Algorithmic Determination of Japanese Ethnic Identity Based on Name Martin Holmes
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Girl Power: Feminine Motifs in Japanese Popular Culture David Endresak [email protected]
Eastern Michigan University DigitalCommons@EMU Senior Honors Theses Honors College 2006 Girl Power: Feminine Motifs in Japanese Popular Culture David Endresak [email protected] Follow this and additional works at: http://commons.emich.edu/honors Recommended Citation Endresak, David, "Girl Power: Feminine Motifs in Japanese Popular Culture" (2006). Senior Honors Theses. 322. http://commons.emich.edu/honors/322 This Open Access Senior Honors Thesis is brought to you for free and open access by the Honors College at DigitalCommons@EMU. It has been accepted for inclusion in Senior Honors Theses by an authorized administrator of DigitalCommons@EMU. For more information, please contact lib- [email protected]. Girl Power: Feminine Motifs in Japanese Popular Culture Degree Type Open Access Senior Honors Thesis Department Women's and Gender Studies First Advisor Dr. Gary Evans Second Advisor Dr. Kate Mehuron Third Advisor Dr. Linda Schott This open access senior honors thesis is available at DigitalCommons@EMU: http://commons.emich.edu/honors/322 GIRL POWER: FEMININE MOTIFS IN JAPANESE POPULAR CULTURE By David Endresak A Senior Thesis Submitted to the Eastern Michigan University Honors Program in Partial Fulfillment of the Requirements for Graduation with Honors in Women's and Gender Studies Approved at Ypsilanti, Michigan, on this date _______________________ Dr. Gary Evans___________________________ Supervising Instructor (Print Name and have signed) Dr. Kate Mehuron_________________________ Honors Advisor (Print Name and have signed) Dr. Linda Schott__________________________ Dennis Beagan__________________________ Department Head (Print Name and have signed) Department Head (Print Name and have signed) Dr. Heather L. S. Holmes___________________ Honors Director (Print Name and have signed) 1 Table of Contents Chapter 1: Printed Media.................................................................................................. -
Identity Under Japanese Occupation
1 “BECOMING JAPANESE:” IDENTITY UNDER JAPANESE OCCUPATION GRADES: 9-12 AUTHOR: Katherine Murphy TOPIC/THEME: Japanese Occupation, World War II, Korean Culture, Identity TIME REQUIRED: Two 60-minute periods BACKGROUND: The lesson is based on the impact of the Japanese occupation of Korea during World War II on Korean culture and identity. In particular, the lesson focuses on the Japanese campaign in 1940 to encourage Koreans to abandon their Korean names and adopt Japanese names. This campaign was known as “sōshi-kaimei." The purpose of this campaign, along with campaigns requiring Koreans to recite an oath to the Japanese Emperor and bow at Shinto shrines, were to make the Korean people “Japanese” and hopefully, loyal subjects of the Japanese Empire by abandoning their Korean identity and loyalties. These cultural policies and campaigns were key to the Japanese war effort during World War II. The lesson draws from the students’ lives as well as two books: Lost Names: Scenes from a Korean Boyhood by Richard E. Kim and Under the Black Umbrella: Voices from Colonial Korea 1910-1945 by Hildi Kang. CURRICULUM CONNECTION: The lesson is intended to use the major themes from the summer reading book Lost Names: Scenes from a Korean Boyhood to introduce students to one of the five essential questions of the World History II course: How is identity constructed? How does identity impact human experience? In first investigating the origin of their own names and the meaning of Korean names, students can begin to explore the question “How is identity constructed?’ In examining how and why the Japanese sought to change the Korean people’s names, religion, etc during World War II, students will understand how global events such as World War II can impact an individual. -
Japan In2050
JapaneseJapaneseSociety Society ofCulturalof Cultural Anthropology 2010 Japanese Society of Cultural Anthropology Award Lecture Japan in 2050: An Anthropological Imagination of Japan's Future through the Dreams of Filipina Migrants YAMAsHITA Shinji Graduate Sehool ofArts and Sciences, The University of Tbkyo [[lrranslated by John ERTTi Kanazawa University and TANAKA Maki University of Califbrnia, Berkeley What will Japan look like in 2050? By 2050, Japan's current population of a27 million will decline to 9" million, due to its ]ow birth rate. The number of people aged 65 or older will increase to 40.5 percent of the total population by 2055. This is an ultra-aged society never experienced before in human history. Within such a "import" demographic framework, Japan may be forced to foreign labor for the survival of its economy. Thus, some foresee that Japan will have 1O million foreign residents by 2050, accounting for 1ri percent of the total population, a$ compared with 2.2 mirlion, or 1.7 percent, as of 2008. That necessarily leads to the scenario of Japan