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Music Director Riccardo Muti Appoints Jessie Montgomery As Cso Mead Composer-In-Residence for 2021-24
For Immediate Release: Press Contacts: April 20, 2021 Eileen Chambers CSOA, 312-294-3092 Glenn Petry 21C Media, 212-625-2038 MUSIC DIRECTOR RICCARDO MUTI APPOINTS JESSIE MONTGOMERY AS CSO MEAD COMPOSER-IN-RESIDENCE FOR 2021-24 CHICAGO—The Chicago Symphony Orchestra Association (CSOA) is pleased to announce the appointment of composer, violinist and educator Jessie Montgomery as its next Mead Composer-in- Residence. A winner of both the Sphinx Medal of Excellence and the ASCAP Foundation’s Leonard Bernstein Award, Montgomery has emerged as one of the most compelling and sought-after voices in new music today. Appointed by Music Director Riccardo Muti, she will begin her three-year tenure on July 1, 2021, and will continue in the role through June 30, 2024. Described as “turbulent, wildly colorful and exploding with life” (Washington Post), Montgomery’s music includes such frequently performed works as Banner (2014), Starburst (2012) and Strum (2006; rev. 2012), which have collectively been programmed almost 500 times to date, with more than 100 live and virtual performances of Starburst in the past year alone. As Mead Composer-in-Residence, she will receive commissions to write three new orchestral works for the Chicago Symphony Orchestra, one to premiere during each of her three seasons in the role. In addition, she will curate MusicNOW, the CSO’s annual contemporary music series, and will receive commissions for a number of new chamber pieces to premiere in the series’ 2022-23 and 2023-24 seasons. MusicNOW will also present the Chicago premieres of some of her existing works. Founded in 1998, MusicNOW strives to bring Chicago audiences the widest possible range of today’s new music. -
A Midsummer Night's Dream
Monday 25, Wednesday 27 February, Friday 1, Monday 4 March, 7pm Silk Street Theatre A Midsummer Night’s Dream by Benjamin Britten Dominic Wheeler conductor Martin Lloyd-Evans director Ruari Murchison designer Mark Jonathan lighting designer Guildhall School of Music & Drama Guildhall School Movement Founded in 1880 by the Opera Course and Dance City of London Corporation Victoria Newlyn Head of Opera Caitlin Fretwell Chairman of the Board of Governors Studies Walsh Vivienne Littlechild Dominic Wheeler Combat Principal Resident Producer Jonathan Leverett Lynne Williams Martin Lloyd-Evans Language Coaches Vice-Principal and Director of Music Coaches Emma Abbate Jonathan Vaughan Lionel Friend Florence Daguerre Alex Ingram de Hureaux Anthony Legge Matteo Dalle Fratte Please visit our website at gsmd.ac.uk (guest) Aurelia Jonvaux Michael Lloyd Johanna Mayr Elizabeth Marcus Norbert Meyn Linnhe Robertson Emanuele Moris Peter Robinson Lada Valešova Stephen Rose Elizabeth Rowe Opera Department Susanna Stranders Manager Jonathan Papp (guest) Steven Gietzen Drama Guildhall School Martin Lloyd-Evans Vocal Studies Victoria Newlyn Department Simon Cole Head of Vocal Studies Armin Zanner Deputy Head of The Guildhall School Vocal Studies is part of Culture Mile: culturemile.london Samantha Malk The Guildhall School is provided by the City of London Corporation as part of its contribution to the cultural life of London and the nation A Midsummer Night’s Dream Music by Benjamin Britten Libretto adapted from Shakespeare by Benjamin Britten and Peter Pears -
Spring/Summer 2016
