Women Among the Kukikúro
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LCSH Section K
K., Rupert (Fictitious character) Motion of K stars in line of sight Ka-đai language USE Rupert (Fictitious character : Laporte) Radial velocity of K stars USE Kadai languages K-4 PRR 1361 (Steam locomotive) — Orbits Ka’do Herdé language USE 1361 K4 (Steam locomotive) UF Galactic orbits of K stars USE Herdé language K-9 (Fictitious character) (Not Subd Geog) K stars—Galactic orbits Ka’do Pévé language UF K-Nine (Fictitious character) BT Orbits USE Pévé language K9 (Fictitious character) — Radial velocity Ka Dwo (Asian people) K 37 (Military aircraft) USE K stars—Motion in line of sight USE Kadu (Asian people) USE Junkers K 37 (Military aircraft) — Spectra Ka-Ga-Nga script (May Subd Geog) K 98 k (Rifle) K Street (Sacramento, Calif.) UF Script, Ka-Ga-Nga USE Mauser K98k rifle This heading is not valid for use as a geographic BT Inscriptions, Malayan K.A.L. Flight 007 Incident, 1983 subdivision. Ka-houk (Wash.) USE Korean Air Lines Incident, 1983 BT Streets—California USE Ozette Lake (Wash.) K.A. Lind Honorary Award K-T boundary Ka Iwi National Scenic Shoreline (Hawaii) USE Moderna museets vänners skulpturpris USE Cretaceous-Paleogene boundary UF Ka Iwi Scenic Shoreline Park (Hawaii) K.A. Linds hederspris K-T Extinction Ka Iwi Shoreline (Hawaii) USE Moderna museets vänners skulpturpris USE Cretaceous-Paleogene Extinction BT National parks and reserves—Hawaii K-ABC (Intelligence test) K-T Mass Extinction Ka Iwi Scenic Shoreline Park (Hawaii) USE Kaufman Assessment Battery for Children USE Cretaceous-Paleogene Extinction USE Ka Iwi National Scenic Shoreline (Hawaii) K-B Bridge (Palau) K-TEA (Achievement test) Ka Iwi Shoreline (Hawaii) USE Koro-Babeldaod Bridge (Palau) USE Kaufman Test of Educational Achievement USE Ka Iwi National Scenic Shoreline (Hawaii) K-BIT (Intelligence test) K-theory Ka-ju-ken-bo USE Kaufman Brief Intelligence Test [QA612.33] USE Kajukenbo K. -
Indian Warriors: from Warclub to Paper
INDIAN WARRIORS: FROM WARCLUB TO PAPER Geraldo Mosimann da Silva e Simone F. de Athayde http://www.socioambiental.org/website/parabolicas/english/backissu/47/articles/pg5.htm On October 31 last, Kaiabi leaders surprised eight fishermen in the Arraias river, in the Northwest part of the Xingu Indigenous Park (PIX), in Mato Grosso. The Indians lost their patience, apprehended the invaders, and took them to the Diauarum Indigenous Station. That was the start of the Fishermen’s War, which entailed political, social and ethnical conquests. It also means the Kaiabi warriors with fishermen massive presence of warriors from the on release day. Northern peoples of the Park, besides Simone F. de Athayde / ISA leaders of Southern ethnicities who live in the South, and linked to the so-called Upper Xingu Cultural Complex. The episode intensified the feeling of identity of 1,000 Kaiabi, Yudja and Suya Indians who live North of the PIX. This ethnical revitalization process is linked to the strengthening of the Xingu Indigenous Land Association (ATIX) as a representative body of the Xingu peoples for interlocution with non-Indians. Created in 1995, ATIX counts on a political council made of members from 12 ethnicities among the 14 existing in the PIX. In the daily conversations which beaconed their negotiations with FUNAI, the Indians debated the Park’s territory management ad nauseam. It was an exercise of warring strength and ethnical price, punctuated by singing and dancing, where body painting, dressing, adornments, headdresses and warclubs were the rule. Women also surprised: normally relegated to political passivity, they participated with vehement manifestations for the defense of the Park limits. -
