CATCH ME IF YOU CAN Written by Jeff Nathanson
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Passing: Intersections of Race, Gender, Class and Sexuality
Passing: Intersections of Race, Gender, Class and Sexuality Dana Christine Volk Dissertation submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy In ASPECT: Alliance for Social, Political, Ethical, and Cultural Thought Approved: David L. Brunsma, Committee Chair Paula M. Seniors Katrina M. Powell Disapproved: Gena E. Chandler-Smith May 17, 2017 Blacksburg, Virginia Keywords: passing, sexuality, gender, class, performativity, intersectionality Copyright 2017 Dana C. Volk Passing: Intersections of Race, Gender, Class, and Sexuality Dana C. Volk Abstract for scholarly and general audiences African American Literature engaged many social and racial issues that mainstream white America marginalized during the pre-civil, and post civil rights era through the use of rhetoric, setting, plot, narrative, and characterization. The use of passing fostered an outlet for many light- skinned men and women for inclusion. This trope also allowed for a closer investigation of the racial division in the United States. These issues included questions of the color line, or more specifically, how light-skinned men and women passed as white to obtain elevated economic and social status. Secondary issues in these earlier passing novels included gender and sexuality, raising questions as to whether these too existed as fixed identities in society. As such, the phenomenon of passing illustrates not just issues associated with the color line, but also social, economic, and gender structure within society. Human beings exist in a matrix, and as such, passing is not plausible if viewed solely as a process occurring within only one of these social constructs, but, rather, insists upon a viewpoint of an intersectional construct of social fluidity itself. -
David Roche (Ed.), Steven Spielberg: Hollywood Wunderkind & Humanist
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie David Roche (ed.), Steven Spielberg: Hollywood Wunderkind & Humanist Julia Echeverría-Domingo Electronic version URL: http://journals.openedition.org/miranda/14731 DOI: 10.4000/miranda.14731 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Julia Echeverría-Domingo, “David Roche (ed.), Steven Spielberg: Hollywood Wunderkind & Humanist ”, Miranda [Online], 17 | 2018, Online since 02 October 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/14731 ; DOI: https://doi.org/10.4000/miranda.14731 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. David Roche (ed.), Steven Spielberg: Hollywood Wunderkind & Humanist 1 David Roche (ed.), Steven Spielberg: Hollywood Wunderkind & Humanist Julia Echeverría-Domingo REFERENCES David Roche (ed.), Steven Spielberg: Hollywood Wunderkind & Humanist (Montpellier: Presses Universitaires de la Méditerranée, 2018), 348 p, ISBN 978-2367812649. 1 This collective work provides an engaging and deeply respectful approach to Steven Spielberg, one of the most commercially successful and at the same time critically despised filmmakers of his time. As its editor David Roche acknowledges in his introduction, he himself was reluctant at first to deal with a filmmaker who is recognized for his emotional manipulation and popcorn blockbusters (11). This initial reticence, which is probably common to many other scholars, is soon dispelled by a thought-provoking collection of essays that situate Spielberg not just as a studio director in the classical sense but also as a gifted auteur. -
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The Diamond of Psi Upsilon Mar 1951
THE DIAMOND OF PSI UPSILON MARCH, 1951 VOLUME XXXVll NUMBER THREE Clayton ("Bud") Collyer, Delta Delta '31, Deacon and Emcee (See Psi U Personality of the Month) The Diamond of Psi Upsilon OFFICIAL PUBLICATION OF PSI UPSILON FRATERNITY Volume XXXVll March, 1951 Number 3 AN OPEN FORUiM FOR THE FREE DISCUSSION OF FRATERNITY MATTERS IN THIS ISSUE Page Psi U Personality of the Month 70 The 118th National Convention Program 71 Highlights in the Mu's History 72 The University of Minnesota 74 The Archives 76 The Psi Upsilon Scene 77 Psi U's in the Civil War 78 Psi U Lettermen 82 Pledges and Recent Initiates 83 The Chapters Speak 88 The Executive Council and Alumni Association, Officers and Mem bers 100 Roll of Chapters