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The Inventory of the Joan Fontaine Collection #570
The Inventory of the Joan Fontaine Collection #570 Howard Gotlieb Archival Research Center TABLE OF CONTENTS Film and Video 1 Audio 3 Printed Material 5 Professional Material 10 Correspondence 13 Financial Material 50 Manuscripts 50 Photographs 51 Personal Memorabilia 65 Scrapbooks 67 Fontaine, Joan #570 Box 1 No Folder I. Film and Video. A. Video cassettes, all VHS format except where noted. In date order. 1. "No More Ladies," 1935; "Tell Me the Truth" [1 tape]. 2. "No More Ladies," 1935; "The Man Who Found Himself," 1937; "Maid's Night Out," 1938; "The Selznick Years," 1969 [1 tape]. 3. "Music for Madam," 1937; "Sky Giant," 1938; "Maid's Night Out," 1938 [1 tape]. 4. "Quality Street," 1937. 5. "A Damsel in Distress," 1937, 2 copies. 6. "The Man Who Found Himself," 1937. 7. "Maid's Night Out," 1938. 8. "The Duke ofWestpoint," 1938. 9. "Gunga Din," 1939, 2 copies. 10. "The Women," 1939, 3 copies [4 tapes; 1 version split over two tapes.] 11. "Rebecca," 1940, 3 copies. 12. "Suspicion," 1941, 4 copies. 13. "This Above All," 1942, 2 copies. 14. "The Constant Nymph," 1943. 15. "Frenchman's Creek," 1944. 16. "Jane Eyre," 1944, 3 copies. 2 Box 1 cont'd. 17. "Ivy," 1947, 2 copies. 18. "You Gotta Stay Happy," 1948. 19. "Kiss the Blood Off of My Hands," 1948. 20. "The Emperor Waltz," 1948. 21. "September Affair," 1950, 3 copies. 22. "Born to be Bad," 1950. 23. "Ivanhoe," 1952, 2 copies. 24. "The Bigamist," 1953, 2 copies. 25. "Decameron Nights," 1952, 2 copies. 26. "Casanova's Big Night," 1954, 2 copies. -
Jim,My Lucas Marjorie Macgregor Michele Morgan Patty Orr Bela Lugosi Frank Mchugh Ralph Morgan William Orr Keye Luke Robert Mcji
Jim,my Lucas Marjorie MacGregor Michele Morgan Patty Orr Bela Lugosi Frank McHugh Ralph Morgan William Orr Keye Luke Robert McJimcy Patricia Morison Orv ilia Lum &Abner Silvia McKay Maro and Yocanella Maureen O'Sullivan Bill Lundigan Fay McKenzie Amarillo Morris Madame Ouspenskaya The Luther Twins Victor McLaglen Chester Morris Lynne Overman Diana Lynn Barton MacLane Ella May Morris Charles Overman Jeffrey Lynn Fred MacMurray Lili Morris Charles Owens Mary Lynn Haven MacQuarrie Zero Mostel Gene Owens Dorothy McQuire Alan Mowbray Jack Owens Eve McVeigh Paul Muni Rita Owin Jeanette MacDonald Martha Mears Ethel Madison Ona Munson Jane Melardy Corinna Mura Marjorie Main P-38's (Dancers) Melody Girls George Murphy Sally Paine Jerry Mann Harry Mendosa Rose Murphy John Pallett Marjorie Manners Adolphe Menjou Senator Murphy Cecilia Parker Martha Manners Johnny Mercer Ken Murray Eleanor Parker Philip Merivale Irene Manning Clarence Muse Hats Parker Virginia Maples Lynn Merrick Music Maids Lou Merrill Jean Parker Adele Mara Carmel Myers Jetsy Parker Frederic March Merry Macs Mary Ellen Myron • Murray Parker Dorie Marie Ray Middleton Odette Myrtil Parkyakarkus Mona Marris Ray Milland Patsy Lee Parsons June Marlowe Ann Miller Anne Nagel Gail1Patrick Nancy Marlowe Miller & Barlow Conrad Nagel Vera Marsh Edwin Miller Richard Paxton Cliff Nasarro John Payne Herbert Marshall Glenn Miller (·Orch.) Nasimova Mary Martin Jimmie Miller Al Pearce Charles Neff Neva Peoples Tony Martin Lorraine Miller Ossie Nelson Barbara Pepper Johnny Marvin Sidney Miller John Nesbit Buddy Pepper Chico Marx Mills Brothers Nicholas Brothers Tommy Perry Groucho Marx Minne & Billy Nicodemus Susan Peters Harpo Marx Carmen Miranda Gertrude Niessen Mrs. -
Commission Meeting of NEW JERSEY GENERAL AVIATION STUDY COMMISSION