Prosodic Distinctions Between the Varieties of the Upper Xingu Carib Language: Results of an Acoustic Analysis
AMERINDIA n°35, 2011 Prosodic distinctions between the varieties of the Upper Xingu Carib language: results of an acoustic analysis Glauber Romling da SILVA & Bruna FRANCHETTO UFRJ, CNPq 1. Introduction: the Upper-Xingu Carib language and its varieties The Carib subsystem of Upper Xingu consists of four local groups: the Kuikuro (four villages, with a fifth one being formed), the Matipu and Nahukwá (who live together in three villages), and the Kalapalo (two villages). All these groups speak a language which belongs to one of the two meridional branches of the Carib family (Meira & Franchetto 2005), and which nowadays presents two main varieties: one spoken by the Kuikuro and the younger Matipu generations, and the other spoken by the Kalapalo and the Nahukwá. Franchetto (2001) states that “we could establish a common origin of the Upper-Xingu Carib from which the first big division would have unfolded (Kalapalo/Nahukwá vs. Kuikuro/Matipu).” These two varieties distinguish themselves by lexical as well as rhythmic differences. According to Franchetto (2001: 133), “in the Carib subsystem of the Culuene river, the interplay between socio-political identities of the local groups (ótomo) is based on distinct rhythmic and prosodic structures”. Speakers express themselves metaphorically when talking about their linguistic identities. From a Kuikuro point of view (or 42 AMERINDIA n°35, 2011 from whom is judging the other) we get the assumption of speaking ‘straight’ (titage) as opposed to speaking as the Kalapalo/Nahukwá do, which is ‘in curves, bouncy, wavy’ (tühenkgegiko) or ‘backwards’ (inhukilü) (Franchetto 1986; Fausto, Franchetto & Heckenberger 2008). In any case, the idea of ‘straightness’ as a way of speaking reveals a value judgment with regard to what it is not. -
Origem Da Pintura Do Lutador Matipu
GOVERNO DO ESTADO DE MATO GROSSO SECRETARIA DE ESTADO DE CIÊNCIA E TECNOLOGIA UNIVERSIDADE DO ESTADO DE MATO GROSSO CARLOS ALBERTO REYES MALDONADO UNEMAT CAMPUS UNIVERSITÁRIO DEP. RENÊ BARBOUR LICENCIATURA INTERCULTURAL INDÍGENA MAIKE MATIPU ORIGEM DA PINTURA DO LUTADOR MATIPU Barra do Bugres 2016 MAIKE MATIPU ORIGEM DA PINTURA DO LUTADOR MATIPU Trabalho de Conclusão de Curso apresentado à Universidade do Estado de Mato Grosso- UNEMAT, Campus Universitário Dep. Est. Renê Barbour, como requisito parcial para obtenção do título de graduado em Línguas, Artes e Literatura. Orientador: Prof.ª Drª. Mônica Cidele da Cruz Barra do Bugres 2016 FICHA CATALOGRÁFICA MAIKE MATIPU ORIGEM DA PINTURA DO LUTADOR MATIPU Trabalho de Conclusão de Curso apresentado à Banca Avaliadora do Curso de Licenciatura Intercultural – UNEMAT, Campus Universitário Dep. Renê Barbour como requisito para obtenção do título de Licenciado em Línguas, Artes e Literatura. Barra do Bugres, 28 de abril de 2016. BANCA EXAMINADORA _______________________________________________ Prof.ª Drª. Mônica Cidele da Cruz Professora Orientadora _______________________________________________ Prof. Esp. Aigi Nafukuá Professor Avaliador _______________________________________________ Prof. Me. Isaías Munis Batista Professor Avaliador Barra do Bugres 2016 DEDICATÓRIA Dedico este trabalho para minha esposa Soko Kujahi Agika Kuikuro, aos meus filhos, às famílias e filhos da comunidade. Através do conhecimento do meu povo Matipu, consegui realizar o trabalho e fortalecer a cultura para futuras gerações. AGRADECIMENTOS Agradeço aos dois anciões narradores da história do passado. Principalmente agradeço ao meu pai Yamatuá Matipu, reconhecido como grande flautista e cantor. Agradeço, ainda, Manufá Matipu, que me auxiliou durante a pesquisa sobre o conhecimento dos antepassados. Agradeço a toda minha família que fez o trabalho comigo, e também agradeço muita minha esposa Soko Kujahi Agika Kuikuro, meus filhos Amatuá Matheus Matipu, Kaintehi Marquinho Matipu, Tahugaki Parisi Matipu e Ariati Maiate Rebeca Matipu. -
