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Gli Occhiali D'oro and the Dynamics of the Encouter Between Fiction And
26. «SE QUESTO MATRIMONIO … S’HA DA FARE» Gli occhiali d’oro and the Dynamics of the Encounter Between Fiction and Film 1 Cristina Della Coletta Via, dunque, giù, giù, tristo fantoccio odioso! Annegato, là, come Mattia Pascal! Una volta per uno! Luigi Pirandello, Il fu Mattia Pascal Giorgio Bassani’s much-cited piece entitled Il giardino tradito – a firm prise de position against Vittorio De Sica’s adaptation of Il giardino dei Finzi Contini – has often obfuscated Bassani’s other reflections on the practice of cinematic adaptation. Bassani was neither dismissive of cin- ema as an art form nor fundamentally opposed to the transposition of novels into films. In fact, he displayed a keen and sustained interest in film, and collaborated in various ways with directors such as Mario Sol- dati, Michelangelo Antonioni, Alessandro Blasetti, Luigi Zampa, and Luchino Visconti 2. Author and co-author of «a dozen» of screenplays (some with Pier Paolo Pasolini), Bassani also wrote essays on film and film reviews 3. References to movie houses, actors, and films pepper 1 The ‘edited’ quotation from Manzoni is Bassani’s own (1966c, 65). 2 Bassani wrote and co-wrote numerous screenplays, including: Le avventure di Mandrin (1952, directed by Mario Soldati), Villa Borghese (1953, directed by Gianni Francolini), La provinciale (1953, directed by Mario Soldati), Il ventaglio (1954, an epi- sode directed by Mario Soldati in the filmQuesta è la vita), Casa d’altri (1954, an episode directed by Alessandro Blasetti in the film Tempi nostri), La mano dello straniero (1954, directed by Mario Soldati), La romana (1954, directed by Luigi Zampa), La donna del fiume (1954, directed by Mario Soldati), Senso (1954, directed by Luchino Visconti), Il prigioniero della montagna (1955, directed by Luis Treniker), and Teresa Étienne (1958, directed by Denys de la Patellière). -
A Midsummer Night's Dream
Monday 25, Wednesday 27 February, Friday 1, Monday 4 March, 7pm Silk Street Theatre A Midsummer Night’s Dream by Benjamin Britten Dominic Wheeler conductor Martin Lloyd-Evans director Ruari Murchison designer Mark Jonathan lighting designer Guildhall School of Music & Drama Guildhall School Movement Founded in 1880 by the Opera Course and Dance City of London Corporation Victoria Newlyn Head of Opera Caitlin Fretwell Chairman of the Board of Governors Studies Walsh Vivienne Littlechild Dominic Wheeler Combat Principal Resident Producer Jonathan Leverett Lynne Williams Martin Lloyd-Evans Language Coaches Vice-Principal and Director of Music Coaches Emma Abbate Jonathan Vaughan Lionel Friend Florence Daguerre Alex Ingram de Hureaux Anthony Legge Matteo Dalle Fratte Please visit our website at gsmd.ac.uk (guest) Aurelia Jonvaux Michael Lloyd Johanna Mayr Elizabeth Marcus Norbert Meyn Linnhe Robertson Emanuele Moris Peter Robinson Lada Valešova Stephen Rose Elizabeth Rowe Opera Department Susanna Stranders Manager Jonathan Papp (guest) Steven Gietzen Drama Guildhall School Martin Lloyd-Evans Vocal Studies Victoria Newlyn Department Simon Cole Head of Vocal Studies Armin Zanner Deputy Head of The Guildhall School Vocal Studies is part of Culture Mile: culturemile.london Samantha Malk The Guildhall School is provided by the City of London Corporation as part of its contribution to the cultural life of London and the nation A Midsummer Night’s Dream Music by Benjamin Britten Libretto adapted from Shakespeare by Benjamin Britten and Peter Pears -
The Festival D'aix