Commission Meeting of NEW JERSEY GENERAL AVIATION STUDY COMMISSION LOCATION: Committee Room 16 DATE: March 27, 1996 State House Annex 10:00 a.m. Trenton, New Jersey MEMBERS OF COMMISSION PRESENT: John J. McNamara Jr., Esq., Chairman Linda Castner Jack Elliott Philip W. Engle Peter S. Hines ALSO PRESENT: Robert B. Yudin (representing Gualberto Medina) Huntley A. Lawrence (representing Ben DeCosta) Kevin J. Donahue Office of Legislative Services Meeting Recorded and Transcribed by The Office of Legislative Services, Public Information Office, Hearing Unit, State House Annex, CN 068, Trenton, New Jersey TABLE OF CONTENTS Page Dennis Yap DY Consultants representing Trenton-Robbinsville Airport 2 John F. Bickel, P.E. Township Engineer Oldmans Township, New Jersey 24 Kristina Hadinger, Esq. Township Attorney Montgomery Township, New Jersey 40 Donald W. Matthews Mayor Montgomery Township, New Jersey 40 Peter Rayner Township Administrator Montgomery Township, New Jersey 42 Patrick Reilly Curator Aviation Hall of Fame and Museum 109 Ronald Perrine Deputy Mayor Alexandria Township, New Jersey 130 Barry Clark Township Administrator/ Chief Financial Officer Readington Township, New Jersey 156 Benjamin DeCosta General Manager New Jersey Airports Port Authority of New York and New Jersey 212 APPENDIX: TABLE OF CONTENTS (continued) Page “Township of Readington Resolution” submitted by Barry Clark 1x mjz: 1-228 (Internet edition 1997) PHILIP W. ENGLE (Member of Commission): While we are waiting for Jack McNamara, why don’t we call this meeting of the New Jersey General Aviation Study Commission to order. We will have a roll call. Abe Abuchowski? (no response) Assemblyman Richard Bagger? (no response) Linda Castner? (no response) Huntley Lawrence? Oh, he is on the way. -
President Richard Nixon's Daily Diary, July 16-31, 1969
RICHARD NIXON PRESIDENTIAL LIBRARY DOCUMENT WITHDRAWAL RECORD DOCUMENT DOCUMENT SUBJECT/TITLE OR CORRESPONDENTS DATE RESTRICTION NUMBER TYPE 1 Manifest Helicopter Passenger Manifest 7/30/1969 A 2 Manifest Helicopter Passenger Manifest from Don- 7/30/1969 A Maung Airport, Bangkok 3 Manifest Helicopter Passenger Manifest – 7/23/1969 A Appendix “B” 4 Manifest Helicopter Passenger Manifest – 7/24/1969 A Appendix “A” 5 Manifest Helicopter Passenger Manifest – 7/26/1969 A Appendix “B” 6 Manifest Helicopter Passenger Manifest – 7/27/1969 A Appendix “A” COLLECTION TITLE BOX NUMBER WHCF: SMOF: Office of Presidential Papers and Archives RC-3 FOLDER TITLE President Richard Nixon’s Daily Diary July 16, 1969 – July 31, 1969 PRMPA RESTRICTION CODES: A. Release would violate a Federal statute or Agency Policy. E. Release would disclose trade secrets or confidential commercial or B. National security classified information. financial information. C. Pending or approved claim that release would violate an individual’s F. Release would disclose investigatory information compiled for law rights. enforcement purposes. D. Release would constitute a clearly unwarranted invasion of privacy G. Withdrawn and return private and personal material. or a libel of a living person. H. Withdrawn and returned non-historical material. DEED OF GIFT RESTRICTION CODES: D-DOG Personal privacy under deed of gift -------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- NATIONAL ARCHIVES AND RECORDS ADMINISTRATION *U.S. GPO; 1989-235-084/00024 NA 14021 (4-85) rnc.~IIJc.I'" rtIl."I'\ttU 1"'AUI'4'~ UAILJ UIAtU (See Travel Record for Travel Activity) ---- -~-------------------~--------------I PLACi-· DAY BEGA;'{ DATE (Mo., Day, Yr.) JULY 16, 1969 TIME DAY THE WHITE HOUSE - Washington, D. -
Andy Rooney Risked His Life to Report Some Of
Andy Rooney risked his life to report some of the most dramatic events of World War II, but he only became famous decades later for joking about the quirks of everyday life. Andrew Aitken Rooney was born in Albany on January 14, 1919. While he attended the Albany Academy Andy worked as a newspaper copy boy, delivering stories from reporters’ typewriters to the editors’ desks. He dreamed of being a football star when he enrolled at Colgate University. Once he recognized his limits as an athlete, Rooney grew more interested in creative writing and journalism. His career plans were interrupted when he was