Esteio De Gente: Reflexões Sobre Assimetria E Parentesco a Partir De Depoimentos De Chefes Kalapalo1
@ Revista de Antropologia Social dos Alunos do PPGAS-UFSCar, v.3, n.1, jan.-jun., p.95-126, 2011 Esteio de gente: reflexões sobre assimetria e parentesco a partir de depoimentos de chefes kalapalo1 Antonio Guerreiro Júnior - Veja só, a lua está sentada. - Você está falando da lua cheia? Por que ela está sentada? - Porque ela está chefiando seu pessoal na festa de outra aldeia. Veja como ela está grande e bonita. (Conversa na aldeia em uma noite de lua cheia) Inhalü beha engü uhutinhihüngü ngipi inhalü Os que não são conhecedores não têm/sabem nada dessas coisas, não Tükima uhunalü ihekeni? Para que eles saberiam? (Chefe kalapalo, sobre o conhecimento da fala ritual) Antes mesmo de figurar como uma questão importante nas etnografias, os chefes alto xinguanos2 (anetü3, em kalapalo; anetaõ, em sua forma coletiva) já faziam parte da realidade do contato. Ramiro Noronha (1952), em 1920, falava em “caciques” e “capitães”, e os Bakairi já traduziam a diferença entre chefes e não chefes sob a forma da oposição capitão/camarada (certamente desde muito antes). Dos anos 1940 em diante a figura dos chefes ficou ainda mais marcada, pois eles é que se tornaram, na maioria das 1 Este artigo sintetiza parte da discussão sobre chefia que desenvolvo em minha pesquisa de doutorado, que trata de transformações políticas entre os Kalapalo a partir de uma etnografia do ritual pós mortuário da nobreza (egitsü, em karib, mas popularmente conhecido como Quarup). 2 O Alto Xingu é um complexo sociocultural pluriétnico e multilíngue formado por dez povos falantes de línguas pertencentes a diferentes troncos e famílias linguísticas, localizado na porção sul do Parque Indígena do Xingu (doravante, PIX), no nordeste do estado do Mato Grosso. -
Af-Energy-Exclusion-Amazon-11-05
Executive Coordinator at Idec Editing Teresa Liporace Clara Barufi Joint Coordinator of the Xingu Graphic design Project at ISA Coletivo Piu (@coletivopiu) Paulo Junqueira Support Coordinator of the Energy and Charles Stewart Mott Sustainability Program at Idec Foundation Clauber Barão Leite Partnership Technical production Instituto Socioambiental – ISA Camila Cardoso socioambiental.org Clauber Barão Leite Published by Marcelo Silva Martins Instituto Brasileiro de Defesa Mayara Mayumi Tamura do Consumidor – Idec Munir Younes Soares idec.org.br Priscila Morgon Arruda São Paulo, May 2021 Index 04 Presentation 06 Executive summary 08 1. Introduction: Legal Amazon 12 2. Covid-19 pandemic impacts in the region 17 3. Energy aspects of the Legal Amazon 19 3.1 The Amazon Isolated Systems 21 3.2 The electricity access exclusion and the Amazon peoples’ development challenges 26 4. The Xingu Indigenous Territory Case: An Example of Challenges to be Faced 30 4.1 Xingu Solar Project 36 5. Idec and ISA recommendations 40 6. References Presentation he Brazilian Institute to clean and sustainable energy, for Consumer in the scope of the public policy T Defense (Instituto aim to universalize access to Brasileiro de Defesa do modern energy services. – Idec) and the Consumidor The Covid-19 pandemic has put Socio-environmental Institute in relief how the lack of electric (Instituto Socioambiental – ISA) energy access weakens the are members of the Energy conditions of life mainly among and Communities Network the Indigenous populations. The (Rede Energia e Comunidades), service availability in the region formed by a group of represents not only a quality of organizations that develop life improvement alternative, but model clean energy projects also the minimal conditions to with and for the sustainable improve community resilience in development of traditional and the matter of health. -
