Aweti in Relation with Kamayurá: the Two Tupian Languages of the Upper
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The Belo Monte Dam: Greatest “Natural” Disaster of Our Generation? by Shane Puthuparambil
THE BELO MONTE DAM: GREATEST “NATURAL” DISASTER OF OUR GENERATION? BY SHANE PUTHUPARAMBIL n 1989, in the Brazilian town of Altamira, nearly two decades. However, in 2011, the shallow and traveling at high velocities Ia Kayapo woman spoke passionately to a Brazilian environmental ministry (IBAMA) are often referred to as “rapids.” The Volta gathering that had been arranged by various granted licenses to Norte Energia—a Grande represents some of the largest and international nonprofits. “We don’t need Brazilian construction consortium—to start most complex rapids on Earth.5 Prior to electricity; electricity won’t give us food,” she construction on a new project. Today, the human development, this bend was home said. “We need the rivers to flow freely—our world’s fourth largest hydroelectric project, to hundreds of freshwater fish species, each futures depend on them. We need our forests known as the Belo Monte Dam, is nearly inhabiting its own unique niche within the to hunt and gather in. Don’t talk to us about complete, and the social and environmental river. In fact, a recent survey collected an relieving our ‘poverty’—we are the richest concerns of the past are now the nauseating astounding 450 species from 48 distinct fish people in Brazil. We are Indians.”1 realties of the present. families in the Volta Grande, demonstrating Strong-willed and emotional, the Kayapo the enormous diversity of fish in the river.6 The woman's voice reverberated throughout THE XINGU AND BELO MONTE Belo Monte hydroelectric complex, which is the international -
Encontro Xingu ‘08
ipcst08.files.wordpress.com/2008/05/_... Encontro Xingu ‘08 Day 5: Riverside Departure 27 May 2008 Participants began to assemble at the riverside from 7:30 with the arrival of buses loaded with rural workers and small farmers from the surrounding area. Many had started out in the small hours just to attend this last day; others had been in Altamira for some days. By the time the Indians arrived, more than an hour later, the non-Indians were in full swing. They formed an arena surrounded by banners, and several community leaders made impassioned speeches. An unexpected arrival was the BBC’s Bruce Parry. He is in the Amazon making a series with Indus Films, following the river from its source in the Peruvian Andes to its mouth. Cameraman Keith’s video camera simply dwarfed everyone else’s, as did the Indus crew of seven. Bruce was not here specifically to cover the Encontro Xingu, but such a unique gathering of Indians and rural people was an opportunity the team could not resist. They seemed bowled over by the sheer scale of the event, but confused about why the Brazilian Government had decided not to send any senior representatives to hear the Indians’ case. The Kayapo arrived in a column, dancing and chanting. Keith, who is very tall, was surrounded by the warriors as they swept into the arena, circling in the traditional way. He relished the experience and emerged beaming. Instinctively sensing another photo opportunity, the Indians rushed into the water, making symbolic use of the river to highlight their relationship with it. -
Some Principles of the Use of Macro-Areas Language Dynamics &A