becoming multicultura[. Agai,nst the background of such a future soc[o-demographic change in Japanese soc[ety, thi$ paper examines transnational migration into Japan and the Japanese way of IMng together in a multicultural environment, Particularly focusing on the dreams of Filipina migrants, the paper discusses the culturai po[itics of migration, including the issues of citizenship and human rights, and seeks the possibility of establishing a public anthropology directed toward the future Japanese society. Key words: Japan's future, aged society with a low birth rate, transnational migration, multioulturalism, publicanthropology Introduction My career as an anthropolegist began in 1970, fbrty years ago, as an undeTgraduate student at the University of [Ibkyo, As a graduate student at [[bkyo Metropolitan UniversitM my dissertation was an ethnographic study of rituals of the [[braja in Sulawesi, Indonesia, which was later published as a book (YAMAsHITtrt 1988). -
Beginning Japanese for Professionals: Book 1
BEGINNING JAPANESE FOR PROFESSIONALS: BOOK 1 Emiko Konomi Beginning Japanese for Professionals: Book 1 Emiko Konomi Portland State University 2015 ii © 2018 Emiko Konomi This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License You are free to: • Share — copy and redistribute the material in any medium or format • Adapt — remix, transform, and build upon the material The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms: • Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. • NonCommercial — You may not use the material for commercial purposes Published by Portland State University Library Portland, OR 97207-1151 Cover photo: courtesy of Katharine Ross iii Accessibility Statement PDXScholar supports the creation, use, and remixing of open educational resources (OER). Portland State University (PSU) Library acknowledges that many open educational resources are not created with accessibility in mind, which creates barriers to teaching and learning. PDXScholar is actively committed to increasing the accessibility and usability of the works we produce and/or host. We welcome feedback about accessibility issues our users encounter so that we can work to mitigate them. Please email us with your questions and comments at [email protected]. “Accessibility Statement” is a derivative of Accessibility Statement by BCcampus, and is licensed under CC BY 4.0. Accessibility of Beginning Japanese I A prior version of this document contained multiple accessibility issues. -
Introduction to Japanese Computational Linguistics Francis Bond and Timothy Baldwin
1 Introduction to Japanese Computational Linguistics Francis Bond and Timothy Baldwin The purpose of this chapter is to provide a brief introduction to the Japanese language, and natural language processing (NLP) research on Japanese. For a more complete but accessible description of the Japanese language, we refer the reader to Shibatani (1990), Backhouse (1993), Tsujimura (2006), Yamaguchi (2007), and Iwasaki (2013). 1 A Basic Introduction to the Japanese Language Japanese is the official language of Japan, and belongs to the Japanese language family (Gordon, Jr., 2005).1 The first-language speaker pop- ulation of Japanese is around 120 million, based almost exclusively in Japan. The official version of Japanese, e.g. used in official settings andby the media, is called hyōjuNgo “standard language”, but Japanese also has a large number of distinctive regional dialects. Other than lexical distinctions, common features distinguishing Japanese dialects are case markers, discourse connectives and verb endings (Kokuritsu Kokugo Kenkyujyo, 1989–2006). 1There are a number of other languages in the Japanese language family of Ryukyuan type, spoken in the islands of Okinawa. Other languages native to Japan are Ainu (an isolated language spoken in northern Japan, and now almost extinct: Shibatani (1990)) and Japanese Sign Language. Readings in Japanese Natural Language Processing. Francis Bond, Timothy Baldwin, Kentaro Inui, Shun Ishizaki, Hiroshi Nakagawa and Akira Shimazu (eds.). Copyright © 2016, CSLI Publications. 1 Preview 2 / Francis Bond and Timothy Baldwin 2 The Sound System Japanese has a relatively simple sound system, made up of 5 vowel phonemes (/a/,2 /i/, /u/, /e/ and /o/), 9 unvoiced consonant phonemes (/k/, /s/,3 /t/,4 /n/, /h/,5 /m/, /j/, /ó/ and /w/), 4 voiced conso- nants (/g/, /z/,6 /d/ 7 and /b/), and one semi-voiced consonant (/p/). -
World Braille Usage, Third Edition
