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Radio TV Mirror
JANICE GILBERT The girl who gave away MIRRO $3,000,000! ARTHUR GODFREY BROOK BYRON BETTY LU ANN SIMMS ANN GROVE ! ^our new Lilt home permaTient will look , feel and stay like the loveliest naturally curly hair H.1 **r Does your wave look as soft and natural as the Lilt girl in our picture? No? Then think how much more beautiful you can be, when you change to Lilt with its superior ingredients. You'll be admired by men . envied by women ... a softer, more charming you. Because your Lilt will look, feel and stay like naturally curly hair. Watch admiring eyes light up, when you light up your life with a Lilt. $150 Choose the Lilt especially made for your type of hair! plus tax Procter £ Gambles new Wt guiJ. H Home Permanent tor hard-to-wave hair for normal hair for easy-to-wave hair for children's hair — . New, better way to reduce decay after eating sweets Always brush with ALL- NEW IPANA after eating ... as the Linders do . the way most dentists recommend. New Ipana with WD-9 destroys tooth-decay bacteria.' s -\V 77 If you eat sweet treats (like Stasia Linder of Massa- Follow Stasia Linder's lead and use new Ipana regularly pequa, N. Y., and her daughter Darryl), here's good news! after eatin g before decay bacteria can do their damage. You can do a far better job of preventing cavities by Even if you can't always brush after eating, no other brushing after eatin g . and using remarkable new Ipana tooth paste has ever been proved better for protecting Tooth Paste.
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The Diamond of Psi Upsilon Mar 1951
THE DIAMOND OF PSI UPSILON MARCH, 1951 VOLUME XXXVll NUMBER THREE Clayton ("Bud") Collyer, Delta Delta '31, Deacon and Emcee (See Psi U Personality of the Month) The Diamond of Psi Upsilon OFFICIAL PUBLICATION OF PSI UPSILON FRATERNITY Volume XXXVll March, 1951 Number 3 AN OPEN FORUiM FOR THE FREE DISCUSSION OF FRATERNITY MATTERS IN THIS ISSUE Page Psi U Personality of the Month 70 The 118th National Convention Program 71 Highlights in the Mu's History 72 The University of Minnesota 74 The Archives 76 The Psi Upsilon Scene 77 Psi U's in the Civil War 78 Psi U Lettermen 82 Pledges and Recent Initiates 83 The Chapters Speak 88 The Executive Council and Alumni Association, Officers and Mem bers 100 Roll of Chapters and Alumni Presidents Cover III General Information Cover IV EDITOR Edward C. Peattie, Phi '06 ALUMNI EDITOR David C. Keutgen, Lambda '42 ADVISORY COMMITTEE ON THE DIAMOND J. J. E. Hessey, Nu '13, Chairman Herbert J. Flagg, Theta Theta '12 Walter S. Robinson, Lambda '19 A. Northey Jones, Beta Beta '17 S. Spencer Scott, Phi '14 (ex-officio) LeRoy J. Weed, Theta '01 Oliver B. Merrill, Jr., Gamma '25 (ex-officio) Publication Office, 450 Ahnaip St., Menasha, Wis. Executive and Editorial Offices Room 510, 420 Lexington Ave., New York 17, N.Y. Life Subscription, $15; By Subscription, $1.00 per year; Single Copies, 50 cents Published in November, January, March and June by the Psi Upsilon Fraternity. Entered as Second Class Matter January 8, 1936, at the Post Office at Menasha, Wisconsin, under the Act of August 24, 1912.