News for Friends of Leonard Bernstein Spring/Summer 2016 High-brow, Low-brow, All-brow Bernstein, Gershwin, Ellington, and the Richness of American Music © VICTOR © VICTOR KRAFT by Michael Barrett uch of my professional life has been spent on convincing music lovers Mthat categorizing music as “classical” or “popular” is a fool’s errand. I’m not surprised that people s t i l l c l i n g t o t h e s e d i v i s i o n s . S o m e w h o love classical masterpieces may need to feel reassured by their sophistication, looking down on popular culture as dis- posable and inferior. Meanwhile, pop music fans can dismiss classical music lovers as elitist snobs, out of touch with reality and hopelessly “square.” Fortunately, music isn’t so black and white, and such classifications, especially of new music, are becoming ever more anachronistic. With the benefit of time, much of our country’s greatest music, once thought to be merely “popular,” is now taking its rightful place in the category of “American Classics.” I was educated in an environment that was dismissive of much of our great American music. Wanting to be regarded as a “serious” musician, I found myself going along with the thinking of the times, propagated by our most rigid conservatory student in the 1970’s, I grew work that studiously avoided melody or key academic composers and scholars of up convinced that Aaron Copland was a signature. the 1950’s -1970’s. These wise men (and “Pops” composer, useful for light story This was the environment in American yes, they were all men) had constructed ballets, but not much else. -
L'inondation De La Touloubre
L’inondation de la Touloubre (Bouches-du-Rhône) de septembre 1993 dans son contexte historique Jean-Louis Ballais, Thierry Torres, Mirabelle Fiandino La Touloubre est un petit fleuve des Bouches-du-Rhône qui se jette dans l’étang de Berre et dont le bassin-versant (fig. 1) s’insinue entre celui de l’Arc, au sud, et celui de la Durance, au nord. D’une superficie de l’ordre de 150 km2, ce bassin-versant est constitué de bas plateaux et de collines sur- tout calcaires. La Touloubre n’était pas totalement anonyme dans la mesure où elle arrose la ville et la base aérienne de Salon-de-Provence dans son bas- sin inférieur. Cependant, sa notoriété est restée strictement limitée jusqu’à la nuit du 22 au 23 septembre 1993 au cours de laquelle elle a inondé les bas quartiers de Venelles, Puyricard (commune d’Aix-en-Provence), La Barben, Pélissanne et Salon, provoquant d’importants dégâts matériels. S’agit-il d’un événement exceptionnel dû à des circonstances météorologiques rarissimes ou, au contraire, s’agit-il d’un nouveau type d’inondation fortement influencé par l’urbanisation du bassin-versant? Nous allons tenter de démonter que c’est cette deuxième problématique qui est la plus exacte. Les crues de la Touloubre aux XIXe siècle et XXe siècle Une recherche documentaire a été effectuée à partir de divers ouvrages et quotidiens, ainsi que sur des archives qui ont fourni des données de pluies et de débits permettant de préciser les caractéristiques des crues et des inonda- tions. Cette recherche concerne surtout le bassin inférieur1. -
Lambesc Maintient Le