and Alumni Presidents Cover III General Information Cover IV EDITOR Edward C. Peattie, Phi '06 ALUMNI EDITOR David C. Keutgen, Lambda '42 ADVISORY COMMITTEE ON THE DIAMOND J. J. E. Hessey, Nu '13, Chairman Herbert J. Flagg, Theta Theta '12 Walter S. Robinson, Lambda '19 A. Northey Jones, Beta Beta '17 S. Spencer Scott, Phi '14 (ex-officio) LeRoy J. Weed, Theta '01 Oliver B. Merrill, Jr., Gamma '25 (ex-officio) Publication Office, 450 Ahnaip St., Menasha, Wis. Executive and Editorial Offices Room 510, 420 Lexington Ave., New York 17, N.Y. Life Subscription, $15; By Subscription, $1.00 per year; Single Copies, 50 cents Published in November, January, March and June by the Psi Upsilon Fraternity. Entered as Second Class Matter January 8, 1936, at the Post Office at Menasha, Wisconsin, under the Act of August 24, 1912. -
MAY 4 Quadracci Powerhouse
APRIL 8 – MAY 4 Quadracci Powerhouse By David Bar Katz | Directed by Mark Clements Judy Hansen, Executive Producer Milwaukee Repertory Theater presents The History of Invulnerabilty PLAY GUIDE • Play Guide written by Lindsey Hoel-Neds Education Assistant With contributions by Margaret Bridges Education Intern • Play Guide edited by Jenny Toutant Education Director MARK’S TAKE Leda Hoffmann “I’ve been hungry to produce History for several seasons. Literary Coordinator It requires particular technical skills, and we’ve now grown our capabilities such that we can successfully execute this Lisa Fulton intriguing exploration of the life of Jerry Siegel and his Director of Marketing & creation, Superman. I am excited to build, with my wonder- Communications ful creative team, a remarkable staging of this amazing play that will equally appeal to theater-lovers and lovers of comic • books and superheroes.”” -Mark Clements, Artistic Director Graphic Design by Eric Reda TABLE OF CONTENTS Synopsis ....................................................................3 Biography of Jerry Siegel. .5 Biography of Superman .....................................................5 Who’s Who in the Play .......................................................6 Mark Clements The Evolution of Superman. .7 Artistic Director The Golem Legend ..........................................................8 Chad Bauman The Übermensch ............................................................8 Managing Director Featured Artists: Jef Ouwens and Leslie Vaglica ...............................9 -
NEWS RELEASE for Immediate Release RE: Chamber Annual Banquet
120 W. Ash, P.O. Box 586 • Salina, KS 67402-0586 • 785-827-9301 • fax 785-827-9758 • www.salinakansas.org NEWS RELEASE For Immediate Release RE: Chamber Annual Banquet Frank Abagnale, one the world’s most respected authorities on the subject of forgery, embezzlement, and secure documents, will be the featured speaker at the Chamber’s Annual Banquet and Membership Meeting, Thursday, February 9, 2012. (Biography’s attached) The banquet will be held in the arena of the Bicentennial Center beginning at 6:30pm. A membership networking reception will be held from 5-6pm in Heritage Hall of the Bicentennial Center. In addition, Mr. Abagnale will also conduct an identity theft seminar on February 9th from 2-4pm at Sam’s Chapel on the campus of Kansas Wesleyan University. “We are very pleased that Frank Abagnale has accepted our invitation to come to Salina as the keynote speaker for the Chamber’s annual meeting,” said Todd Davidson, Chairman of the Salina Area Chamber of Commerce. “Identify theft, forgery and embezzlement are major issues faced by businesses and individuals in our society. Mr. Abagnale has a unique set of personal experiences on these issues, from both sides of the fence. His specialized knowledge of these subjects will be enormously valuable to our audience, and his story-telling will captivate them. It should be an entertaining evening for this year’s annual banquet.” For over 30 years Mr. Abagnale has lectured to, and consulted with hundreds of financial institutions, corporations and government agencies around the world. His life story was the subject of a major motion picture entitled “Catch Me If You Can,” directed by Steven Spielberg starring Leonardo DeCaprio and Tom Hanks. -
“Passing.” Review of Steven Spielberg, Catch Me If You Can (California: Dreamworks Pictures Movie, 2002)