FESTIVAL D’AIX-EN-PROVENCE 2017 69th edition 3 – 22 JULY 2017 PRESS RELEASE www.festival-aix.com PRESS OFFICE Valérie Weill | [email protected] +33 (0)1 44 88 59 66 | +33 (0)6 85 22 74 66 Christine Delterme | [email protected] CONTENTS THE INSTITUTION PAGES 4 - 5 CALENDAR PAGES 6 - 8 OPERA PAGES 9 - 15 CONCERTS PAGES 16-17 AIX EN JUIN PAGES 18 - 21 ACADEMIE DU FESTIVAL PAGES 22-30 PASSERELLES PAGES 31-34 TALKS AND EVENTS PAGE 35 TOURS IN 2017 PAGE 36 ESTIMATED BUDGET 2017 PAGE 37 SUSTAINABLE DEVELOPMENT PAGES 38-39 SPONSORS AND PARTNERSHIPS PAGES 40-47 PRICES PAGE 48 PRACTICAL INFORMATION PAGE 49 3 FESTIVAL D’AIX-EN-PROVENCE 2017 THE FESTIVAL D’AIX KEY FIGURES 2016 | by 31 December 2016 | | ATTENDANCE | | PASSERELLES | 75,526 SPECTATORS 3,200 STUDENTS FROM 133 CLASSES of 87 educational institutions (schools, secondary 40% OF TICKETS SOLD FOR LESS THAN 55 ¤ schools, highschools, music schools, universities, 534 YOUNG PEOPLE ENJOYED THE conservatoires) « CHILDREN DISCOVERY » RATE including 1,170 students from Aix-Marseille 39,972 TICKETS FOR OPERAS AND CONCERTS Université (370 through the Opera ON programme) ( not including the Académie ) 2,250 YOUNG ADULTS AND ADULTS 35,554 SPECTATORS FOR AIX EN JUIN, THE BENEFITED FROM THE RAISING AWARENESS ACADEMIE, THEIR PUBLIC REHEARSAL AND OF OPERA PROGRAMME THEIR LIVE BROADCASTING as well as 110 associations and social partners 220 AMATEUR ARTISTS | AIX EN JUIN | 1 450 SPECTATORS 17 004 SPECTATORS or the opening performance Ouverture[s] including 12,736 for free performances 3 000 -
The Rhaeto-Romance Languages
Romance Linguistics Editorial Statement Routledge publish the Romance Linguistics series under the editorship of MartinS Harris (University of Essex) and Nigel Vincent (University of Manchester). Romance Philogy and General Linguistics have followed sometimes converging sometimes diverging paths over the last century and a half. With the present series we wish to recognise and promote the mutual interaction of the two disciplines. The focus is deliberately wide, seeking to encompass not only work in the phonetics, phonology, morphology, syntax, and lexis of the Romance languages, but also studies in the history of Romance linguistics and linguistic thought in the Romance cultural area. Some of the volumes will be devoted to particular aspects of individual languages, some will be comparative in nature; some will adopt a synchronic and some a diachronic slant; some will concentrate on linguistic structures, and some will investigate the sociocultural dimensions of language and language use in the Romance-speaking territories. Yet all will endorse the view that a General Linguistics that ignores the always rich and often unique data of Romance is as impoverished as a Romance Philogy that turns its back on the insights of linguistics theory. Other books in the Romance Linguistics series include: Structures and Transformations Christopher J.Pountain Studies in the Romance Verb eds Nigel Vincent and Martin Harris Weakening Processes in the History of Spanish Consonants Raymond Harris-Northall Spanish Word Formation M.F.Lang Tense and Text -
“Cartevive”: Indice Dei Nomi 2018