2 INFOS PRATIQUES Lambesc Magazine n°13 mars/avril/mai 2017 ÉTAT CIVIL Simone Préau Ils sont nés Née le 14 février 1920, Simone PRÉAU, AUDIER de son TAFTAF Malak le 04/10/2016 nom de jeune fille, aurait eu 97 ans cette année. Lambescaine BOTA Maximilien le 06/10/2016 de naissance et maman de quatre garçons, Simone Préau VENDEMBILQUE Anissa le 25/10/2016 savait gérer son temps entre une vie professionnelle durant JEBARI Noé le 1er/11/2016 laquelle elle a beaucoup apporté aux autres, une vie familiale EL MEJJATI Léa le 1er/11/2016 bien remplie et la passion d’élue au service de sa commune. RAMOND Juliette le 02/11/2016 VILAPELLEJA Thomas le 21/11/2016 Simone Préau a marqué la vie politique de Lambesc : élue pour la première fois en MAZOCKY Alessio le 11/12/2016 1965, elle remporte à chaque fois tous les suffrages. Elle assure ainsi 5 mandats en PEQUIGNOT Angèle le 20/12/2016 tant que deuxième Adjointe et reste 30 ans au service de notre municipalité. Dès 1983, elle se consacre aux Affaires Sociales, domaine où son écoute, son sens Ils se sont mariés du détail, son dévouement n’avaient pas de limite. ALONSO Clément avec MAZZUCCO Audrey le 29/10/2016 Elle maîtrisait parfaitement sa fonction avec beaucoup de discrétion, de générosité, MAS Philippe avec COMBY Mélinda le 29/10/2016 luttant contre l’injustice et toujours présente sur le terrain. BENYAHYA Hamza avec MOUISSAT Myriam le Elle a contribué à réaliser le Service d’Aide à Domicile, le Foyer Restaurant 17/12/2016 l’Oustalet, la Maison de retraite l’Ensouleïado, l’aide aux personnes âgées, handicapées ou dans le besoin. -
[email protected] BERNARD LABADIE to RETU
FOR IMMEDIATE RELEASE October 26, 2016 Contact: Katherine E. Johnson (212) 875-5718; [email protected] BERNARD LABADIE TO RETURN TO NEW YORK PHILHARMONIC TO CONDUCT ALL-MOZART PROGRAM Flute Concerto No. 2 with Principal Flute ROBERT LANGEVIN Exsultate, jubilate with Soprano YING FANG in Her Philharmonic Debut Symphony No. 31, Paris Symphony No. 39 December 1–3, 2016 Bernard Labadie will return to the New York Philharmonic to conduct an all-Mozart program: the Flute Concerto No. 2, with Principal Flute Robert Langevin as soloist; Exsultate, jubilate with soprano Ying Fang in her Philharmonic debut; Symphony No. 31, Paris; and Symphony No. 39. The program takes place Thursday, December 1, 2016, at 7:30 p.m.; Friday, December 2 at 8:00 p.m.; and Saturday, December 3 at 8:00 p.m. The concerts open with three youthful works written when Mozart was 17, 21, and 22 years old, and close with the darker Symphony No. 39, written three years before his death. A leading specialist in the Baroque and Classical repertoire, Bernard Labadie led Mozart’s Requiem in his most recent appearance with the Philharmonic, in November 2013. The New York Times described this performance as “glowing … one of the most cohesive I have heard.” These concerts will mark Principal Flute Robert Langevin’s first of Mozart’s Flute Concerto No. 2 with the Philharmonic. Soprano Ying Fang has been acclaimed for her performances of Mozart, including her Metropolitan Opera debut in The Marriage of Figaro in September 2014, and Don Giovanni with The Juilliard School in April 2012. -
Beaurecueil, Châteauneuf Le Rouge, Fuveau, Peynier, Pourcieux, Pourrières, Puyloubier, Rousset, St Antonin Sur Bayon & Trets