drafted into the military in May 1941. After basic training in Fort Bragg, North Photo courtesy of the Times Union, Carolina, Rooney was assigned to the 17th Field Albany, NY Artillery Regiment. When the U.S. entered World War II, the 17th was stationed in Great Britain. Rooney wrote a weekly newsletter for the regiment before he was transferred to the main military newspaper, Stars and Stripes. He became part of the “Writing 69th,” a group of war correspondents who ew on Air Force bombing missions over Germany. Some of his colleagues died with their crews. He co-authored Air Gunner, an account of these dangerous missions, in 1944. Later, Rooney was one of the rst U.S. war correspondents to see evidence of the Holocaust in captured Nazi concentration camps. After the war ended, Rooney didn’t become a full-time journalist. He joined the CBS radio and television network in 1949 as a writer for Arthur Godfrey’s Talent Scouts, an entertainment program. -
Arturo Toscanini and Don Gillis in Rehearsal, Don Gillis Collection, University of North Texas
Arturo Toscanini and Don Gillis in rehearsal, Don Gillis Collection, University of North Texas. Reproduced with permission. MARK MCKNIGHT, SUSANNAH CLEVELAND Rediscovering “Toscanini: The Man Behind the Legend” The following article is based on the authors’ presentation at the ARSC Conference in Austin, TX, April 2005. The focus is on the Don Gillis Collection, which the University of North Texas (UNT) Music Library acquired after Gillis’s death in 1978. Gillis, a longtime associate of Arturo Toscanini, served as the conductor’s assistant and the producer for the NBC Symphony broadcast concerts from 1944 until they ended ten years later. The photographs that illustrate this article are from the collection and are reproduced with permission. __________________________________________________________________________________ he story of Arturo Toscanini’s rise to fame as one of history’s most celebrated con- ductors is well known. Having spent the first several years of his professional life in T the opera pit, Toscanini then gained a reputation for his symphonic conducting, serving as principal conductor of the New York Philharmonic from 1929 to 1936. When he left that post and retired to his native Italy, his American fans believed they would never again see the maestro conduct here. At the age of 70, however, when most individuals are happily settled into retirement, Toscanini returned to the podium, this time in a completely new and, in some ways controversial, forum, as head of the recently organized NBC Symphony. He would remain with the orchestra until his final departure in 1954. Toscanini died three years later in New York, just two months before his ninetieth birthday. -
Radio TV Mirror
JANICE GILBERT The girl who gave away MIRRO $3,000,000! ARTHUR GODFREY BROOK BYRON BETTY LU ANN SIMMS ANN GROVE ! ^our new Lilt home permaTient will look , feel and stay like the loveliest naturally curly hair H.1 **r Does your wave look as soft and natural as the Lilt girl in our picture? No? Then think how much more beautiful you can be, when you change to Lilt with its superior ingredients. You'll be admired by men . envied by women ... a softer, more charming you. Because your Lilt will look, feel and stay like naturally curly hair. Watch admiring eyes light up, when you light up your life with a Lilt. $150 Choose the Lilt especially made for your type of hair! plus tax Procter £ Gambles new Wt guiJ. H Home Permanent tor hard-to-wave hair for normal hair for easy-to-wave hair for children's hair — . New, better way to reduce decay after eating sweets Always brush with ALL- NEW IPANA after eating ... as the Linders do . the way most dentists recommend. New Ipana with WD-9 destroys tooth-decay bacteria.' s -\V 77 If you eat sweet treats (like Stasia Linder of Massa- Follow Stasia Linder's lead and use new Ipana regularly pequa, N. Y., and her daughter Darryl), here's good news! after eatin g before decay bacteria can do their damage. You can do a far better job of preventing cavities by Even if you can't always brush after eating, no other brushing after eatin g . and using remarkable new Ipana tooth paste has ever been proved better for protecting Tooth Paste. -