“Cartevive”: indice dei nomi 2018 Le cifre indicano, nell’ordine, numero (in corsivo) e pagina (in tondo), le parentesi quadre che il nome non è esplicitamente citato nel testo. A Prato Giovanni 57 . 102 Alberti Francesco 57 . 150, 151 Abano Terme (Padova) 57 . 86 Albertine ( personaggio di Marcel Abbagnano Nicola 57 . 83 Proust) 57 . 48 Aberdam Renée 57 . 130 Albertini Carlo 57 . 130 Abraham Karl 57 . 82 Albio ( personaggio di Orazio) 57 . Accademia di Santa Cecilia, Roma 142 57 . 30 Albione 57 . 107 Accademia Italo-Russa ‘Sapientia Albisani Sauro 57 . 122 et Scientia’, Roma 57 . 121 Albonico Simone 57 . 123 Accademia Roveretana degli Albrighi Piero 57 . 130 Agiati 57 . 102 Alce Nero 57 . 107 Acquaviva Giovanni 57 . 130 Alcione (editore), Trieste 57 . 75 Actes Sud (editore), Arles 57 . 11 Aleksievič Svetlana 57 . 122 Ad Flexum (associazione cultura- Aleramo Sibilla 57 . 82, 111 le) 57 . 151 Algeria 57 . 38, 41, 66 Adelphi (editore), Milano 57 . 3, Alice ( personaggio di Lewis Car- 108, 142 roll) 57 . 10 Afribo Andrea 57 . 123 Alighieri Dante 57 . 71 Afrodite 57 . 55 “Allegoria” 57 . 90 Agamben Giorgio 57 . 99 Allegri Mario 57 . 103 Agliati Mario 57 . 85 Allenbach Beat 57 . 124 Agliati Ruggia Mariangela 57 . Alonge Giaime 57 . 98 136, 147, 148 Alpi 57 . 82 Agnelli Umberto 57. 138 Ambrosi Alfredo Gauro 57 . 130 Agnini Stefano 57 . 109 Ambrosioni Dalmazio 57 . 84, 85 Agorà Factory (editore), Dueville Amendola Giovanni 57 . 18, 20, (VI) 57 . 87 31, 93 Albano Mario 57 . 130 America 57 . 88, 104 Albenga (Savona) 57 . 108 Amerio Romano 57 . 85 Albert-Birot Pierre 57 . -
BORSALINO » 1970, De Jacques Deray, Avec Alain Delon, Jean-Paul 1 Belmondo
« BORSALINO » 1970, de Jacques Deray, avec Alain Delon, Jean-paul 1 Belmondo. Affiche de Ferracci. 60/90 « LA VACHE ET LE PRISONNIER » 1962, de Henri Verneuil, avec Fernandel 2 Affichette de M.Gourdon. 40/70 « DEMAIN EST UN AUTRE JOUR » 1951, de Leonide Moguy, avec Pier Angeli 3 Affichette de A.Ciriello. 40/70 « L’ARDENTE GITANE» 1956, de Nicholas Ray, avec Cornel Wilde, Jane Russel 4 Affiche de Bertrand -Columbia Films- 80/120 «UNE ESPECE DE GARCE » 1960, de Sidney Lumet, avec Sophia Loren, Tab Hunter. Affiche 5 de Roger Soubie 60/90 « DEUX OU TROIS CHOSES QUE JE SAIS D’ELLE» 1967, de Jean Luc Godard, avec Marina Vlady. Affichette de 6 Ferracci 120/160 «SANS PITIE» 1948, de Alberto Lattuada, avec Carla Del Poggio, John Kitzmille 7 Affiche de A.Ciriello - Lux Films- 80/120 « FERNANDEL » 1947, film de A.Toe Dessin de G.Eric 8 Les Films Roger Richebé 80/120 «LE RETOUR DE MONTE-CRISTO» 1946, de Henry Levin, avec Louis Hayward, Barbara Britton 9 Affiche de H.F. -Columbia Films- 140/180 «BOAT PEOPLE » (Passeport pour l’Enfer) 1982, de Ann Hui 10 Affichette de Roland Topor 60/90 «UN HOMME ET UNE FEMME» 1966, de Claude Lelouch, avec Anouk Aimée, Jean-Louis Trintignant 11 Affichette les Films13 80/120 «LE BOSSU DE ROME » 1960, de Carlo Lizzani, avec Gérard Blain, Pier Paolo Pasolini, Anna Maria Ferrero 12 Affiche de Grinsson 60/90 «LES CHEVALIERS TEUTONIQUES » 1961, de Alexandre Ford 13 Affiche de Jean Mascii -Athos Films- 40/70 «A TOUT CASSER» 1968, de John Berry, avec Eddie Constantine, Johnny Halliday, 14 Catherine Allegret. -
2016 NHPA Annual Report
January 30, 2017 Julianne Polanco, State Historic Preservation Officer Attention: Mark Beason Office of Historic Preservation 1725 23rd Street, Suite 100 Sacramento, CA 95816 John Fowler, Executive Director Attention: Najah Duvall Office of Federal Agency Programs Advisory Council on Historic Preservation 401 F Street NW, Suite 308 Washington, DC 20001 Laura Joss, Regional Director Attention: Elaine Jackson-Retondo National Park Service – Pacific West Regional Office 333 Bush Street San Francisco, CA 94104 Craig Kenkel, Acting Superintendent Attention: Steve Haller Golden Gate National Recreation Area Building 201 Fort Mason San Francisco, CA 94123 Reference: 2016 Annual Report on Activities under the 2014 Presidio Trust Programmatic Agreement, the Presidio of San Francisco National Historic Landmark District, San Francisco, California Pursuant to Stipulation XIV of the Presidio Trust Programmatic