Online Appendix for Harald Hammarstr¨om& Mark Donohue (2014) Some Principles of the Use of Macro-Areas Language Dynamics & Change Harald Hammarstr¨om& Mark Donohue The following document lists the languages of the world and their as- signment to the macro-areas described in the main body of the paper as well as the WALS macro-area for languages featured in the WALS 2005 edi- tion. 7160 languages are included, which represent all languages for which we had coordinates available1. Every language is given with its ISO-639-3 code (if it has one) for proper identification. The mapping between WALS languages and ISO-codes was done by using the mapping downloadable from the 2011 online WALS edition2 (because a number of errors in the mapping were corrected for the 2011 edition). 38 WALS languages are not given an ISO-code in the 2011 mapping, 36 of these have been assigned their appropri- ate iso-code based on the sources the WALS lists for the respective language. This was not possible for Tasmanian (WALS-code: tsm) because the WALS mixes data from very different Tasmanian languages and for Kualan (WALS- code: kua) because no source is given. 17 WALS-languages were assigned ISO-codes which have subsequently been retired { these have been assigned their appropriate updated ISO-code. In many cases, a WALS-language is mapped to several ISO-codes. As this has no bearing for the assignment to macro-areas, multiple mappings have been retained. 1There are another couple of hundred languages which are attested but for which our database currently lacks coordinates. -
Redalyc.A Summary Reconstruction of Proto-Maweti-Guarani Segmental
Boletim do Museu Paraense Emílio Goeldi. Ciências Humanas ISSN: 1981-8122 [email protected] Museu Paraense Emílio Goeldi Brasil Meira, Sérgio; Drude, Sebastian A summary reconstruction of proto-maweti-guarani segmental phonology Boletim do Museu Paraense Emílio Goeldi. Ciências Humanas, vol. 10, núm. 2, mayo- agosto, 2015, pp. 275-296 Museu Paraense Emílio Goeldi Belém, Brasil Available in: http://www.redalyc.org/articulo.oa?id=394051442005 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Bol. Mus. Para. Emílio Goeldi. Cienc. Hum., Belém, v. 10, n. 2, p. 275-296, maio-ago. 2015 A summary reconstruction of proto-maweti-guarani segmental phonology Uma reconstrução resumida da fonologia segmental proto-mawetí-guaraní Sérgio MeiraI, Sebastian DrudeII IMuseu Paraense Emílio Goeldi. Belém, Pará, Brasil IIMax-Planck-Institute for Psycholinguistics. Nijmegen, The Netherlands Abstract: This paper presents a succinct reconstruction of the segmental phonology of Proto-Maweti-Guarani, the hypothetical protolanguage from which modern Mawe, Aweti and the Tupi-Guarani branches of the Tupi linguistic family have evolved. Based on about 300 cognate sets from the authors’ field data (for Mawe and Aweti) and from Mello’s reconstruction (2000) for Proto-Tupi-Guarani (with additional information from other works; and with a few changes concerning certain doubtful features, such as the status of stem-final lenis consonants *r and *ß, and the distinction of *c and *č ), the consonants and vowels of Proto-Maweti-Guarani were reconstructed with the help of the traditional historical-comparative method. -
Mitos E Outras Narrativas Kamayura
