ritual Camille Camillieri (athropolog. view; (article 1988!) / Judith Butler Cultural Studies !! Mieke Bal (lecture) / Performance and Mary Ann Doane / Film and the bildenden Kunst Hijikata, Min Tanaka, Anzu Furukawa, Performative Approaches in Art and Science Using the Example of "Performance Art" R. Koberg / Die Kunst des Gehens Mitsutaka Ishi, Testuro Tamura, Musical Performance (book) Stan Godlovitch Kunstforum Bd. 34 / Plastik als important for Patrice Pavis) Performativity and Performance (book) ! Geoffrey Leech / Principles -
Canada Du Canada Canadian Theses Service Service Des Thèses Canadiennes
National Library Bibliothèque nationale .+. of Canada du Canada Canadian Theses Service Service des thèses canadiennes Ottawa. Canada KtA ON4 NOTICE AVIS The quality of this microform is heavily dependent upon the La qualité de celle microforme dépend grandement de la quality of the original thesis submitted for microfilming. qualité de la thèse soumise au microfilmage. Nous avons Every effort has been made to ensure the highest quality of tout fait pour assurer une qualité supérieure de reproduc, reproduction possible. tion. If pages are missing. contact the university which granted S'il manque des pages, veuillez communiquer avec the degree. l'unlversilé qui a conféré le grade. Sorne pages may have indistinct print especially ~ the La qualité d'impression de certaines pages peul laisser il original pages were typed with a poor typewriter ribbon or désirer, surtout si les pages originales onl été dactylogra· ~ the university sent us an inferior photocopy. phiées à l'aide d'un ruban usé ou si l'université nous a fail parvenir une photocopie de qualité inférieure. Reproduction in full or in part of this microform is governed La reproduction, même partielle, de celle microfonne est by the Canadian Copyright Act, R.S.e. 1970, c. C-30, and soumise à la Loi canadienne sur le droit d'auteur, SRC subsequent amendments. 1970, c. C-30, et ses amendements subséquents. Canada THE GENESIS OF SUZUKI: AN INVESTIGATION OF THE ROOTS OF TALENT EDUCATION by ERIC MADSEN A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES AND RESEARCH IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS HISTORY PROGRAM DEPARTMENT OF ADMINISTRATION AND POLICY STUDIES FACULTY OF EDUCATION MCGILL UNIVERSITY MONTREAL SEPTEMBER 1990 National lîtxary Bibliothèque nationale of Canada du Canada Canadian Theses Service Service des thèses canadiennes Ottawa. -
The Art of Tea
Since 1970 FREE Vol.41 No.11 June 18th–July 1st, 2010 www.weekenderjapan.com Including Japan’s largest online classifieds The Art of Tea Japan’s Dying Trade June’s Blockbuster Releases A New Kind of Recycle Shop Summer Break with Kids Slate Consulting K.K. specializes in the recruitment and placement of executives across a wide range of industries and regions. While our scope is broad, our application is detailed and personalized. We are meticulous in our eorts to ensure that clients and candidates receive the attention, care and professionalism they expect from a leader in the human capital eld. Because of our reputation, we are able to recruit the best people to help your business grow. Minami Aoyama Office, 03-5785-4613 • Akasaka Office, 03-5414-2505 [email protected] / www.slateglobal.com Build your nancial security through Japan property purchases by calling "Mr. Yen Loans", Richard Henderson and his team, on 03-3241-8923 or email UK YenLoans@nabasia. com For more information visit us at Australia www.nabasia.co.jp New Zealand 2010/2 (OR&C 2010/39) CONTENTS Volume 41 Number 11 June 18th–July 1st, 2010 4 Up My Street 12 5-8 Arts & Entertainment 9 Weekender Promotion: Illy Issimo 10-11 Tokyo Tables 12-13 Fashion 14-15 Business 16-19 Feature: The Art of Tea 16 20-21 Weekender Bulletin Board 22-23 Real Estate 24-27 Parties, People & Places 28-29 Families 30-31 Products 32 32-33 Healthy & Responsible Living 34 Back in the Day PUBLISHER Ray Pedersen CONTRIBUTORS Kevin Jungnitsch, Cecelia Martinez, EDITOR Kelly Wetherille Christopher Jones, Jacques Bernard, Ian de Stains OBE, DESIGNER R. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.