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“Iki,” the Edo Aesthetic, Seen in Bijin-Ga Prints from the Tenmei To
English Edition19 Oct.23 Fri. 2020 No.19 From the Permanent Exhibition Area From the Aesthetics of Edo Corner “Iki,” the Edo Aesthetic, Seen in Bijin-ga Prints from the Tenmei to Kansei (1781-1800) looking at her colleague who is still applying rouge to her lips. When their preparations are complete, the geisha will stroll to the dinner party at which they are to perform. eir kimono are the then-popular style with designs conned to their skirts. ey walk with bare feet in wooden clogs to aunt these iki patterns. Torii Kiyonaga depicts their Edo-ideal slender, supple bodies in a manner now labeled “Edo Venus.” is ukiyo-e captures the pride and resilience of the geisha getting ready to perform. Knowing the Sweets and bitters of Love Resting her chin on her hand, she stares into the distance, her eyes half closed. Reflective Love, from the series Anthology of Poems: e Love Section, is an okubi-e portrait. e expression on the face and gesture with the hand capture this beauty’s emotions in a manner that makes this portrait of a beauty one of Kitagawa Utamaro’s masterpieces. e clean, unadorned lines elegantly and eortlessly depict the feelings expressed in her face. Her shaved eyebrows tell us that she is a married woman, and her hair done up in a torobin shinoji mage chignon indicates that she is the wife of a commoner. She is wearing a kosode kimono with a small, komon, decorative pattern. e background color is a faintly reddish grey. Her under kimono has a yellow and black check pattern that, combined with the purple tie-dyed undergarment, enlivens the color of the hand Permanent Exhibition and face. -
Acronym Title Brief Description
Education Acronyms and Their Meanings Acronym Title Brief Description AB 430 Assembly Bill 430 Training for administrators in state adopted English language arts/math curriculum ADA Average Daily Attendance This number is determined by dividing the total number of days of student attendance by the number of total days in the district’s school year. If a student attended school every school day during the year, he/she would generate 1.0 ADA. This number is used to fund many programs. AMAO Annual Measurable Achievement Objectives A performance objective, or target, that the district receiving Title III funds must meet each year for its English learners. AMO Annual Measurable Objectives A school must demonstrate a minimum percentage of its students scoring proficient or above on a standards-based assessment in English language arts and math. API Academic Performance Index State – An annual achievement score given by the state to schools and districts. The state’s target is all schools reach 875 by 2014. APS Academic Program Survey The Academic Program Survey (APS) of nine essential program components for instructional success is the foundational tool at the school level. The APS measures structures for creating a coherent instructional program and recent revisions explicitly address the needs of SWDs and English Learners (ELs). AYP Adequate Yearly Progress Federal – Growth targets the federal government set for student achievement. The federal target is 100% proficiency by 2014. BTSA Beginning Teacher Support and Assessment An initiative to provide individualized support based on assessment information for beginning teachers. CAHSEE California High School Exit Exam All public school students are required to pass the exam to earn a high school diploma. -
After Kiyozawa: a Study of Shin Buddhist Modernization, 1890-1956
After Kiyozawa: A Study of Shin Buddhist Modernization, 1890-1956 by Jeff Schroeder Department of Religious Studies Duke University Date:_______________________ Approved: ___________________________ Richard Jaffe, Supervisor ___________________________ James Dobbins ___________________________ Hwansoo Kim ___________________________ Simon Partner ___________________________ Leela Prasad Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Religious Studies in the Graduate School of Duke University 2015 ABSTRACT After Kiyozawa: A Study of Shin Buddhist Modernization, 1890-1956 by Jeff Schroeder Department of Religious Studies Duke University Date:_______________________ Approved: ___________________________ Richard Jaffe, Supervisor ___________________________ James Dobbins ___________________________ Hwansoo Kim ___________________________ Simon Partner ___________________________ Leela Prasad An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Religious Studies in the Graduate School of Duke University 2015 Copyright by Jeff Schroeder 2015 Abstract This dissertation examines the modern transformation of orthodoxy within the Ōtani denomination of Japanese Shin Buddhism. This history was set in motion by scholar-priest Kiyozawa Manshi (1863-1903), whose calls for free inquiry, introspection, and attainment of awakening in the present life represented major challenges to the -
An Approach to Patronymic Names As a Resource for Familiness