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MAY 4 Quadracci Powerhouse
APRIL 8 – MAY 4 Quadracci Powerhouse By David Bar Katz | Directed by Mark Clements Judy Hansen, Executive Producer Milwaukee Repertory Theater presents The History of Invulnerabilty PLAY GUIDE • Play Guide written by Lindsey Hoel-Neds Education Assistant With contributions by Margaret Bridges Education Intern • Play Guide edited by Jenny Toutant Education Director MARK’S TAKE Leda Hoffmann “I’ve been hungry to produce History for several seasons. Literary Coordinator It requires particular technical skills, and we’ve now grown our capabilities such that we can successfully execute this Lisa Fulton intriguing exploration of the life of Jerry Siegel and his Director of Marketing & creation, Superman. I am excited to build, with my wonder- Communications ful creative team, a remarkable staging of this amazing play that will equally appeal to theater-lovers and lovers of comic • books and superheroes.”” -Mark Clements, Artistic Director Graphic Design by Eric Reda TABLE OF CONTENTS Synopsis ....................................................................3 Biography of Jerry Siegel. .5 Biography of Superman .....................................................5 Who’s Who in the Play .......................................................6 Mark Clements The Evolution of Superman. .7 Artistic Director The Golem Legend ..........................................................8 Chad Bauman The Übermensch ............................................................8 Managing Director Featured Artists: Jef Ouwens and Leslie Vaglica ...............................9
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CATCH ME IF YOU CAN Written by Jeff Nathanson
CATCH ME IF YOU CAN Written by Jeff Nathanson 1 INT. - GAME SHOW SET. - DAY 1 BLACK AND WHITE FOOTAGE FROM 1978 MUSIC UP: A simple GAME SHOW SET -- one long desk-that houses four "CELEBRITY PANELISTS," a small pulpit with attached microphone for the host, BUD COLLYER, who walks through the curtain to the delight of the audience. Bud bows and waves to the celebrities -- ORSON BEAN, KITTY CARLISLE, TOM POSTON, and PEGGY CASS. BUD COLLYER Hello, panel, and welcome everyone to another exciting day on "To Tell The Truth." Let's get the show started. THE CURTAIN STARTS TO RISE BRIGHT LIGHTS SHINE on the faces of THREE MEN who walk toward center stage. All thre n wear identical AIRLINE PILOT UNIFORMS, each with m; c ng blue blazers and caps. (cont' d) Gentleman, please state your names. PILOT #1 My name is Frank Abagnale Jr. THE PILOT IN THE MIDDLE steps forward. PILOT #2 My name is Frank Abagnale Jr. THE THIRD PILOT does the same. PILOT #3 My name is Frank Abagnale Jr. Bud smiles, grabs a piece of paper. BUD COLLYER Panel, listen to this one. (he starts to read) My name is Frank Abagnale Jr, and some people consider me the worlds greatest imposter. (CONTINUED) Debbie Zane - 2. 1 CONTINUED: 1 As Bud reads, the CAMERA SLOWLY PANS the faces of the three PILOTS. BUD COLLYER (cont'd) (READING) From 1964 to 1966 I successfully impersonated an airline pilot for Pan Am Airlines, and flew over two million miles for free. During that time I was also the Chief Resident Pediatrician at a Georgia hospital, the Assistant Attorney General for the state of Louisiana, and a Professor of American History at a prestigious University in France.
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Radio TV Mirror
EXTRA FEATURES Steve Allen Win Elliot Joan Caulfield TERRY O'SULLIVAN Search For Tomorrow MARY SHIPP Irma's New Friend the GODFREY and LA ROSA storied MIKE WALLACE I'll Buy That HER Pamper your beauty with new Camay! PETAL-SOFT SKIN GOES Wonderful for complexion and* bath! STRAIGHT TO HIS HEART! Here's wonderful news about complexion care ! Now Camay contains fine cold cream. And Camay alone among leading beauty soaps brings you this luxury ingredient. More delightful than ever before! Whether your skin is dry or oily, new Camay leaves it feeling exquisitely cleansed, won- derfully fresh. And Camay with cold cream brings new luxury to your Beauty Bath, too! You still get everything that's always made Camay a treasure . the softer com- plexion that's yours when you change to regular care and Camay, that velvety Camay lather, famous Camay mildness, and delicate fragrance yours only in Camay. LOOK FOR NEW CAMAY IN THE SAME FAMILIAR WRAPPER. It's at your store now— at no extra cost. And there's no finer beauty soap in all the world! NOW MORE THAN EVER THE SOAP OF BEAUTIFUL WOMEN Best way* to reduce tooth decay . stop bad breath NEW IPANA WITH ANTI-ENZYME WD-9 New Ipana's enzyme-fight- ing foam helps your child take good care of his teeth. ^*^5?' .it If excessive cavities bother your family, blame it on bacterial- "Using new Ipana with WD-9 regularly after meals is the best enzyme action. It is a principal cause of most tooth decay. So way to reduce decay and banish unpleasant mouth odor all day.
