The Diamond of Psi Upsilon Mar 1951
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Agricultural Chemistry Building and Or Common Biochemistry Building 2
NPS Form 10-900 OMB No. 1024-0018 (3-82) Exp. 10-31-84 United States Department of the Interior National Park Service For NPS use only National Register of Historic Places received MAY i 6 1935 Inventory—Nomination Form date entered ^ See instructions in How fo Complete National Register Forms Type all entries—complete applicable sections___________________________ __ 1. Name historic Agricultural Chemistry Building and or common Biochemistry Building 2. Location street & number 420 Henry Mall, University of Wisconsin Campus not for publication city, town Madison vicinity of state Wisconsin code 55 county Dane code 025 3. Classification Category Ownership Status Present Use district X public _ X. occupied __ agriculture museum X building(s) private unoccupied commercial park structure both work in progress X educational private residence site • Public Acquisition Accessible entertainment religious object in process yes: restricted government scientific being considered X.. yes: unrestricted industrial transportation X N/A no military other: 4. Owner of Property name University of Wisconsin Board of Regents street & number 1860 Van Rise Hall city, town Madison vicinity of state Wisconsin 5. Location of Legal Description courthouse, registry of deeds, etc. Register of Deeds. Dane county Courthouse street & number 201 Monona Avenue city, town Madison state Wisconsin 6. Representation in Existing Surveys Madison Campus Architecture, title Historical and Archaeological Survey135 this property been determined eligible? yes x no date 1978 federal -
Radio TV Mirror
JANICE GILBERT The girl who gave away MIRRO $3,000,000! ARTHUR GODFREY BROOK BYRON BETTY LU ANN SIMMS ANN GROVE ! ^our new Lilt home permaTient will look , feel and stay like the loveliest naturally curly hair H.1 **r Does your wave look as soft and natural as the Lilt girl in our picture? No? Then think how much more beautiful you can be, when you change to Lilt with its superior ingredients. You'll be admired by men . envied by women ... a softer, more charming you. Because your Lilt will look, feel and stay like naturally curly hair. Watch admiring eyes light up, when you light up your life with a Lilt. $150 Choose the Lilt especially made for your type of hair! plus tax Procter £ Gambles new Wt guiJ. H Home Permanent tor hard-to-wave hair for normal hair for easy-to-wave hair for children's hair — . New, better way to reduce decay after eating sweets Always brush with ALL- NEW IPANA after eating ... as the Linders do . the way most dentists recommend. New Ipana with WD-9 destroys tooth-decay bacteria.' s -\V 77 If you eat sweet treats (like Stasia Linder of Massa- Follow Stasia Linder's lead and use new Ipana regularly pequa, N. Y., and her daughter Darryl), here's good news! after eatin g before decay bacteria can do their damage. You can do a far better job of preventing cavities by Even if you can't always brush after eating, no other brushing after eatin g . and using remarkable new Ipana tooth paste has ever been proved better for protecting Tooth Paste. -
MAY 4 Quadracci Powerhouse
APRIL 8 – MAY 4 Quadracci Powerhouse By David Bar Katz | Directed by Mark Clements Judy Hansen, Executive Producer Milwaukee Repertory Theater presents The History of Invulnerabilty PLAY GUIDE • Play Guide written by Lindsey Hoel-Neds Education Assistant With contributions by Margaret Bridges Education Intern • Play Guide edited by Jenny Toutant Education Director MARK’S TAKE Leda Hoffmann “I’ve been hungry to produce History for several seasons. Literary Coordinator It requires particular technical skills, and we’ve now grown our capabilities such that we can successfully execute this Lisa Fulton intriguing exploration of the life