Agreement (PTPA, 2014), enclosed is the 2016 Annual Report of activities conducted under that PA. In 2016, the Presidio Trust celebrated the 50th anniversary of the National Historic Preservation Act alongside the nation’s preservation community with a sense of reflection, gratitude and forward-looking purpose. We were also pleased to commemorate the centennial anniversary of the National Park Service, and thank our partners for their trailblazing role in preserving American cultural heritage here in California and beyond. Our principal activity for recognizing these milestones was to host the 41st annual California Preservation Foundation conference at the Presidio in April. At the conference we were enormously proud to be recognized by CPF president Kelly Sutherlin McLeod as “perhaps the biggest preservation success story of the 20th century”, praise that would not be possible without the contributions of our partner agencies, tenants and park users. -
Il Castellet 'Italiano' La Porta Per La Nuova Letteratura Latinoamericana
Rassegna iberistica ISSN 2037-6588 Vol. 38 – Num. 104 – Dicembre 2015 Il Castellet ‘italiano’ La porta per la nuova letteratura latinoamericana Francesco Luti (Universitat Autònoma de Barcelona, España) Abstract This paper seeks to recall the ‘Italian route’ of the critic Josep Maria Castellet in the last century, a key figure in Spanish and Catalan literature. The Italian publishing and literary worlds served as a point of reference for Castellet, and also for his closest literary companions (José Agustín Goytisolo and Carlos Barral). All of these individuals formed part of the so-called Barcelona School. Over the course of at least two decades, these men managed to build and maintain a bridge to the main Italian publishing houses, thereby opening up new opportunities for Spanish literature during the Franco era. Thanks to these links, new Spanish names gained visibility even in the catalogues of Italian publishing houses. Looking at the period from the mid- 1950s to the end of the 1960s, the article focuses on the Italian contacts of Castellet as well as his publications in Italy. The study concludes with a comment on his Latin American connections, showing how this literary ‘bridge’ between Barcelona and Italy also contributed to exposing an Italian audience to the Latin American literary boom. Sommario 1. I primi contatti. – 2. Dario Puccini e i nuovi amici scrittori. – 3. La storia italiana dei libri di Castellet. – 4. La nuova letteratura proveniente dall’America latina. Keywords Literary relationships Italy-Spain. 1950’s 1960’s. Literary criticism. Spanish poetry. Alla memoria del Professor Gaetano Chiappini e del ‘Mestre’ Castellet. -
Attitudes Towards the Safeguarding of Minority Languages and Dialects in Modern Italy
ATTITUDES TOWARDS THE SAFEGUARDING OF MINORITY LANGUAGES AND DIALECTS IN MODERN ITALY: The Cases of Sardinia and Sicily Maria Chiara La Sala Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds Department of Italian September 2004 This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. ABSTRACT The aim of this thesis is to assess attitudes of speakers towards their local or regional variety. Research in the field of sociolinguistics has shown that factors such as gender, age, place of residence, and social status affect linguistic behaviour and perception of local and regional varieties. This thesis consists of three main parts. In the first part the concept of language, minority language, and dialect is discussed; in the second part the official position towards local or regional varieties in Europe and in Italy is considered; in the third part attitudes of speakers towards actions aimed at safeguarding their local or regional varieties are analyzed. The conclusion offers a comparison of the results of the surveys and a discussion on how things may develop in the future. This thesis is carried out within the framework of the discipline of sociolinguistics. ii DEDICATION Ai miei figli Youcef e Amil che mi hanno distolto -