World Braille Usage Third Edition Perkins International Council on English Braille National Library Service for the Blind and Physically Handicapped Library of Congress UNESCO Washington, D.C. 2013 Published by Perkins 175 North Beacon Street Watertown, MA, 02472, USA International Council on English Braille c/o CNIB 1929 Bayview Avenue Toronto, Ontario Canada M4G 3E8 and National Library Service for the Blind and Physically Handicapped, Library of Congress, Washington, D.C., USA Copyright © 1954, 1990 by UNESCO. Used by permission 2013. Printed in the United States by the National Library Service for the Blind and Physically Handicapped, Library of Congress, 2013 Library of Congress Cataloging-in-Publication Data World braille usage. — Third edition. page cm Includes index. ISBN 978-0-8444-9564-4 1. Braille. 2. Blind—Printing and writing systems. I. Perkins School for the Blind. II. International Council on English Braille. III. Library of Congress. National Library Service for the Blind and Physically Handicapped. HV1669.W67 2013 411--dc23 2013013833 Contents Foreword to the Third Edition .................................................................................................. viii Acknowledgements .................................................................................................................... x The International Phonetic Alphabet .......................................................................................... xi References ............................................................................................................................ -
Asian American Naming Preferences and Patterns
"They Call Me Bruce, But They Won't Call Me Bruce Jones:" Asian American Naming Preferences and Patterns Ellen Dionne Wu Los Angeles, California The names of Asian Americans are indicative of their individual and collective experiences in the United States. Asian immigrants and their descendants have created, modified, and maintained their names by individual choice and by responding to pressures from the dominant . Anglo-American society. American society's emphasis on conformity has been a major theme in the history of Asian American naming conventions (as it has been for other groups), but racial differences and historical circumstances have forced Asian Americans to develop more fluid and more complex naming strategies as alternatives to simply adopting Anglo names, a common practice among European immigrants, thus challenging the paradigms of European-American assimilation and naming practices. Donald Duk does not like his name. Donald Duk never liked his name. He hates his name. He is not a duck. He is nota cartoon character. He does not go home to sleep in Disneyland every night. ... "Only the Chinese are stupid enough to give a kid a stupid name like Donald Duk," Donald Duk says to himself ... Donald Duk's father's name is King. King Duk. Donald hates his father's name. He hates being introduced with his father. "This is King Duk, and his son Donald Duk." Mom's name is Daisy . "That's Daisy Duk, and her son Donald .... " His own name is driving him crazy! (Frank Chin, Donald Duk, 1-2). Names 47.1 (March 1999):21-50 ISSN:0027-7738 @ 1999 by The American Name Society 21 22 Names 47.1 (March 1999) Names-family names, personal' names and nicknames-affect a person's life daily, sometimes for better, and sometimes, as in the case of Frank Chin's fictional character, Donald Duk, for worse. -
TLD: NAGOYA Language Tag: Ja Language Description: Japanese Version: 1.0 Effective Date: 25 November 2013
TLD: NAGOYA Language Tag: ja Language Description: Japanese Version: 1.0 Effective Date: 25 November 2013 Website: http://www.gmo-registry.com/en/ # Codepoints allowed from the Japanese language. Reference 1 RFC 20 (USASCII) Reference 2 JIS X 0208:1997 Reference 3 Unicode-3.2.0 Version 1. -
Hiragana and Katakana Worksheets Free
201608 Hiragana and Katakana worksheets ひらがな カタカナ 1. Three types of letters ··········································· 1 _ 2. Roma-ji, Hiragana and Katakana ·························· 2 3. Hiragana worksheets and quizzes ························ 3-9 4. The rules in Hiragana···································· 10-11 5. The rules in Katakana ········································ 12 6. Katakana worksheets and quizzes ··················· 12-22 Japanese Language School, Tokyo, Japan Meguro Language Center TEL.: 03-3493-3727 Email: [email protected] http://www.mlcjapanese.co.jp Meguro Language Center There are three types of letters in Japanese. 1. Hiragana (phonetic sounds) are basically used for particles, words and parts of words. 2. Katakana (phonetic sounds) are basically used for foreign/loan words. 3. Kanji (Chinese characters) are used for the stem of words and convey the meaning as well as sound. Hiragana is basically used to express 46 different sounds used in the Japanese language. We suggest you start learning Hiragana, then Katakana and then Kanji. If you learn Hiragana first, it will be easier to learn Katakana next. Hiragana will help you learn Japanese pronunciation properly, read Japanese beginners' textbooks and write sentences in Japanese. Japanese will become a lot easier to study after having learned Hiragana. Also, as you will be able to write sentences in Japanese, you will be able to write E-mails in Hiragana. Katakana will help you read Japanese menus at restaurants. Hiragana and Katakana will be a good help to your Japanese study and confortable living in Japan. To master Hiragana, it is important to practice writing Hiragana. Revision is also very important - please go over what you have learned several times. -