Acting Translation Ritual and Prophetism in Twenty-First- Century Indigenous Amazonia
2014 | Hau: Journal of Ethnographic Theory 4 (2): 161–191 Acting translation Ritual and prophetism in twenty-first- century indigenous Amazonia Carlos Fausto, Museu Nacional–PPGAS Emmanuel de Vienne, Université Paris-Ouest Nanterre La Défense–CNRS; Laboratoire d’Ethnologie et de Sociologie Comparative This paper focuses on a prophetic movement led by an Amerindian from Mato Grosso, Brazil, in 2006. This man created a radically new liturgy and cosmology by combining elements borrowed from local shamanism and mythology, Christianity and TV shows, among other sources. He managed to convince entire villages to take part in spectacular healing ceremonies and gathered a huge number of followers. One of these ceremonies was extensively filmed by indigenous filmmakers, making it possible to examine the micromechanisms of this cultural innovation, and thus address with fresh data and a new approach the old issue of Amerindian prophetism. We propose here the concept of translating acts to describe this indigenous practice of transcreation, giving special attention to the multiple semiotic mediums through which it is enacted. Keywords: Amazonia, shamanism, prophetism, messianism, translation, ritual, pragmatics “He said he was an Old Christian, born in the city of Silvis, in the reign of Algarve . and, confessing, he said that about six years ago, a gentile people from the hin- terland emerged with a new sect named Santidade [Sanctity], one of them being called pope and a gentile woman Mary of God” (Furtado de Mendonça [1591–92] 1922: 35). And so confessed Fernão Cabral de Taíde before the Inquisitor Furtado de Mendonça during the First Visitation of the Holy Office in 1591. -
Aweti (Brazil) - Language Contexts
Language Documentation and Description ISSN 1740-6234 ___________________________________________ This article appears in: Language Documentation and Description, vol 19. Editor: Peter K. Austin Aweti (Brazil) - Language Contexts SEBASTIAN DRUDE Cite this article: Drude, Sebastian. 2020. Aweti (Brazil) - Language Contexts. Language Documentation and Description 19, 45-65. Link to this article: http://www.elpublishing.org/PID/208 This electronic version first published: December 2020 __________________________________________________ This article is published under a Creative Commons License CC-BY-NC (Attribution-NonCommercial). The licence permits users to use, reproduce, disseminate or display the article provided that the author is attributed as the original creator and that the reuse is restricted to non-commercial purposes i.e. research or educational use. See http://creativecommons.org/licenses/by-nc/4.0/ ______________________________________________________ EL Publishing For more EL Publishing articles and services: Website: http://www.elpublishing.org Submissions: http://www.elpublishing.org/submissions Awetí (Brazil) – Language Contexts Sebastian Drude Museu Paraense Emílio Goeldi Language Name: Awetí Dialects: None Classification: Tupian, Mawetí-Guaraní branch ISO 639-3 Code: awe Glottolog Code: awet1244 Population: approximately 225 Location: 12°20' S, 53°22' W Upper Xingu, Mato Grosso, Brazil Vitality rating: Endangered / Vigorous (EGIDS 6a) Summary After a catastrophic reduction to only 23 individuals in 1953, today about 225 Awetí (in Awetí: Awytyza) live in now 5 villages the Xingu park in Brazil, where 10 ethnic groups speaking 6 languages live together for centuries. The Awetí speak a Tupian language closely related to the Tupí-Guaraní branch; many also know Kamayurá and increasingly Portuguese, as contact with the Bra-zilian society is growing more intense. -