of Jerry Siegel and his Director of Marketing & creation, Superman. I am excited to build, with my wonder- Communications ful creative team, a remarkable staging of this amazing play that will equally appeal to theater-lovers and lovers of comic • books and superheroes.”” -Mark Clements, Artistic Director Graphic Design by Eric Reda TABLE OF CONTENTS Synopsis ....................................................................3 Biography of Jerry Siegel. .5 Biography of Superman .....................................................5 Who’s Who in the Play .......................................................6 Mark Clements The Evolution of Superman. .7 Artistic Director The Golem Legend ..........................................................8 Chad Bauman The Übermensch ............................................................8 Managing Director Featured Artists: Jef Ouwens and Leslie Vaglica ...............................9 -
Babcock History Only.Indd
IndexIndex Babcock History Page 2 In The News Page 14 Memories Page 21 Stephen Moulton Babcock Stephen Moulton Babcock graduated B.A. from Tufts College in 1866 and received a Ph.D. from the University of Göttingen, Germany, in 1879. After working as a teacher and chemist in New York, he joined the staff of the University of Wisconsin, where was professor of agricultural chemistry from 1887 to 1913 and remained for the next 43 years. He was also chief chemist of the Wisconsin Agricultural Experiment Station. The test, which bears his name, was an outgrowth of necessity, as is so often the case with inventions. Dairying was becoming an important industry in Wisconsin and its future depended on an accurate and easy method to determine the intrinsic value of milk. When presented in 1890, the test brought international recognition to the University of Wisconsin. Here he established a laboratory that carried out pioneering research in nutrition and in the chemistry of vitamins. Babcock’s experimental studies in the food requirements of animals paved the way for the work of the American chemist Elmer Verner McCollum (1879-1967) on vitamin A, and it was in Babcock’s laboratory at the university the biochemist Harry Steenbock discovered vitamin D, the sunlight vitamin. Babcock invented an apparatus to determine the viscosity of liquids. The last two decades of his life were spent in basic research on the nature of matter and its relation to energy. Interestingly, Babcock felt that he should derive no personal gain from his testing device, his most famous invention, and no patent was taken out. -
CATCH ME IF YOU CAN Written by Jeff Nathanson
CATCH ME IF YOU CAN Written by Jeff Nathanson 1 INT. - GAME SHOW SET. - DAY 1 BLACK AND WHITE FOOTAGE FROM 1978 MUSIC UP: A simple GAME SHOW SET -- one long desk-that houses four "CELEBRITY PANELISTS," a small pulpit with attached microphone for the host, BUD COLLYER, who walks through the curtain to the delight of the audience. Bud bows and waves to the celebrities -- ORSON BEAN, KITTY CARLISLE, TOM POSTON, and PEGGY CASS. BUD COLLYER Hello, panel, and welcome everyone to another exciting day on "To Tell The Truth." Let's get the show started. THE CURTAIN STARTS TO RISE BRIGHT LIGHTS SHINE on the faces of THREE MEN who walk toward center stage. All thre n wear identical AIRLINE PILOT UNIFORMS, each with m; c ng blue blazers and caps. (cont' d) Gentleman, please state your names. PILOT #1 My name is Frank Abagnale Jr. THE PILOT IN THE MIDDLE steps forward. PILOT #2 My name is Frank Abagnale Jr. THE THIRD PILOT does the same. PILOT #3 My name is Frank Abagnale Jr. Bud smiles, grabs a piece of paper. BUD COLLYER Panel, listen to this one. (he starts to read) My name is Frank Abagnale Jr, and some people consider me the worlds greatest imposter. (CONTINUED) Debbie Zane - 2. 1 CONTINUED: 1 As Bud reads, the CAMERA SLOWLY PANS the faces of the three PILOTS. BUD COLLYER (cont'd) (READING) From 1964 to 1966 I successfully impersonated an airline pilot for Pan Am Airlines, and flew over two million miles for free. During that time I was also the Chief Resident Pediatrician at a Georgia hospital, the Assistant Attorney General for the state of Louisiana, and a Professor of American History at a prestigious University in France. -