Beaurecueil, Châteauneuf le Rouge, Fuveau, Peynier, Pourcieux, Pourrières, Puyloubier, Rousset, St Antonin sur Bayon & Trets Activités au programme des Multi-Sports suivant les thèmes : Athlétisme, Basket, Base-ball, Course d’orientation, Flag, Foot, Gym sportive, Hand, Rugby, Sports d’opposition, Tchoukball, Tennis, Tennis de table, Tir à l’arc, Volley, Vélo. MULTI-SPORTS - 4/6 ans et 7/13 ans Les 20 & 21/10 ou 31/10 & 02/11 - Du 24 au 28/10 1/2 40 ! les 2 jours - 100 ! les 5 jours - 60 ! les 5 journées LES MULTI-SPORTS A THEMES - Du 24 au 28/10 MULTI-SPORTS & ARTISTIQUE - 140 ! 4/6 ans : Mobile fleurs et oiseaux - 7/13 ans : Montgolfières colorées (Réalisation avec matériaux de récupérations) MULTI-SPORTS MULTI-SPORTS & ESCALADE & BMX 7/13 ans - 160 ! 7/13 ans - 135 ! MULTI-SPORTS MULTI-SPORTS & ÉQUITATION & JEUX CRÉATIFS 7/13 ans - 190 ! 7/13 ans - 110 ! MULTI-SPORTS MULTI-SPORTS & EVEIL MUSICAL & PETITS GEEK 4/6 ans - 130 ! 7/11 ans - 155 ! MULTI-SPORTS MULTI-SPORTS & TENNIS & TIR A L’ARC 7/13 ans - 130 ! - Débutant 105 ! - 7/13 ans Selon les thèmes : - Horaire de 9 h à 17 h 45 - Garderie de 8 h à 9 h et/ou de 17 h 45 à 18 h 45 - Transport possible au départ de TRETS - Lieu : FUVEAU - Gymnase du Collège Font d’Aurumy - Repas : 22,50 !/semaine - Garderie/Transport : 20 ! / semaine ARTISTIQUES ENFANTS - A Rousset - 9 h/12 h et/ou 14 h/17 h - 7/14 ans 1/2 1/2 20 ! les 2 journées - 50 ! les 5 journées - 40 ! les 2 jours - 100 ! les 5 jours Du 20 et 21/10 : Matin / Après-midi : Modelage sur le thème d’ Halloween (terre) Du 24 au 28/10 : Matin : Tournage / Après-midi : Découpage, peinture. -
Regroupement De Communes Entre Lesquelles Les Frais De Deplacements Lies Aux Actions De Formation Continue Ne Sont Pas Rembourses
IA13/DP2/FC REGROUPEMENT DE COMMUNES ENTRE LESQUELLES LES FRAIS DE DEPLACEMENTS LIES AUX ACTIONS DE FORMATION CONTINUE NE SONT PAS REMBOURSES En gras souligné: commune de référence = lieu de stage En italique : communes n'ouvrant pas droit à des frais de déplacement vers la commune de référence * Communes non rattachées à une commune de référence AIX-EN-PROVENCE CASSIS GEMENOS MARSEILLE ROGNES TARASCON BOUC-BEL-AIR AUBAGNE AUBAGNE ALLAUCH AIX-EN-PROVENCE ARLES CABRIES CARNOUX-EN-PROVENCE AURIOL AUBAGNE GARDANNE BOULBON EGUILLES CEYRESTE CASSIS CASSIS LA ROQUE-D'ANTHERON GRAVESON FUVEAU GEMENOS CUGES-LES-PINS GARDANNE LE PUY-SAINTE-REPARADE SAINT-ETIENNE-DU-GRES GARDANNE LA CIOTAT MARSEILLE GEMENOS SAINT-ESTEVE-JANSON SAINT-MARTIN-DE-CRAU LE PUY-SAINTE-REPARADE LES PENNES MIRABEAU ROQUEVAIRE LA CIOTAT VITROLLES TRETS LE THOLONET MARSEILLE ISTRES LA PENNE-SUR-HUVEAUNE SAINT-MARTIN-DE-CRAU PEYNIER LES PENNES MIRABEAU ROQUEFORT-LA-BEDOULE FOS-SUR-MER LE ROVE ARLES ROUSSET MARIGNANE SIMIANE-COLLONGUE MIRAMAS LES PENNES-MIRABEAU EYGUIERES VITROLLES MEYREUIL CHATEAUNEUF LES MARTIGUES PORT-DE-BOUC PLAN-DE-CUQUES ISTRES AIX-EN-PROVENCE ROGNAC GIGNAC-LA-NERTHE PORT-SAINT-LOUIS-DU-RHONE SEPTEMES-LES-VALLONS MIRAMAS CABRIES ROGNES MARIGNANE SAINT-MARTIN-DE-CRAU SIMIANE-COLLONGUE SALON-DE-PROVENCE GARDANNE SAINT-CANNAT MARTIGUES SAINT-MITRE-LES-REMPARTS VITROLLES SAINT-REMY-DE-PROVENCE LES PENNES-MIRABEAU SAINT-MARC-JAUMEGARDE PORT-DE-BOUC LA CIOTAT MARTIGUES EYGALIERES MARSEILLE SIMIANE COLLONGUE VITROLLES AUBAGNE CHATEAUNEUF-LES-MARTIGUES EYRAGUES -
Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
In the Steps of Cezanne
Aix-en-Provence GB IN THE STEPS OF CEZANNE 2018 IN CEZANNE'S COUNTRY (1839 - 1906) Paul Cezanne was passionately attached to Aix and his Provence, and summed his love up in a single sentence when he was away: ”When you’re born there, it’s hopeless, nothing else is good enough”. It was while walking in the Aix countryside as a teena- ger with Émile Zola that he realised he was an artist. The particular light of Provence guided him on his creative path to the threshold of abstraction. And it is in Aix-en-Provence and the surrounding area that you can share Cezanne's experience intensely today, as you visit the streets, places