Ref: RES 7/SS/5 31 May 1968
Pan American Health Organization ADVISORY CCOMITTEE ON MEDICAL RESEARCH . Seventh Meeting Washington. D.C.. 24-28 June 1968 Special Session on: Biomedical Challenges Presented by the American Indian Item 5 MEDICAL PROBLEMS OF NEWLY-CONTACTED INDIAN GROUPS Ref: RES 7/SS/5 31 May 1968 Prepared by Dr. Noel Nutels, Servico Nacional de Tuberculose, Ministerio da Sadde, Rio de Janeiro, Brazil. RES 7/SS/5 MEDICAL PROBLEM OF NfWLY-CONTACTED INDIAN GROUPS 1. Before entering on the theme of this paper, we vould like to present a few questions on the meaning of"newly- contacted indian groupaS.. a) Ts ~iat period of time should this classific ation be objectively applied? 1b)Would not a group classified as newly - contacted have Bhad direct ou indirect con- tacts previously ignored?' c) How do we define a tribe that has had one and only one rapid contact, for example eighty years ago? d) How would we classify groups of indians who, living in isolation in their own primitive environment, have had during the last sixty years rare and intermittent contacts registae ed in brief encounters? 2. Our aim in this paper is to mention facts and to report on our personal experience. We do not intend nor desire to interpret these facts and this experience. 3. On considering the deficiencies of such a studwy it is necessary to take into account the difficulties -that prevail in this enormous and primitive region lacking in means of transportation and communication where a dispersed and almost extinct population still live as in the Stone Age. ~ 4. -
La Música Y Los Pueblos Indígenas
bIBLIOTECA dIGITAL LA MÚSICA Y LOS PUEBLOS INDÍGENAS A MÚSICA E OS POVOS INDÍGENAS MUSIC AND INDIGENOUS PEOPLES COORDINADOR: CORIÚN AHARONIÁN 19402017 EDICIÓN: FABRICE LENGRONNE CDM CENTRO NACIONAL DE DOCUMENTACIÓN MUSICAL LAURO AYESTARÁN bIBLIOTECA dIGITAL CDM CENTRO NACIONAL DE DOCUMENTACIÓN MUSICAL LAURO AYESTARÁN Condiciones de uso 1. El contenido de este documento elec- mención contraria, en los términos defini- trónico, accesible en el sitio del Centro Na- dos por la ley. cional de Documentación Musical Lauro Ayestarán, CDM (Montevideo, Uruguay), es 4. Las condiciones de uso de los conteni- una publicación del propio CDM, prove- dos del sitio del CDM son reguladas por niente de su labor de investigación o de la ley uruguaya. En caso de uso no comer- un evento organizado por él. cial o comercial en otro país, corresponde al usuario la responsabilidad de verificar la 2. Su uso se inscribe en el marco de la ley conformidad de su proyecto con la ley de nª 9.739 del 17 de diciembre de 1937, mo- ese país. dificada por la Ley nº 17.616 del 10 de enero de 2003: 5. El usuario se compromete a respetar las - el uso no comercial de sus contenidos presentes condiciones de uso así como la es libre y gratuito en el respeto de la le- legislación vigente, en particular en cuanto gislación vigente, y en particular de la men- a la propiedad intelectual. En caso de no ción de la fuente. respeto de estas disposiciones, el usuario - el uso comercial de sus contenidos está será pasible de lo previsto por la Ley nº sometido a un acuerdo escrito que se de- 9.739 y su modificación por la Ley nº berá pedir al CDM. -