Mitos e outras narrativas Kamayura Pedro Agostinho SciELO Books / SciELO Livros / SciELO Libros AGOSTINHO, P. Mitos e outras narrativas Kamayura [online]. 2nd ed. Salvador: EDUFBA, 2009, 210p. ISBN 978-85-232-1203-2. Available from SciELO Books <http://books.scielo.org>. All the contents of this work, except where otherwise noted, is licensed under a Creative Commons Attribution 4.0 International license. Todo o conteúdo deste trabalho, exceto quando houver ressalva, é publicado sob a licença Creative Commons Atribição 4.0. Todo el contenido de esta obra, excepto donde se indique lo contrario, está bajo licencia de la licencia Creative Commons Reconocimento 4.0. MITOS E OUTRAS NARRATIVAS KAMAYURÁ UNIVERSIDADE FEDERAL DA BAHIA Reitor Naomar Monteiro de Almeida-Filho Vice-Reitor Francisco José Gomes Mesquita EDITORA DA UNIVERSIDADE FEDERAL DA BAHIA Diretora Flávia Goullart Mota Garcia Rosa Conselho Editorial Titulares Ângelo Szaniecki Perret Serpa Caiuby Alves da Costa Charbel Ninõ El-Hani Dante Eustachio Lucchesi Ramacciotti José Teixeira Cavalcante Filho Maria do Carmo Soares Freitas Suplentes Alberto Brum Novaes Antônio Fernando Guerreiro de Freitas Armindo Jorge de Carvalho Bião Evelina de Carvalho Sá Hoisel Cleise Furtado Mendes Maria Vidal de Negreiros Camargo PEDRO AGOSTINHO MITOS E OUTRAS NARRATIVAS KAMAYURÁ 2a edição EDUFBA Salvador, 2009 ©2009, By Pedro Agostinho Direitos de edição cedidos à Editora da Universidade Federal da Bahia - EDUFBA Feito o depósito legal. Revisão Rosa Virgínia Mattos e Silva Editoração Eletrônica e Capa Rodrigo Oyarzábal Schlabitz Sistema de Bibliotecas - UFBA Agostinho, Pedro. Mitos e outras narrativas Kamayura / Pedro Agostinho. - 2a edição - Salvador: EDUFBA, 2009. 210 p. ISBN: 978-85-232-0590-4 1. -
Indian Warriors: from Warclub to Paper
INDIAN WARRIORS: FROM WARCLUB TO PAPER Geraldo Mosimann da Silva e Simone F. de Athayde http://www.socioambiental.org/website/parabolicas/english/backissu/47/articles/pg5.htm On October 31 last, Kaiabi leaders surprised eight fishermen in the Arraias river, in the Northwest part of the Xingu Indigenous Park (PIX), in Mato Grosso. The Indians lost their patience, apprehended the invaders, and took them to the Diauarum Indigenous Station. That was the start of the Fishermen’s War, which entailed political, social and ethnical conquests. It also means the Kaiabi warriors with fishermen massive presence of warriors from the on release day. Northern peoples of the Park, besides Simone F. de Athayde / ISA leaders of Southern ethnicities who live in the South, and linked to the so-called Upper Xingu Cultural Complex. The episode intensified the feeling of identity of 1,000 Kaiabi, Yudja and Suya Indians who live North of the PIX. This ethnical revitalization process is linked to the strengthening of the Xingu Indigenous Land Association (ATIX) as a representative body of the Xingu peoples for interlocution with non-Indians. Created in 1995, ATIX counts on a political council made of members from 12 ethnicities among the 14 existing in the PIX. In the daily conversations which beaconed their negotiations with FUNAI, the Indians debated the Park’s territory management ad nauseam. It was an exercise of warring strength and ethnical price, punctuated by singing and dancing, where body painting, dressing, adornments, headdresses and warclubs were the rule. Women also surprised: normally relegated to political passivity, they participated with vehement manifestations for the defense of the Park limits. -
UC Berkeley UC Berkeley Previously Published Works
UC Berkeley UC Berkeley Previously Published Works Title A Bayesian Phylogenetic Classification of Tupí-Guaraní Permalink https://escholarship.org/uc/item/1331v899 Journal LIAMES, 15(2) Authors Michael, Lev David Chousou-Polydouri, Natalia Bartolomei, Keith et al. Publication Date 2015 Peer reviewed eScholarship.org Powered by the California Digital Library University of California A Bayesian Phylogenetic Classification of Tup´ı-Guaran´ı Lev Michael, Natalia Chousou-Polydouri, Keith Bartolomei Erin Donnelly, Vivian Wauters, S´ergioMeira, Zachary O'Hagan∗ Abstract This paper presents an internal classification of Tup´ı-Guaran´ıbased on a Bayesian phylogenetic analysis of lexical data from 30 Tup´ı-Guaran´ılanguages and 2 non-Tup´ı- Guaran´ıTupian languages, Awet´ıand Maw´e.A Bayesian phylogenetic analysis using a generalized binary cognate gain and loss model was carried out on a character ta- ble based on the binary coding of cognate sets, which were formed with attention to semantic shift. The classification shows greater internal structure than previous ones, but is congruent with them in several ways.1 1 Introduction This paper proposes a new classification of the Tup´ı-Guaran´ı(TG) language family based on the application of computational phylogenetic methods to lexical data from 30 TG languages ∗Affiliations for the authors of this paper are: Chousou-Polydouri, Donnelly, Michael, O'Hagan| University of California, Berkeley; Meira|Museu Paraense Em´ılio Goeldi; Bartolomei, Wauters|Independent Scholar. 1We are indebted to Sebastian Drude, Fran¸coiseRose, Eva-Maria R¨oBler, and Rosa Vallejos, who kindly shared unpublished lexical data from Awet´ı,Emerillon, Ach´e,and Kokama-Kokamilla, respectively. -
Prosodic Distinctions Between the Varieties of the Upper Xingu Carib Language: Results of an Acoustic Analysis
AMERINDIA n°35, 2011 Prosodic distinctions between the varieties of the Upper Xingu Carib language: results of an acoustic analysis Glauber Romling da SILVA & Bruna FRANCHETTO UFRJ, CNPq 1. Introduction: the Upper-Xingu Carib language and its varieties The Carib subsystem of Upper Xingu consists of four local groups: the Kuikuro (four villages, with a fifth one being formed), the Matipu and Nahukwá (who live together in three villages), and the Kalapalo (two villages). All these groups speak a language which belongs to one of the two meridional branches of the Carib family (Meira & Franchetto 2005), and which nowadays presents two main varieties: one spoken by the Kuikuro and the younger Matipu generations, and the other spoken by the Kalapalo and the Nahukwá. Franchetto (2001) states that “we could establish a common origin of the Upper-Xingu Carib from which the first big division would have unfolded (Kalapalo/Nahukwá vs. Kuikuro/Matipu).” These two varieties distinguish themselves by lexical as well as rhythmic differences. According to Franchetto (2001: 133), “in the Carib subsystem of the Culuene river, the interplay between socio-political identities of the local groups (ótomo) is based on distinct rhythmic and prosodic structures”. Speakers express themselves metaphorically when talking about their linguistic identities. From a Kuikuro point of view (or 42 AMERINDIA n°35, 2011 from whom is judging the other) we get the assumption of speaking ‘straight’ (titage) as opposed to speaking as the Kalapalo/Nahukwá do, which is ‘in curves, bouncy, wavy’ (tühenkgegiko) or ‘backwards’ (inhukilü) (Franchetto 1986; Fausto, Franchetto & Heckenberger 2008). In any case, the idea of ‘straightness’ as a way of speaking reveals a value judgment with regard to what it is not. -
CLIMATE CHANGE and INDIGENOUS PERCEPTIONS INDIGENOUS PERCEPTIONS OPAN - 2018 / 2 ND EDITION Produced by Sponsorship