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The Development of Audience Participation Programs on Radio And
Copyright by Patrick Brrett Welch 1956 THE DEVELOPMBHT OP AUDIENCE PARTICIPATION PROGRAMS ON RADIO AND TELEVISION NETWORKS THROUGH THE SEASON OP 19^6-$7 DISSERTATION Presented in Partial Pulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By PATRICK ERRETT WELCH, B. A., A. M, ******* The Ohio State University 1958 Approved by; Adviser Department of ^eeeh TABLE OF C0NTENT3 CHAPTER PAGE I. INTRODUCTION ............................ .. 1 The Audience Participation Program . • • 3 Types of Audience Participation Programs 7 Human Interest Programs ...... 7 Studio Quiz Programs ............... 8 Telephone Quiz Programs ......... 9 Stunt Programs .................. 10 Organization of tho Dissertation ..... 11 Major Sources of Information ....... 13 Previous Academic Studies .......... 15 Periodicals and Newspapers .......... .. 22 Trade Publications ........ 23 Previous Qualitative Research • • • . 21*. II. HISTORICAL DEVELOPMENT OP AUDIENCE PARTICIPATION PRO (SLAMS............... 27 Introduction of Audience Participation Types ......... .............. 30 Use of Audience Participation Programs In Radio Networks ..................... 32 Reasons for Extensive Use ...... 36 Reasons for Decline in Extensive Use . * 38 Use of Audience Participation Programs on TV Networks lf.3 ii Ill CHAPTER PAGE Reasons for Extensive Use ...... 1^3 The Shift from Nighttime to Daytime Programming ......................... i|4 Nighttime to Daytime on Radio Networks . 1^.6 Nighttime to Daytime on Television N e t w o r k s ........................... ii7 III. HUMAN INTEREST PROGRAMS ON RADIO NETWORKS . 1;9 Extent of Use of Human Interest Programs . ^2 General Popularity of Programs of the Type ..................... Human Interest Programs on Radio Networks. SS Individual Human Interest Programs • . • 57 Court of Human Relations ...... Si de-Walk Interviews ................ 59 We, The People ....................
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Up, up and Across: Superman, the Second World War and the Historical Development of Transmedia Storytelling’
Freeman, M. (2015) ‘Up, up and across: Superman, the Second World War and the historical development of transmedia storytelling’. Historical Journal of Film, Radio and Television, 35 (2): 215-239. This is an Accepted Manuscript of an article published by Taylor & Francis Group in Historical Journal of Film, Radio and Television on 08/08/2014 available online: http://www.tandfonline.com/10.1080/01439685.2014.941564 ResearchSPAce http://researchspace.bathspa.ac.uk/ This version is made available in accordance with publisher policies. Please cite only the published version using the reference above. Your access and use of this document is based on your acceptance of the ResearchSPAce Metadata and Data Policies, as well as applicable law:- https://researchspace.bathspa.ac.uk/policies.html Unless you accept the terms of these Policies in full, you do not have permission to download this document. This cover sheet may not be removed from the document. Please scroll down to view the document. Up, Up and Across: Superman, World War II, and the Historical Development of Transmedia Storytelling Abstract: Re-contextualising the industrial evolution of transmedia storytelling – itself typically branded a product of contemporary media convergence – this article examines the industrial role of transmedia storytelling during a period of Classical Hollywood. Exploring the roles of licensing, corporate authorship, and cross-industrial relations amidst the cultural context of World War II, the article draws on Superman and the expansions of the character’s storyworld across multiple media during the 1940s and 1950s to assess how the media of comics, radio, cinema, and television can be recognised during this period as convergent industry platforms where transmedia narratives unfolded.