DBT and Japanese Braille
AUSTRALIAN BRAILLE AUTHORITY A subcommittee of the Round Table on Information Access for People with Print Disabilities Inc. www.brailleaustralia.org email: [email protected] Japanese braille and UEB Introduction Japanese is widely studied in Australian schools and this document has been written to assist those who are asked to transcribe Japanese into braille in that context. The Japanese braille code has many rules and these have been simplified for the education sector. Japanese braille has a separate code to that of languages based on the Roman alphabet and code switching may be required to distinguish between Japanese and UEB or text in a Roman script. Transcription for higher education or for a native speaker requires a greater knowledge of the rules surrounding the Japanese braille code than that given in this document. Ideally access to both a fluent Japanese reader and someone who understands all the rules for Japanese braille is required. The website for the Braille Authority of Japan is: http://www.braille.jp/en/. I would like to acknowledge the invaluable advice and input of Yuko Kamada from Braille & Large Print Services, NSW Department of Education whilst preparing this document. Kathy Riessen, Editor May 2019 Japanese print Japanese print uses three types of writing. 1. Kana. There are two sets of Kana. Hiragana and Katana, each character representing a syllable or vowel. Generally Hiragana are used for Japanese words and Katakana for words borrowed from other languages. 2. Kanji. Chinese characters—non-phonetic 3. Rōmaji. The Roman alphabet 1 ABA Japanese and UEB May 2019 Japanese braille does not distinguish between Hiragana, Katakana or Kanji. -
Beautiful Name
Beautiful Name 指導計画(Teaching plan) 1 目標(Purpose) To understand that each Japanese character has a meaning. By the end of class, students will be able to write their name and understand the Japanese character.. 2 対象(Object)Audience(10th ~12th ) High school students 3 指導に要する時間(Time required) 50minutes 4 場所(place) Each classrooms 5 教材(Supplies) Today’s goal card, In the kanji name previous candidate table, the worksheet, the writing implements 6 指導計画(Method) ① The introduction of the name and the meaning of the teacher's name. ② Students know today’s goal ③ Students decide their kanji and, practice. ④ The completion of the work ⑤ (History of the Japanese name) ⑥ 7 授業展開(Teaching plan in classroom) 指導者の支援 子ども達の活動 注意点,準備物など (Teacher’s activity) (Student’s activity) (Attention,Prepare,etc) 導入(introduction) ① The introduction of the name and the ○To know that there is a Today’s goal card meaning of the teacher’s name. meaning to each kanji. ② Today’s goal ○To know today’s goal 展開(evolution) ③ The distribution of the worksheet, the ○Chooses the kanji which ④ the worksheet, kanji name previous candidate table it likes. the kanji name Support to choose the kanji which it ○Practices a kanji. previous candidate likes, thinking of the meaning. ○Writes a name in kanji. table The writing implements まとめ ④Make a comment write freely. ○Write a comment freely. (put together) ⑤If the time remains, tell the story of the history of the name of Japan. Created by: Ai Omura, Japanese Teacher Delegation – Ohio Group 2006 Page ‐ 1 ‐ Beautiful Name 〈シナリオ〉 ○Today’s theme is “The name” All persons have a name. -
Japanese Language
Web Japan http://web-japan.org/ JAPANESE LANGUAGE A rich blend of outside influence and internal innovation Calligraphy Calligraphy is an art form in which the aim is to use brush and ink to bring out the beauty of the characters. (Photo courtesy of Getty Images) evidence that its morphology and vocabulary Introduction were influenced prehistorically by the Malayo- Polynesian languages to the south. The Japanese writing system comes from As of 2019, Japan's population stood at about Chinese, although the languages spoken by 126.14 million, and linguistically it is a nearly the Japanese and Chinese are completely homogenous nation and most of the different. After Chinese writing was introduced population using the same language. This sometime in the fifth or sixth century, it was means that the Japanese language is the supplemented by two phonetic scripts ninth most spoken language in the world. (hiragana and katakana) that were transformed However, the language is spoken in scarcely from the Chinese characters. any region outside Japan. A large number of local dialects are still There are many theories about the origin used. Whereas standard Japanese, which is of the Japanese language. A number of based on the speech of Tokyo, has been scholars believe that syntactically it is close to gradually spreading throughout the country such Altaic languages as Turkish and under the influence of media such as radio, Mongolian, and its syntactic similarity to television, and movies, the dialects spoken by Korean is widely acknowledged. There is also the people of Kyoto and Osaka, in particular, 1 JAPANESE LANGUAGE continue to flourish and maintain their does not indicate the grammatical function of prestige.