The Diamond of Psi Upsilon Mar 1951
THE DIAMOND OF PSI UPSILON MARCH, 1951 VOLUME XXXVll NUMBER THREE Clayton ("Bud") Collyer, Delta Delta '31, Deacon and Emcee (See Psi U Personality of the Month) The Diamond of Psi Upsilon OFFICIAL PUBLICATION OF PSI UPSILON FRATERNITY Volume XXXVll March, 1951 Number 3 AN OPEN FORUiM FOR THE FREE DISCUSSION OF FRATERNITY MATTERS IN THIS ISSUE Page Psi U Personality of the Month 70 The 118th National Convention Program 71 Highlights in the Mu's History 72 The University of Minnesota 74 The Archives 76 The Psi Upsilon Scene 77 Psi U's in the Civil War 78 Psi U Lettermen 82 Pledges and Recent Initiates 83 The Chapters Speak 88 The Executive Council and Alumni Association, Officers and Mem bers 100 Roll of Chapters and Alumni Presidents Cover III General Information Cover IV EDITOR Edward C. Peattie, Phi '06 ALUMNI EDITOR David C. Keutgen, Lambda '42 ADVISORY COMMITTEE ON THE DIAMOND J. J. E. Hessey, Nu '13, Chairman Herbert J. Flagg, Theta Theta '12 Walter S. Robinson, Lambda '19 A. Northey Jones, Beta Beta '17 S. Spencer Scott, Phi '14 (ex-officio) LeRoy J. Weed, Theta '01 Oliver B. Merrill, Jr., Gamma '25 (ex-officio) Publication Office, 450 Ahnaip St., Menasha, Wis. Executive and Editorial Offices Room 510, 420 Lexington Ave., New York 17, N.Y. Life Subscription, $15; By Subscription, $1.00 per year; Single Copies, 50 cents Published in November, January, March and June by the Psi Upsilon Fraternity. Entered as Second Class Matter January 8, 1936, at the Post Office at Menasha, Wisconsin, under the Act of August 24, 1912. -
The History of NBC New York Television Studios, 1935-1956"
`1 | P a g e "The History of NBC New York Television Studios, 1935-1956" Volume 1 of 2 By Bobby Ellerbee And Eyes Of A Generation.com Preface and Acknowledgement This is the first known chronological listing that details the conversions of NBC’s Radio City studios at 30 Rockefeller Plaza in New York City. Also included in this exclusive presentation by and for Eyes Of A Generation, are the outside performance theaters and their conversion dates to NBC Television theaters. This compilation gives us the clearest and most concise guide yet to the production and technical operations of television’s early days and the network that pioneered so much of the new medium. As you will see, many shows were done as “remotes” in NBC radio studios with in-house mobile camera units, and predate the official conversion date which signifies the studio now has its own control room and stage lighting. Eyes Of A Generation, would like to offer a huge thanks to the many past and present NBC people that helped, but most especially to Frank Merklein (NBC 1947-1961) Joel Spector (NBC 1965-2001), Dennis Degan (NBC 2003 to present), historian David Schwartz (GSN) and Gady Reinhold (CBS 1966 to present), for their first hand knowledge, photos and help. This presentation is presented as a public service by the world’s ultimate destination for television history…The Eyes Of A Generation. –Bobby Ellerbee http://www.eyesofageneration.com/ https://www.facebook.com/pages/Eyes-Of-A-Generationcom/189359747768249 `2 | P a g e "The History of NBC New York Television Studios, 1935-1956" Volume 1 of 2 Contents Please Note: Converted should be understood as the debut date of the facility as an exclusive TV studio, now equipped with its own control room. -
For U.S. Tha Baptiat Church