CLIMATE CHANGE AND CLIMATE CHANGE AND INDIGENOUS PERCEPTIONS INDIGENOUS PERCEPTIONS 2 OPAN - 2018 / OPAN ND EDITION Produced by Sponsorship 2ND EDITION OPERAÇÃO AMAZÔNIA NATIVA – OPAN Production and editing Artema Lima Andreia Fanzeres Lívia Alcântara Revision Andreia Fanzeres CLIMATE Artema Lima Ivar Luiz Vendruscolo Busatto CHANGE AND OPAN Executive Coordination INDIGENOUS Ivar Luiz Vendruscolo Busatto Vinicius Benites Alves PERCEPTIONS Mato Grosso Program/ Project Berço das Águas Artema Lima Production: Tarcísio dos Santos ARTEMA LIMA Edemar Treuherz ANDREIA FANZERES Liliane Xavier LÍVIA ALCÂNTARA Lívia Alcântara Translation Translation Melissa Harkin and Nayana Fernandez MELISSA HARKIN Frontpage photo Adriano Gambarini/OPAN Layout Marina Lutfi / cacumbu ISBN: 978-85-67133-14-0 ND OPERAÇÃO AMAZÔNIA NATIVA 2 EDITION Av. Ipiranga, 97 Bairro Goiabeiras, Cuiabá - MT Brasil CEP: 78032-035 OPERAÇÃO AMAZÔNIA NATIVA – OPAN Telefone: 55 (65) 3322-2980 / FAX: 55 (65) 3322-4161 Mato Grosso. Brasil. 2018 www. amazonianativa.org.br 9 PRESENTATION 13 IT’S TIME TO LISTEN TO INDIGENOUS PEOPLES TARCÍSIO DA SILVA SANTOS JÚNIOR AND LUCIANA REBELLATO 20 ANOTHER NAME FOR CLIMATE CHANGE AILTON KRENAK 24 CLIMATE CHANGE, INDIGENOUS PEOPLES, EDUCATIONS AND DEEP ECOLOGY SEVERIÁ IDIORIÊ 30 CLIMATE CHANGE FOR MUNDURUKU PEOPLE FROM JUARA MARCELO MANHUARI MUNDURUKU 36 WE MUST PRESERVE NATURE TO KEEP EXISTING TIPUICI MANOKI 40 RÓ NA WAHÖIMANAZÁ - TO LIVE IN CERRADO CAIMI WAIASSÉ XAVANTE 46 CLIMATE CHANGE FOR MANOKI PEOPLE MANOEL KANUNXI 52 MEHINAKO PEOPLE AND CLIMATE CHANGE MAYAWARI MEHINAKO 58 CLIMATE CHANGE FOR KAYABI-KAWAIWETÉ PEOPLE PIKURUK CAVALCANTE KAYABI 62 WAURÁ OF XINGU AND CLIMATE CHANGE PIRATÁ WAURÁ 66 THE JURUENA RIVER: THE ROAD OF THE FOREST PEOPLES PAULO HENRIQUE MARTINHO SKIRIPI 70 THE RIKBAKTSA PEOPLE AND CLIMATE CHANGE JUAREZ PAIMY Photo: Adriano Gambarini/OPAN PRESENTATION OPERATION AMAZÔNIA NATIVA (OPAN), with its almost five decades work- ing in the field of Indigenismo, has contributed in a relevant way to the pro- motion and guarantee of indigenous rights in Brazil. -
Waurá E Mehináku: Um Breve Estudo Comparativo
Waurá e Mehináku: um breve estudo comparativo (Waura and Mehinaku: a brief comparative study) Angel Corbera Mori1 1Departamento de Linguística-Universidade Estadual de Campinas (UNICAMP) [email protected] Abstract: Mehinaku, Waura and Yawalapiti are the only languages of the Arawak linguistic family still spoken in the indigenous park of Xingu, State of Mato Grosso. The first observations and linguistic registries of these three languages were presented by Karl von den Steinen (1940 [1886]) in his classical book Between the aborigines of Central Brazil. In this work, Steinen says that the Arawak people of the Xingu divide themselves in two sub-groups: nu and aruak. “Nu is the predominant prefix in these tribes, it is the characteristic pronominal prefix of the first person; […] Mehinaku, Kustenau, Waura and Yaulapiti are Nu-Aruak” (p. 197). Steinen also stated that the Mehinaku and Waura formed a single ethnological unit and that they spoke the same language. Considering these primary observations, I present in this article a brief comparative study between Waura and Mehinaku languages. Keywords: Arawak family; Mehinaku-Waura languages; Alto Xinguan languages; phonetic and lexical comparison. Resumo: Mehináku, Waurá e Yawalapíti são as três línguas arawák que ainda são faladas no Parque Indígena do Xingu, Estado do Mato Grosso. As primeiras observações e registros linguísticos dessas línguas foram feitas por Karl von den Steinen (1940[1886]) em sua obra Entre os aborígenes do Brasil Central. Nesse trabalho, Steinen considera que as sociedades arawák do Xingu compreendem dois subgrupos: os Nu e os Aruak. “Nu é o prefixo dominante dessas tribus, é o prefixo característico pronominal da primeira pessoa; [...] os Mehinaku, Kustenau, Waura e Yaulapiti são Nu-Aruak” (p. -
On the Geographical Origins and Dispersion of Tupian Languages