Dairy, Food and Environmental Sanitation 1990-04: Vol 10 Iss 4
ISSN; 1043-3546 April • 1990 502 E. Lincoln Way • Ames • Iowa • 50010 Vol • 10 • No. 4 • Pages 185-260 DAIRY, FOOD AND ENVIRONMENTAL A Publication of the International Association of Milk, Food and Environmental Sanitarians, Inc. Please circle No. 176 on your Readermio Service Card uum CHLORINE DIOXIDE PRODUCTS FOR INNOVATIVE PROBLEM SOLVING IN THE FOOD, MILK, DAIRY, AND BEVERAGE PROCESSING INDUSTRIES □ ENVIRONMENTAL CLEANERS SANITATION BEGINS WITH A GOOD ENVIRONMENTAL CLEANER CHLORINE DIOXIDE FOAM CHLORINE DIOXIDE CONVEYER LUBE CHLORINE DIOXIDE CIP SYSTEMS □ MICROBIOLOGICAL CONTROL IN PROCESS WATER COOLING TOWERS EFFLUENT TREATMENT POTABLE WATER TREATMENT □ RIO LINDA CHLORINE DIOXIDE PRODUCTS INTEGRATED SYSTEM ENGINEERING NEUTRAL EFFLUENT pH EPA REGISTERED PRECURSORS QUALIFIED TECHNICAL SUPPORT PROPRIETARY PATENTED TECHNOLOGY For Further Information Contact DON ENGLISH or LINDA HANNA RIO LINDA CHEMICAL 410 N. 10th STREET, SACRAMENTO, CA 95814 916-443-4939 800-822-5022 inside California or your local Rio Linda Representative other lAMFES Publications lAMFES also publishes: □ Procedures to Investigate Foodborne Illness Q Procedures to Investigate Waterborne Illness □ Procedures to Investigate Arthropod-borne and Rodent-borne Illness Used by health department and public health personnel nationwide, these manuals detail investigative techniques and procedures based on epidemiol¬ ogic principles for the identification and analysis of illness outbreaks and their sources. Q 3-A Sanitary Standards for Dairy and Egg Processing Equipment Formulated by the cooperative effort of industry and regulatory groups, the standards represent criteria for the cleanability of dairy and egg processing equipment. The standards cover materials and fabrication of the equipment design. For order information, check the appropriate boxes, complete the return address and return to lAMFES. -
Radio TV Mirror
EXTRA FEATURES Steve Allen Win Elliot Joan Caulfield TERRY O'SULLIVAN Search For Tomorrow MARY SHIPP Irma's New Friend the GODFREY and LA ROSA storied MIKE WALLACE I'll Buy That HER Pamper your beauty with new Camay! PETAL-SOFT SKIN GOES Wonderful for complexion and* bath! STRAIGHT TO HIS HEART! Here's wonderful news about complexion care ! Now Camay contains fine cold cream. And Camay alone among leading beauty soaps brings you this luxury ingredient. More delightful than ever before! Whether your skin is dry or oily, new Camay leaves it feeling exquisitely cleansed, won- derfully fresh. And Camay with cold cream brings new luxury to your Beauty Bath, too! You still get everything that's always made Camay a treasure . the softer com- plexion that's yours when you change to regular care and Camay, that velvety Camay lather, famous Camay mildness, and delicate fragrance yours only in Camay. LOOK FOR NEW CAMAY IN THE SAME FAMILIAR WRAPPER. It's at your store now— at no extra cost. And there's no finer beauty soap in all the world! NOW MORE THAN EVER THE SOAP OF BEAUTIFUL WOMEN Best way* to reduce tooth decay . stop bad breath NEW IPANA WITH ANTI-ENZYME WD-9 New Ipana's enzyme-fight- ing foam helps your child take good care of his teeth. ^*^5?' .it If excessive cavities bother your family, blame it on bacterial- "Using new Ipana with WD-9 regularly after meals is the best enzyme action. It is a principal cause of most tooth decay. So way to reduce decay and banish unpleasant mouth odor all day. -
Goodwill Court Off the Air?