www.ucalgary.ca/hic/ · ISSN 1492-7810 2004 · Vol. 4, No. 1 “Passing.” Review of Steven Spielberg, Catch Me If You Can (California: Dreamworks Pictures movie, 2002). Reviewed by Maurice Yacowar, University of Calgary Though offered and (well) received as a holiday comic romp, Steven Spielberg’s Catch Me If You Can may be his most personal film since Schindler’s List (1993). There, as Spielberg has remarked, he for the first time reflected upon his Jewish identity. Consciously or not, Spielberg’s saga of conman Frank W. Abagnale (Leonardo DiCaprio) addresses the rest of his own career, when he hid his personal identity behind escapist entertainments — that is, when he “passed” undefined as Jewish. As in Woody Allen’s Zelig (1983), the Jew’s temptation to disappear behind a false identity broadens to any ethnic identity’s hunger for assimilation or Everyschnook’s fear of being different in a culture that worships the uniform (Pan Am and up). The only Jewish characters in the film are the absent Mrs. Roberta Glass, the French teacher, and her victimized substitute, whom Frank turns away. As Frank replaces the Jewish element, Jewishness is consigned to the implicit. For example, when people are eager to be duped, Frank responds “Even better,” a phrase more familiar as the Yiddish, “Noch besser.” His father’s Rotary Club story, which Frank recycles as a Lutheran grace, is a Jewish parable of survival. Two mice are stuck in a bucket of cream. One sinks and drowns, the other struggles until he turns the cream to butter and walks away. -
News Release for Immediate Release
NEWS RELEASE FOR IMMEDIATE RELEASE DISNEY SHOWCASES LIVE ACTION SLATE WITH EXCITING NEWS EXCLUSIVELY FOR FANS AT D23 EXPO 2015 STARS AND FILMMAKERS OF UPCOMING DISNEY, MARVEL STUDIOS AND LUCASFILM MOVIES FEATURED AT TODAY’S LIVE ACTION EVENT Film stills, title treatments and event images will be available at: http://www.image.net/d23_2015. ANAHEIM, Calif. (Aug. 15, 2015) — Disney, Marvel Studios and Lucasfilm presented their live action film slates this morning at the D23 EXPO 2015 at the Anaheim Convention Center in Anaheim, Calif. The presentations, which revealed exclusive news and details about the upcoming live action films, were aided by live and video appearances from talent and filmmakers. Walt Disney Studios Chairman Alan Horn hosted the highly anticipated biennial event. “It’s quite something to be able to have Disney, Marvel and Lucasfilm all on the same stage, and it’s tremendously gratifying to unveil our upcoming projects to our most dedicated fans first,” said Alan Horn, Chairman, The Walt Disney Studios. “We always have an incredible time at the D23 EXPO.” After welcoming the crowd to D23 EXPO 2015, Horn introduced Kevin Feige, President of Marvel Studios, and Sean Bailey, President of Walt Disney Studios Motion Picture Production, to present overviews of the Marvel Studios and Disney live action slates. Later Horn returned to the stage to present the Lucasfilm film slate to the enthusiastic audience. A recap of the presentation follows: · Kevin Feige led off with a glimpse into the world of Marvel’s “Doctor Strange,” featuring a video greeting by Benedict Cumberbatch, who stars as the title character, followed by a pre- production piece that offered fans a taste of the look and feel of the upcoming film, opening in U.S. -
Adler, Mccarthy Engulfed in WWII 'Fog' - Variety.Com 1/4/10 12:03 PM
Adler, McCarthy engulfed in WWII 'Fog' - Variety.com 1/4/10 12:03 PM http://www.variety.com/index.asp?layout=print_story&articleid=VR1118013143&categoryid=13 To print this page, select "PRINT" from the File Menu of your browser. Posted: Mon., Dec. 28, 2009, 8:00pm PT Adler, McCarthy engulfed in WWII 'Fog' Producers option sci-fi horror comicbook 'Night and Fog' By TATIANA SIEGEL Producers Gil Adler and Shane McCarthy have optioned the sci-fi horror comicbook "Night and Fog" from publisher Studio 407. No stranger to comicbook-based material, Adler has produced such graphic-based fare as "Constantine," "Superman Returns" and the upcoming Brandon Routh starrer "Dead of Night," which is based on the popular Italian title "Dylan Dog." This material is definitely in my strike zone in more ways than one," Adler said, noting his prior role as a producer of such horror projects as the "Tales From the Crypt" series. "But what really appealed to me wasn't so much the genre trappings but rather the characters that