Growing a Culture: an Artistic History of Ottawa
Growing a Culture: An Artistic History of Ottawa Lecture Two ART The Studio Club which, "Eva Major-Marothy speculates that the Studio Club may have formed the core of the 'Ottawa Group' which held an exhibition at Hart House in Toronto in January 1924. ( Group of Seven, 1920). This Group included Paul Alfred, Harold Beament, Frank Hennessey, Florence McGillivray, Graham Norwell, Yoshida Sekido, and David Milne, in one of his few incarnations as an 'Ottawa' painter. This 'Group' was intended to be Ottawa’s equivalent to Toronto’s Group of Seven and Montreal’s Beaver Hall Hill Group; it wanted 'to keep alive a healthy interest in art, modern Canadian art in particular.' Soon after the exhibition, Beament and Norwell left for Europe and Milne returned to New York, while the others carried on, individually or in conjunction with the activities of the Art Association.'' (pg 23, History of Art and Artists of Ottawa and Surroundings, 1790-1970: Part II, 1880-1945,The Ottawa Art Gallery, 1995). Paul Alfred Paul Alfred (pseudonym of Alfred Ernest Meister) (1892-1959), was born at Hanley, Staffordshire, England, to Mr. and Mrs. John E. Meister. He was educated at Hanley's Northwood National School from 1896 to 1906, and the Polytechnic School of Art at Hanley between 1902 and 1906. Thereafter, he emigrated to Canada. In 1920, Alfred returned to England where he studied at the Chelsea Polytechnic in London. Upon completion of his degree, he returned to Canada where he became employed as a publicity artist for the Natural Resources Branch of the Department of the Interior from 1921 to 1931.
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