9. ' i t. : #s' • ,/■ FRIDAY, AUGUST 26, 19M f'"' . -JL - y " V-4 iRanck^stcr lEvpnitis Irralb psJTvT...,^ You E s^ped Flood Dim8tei*"llelp Those Who DidnH-.-Give n j ^ Q w n Velvet Sales -«( tka MFD «i1w V r. ictMt* In tha Seen by Avelaio Dal^ Net Press Ron „ _ , tomocraw an J Fee Uw Weak BBSae I eC 0 . n . Wealb UHt -Um panda hat iMan AngBaC S i, IN S . jad dua to flood oondltioas. Cheney Bros. 'a tta n a ta data haa feaan .an* cotiD m Chaoay Broa. valvet production 11333 eael taBlgM.' rataivad hatlon-wida attention MeuBkae-el the A unt •tha Kaa. CItarlaa M. Btjrren Bb n b b a« OInrtBtlaa 'fNmtka rtn t Pariah, Uncoln. earlier thia month In an article Manehs$Ur~^A City of Viliogo Charm Uam.. wOl ba (uaat mialatar Sun blUhad in Women'a Wear wtth a Franch aooaiit... day at'»:U ajn. in Cantor Church. Silly, a trade newapaper for the texula and women'a apparel in- W t ana aradoatad (ram Ohio Wea- MANCHESTER, CONN^ SATURDAY, AUGUST 37, 1955 I t) PRICE nV B CENTS l«wan U n tro M ^ and Unlan Thao- duatrica^ X ▼OL. LXX1V.no . 279 (TWELVE PAGES) loclcal damhaary, Na«r Toik. and The article,. which appeared in RAIssion VaUay plafdsi ana aaaooiata minlatar f t Canter le Any. 8 isaue of the trade Churah,. Naw Britain, and Can tar s:per, aaid that Cheney Broa. an* Ghunh.. Hartford, bafon aaaumlnf ticipatea an rincreaae in the pro tha paatorata n t Uncoln. -
Science Fiction Films of the 1950S Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 "Science in skirts": representations of women in science in the "B" science fiction films of the 1950s Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Noonan, Bonnie, ""Science in skirts": representations of women in science in the "B" science fiction films of the 1950s" (2003). LSU Doctoral Dissertations. 3653. https://digitalcommons.lsu.edu/gradschool_dissertations/3653 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. “SCIENCE IN SKIRTS”: REPRESENTATIONS OF WOMEN IN SCIENCE IN THE “B” SCIENCE FICTION FILMS OF THE 1950S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English By Bonnie Noonan B.G.S., University of New Orleans, 1984 M.A., University of New Orleans, 1991 May 2003 Copyright 2003 Bonnie Noonan All rights reserved ii This dissertation is “one small step” for my cousin Timm Madden iii Acknowledgements Thank you to my dissertation director Elsie Michie, who was as demanding as she was supportive. Thank you to my brilliant committee: Carl Freedman, John May, Gerilyn Tandberg, and Sharon Weltman. -
June-July 1980
VOL. 4 NO. 3 FEATURES: CARL PALMER As a youngster, Carl Palmer exhibited tremendous drumming ability to audiences in his native England. Years later, he ex- hibited his ability to audiences world wide as one third of the legendary Emerson, Lake and Palmer. With the breakup of E.L.P., Palmer has expanded in new directions with the forma- tion of his own band, P.M. 12 BILL GOODWIN Bill Goodwin has played with a variety of musicians over the years, including Art Pepper, George Shearing, Mose Allison and currently with Phil Woods. Goodwin discusses the styles and demands of the various musicians he worked with. And though Goodwin is a renowned sideman, he is determined to branch out with some solo projects of his own. 22 DEREK PELLICCI Derek Pellicci of the successful Little River Band, speaks candidly about his responsibilities with the band versus his other love, session work. Pellicci is happiest creating under studio session pressure. The drummer also discusses the impor- tance of sound in regards to the drums and the care that must go into achieving the right sound. 28 THE GREAT JAZZ DRUMMERS: SHOP HOPPIN' AT DRUMS PART I 16 UNLIMITED 30 MD'S SECOND ANNUAL READERS POLL RESULTS 24 COLUMNS: EDITOR'S OVERVIEW 2 DRIVER'S SEAT Controlling the Band READER'S PLATFORM 5 by Mel Lewis 42 ASK A PRO 6 SHOP TALK Different Cymbals for Different Drummers IT'S QUESTIONABLE 8 by Bob Saydlowski, Jr 46 ROCK PERSPECTIVES SLIGHTLY OFFBEAT Odd Rock, Part 2 Pioneering Progressive Percussion by David Garibaldi 32 by Cheech Iero 50 JAZZ DRUMMER'S WORKSHOP DRUM