really drive this story." Set during WWII, story revolves around an infectious mist unleashed on a military base that transforms its victims into preternatural creatures of the night. But when the survivors try to kill them, they adapt and change into something even more horrific and unstoppable. Studio 407's Alex Leung will also serve as a producer on "Night and Fog." Adler and McCarthy are also teaming to produce an adaptation of "Havana Nocturne" along with Eric Eisner. They also recently optioned Ken Bruen's crime thriller "Tower." "Night and Fog" is available in comic shops in the single-issue format and digitally on iPhone through Comixology. -
Broadway Dramatists, Hollywood Producers, and the Challenge of Conflicting Copyright Norms
Vanderbilt Journal of Entertainment & Technology Law Volume 16 Issue 2 Issue 2 - Winter 2014 Article 3 2014 Once More unto the Breach, Dear Friends: Broadway Dramatists, Hollywood Producers, and the Challenge of Conflicting Copyright Norms Carol M. Kaplan Follow this and additional works at: https://scholarship.law.vanderbilt.edu/jetlaw Part of the Intellectual Property Law Commons Recommended Citation Carol M. Kaplan, Once More unto the Breach, Dear Friends: Broadway Dramatists, Hollywood Producers, and the Challenge of Conflicting Copyright Norms, 16 Vanderbilt Journal of Entertainment and Technology Law 297 (2020) Available at: https://scholarship.law.vanderbilt.edu/jetlaw/vol16/iss2/3 This Article is brought to you for free and open access by Scholarship@Vanderbilt Law. It has been accepted for inclusion in Vanderbilt Journal of Entertainment & Technology Law by an authorized editor of Scholarship@Vanderbilt Law. For more information, please contact [email protected]. Once More unto the Breach, Dear Friends: Broadway Dramatists, Hollywood Producers, and the Challenge of Conflicting Copyright Norms Carol M. Kaplan* ABSTRACT In recent decades, studios that own film and television properties have developed business models that exploit the copyrights in those materials in every known market and in all currently conceivable forms of entertainment and merchandising. For the most part, uniform laws and parallel industry cultures permit smooth integration across formats. But theater is different. The work-made-for-hire provisions that allow corporations to function as the authors of the works they contract to create do not easily align with the culture and standard contract provisions of live theater. Conflicts arise when material that begins as a Hollywood property tries to make Carol M. -
WHEN I Look Back at WHAT I DID NEARLY 50 YEARS AGO AS A
CULTURE Frank Abagnale FROM MASTER OF DECEPTION TO THE FBI’S LEADING EXPERT ON FORGERY AND FRAUD, FRANK AbAGNALE HAS UNDERGONE A REMARKABLE TRANSFORMATION SINCE HIS CAPTURE AND IMPRISONMENT IN 1969. CLAIRE VANNER CATCHES UP WITH THE WORLD’S MOST FAMOUS EX-CONMAN “My story is incredible not for the things I did, “Just being a father and a husband and the colour separations, negatives, plates and type but that I did those things and where my life importance of bringing children into the world, settings meant that creating a fake cheque was has taken me since,” says Frank Abagnale, the that’s what really changed my life,” he says. He quite a feat of engineering. Nowadays, advances most notorious ex-conman of all time. Many are is also giving back by using his expertise to in technology mean that every year around familiar with his story from Spielberg’s 2002 advise people on how to prevent their identity $20bn in the US alone is lost to cheque forgery. blockbuster Catch Me If You Can, in which being stolen and protecting their assets from “When I look back at what I did nearly 50 Leonardo DiCaprio portrays Abagnale dur- modern fraudulent techniques. years ago as a teenage boy, it’s 4,000 times easier ing his teenage years. He became an expert in to do today,” says Abagnale. All it requires is identity theft and stole $2.5m by perfecting the Forging change someone opening their laptop, visiting a corpo- art of writing fraudulent cheques. Since then Some consider the cheque to be an out-dated ration’s website to capture its corporate logo and he has paid back every cent and flipped from form of payment overshadowed by credit or working their magic on a computer program. -
Radio TV Mirror
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