European Journal of Family Business (2016) 6, 32---45 EUROPEAN JOURNAL OF FAMILY BUSINESS www.elsevier.es/ejfb ORIGINAL ARTICLE An approach to patronymic names as a resource for familiness and as a variable for family business identification a,∗ b c Fernando Olivares-Delgado , Alberto Pinillos-Laffón , María Teresa Benlloch-Osuna a Chair of Family Business, University of Alicante, Alicante, Spain b Department of Communication and Social Psychology, University of Alicante, Alicante, Spain c Department of Communication Sciences, University Jaume I, Castellón, Spain Received 20 April 2016; accepted 13 June 2016 Available online 18 July 2016 JEL CODES Abstract This paper aims to hint at a theory of family business naming. Besides, it puts forward E22; two kinds of practical proposals. The former intends to integrate the patronymic name as M30; an intangible resource for corporate brand management, in addition to family branding and M14; familiness. The latter proposals aim at including the patronymic company name in Spanish as M19 a variable in research methods on family business identification. © 2016 European Journal of Family Business. Published by Elsevier Espana,˜ S.L.U. This is an KEYWORDS open access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by- Corporate naming; nc-nd/4.0/). Brand name; Patronymic trade mark; Family name firm; Family brand; Company name CÓDIGOS JEL Una aproximación al nombre patronímico como recurso de familiness y como E22; variable para la identificación de la empresa familiar M30; M14; Resumen Nuestro trabajo realiza apuntes para una teoría del nombre de la empresa familiar. M19 Además, este trabajo formula 2 tipos de proposiciones prácticas. -
Full Download
VOLUME 1: BORDERS 2018 Published by National Institute of Japanese Literature Tokyo EDITORIAL BOARD Chief Editor IMANISHI Yūichirō Professor Emeritus of the National Institute of Japanese 今西祐一郎 Literature; Representative Researcher Editors KOBAYASHI Kenji Professor at the National Institute of Japanese Literature 小林 健二 SAITō Maori Professor at the National Institute of Japanese Literature 齋藤真麻理 UNNO Keisuke Associate Professor at the National Institute of Japanese 海野 圭介 Literature KOIDA Tomoko Associate Professor at the National Institute of Japanese 恋田 知子 Literature Didier DAVIN Associate Professor at the National Institute of Japanese ディディエ・ダヴァン Literature Kristopher REEVES Associate Professor at the National Institute of Japanese クリストファー・リーブズ Literature ADVISORY BOARD Jean-Noël ROBERT Professor at Collège de France ジャン=ノエル・ロベール X. Jie YANG Professor at University of Calgary 楊 暁捷 SHIMAZAKI Satoko Associate Professor at University of Southern California 嶋崎 聡子 Michael WATSON Professor at Meiji Gakuin University マイケル・ワトソン ARAKI Hiroshi Professor at International Research Center for Japanese 荒木 浩 Studies Center for Collaborative Research on Pre-modern Texts, National Institute of Japanese Literature (NIJL) National Institutes for the Humanities 10-3 Midori-chō, Tachikawa City, Tokyo 190-0014, Japan Telephone: 81-50-5533-2900 Fax: 81-42-526-8883 e-mail: [email protected] Website: https//www.nijl.ac.jp Copyright 2018 by National Institute of Japanese Literature, all rights reserved. PRINTED IN JAPAN KOMIYAMA PRINTING CO., TOKYO CONTENTS -
Sakata Tojuro, Nakamura Shichisaburo and the Creation Of
SAKATA TOJURO, NAKAMURA SHICHISABURO AND THE CREATION OF WAGOTO KABUKI IN THE GENROKU ERA A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THEATRE August 2004 By Holly A. Blumner Dissertation Committee: James R. Brandon, Chair Robert Huey Tamara Hunt Montgomery Julie A. Iezzi Kirstin Pauka Acknowledgements The research for this dissertation was made possible through the very generous support of the Monbusho and the Crown Prince Akihito Scholarship Foundation. I would like to thank the managers and theatre attendants at Shochiku's Minami-za, Naka-za, and Shochiku-za theatres for granting me access to numerous performances. I wish to thank Asahi Earphone Guide Service and the Asahi English Earphone Guide staff. I am grateful to Hamatani Hiroshi at the National Theatre of Japan for his advice during my field study in Japan. I wish to thank Nakamura Ganjiro III and Kataoka Nizaemon IV for speaking with me about the current state of wagoto kabuki and nimaime acting. I am indebted to Torigoe Bunzo at Waseda University for his guidance during my two years of research at Waseda University, and to Ikawa Mayuko who tirelessly answered my questions about play texts and acting critiques. In Hawai'i, I would like to acknowledge my graduate student colleagues for their encouragement along the way. I wish to thank my committee members for their advice and assistance during the writing of this III dissertation. I am especially grateful to Dr. James R. Brandon who continues to be a great source of knowledge, inspiration, and encouragement. -
Fiduciary Law and Japanese Nonprofits: a Historical and Comparative Synthesis