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Sft RA. 3-5102
April 1 Program Listings WEDNESDAY 7-Ploy Your Hunch. 4:00 9-The Brighter Day. Serial. Merv Griffin m. e. 4- or Contoquencee. 4:15 9-Seorch for Tomorrow. Ser'l. COLOR. Bob Barker, host. 9-The Secret Storm. Serial. 12:45 5- Templo. Kids. 4:30 * 9-Guiding Light. Serial. I Hour. Featuring songs and 4-County Foir. Variety. Popoye . 1:00 cartoons. Bert Park*, host. 7-American Bandstand. 9-Edge of Night. Serial. 4- It's a Great Life. IVi Hours. Dick Clark, m. e. Wednesday Listings Cant. Next Michael O'Shea, James Dunn. Peso 5- Reader's Digest. Drama. 7-Liberoce Show. Variety. Erin O'Brien. CONVERT YOUR BATHTUB INTO 9-Theater of Stars. Drama. "Deception." Sylvia Sidney, John BEAUTIFUL Howard. A ENCLOSED SHOWER 1:30 4- Our Town. Color. Mae McGorry, nr c. 5- Lunch 'Movie. !Vi Hours. "First Lady." 1937. Kay Francis, Preston Foster. ip §? fl 7-1 Married Joan. Comedy. 9-As the World Turns. Ser‘l. 2:00 4-Queen for o Day. Giveaway. (Ly ? jhv Jock Bailey, host. Bek I- 7-Day in Court. Trial. ||||oS|p^f 9-Jimmy Dean Show. Variety. H¦ 2:30 4-Haggis Baggis. Color 7-Music Bingo. Quiz. Johnny Gilbert, m.e. 9-House Party. Variety. m 3:00 4- Dr. Malone. Drama. 5- Quiz. Bill Cummings, m. e. 7-Beat the Clock. Game. Bud Collyer, m. e. 9-The Big Payoff. Quiz. "O' Rustproof 3:30 / m /w/4H * Aluminum 4- From These Roots. Drama. mgJw A Y AAs K E o 2 Sliding Gloss Panels 5- Place.
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Crisis of Infinite Intertexts! Continuity As Adaptation in the Superman Multimedia Franchise
Crisis of Infinite Intertexts! Continuity as Adaptation in the Superman Multimedia Franchise Jack Peterson Teiwes ORCID identifier 0000-0001-8956-1602 Doctor of Philosophy November 2015 School of Culture and Communication The University of Melbourne Submitted in total fulfillment of the requirements of the PhD degree Produced on archival quality paper Abstract Since first appearing as a comic book character over three quarters of a century ago, Superman was not only the first superhero, spawning an entire genre of imitators, but also quickly became one of the most widely disseminated multi-media entertainment franchises. This achieved a degree of intergenerational cultural dissemination that far surpasses his comic book fandom. Yet despite an unprecedented degree of adaptation into other media from radio, newspaper strips, film serials, animation, feature films, video games and television, Superman’s ongoing comic books have remained in unbroken publication, developing a long and complex history of narrative renewal and reinvention. This thesis investigates the multifaceted intertextuality between the comic book portrayals of Superman and its many adaptations over the years, including how such retellings in other media have a generally stronger cultural impact, which exerts in turn an adaptive influence upon these continuing comics’ internalised narrative continuity. I shall argue that Superman comics, as a case study for the wider phenomenon in the superhero genre, demonstrate via their frequent revisions and relaunches of continuity, a process of deeply palimpsestuous self-adaptation. The Introduction positions my research methodology in relation to intertextual theory, with an emphasis on providing terminological clarity, while Chapter 1 expands into a literature review on pertinent key scholarship on adaptation studies and the comics studies field specifically.