On the geographical origins and dispersion of Tupian Language s Greg Urban University of Pennsylvania Where did the Tupian languages originate? How did they come to occupy the ir historical homelands? José Brochado (1984), filling in a n1ajor lacuna in Lathrap' s ( 1970) scheme, has added a distinctive voice to the long- standing debates surrounding these questions. Iam grateful to Francisco Noelli for bringing him to my attention. As Noelli indicates, Bro chado ' s work provides the foundations for dialog and coope ration between linguistic s, cultural anthropology, and archaeology. It is in the spirit of cooperation and dialogue that I'll make some friendly criticistns of his resea rch , as well as of the linguistic and cultural work pertinent to the question of Tupian origins. My purpo se will be to pinpoint areas for further research that might provide clue s for solv ing the continuing mystery surroundin g the Tupi. I' ll be conce rned prín1arily with two principal hypotheses put forth by Brochado , the first deriving from Donald Lathrap, the second the nove l contribution of Brochado hi1nse]f: GR EG URI3 AN. ÜN THE GEOCiRAPHICAL ORJGINS ANO DISPERSION OF T UPIAN L ANGUAGES 1 1- Displaced Pe rsons Hypot hes is : that the Tupian stock originated a1ong the 1nain co u rse of the Atna zo n ri ver. Th e hypoth es is is ba sed on the obse rvation that the fami lies of the Tupi an stock (other than the Tupí-Guaraní fan1i]y) occ upy tributarie s of "the upp er co ur se of the Xingu, Tapajós, and Ma deira . -
Origem Da Pintura Do Lutador Matipu
GOVERNO DO ESTADO DE MATO GROSSO SECRETARIA DE ESTADO DE CIÊNCIA E TECNOLOGIA UNIVERSIDADE DO ESTADO DE MATO GROSSO CARLOS ALBERTO REYES MALDONADO UNEMAT CAMPUS UNIVERSITÁRIO DEP. RENÊ BARBOUR LICENCIATURA INTERCULTURAL INDÍGENA MAIKE MATIPU ORIGEM DA PINTURA DO LUTADOR MATIPU Barra do Bugres 2016 MAIKE MATIPU ORIGEM DA PINTURA DO LUTADOR MATIPU Trabalho de Conclusão de Curso apresentado à Universidade do Estado de Mato Grosso- UNEMAT, Campus Universitário Dep. Est. Renê Barbour, como requisito parcial para obtenção do título de graduado em Línguas, Artes e Literatura. Orientador: Prof.ª Drª. Mônica Cidele da Cruz Barra do Bugres 2016 FICHA CATALOGRÁFICA MAIKE MATIPU ORIGEM DA PINTURA DO LUTADOR MATIPU Trabalho de Conclusão de Curso apresentado à Banca Avaliadora do Curso de Licenciatura Intercultural – UNEMAT, Campus Universitário Dep. Renê Barbour como requisito para obtenção do título de Licenciado em Línguas, Artes e Literatura. Barra do Bugres, 28 de abril de 2016. BANCA EXAMINADORA _______________________________________________ Prof.ª Drª. Mônica Cidele da Cruz Professora Orientadora _______________________________________________ Prof. Esp. Aigi Nafukuá Professor Avaliador _______________________________________________ Prof. Me. Isaías Munis Batista Professor Avaliador Barra do Bugres 2016 DEDICATÓRIA Dedico este trabalho para minha esposa Soko Kujahi Agika Kuikuro, aos meus filhos, às famílias e filhos da comunidade. Através do conhecimento do meu povo Matipu, consegui realizar o trabalho e fortalecer a cultura para futuras gerações. AGRADECIMENTOS Agradeço aos dois anciões narradores da história do passado. Principalmente agradeço ao meu pai Yamatuá Matipu, reconhecido como grande flautista e cantor. Agradeço, ainda, Manufá Matipu, que me auxiliou durante a pesquisa sobre o conhecimento dos antepassados. Agradeço a toda minha família que fez o trabalho comigo, e também agradeço muita minha esposa Soko Kujahi Agika Kuikuro, meus filhos Amatuá Matheus Matipu, Kaintehi Marquinho Matipu, Tahugaki Parisi Matipu e Ariati Maiate Rebeca Matipu.