Presidio Trust 2015 Annual Report of Nhpa Compliance Activities
PRESIDIO TRUST 2015 ANNUAL REPORT OF NHPA COMPLIANCE ACTIVITIES Table of Contents Cover Letter .................................................................................................................. i Exhibits Exhibit A Presidio Trust Programmatic Agreement ................................................. 1 Exhibit B Presidio Trust NHPA Compliance Review (N2) Process Overview ...... 34 Exhibit C Project Review per the PTPA ................................................................. 37 Exhibit D Archaeological Research, Projects, and Program Highlights ................. 66 Exhibit E National Register Evaluations ................................................................ 69 Exhibit F Consultation under Stipulation IV.C.2.................................................... 70 Exhibit G Multi-Agency Consultation Projects ....................................................... 71 Exhibit H Summary of Tax Credit Projects ............................................................. 77 Exhibit I Internal Preservation/Rehabilitation Projects ......................................... 78 Exhibit J Tenant Preservation/Rehabilitation Projects ........................................... 88 Exhibit K Personnel Training, Development, and Contacts .................................. ..91 Exhibit L Public Outreach ..................................................................................... ..94 Appendices Appendix A N2 Team Resumes Appendix B N2 Screening Form (blank) Appendix C N2 Flow Chart Appendix D Main Post Update -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
The Bolognese Valleys of the Idice, Savena and Setta
3_ eo_gb 0 008 3: 0 ag a The Bolognese Valleys of the Idice, Savena and Setta 114 _ dce_gb 0 008 3: 9 ag a 5 The Rivers the Futa state highway SS 65 and the road The valleys of the tributaries to the right of along the valley-bottom, which continues as the Reno punctuate the central area of the far as the Lake of Castel dell’Alpi, passing the Bolognese Apennines in a truly surprising majestic Gorges of Scascoli. Along the river, variety of colours and landscapes. They are there are numerous mills, some of which can the Idice, Savena and Setta Rivers, of which be visited, constructed over the centuries. only the Idice continues its course onto the Before entering the plains, the Savena cros- plains, as far as the Park of the Po Delta. ses the Regional Park of Bolognese Gypsums and Abbadessa Gullies, which is also crossed The Idice by the River Idice. The Idice starts on Monte Oggioli, near the Raticosa Pass, and is the largest of the rivers in these valleys. Interesting from a geologi- cal and naturalistic point of view, its valley offers many reasons for a visit. Particularly beautiful is the stretch of river where it joins the Zena Valley: this is where the Canale dei Mulini (mills) branches off, continuing alon- gside it until it reaches the plains, in the ter- ritory of San Lazzaro di Savena. Flowing through the Valleys of Campotto, the Idice finally joins the Reno. Here an interesting system of manmade basins stop the Reno’s water flowing into the Idice’s bed in dry periods.