FEBRUARY A MACFADDEN PUBLICATION THE LAWYERS DRIVE GOODWILL COURT OFF THE AIR? COMPLETE WORDS Answering All AND MUSIC TO A Your Questions FAMOUS THEME About SONG IN THIS ISSUE TELEVISION De e tf* etit YES, IF YOUR MAKE -UP'S NATURAL WHAT IS BEAUTY FOR -if All over the world smartly-groomed incredible, astounding effect is that not to set masculine hearts women say Princess Pat rouge is their of color coming from within the skin, favorite. Let's discover its secret of just like a natural blush. You'll be a athrob -if not to bring the thrill utterly natural color. Your rouge-unless glamorous person with Princess Pat of conquests -if not to sing it is Princess Pat -most likely is one flat rouge -irresistible. Try it -and see. little songs of happiness in tone. But Princess Pat rouge is duo -tone. your heart when he admires? There's an under- Make -up's so important - tone that blends especially your rouge! with an overtone, to change magically There's nothing beautiful about on your skin. It be- rouge that looks painted, that outlines comes richly beauti- - itself as a splotch. But Princess Pat ful, vital, real -no r - ------r---- rouge- duo -lone -Ah, there is beauty! outline. The almost PRINCESS PAT, Dept. 792 FREE 2709 South Wells Street, Chicago w Without cost or obligation please send me a Princess Pat cosmetics «r. s are non -allergic! free sample of Princess Pat rouge, as checked English Tint Poppy Gold Squaw Vivid Tan Medium Theatre Nile PRINCESS PAT ROUGE One sample free; additional samples lOc each. -
The Development of Audience Participation Programs on Radio And
Copyright by Patrick Brrett Welch 1956 THE DEVELOPMBHT OP AUDIENCE PARTICIPATION PROGRAMS ON RADIO AND TELEVISION NETWORKS THROUGH THE SEASON OP 19^6-$7 DISSERTATION Presented in Partial Pulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By PATRICK ERRETT WELCH, B. A., A. M, ******* The Ohio State University 1958 Approved by; Adviser Department of ^eeeh TABLE OF C0NTENT3 CHAPTER PAGE I. INTRODUCTION ............................ .. 1 The Audience Participation Program . • • 3 Types of Audience Participation Programs 7 Human Interest Programs ...... 7 Studio Quiz Programs ............... 8 Telephone Quiz Programs ......... 9 Stunt Programs .................. 10 Organization of tho Dissertation ..... 11 Major Sources of Information ....... 13 Previous Academic Studies .......... 15 Periodicals and Newspapers .......... .. 22 Trade Publications ........ 23 Previous Qualitative Research • • • . 21*. II. HISTORICAL DEVELOPMENT OP AUDIENCE PARTICIPATION PRO (SLAMS............... 27 Introduction of Audience Participation Types ......... .............. 30 Use of Audience Participation Programs In Radio Networks ..................... 32 Reasons for Extensive Use ...... 36 Reasons for Decline in Extensive Use . * 38 Use of Audience Participation Programs on TV Networks lf.3 ii Ill CHAPTER PAGE Reasons for Extensive Use ...... 1^3 The Shift from Nighttime to Daytime Programming ......................... i|4 Nighttime to Daytime on Radio Networks . 1^.6 Nighttime to Daytime on Television N e t w o r k s ........................... ii7 III. HUMAN INTEREST PROGRAMS ON RADIO NETWORKS . 1;9 Extent of Use of Human Interest Programs . ^2 General Popularity of Programs of the Type ..................... Human Interest Programs on Radio Networks. SS Individual Human Interest Programs • . • 57 Court of Human Relations ...... Si de-Walk Interviews ................ 59 We, The People .................... -
Edwin Bret Hart 1874-1953