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The Adventures of Superman Batman's Great Mystery Chapter 2 of 11 - February 4, 1948
The Adventures of Superman Batman's Great Mystery Chapter 2 of 11 - February 4, 1948 Dated Death Announcer Faster than a speeding bullet, more powerful than a locomotive, able to leap tall buildings in a single bound, Look, up in the sky, it's a bird, it's a plane, it's Superman! Yes, it's Superman, strange visitor from the planet Krypton who came to Earth with amazing physical powers far beyond those of mortal men. And who, disguised as Clark Kent, mild mannered reporter for a great metropolitan newspaper, wages a never ending battle for truth and justice. Radio's Clayton ''Bud Collyer'' (center) as Superman And now, The Adventures of Superman. flanked by a radio exec and Joan Alexander as Lois Lane Narrator Insisting that he was unable to explain, Batman told Robin, his young companion, that he was going away, and he added that if he failed to return after one week, Robin might never see him again. When twelve days went by, and Batman failed to return, Robin summoned Clark Kent, who is really Superman. Together they searched for a clue to Batman's disappearance. And then, in a recording machine, Kent discovered a wire recording of a conversation between Batman and a mysterious man named Jones. Jones I think you'll do as I say, Mr, Wayne, because if you refuse .... (recording) Wayne Yes, if I refuse? (recording) Jones Then I will reveal to the world that you, Bruce Wayne, are Batman. (recording) Robin Holy smokes, Mr. Kent, did you hear what that man said? Kent Yes I did.
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The Adventures of Superman Batman's Great Mystery Chapter 5 of 11 - February 9, 1948
The Adventures of Superman Batman's Great Mystery Chapter 5 of 11 - February 9, 1948 Dated Death Narrator After disappearing mysteriously for almost two weeks, the famous Go back in time to see what Batman apparently reappeared in the Metropolitan Auditorium, and happened in 1948 . delivered a rabble rousing un-American speech. Then confronted by Robin, his young companion, Batman struck the bewildered youngster, This 11-chapter adventure, knocking him out. A short time later, Robin, having been brought home 'Batman's Great Mystery,' aired in by Superman, received a telephone call apparently from Batman, who 1948. Bud Collyer played Clark told him to come alone to a shady hotel on the waterfront, where he Kent/Superman from the radio would explain his strange actions, and when Robin arrived there, he program's inception on February walked into an ambush. Meanwhile, unaware of this development 12, 1940 until its season-before- Superman, disguised as reporter Clark Kent, was at the Opera House in last. From 1941-1943 Fleischer Willow Falls thirty miles away, where Batman was delivering another made 17 short animated movies. speech. As he left the stage and walked into the wings, followed by the The radio cast voiced their applause of the crowd, Kent stepped forward to meet him: characters for these movies. Kent Just a minute, Batman! Batman Kent! What are you doing... Kent I want to talk to you. Batman Yeah? What about? Kent About Robin, and other things. Batman Look, I haven't time to discuss this. Kent You're to take time. You and Robin are as close as brothers.
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'TOON IN, 'TOON OUT: AMERICAN TELEVISION ANIMATION and the SHAPING of AMERICAN POPULAR CULTURE, 1948-1980 by David Perlmutt
‘TOON IN, ‘TOON OUT: AMERICAN TELEVISION ANIMATION AND THE SHAPING OF AMERICAN POPULAR CULTURE, 1948-1980 by David Perlmutter A Thesis submitted to the Faculty of Graduate Studies of The University of Manitoba in partial fulfillment of the requirements of the degree of MASTER OF ARTS Joint Master’s Program – Departments of History The University of Manitoba / The University of Winnipeg Winnipeg, Manitoba, Canada Copyright © 2010 by David Perlmutter ii ABSTRACT This thesis is a systematic study of significant American television animation programs produced between 1948 and 1980, with special attention given to selected works produced by three influential studios: Hanna-Barbera, Jay Ward and Filmation. It considers how outside forces such as television network censorship, grassroots political activism, and other social and political forces served to limit how the genre developed, and the extent to which producers chose to test the limits to get their points across. It provides a discussion of masculine images in television animation of the 1950s and 1960s, and of the reactions of television animation producers to outside concerns regarding violent imagery in children’s programming, and the threat of censorship related to this, in the 1970s. My thesis demonstrates that television animation producers, as a result of the need to remain actively involved in production, were forced to change and adapt with the times around them. iii ACKNOWLEDGEMENTS I would like to thank my family and friends for supporting me through this endeavor. I have appreciated their support especially in those times when I doubted my abilities, because they never did. I particularly want to thank Professor Churchill and Professor Elvins for giving me their advice and guidance in the long and arduous process of conceiving the draft.
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