Aweti in Relation with Kamayurá: the Two Tupian Languages of the Upper
O presente arquivo está disponível em http://etnolinguistica.org/xingu Alto Xingu UMA SOCIEDADE MULTILÍNGUE organizadora Bruna Franchetto Rio de Janeiro Museu do Índio - Funai 2011 COORDENAÇÃO EDITORIAL , EDIÇÃO E DIAGRAMAÇÃO André Aranha REVISÃO Bruna Franchetto CAPA Yan Molinos IMAGEM DA CAPA Desenho tradicional kuikuro Dados Internacionais de Catalogação na Publicação (CIP) (Câmara Brasileira do Livro, SP, Brasil) Alto Xingu : uma sociedade multilíngue / organizadora Bruna Franchetto. -- Rio de Janeiro : Museu do Indio - FUNAI, 2011. Vários autores. ISBN 978-85-85986-34-6 1. Etnologia 2. Povos indígenas - Alto Xingu 3. Sociolinguística I. Franchetto, Bruna. 11-02880 CDD-306.44 Índices para catálogo sistemático: 1. Línguas alto-xinguanas : Sociolinguística 306.44 EDIÇÃO DIGITAL DISPON Í VEL EM www.ppgasmuseu.etc.br/publicacoes/altoxingu.html MUSEU DO ÍNDIO - FUNAI PROGRAMA DE PÓS -GRADUAÇÃO EM ANTROPOLOGIA SOCIAL DO MUSEU NACIONAL UNIVERSIDADE FEDERAL DO RIO DE JANEIRO SEBAST I AN DRUDE AWETI IN ReLATION WITH KAMAYURÁ THE TWO TUP I AN LANGUAGES OF THE UPPER X I NGU S EBAST I AN DRUDE Johann Wolfgang Goethe-Universität Frankfurt/Main Museu Paraense Emílio Goeldi INTRODUCT I ON The Aweti and the Kamayurá are the two peoples speaking Tupian languages within the Upper Xingu system in focus in this volume. This article explores the relationship between the two groups and their languages at various levels, as far as space and our current kno- wledge allow. The global aim is to answer a question that frequently surfaces: how closely related are these two languages? This question has several answers depending on the kind and level of ‘relationship’ between the two languages one wishes to examine. -
COLPI Compilation of an Indigenous Brazilian Portuguese L2 Corpus
COLPI Compilation of an Indigenous Brazilian Portuguese L2 corpus Gláucia Buratto Rodrigues de Mello°, Heliana Mello* °UFMG, FAPEMIG *UFMG, CNPq, FAPEMIG COLPI stands for "Corpus Oral de Língua Portuguesa Indígena" or Indigenous Portuguese Language Oral Corpus. It is a small sized oral corpus which documents Brazilian Portuguese as a second language as spoken by Brazilian Indigenous peoples. In this paper we describe its compilation process and its main characteristics. This corpus represents a first step in the attempt to document and make available data that so far has been scattered and not accessible to researchers. The recordings were carried by an anthropologist in her fieldwork and mostly document narratives, therefore portraying monologic texts. COLPI is part of a larger project aimed at documenting Brazilian Portuguese spontaneous speech, the C-ORAL-BRASIL corpus. Keywords: Brazilian Portuguese, Indigenous peoples, second language corpus 1. Introduction: COLPI compilation COLPI is a project dedicated to the compilation of Brazilian Portuguese (BP) spoken as a second language (L2) by Indigenous Brazilian peoples. It is a branch of a larger project the C-ORAL-BRASIL which, on its turn, stands for Spontaneous Brazilian Portuguese spoken corpus as described in Raso & Mello (2012)1. The major goal behind COLPI is to document and make available to the larger research community, samples of L2BP as spoken by different ethno- linguistic indigenous groups in Brazil. The motivation for the creation of COLPI emerged from the availability of previously recorded L2BP files and the opportunity to integrate a portion of them into the C-ORAL-BRASIL corpus. The recordings had been carried in a 1 www.c-oral-brasil.org CHIMERA.