The University of Tokyo Business Law Working Paper Series No. 2021-E-01 Fiduciary Law and Japanese Nonprofits: A Historical and Comparative Synthesis Masayuki Tamaruya The University of Tokyo, Graduate Schools for Law and Politics May 2021 Forthcoming in Laby & Russell, eds., Fiduciary Obligations in Business (Cambridge University Press) The University of Tokyo Graduate Schools for Law and Politics World-leading Innovative Graduate Study: Advanced Business Law Program Institute of Business Law and Comparative Law & Politics This working paper can be downloaded without charge at http://www.j.u-tokyo.ac.jp/en/research/blwps/. All rights reserved. For the Advanced Business Law Program (WINGS-ABLP) and the Institute of Business Law and Comparative Law & Politics, please visit http://www.j.u-tokyo.ac.jp/admission/graduate/advancedblp/ and http://www.ibc.j.u-tokyo.ac.jp/en/index.html. Fiduciary Law and Japanese Nonprofits: A Historical and Comparative Synthesis Masayuki Tamaruya (The University of Tokyo, Japan) <Abstract> In 2006, the Japanese law of nonprofits underwent a major reform. Notably, the reform involved a shift in the governance mechanism from external governmental oversight to a structure that emphasizes internal fiduciary governance. As the Japanese law in this area has historically been marked by various strands of fiduciary rules derived from different sources, the event presents a valuable case study on how the shift to fiduciary governance approach can impact the operation of those entities that are subject to the reform. This chapter will begin with a historical account of the evolution of Japanese nonprofit law that involves complex interactions among the indigenous nonprofit tradition, the civil law influence, American fiduciary principles, and the English-style charity commission. -
Title / Project Acronym
NAME of PI PROJECT TYPE PROJECT ACRONYM LINZ INSTITUTE OF TECHNOLOGY JOHANNES KEPLER UNIVERSITY RESEARCH PROPOSAL TITLE / PROJECT ACRONYM Principal Name Investigator Email Co-Principal Names Investigators Emails Project Type Young Career, Seed, Advance, Co Funding, or Career Accelerator Project Duration # months Funding € Requested Hosting Name of Institute or Department Institute or Name of Person Department Email Industrial Company Collaborator(s) Name of Person Email Co-Funding Provided (if any): € Scientific e.g., Physics Field(s) Scientific https://www.fwf.ac.at/fileadmin/files/Dokumente/Antragstellung/wiss-disz- Discipline(s) 201507.pdf (FWF categories) Primary Goals Additional Infrastructure you require access to Infrastructure Needed Abstract 1/6 NAME of PI PROJECT TYPE PROJECT ACRONYM A. Proposal (Free Form) Young Career Projects, Seed Projects, and Career Accelerator Projects require a max. 10 page proposal. Project description: 1. Scientific/scholarly aspects What is High Risk / What is High Gain? Aims (hypotheses or research questions): Relevance to international research in the field (international status of the research); Explanation of how the project could break new ground in research (innovative aspects); Importance of the expected results for the discipline (based on the project described); Methods; Work plan, project schedule and strategies for dissemination of results; Cooperation arrangements (national and international); Where ethical issues have to be considered in the proposed research project: All potential ethical, security-related or regulatory aspects of the proposed research project and the planned handling of those issues must be discussed in a separate paragraph. In particular, the benefits and burdens arising from the experiments as well as their effects on the test subjects/objects should be explained in detail. -
Guts and Tears Kinpira Jōruri and Its Textual Transformations
Guts and Tears Kinpira Jōruri and Its Textual Transformations Janice Shizue Kanemitsu In seventeenth-century Japan, dramatic narratives were being performed under drastically new circumstances. Instead of itinerant performers giving performances at religious venues in accordance with a ritual calendar, professionals staged plays at commercial, secular, and physically fixed venues. Theaters contracted artists to perform monthly programs (that might run shorter or longer than a month, depending on a given program’s popularity and other factors) and operated on revenues earned by charging theatergoers admission fees. A theater’s survival thus hinged on staging hit plays that would draw audiences. And if a particular cast of characters was found to please crowds, producing plays that placed the same characters in a variety of situations was one means of ensuring a full house. Kinpira jōruri 金平浄瑠璃 enjoyed tremendous though short-lived popularity as a form of puppet theater during the mid-1600s. Though its storylines lack the nuanced sophistication of later theatrical narra- tives, Kinpira jōruri offers a vivid illustration of how theater interacted with publishing in Japan during the early Tokugawa 徳川 period. This essay begins with an overview of Kinpira jōruri’s historical background, and then discusses the textualization of puppet theater plays. Although Kinpira jōruri plays were first composed as highly masculinized period pieces revolving around political scandals, they gradually transformed to incorporate more sentimentalism and female protagonists. The final part of this chapter will therefore consider the fundamental characteristics of Kinpira jōruri as a whole, and explore the ways in which the circulation of Kinpira jōruri plays—as printed texts— encouraged a transregional hybridization of this theatrical genre. -
In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine
In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine in Modern and Pre-modern Japan Michiko Urita A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Patricia Shehan Campbell, Chair Jeffrey M. Perl Christina Sunardi Paul S. Atkins Program Authorized to Offer Degree: Music ii ©Copyright 2017 Michiko Urita iii University of Washington Abstract In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine in Modern and Pre-modern Japan Michiko Urita Chair of the Supervisory Committee: Professor Patricia Shehan Campbell Music This dissertation explores the essence and resilience of the most sacred and secret ritual music of the Japanese imperial court—kagura taikyoku and kagura hikyoku—by examining ways in which these two songs have survived since their formation in the twelfth century. Kagura taikyoku and kagura hikyoku together are the jewel of Shinto ceremonial vocal music of gagaku, the imperial court music and dances. Kagura secret songs are the emperor’s foremost prayer offering to the imperial ancestral deity, Amaterasu, and other Shinto deities for the well-being of the people and Japan. I aim to provide an understanding of reasons for the continued and uninterrupted performance of kagura secret songs, despite two major crises within Japan’s history. While foreign origin style of gagaku was interrupted during the Warring States period (1467-1615), the performance and transmission of kagura secret songs were protected and sustained. In the face of the second crisis during the Meiji period (1868-1912), which was marked by a threat of foreign invasion and the re-organization of governance, most secret repertoire of gagaku lost their secrecy or were threatened by changes to their traditional system of transmissions, but kagura secret songs survived and were sustained without losing their iv secrecy, sacredness, and silent performance. -
The Literature of Kita Morio DISSERTATION Presented In
Insignificance Given Meaning: The Literature of Kita Morio DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Masako Inamoto Graduate Program in East Asian Languages and Literatures The Ohio State University 2010 Dissertation Committee: Professor Richard Edgar Torrance Professor Naomi Fukumori Professor Shelley Fenno Quinn Copyright by Masako Inamoto 2010 Abstract Kita Morio (1927-), also known as his literary persona Dokutoru Manbô, is one of the most popular and prolific postwar writers in Japan. He is also one of the few Japanese writers who have simultaneously and successfully produced humorous, comical fiction and essays as well as serious literary works. He has worked in a variety of genres. For example, The House of Nire (Nireke no hitobito), his most prominent work, is a long family saga informed by history and Dr. Manbô at Sea (Dokutoru Manbô kôkaiki) is a humorous travelogue. He has also produced in other genres such as children‟s stories and science fiction. This study provides an introduction to Kita Morio‟s fiction and essays, in particular, his versatile writing styles. Also, through the examination of Kita‟s representative works in each genre, the study examines some overarching traits in his writing. For this reason, I have approached his large body of works by according a chapter to each genre. Chapter one provides a biographical overview of Kita Morio‟s life up to the present. The chapter also gives a brief biographical sketch of Kita‟s father, Saitô Mokichi (1882-1953), who is one of the most prominent tanka poets in modern times. -
Girl Power: Feminine Motifs in Japanese Popular Culture David Endresak [email protected]
Eastern Michigan University DigitalCommons@EMU Senior Honors Theses Honors College 2006 Girl Power: Feminine Motifs in Japanese Popular Culture David Endresak [email protected] Follow this and additional works at: http://commons.emich.edu/honors Recommended Citation Endresak, David, "Girl Power: Feminine Motifs in Japanese Popular Culture" (2006). Senior Honors Theses. 322. http://commons.emich.edu/honors/322 This Open Access Senior Honors Thesis is brought to you for free and open access by the Honors College at DigitalCommons@EMU. It has been accepted for inclusion in Senior Honors Theses by an authorized administrator of DigitalCommons@EMU. For more information, please contact lib- [email protected]. Girl Power: Feminine Motifs in Japanese Popular Culture Degree Type Open Access Senior Honors Thesis Department Women's and Gender Studies First Advisor Dr. Gary Evans Second Advisor Dr. Kate Mehuron Third Advisor Dr. Linda Schott This open access senior honors thesis is available at DigitalCommons@EMU: http://commons.emich.edu/honors/322 GIRL POWER: FEMININE MOTIFS IN JAPANESE POPULAR CULTURE By David Endresak A Senior Thesis Submitted to the Eastern Michigan University Honors Program in Partial Fulfillment of the Requirements for Graduation with Honors in Women's and Gender Studies Approved at Ypsilanti, Michigan, on this date _______________________ Dr. Gary Evans___________________________ Supervising Instructor (Print Name and have signed) Dr. Kate Mehuron_________________________ Honors Advisor (Print Name and have signed) Dr. Linda Schott__________________________ Dennis Beagan__________________________ Department Head (Print Name and have signed) Department Head (Print Name and have signed) Dr. Heather L. S. Holmes___________________ Honors Director (Print Name and have signed) 1 Table of Contents Chapter 1: Printed Media..................................................................................................