NATIONAL ACADEMY OF SCIENCES E D W I N B R E T H ART 1874—1953 A Biographical Memoir by CO N R A D A. E LVEH J EM Any opinions expressed in this memoir are those of the author(s) and do not necessarily reflect the views of the National Academy of Sciences. Biographical Memoir COPYRIGHT 1954 NATIONAL ACADEMY OF SCIENCES WASHINGTON D.C. f EDWIN BRET HART 1874-1953 BY CONRAD A. ELVEHJEM In a short obituary of Dr. S. M. Babcock, Professor E. B. Hart started with these words, "To have enjoyed for a quarter of a century the intimate and steadfast friendship of a professional associate and a truly great man is, indeed, a rare privilege, and yet such has been my good fortune in my associa- tion with Stephen Moulton Babcock." Similarly, I have had the good fortune of knowing Professor Hart for a period of 32 years. I first met him as a student in an elementary course in agricultural chemistry in 1921. In my senior year he called me to his office and told me to take over teaching duties in the laboratory immediately since one of the assistants was leaving for a new position. Many of his teaching and research assistants were appointed under similar circumstances. This was the beginning of my close association and intimate friendship with this great teacher, research worker and advisor—an association which continued until the time of his death. During the past twenty-five years hardly a day passed that we did not meet for a conference or just a chat. -
Up, up and Across: Superman, the Second World War and the Historical Development of Transmedia Storytelling’
Freeman, M. (2015) ‘Up, up and across: Superman, the Second World War and the historical development of transmedia storytelling’. Historical Journal of Film, Radio and Television, 35 (2): 215-239. This is an Accepted Manuscript of an article published by Taylor & Francis Group in Historical Journal of Film, Radio and Television on 08/08/2014 available online: http://www.tandfonline.com/10.1080/01439685.2014.941564 ResearchSPAce http://researchspace.bathspa.ac.uk/ This version is made available in accordance with publisher policies. Please cite only the published version using the reference above. Your access and use of this document is based on your acceptance of the ResearchSPAce Metadata and Data Policies, as well as applicable law:- https://researchspace.bathspa.ac.uk/policies.html Unless you accept the terms of these Policies in full, you do not have permission to download this document. This cover sheet may not be removed from the document. Please scroll down to view the document. Up, Up and Across: Superman, World War II, and the Historical Development of Transmedia Storytelling Abstract: Re-contextualising the industrial evolution of transmedia storytelling – itself typically branded a product of contemporary media convergence – this article examines the industrial role of transmedia storytelling during a period of Classical Hollywood. Exploring the roles of licensing, corporate authorship, and cross-industrial relations amidst the cultural context of World War II, the article draws on Superman and the expansions of the character’s storyworld across multiple media during the 1940s and 1950s to assess how the media of comics, radio, cinema, and television can be recognised during this period as convergent industry platforms where transmedia narratives unfolded. -
Sft RA. 3-5102
April 1 Program Listings WEDNESDAY 7-Ploy Your Hunch. 4:00 9-The Brighter Day. Serial. Merv Griffin m. e. 4- or Contoquencee. 4:15 9-Seorch for Tomorrow. Ser'l. COLOR. Bob Barker, host. 9-The Secret Storm. Serial. 12:45 5- Templo. Kids. 4:30 * 9-Guiding Light. Serial. I Hour. Featuring songs and 4-County Foir. Variety. Popoye . 1:00 cartoons. Bert Park*, host. 7-American Bandstand. 9-Edge of Night. Serial. 4- It's a Great Life. IVi Hours. Dick Clark, m. e. Wednesday Listings Cant. Next Michael O'Shea, James Dunn. Peso 5- Reader's Digest. Drama. 7-Liberoce Show. Variety. Erin O'Brien. CONVERT YOUR BATHTUB INTO 9-Theater of Stars. Drama. "Deception." Sylvia Sidney, John BEAUTIFUL Howard. A ENCLOSED SHOWER 1:30 4- Our Town. Color. Mae McGorry, nr c. 5- Lunch 'Movie. !Vi Hours. "First Lady." 1937. Kay Francis, Preston Foster. ip §? fl 7-1 Married Joan. Comedy. 9-As the World Turns. Ser‘l. 2:00 4-Queen for o Day. Giveaway. (Ly ? jhv Jock Bailey, host. Bek I- 7-Day in Court. Trial. ||||oS|p^f 9-Jimmy Dean Show. Variety. H¦ 2:30 4-Haggis Baggis. Color 7-Music Bingo. Quiz. Johnny Gilbert, m.e. 9-House Party. Variety. m 3:00 4- Dr. Malone. Drama. 5- Quiz. Bill Cummings, m. e. 7-Beat the Clock. Game. Bud Collyer, m. e. 9-The Big Payoff. Quiz. "O' Rustproof 3:30 / m /w/4H * Aluminum 4- From These Roots. Drama. mgJw A Y AAs K E o 2 Sliding Gloss Panels 5- Place.