and landscapes that marked the life, the outlook and the work of the father of modern painting… ”the father of us all!” Picasso said. 2 | | 3 IN THE HEART OF AIX-EN-PROVENCE The town is home to several precious historical sites which embody the mysteries surrounding Cezanne. For today’s visitor, forays into this emblematic painter’s universe include discove- ring the Cezanne's Studio on the old Lauves hill or exploring the open-air Bibémus quarries. Walk in the steps of Cezanne and visit the city as he expe- rienced it… A pedestrian route marked by studs stamped with a “C” allows you to discover the landmarks of his early years (the houses where he lived as a child, his schools, etc), the places that marked him, the addresses of his family and ac- quaintances, the cafés where he met his friends and other artists… From classical elegance to Baroque opulence, Aix’s architectural heritage is the setting for your walk in the old town and its surroundings. -
La Fille De Neige
REVUE DE PRESSE LA FILLE DE NEIGE 8 représentations du 15 avril au 3 mai 2017 Opéra Bastille DIRECTION MUSICALE Mikhail Tatarnikov MISE EN SCÈNE, DÉCORS Dmitri Tcherniakov COSTUMES Elena Zaytseva LUMIÈRES Gleb Filshtinsky VIDÉO Tieni Burkhalter CHEF DES CHŒURS José Luis Basso Orchestre et Chœurs de l’Opéra national de Paris FLEUR DE NEIGE Aida Garifullina LEL Yuriy Mynenko KOUPAVA Martina Serafin LE TSAR BÉRENDEÏ Maxim Paster MIZGUIR Thomas Johannes Mayer DAME PRINTEMPS Elena Manistina LE PÈRE GEL Vladimir Ognovenko BERMIATA Franz Hawlata LE BONHOMME BAKOULA Vasily Gorshkov LA BONNE FEMME Carole Wilson L’ESPRIT DES BOIS Vasily Efimov LA CHANDELEUR Julien Joguet PREMIER HÉRAUT Vincent Morell DEUXIÈME HÉRAUT Pierpaolo Palloni LE PAGE DU TSAR Olga Oussova DIFFUSIONS RADIO Europe 1 - Sujet sur La Fille de neige le 9/04 http://www.europe1.fr/emissions/europe-1-week-end France Musique - Sujet sur La Fille de neige le 20/04 https://www.francemusique.fr/emissions/la-chronique-musique-de-guillaume-tion/la-fille-de-neige-opera-de-nikolai- rimski-korsakov-33429 France Culture - Sujet sur La Fille de neige le 27/04 (dès 46’40) https://www.franceculture.fr/emissions/la-dispute/musique-la-fille-de-neige-alcione-et-la-seine-musicale Catalunya Música - Sujet sur La Fille de neige le 2/05 http://www.ccma.cat/catradio/alacarta/assaig-general/el-cronista-errant-aterra-de-paris/audio/961105/ RTBF - Musiq 3 - Sujet sur La Fille de neige le 3/05 (dès 5’55) https://www.rtbf.be/auvio/detail_decibel-canto?id=2209768 COMPTE-RENDUS (Presse française) Dimanche 23 avril 2017 Page 1 sur 1 0123 DIMANCHE 23 - LUNDI 24 AVRIL 2017 CULTURE | 17 L’Opéra de Paris fond pour « La Fille de neige » L’œuvre de Rimski-Korsakov entre au répertoire dans une magnifique mise en scène de Dmitri Tcherniakov LYRIQUE La vision l aura fallu attendre le de Tcherniakov réchauffement climatique de habille de grâce l’ère Lissner pour qu’éclose I La Fille de neige, de Rimski- et de blancheur Korsakov, jamais revue sur une virginale cette scène parisienne depuis 1929. -
DIMITRIS T ILIAKOS – Baritone
D I M I T R I S T I L I A K O S – Baritone Born in Rhodes, after studying the viola, he began his vocal training at the Conservatory of Athens. He won the "Maria Callas Prize” and a two years scholarship, which allowed him to continue his studies in Munich at “Hochschule für Musik und Theater”. Shortly thereafter he made his debut at Prinzregententheater in Munich as Conte d’Almaviva in Le nozze di Figaro and won the "W.D. Fassbaender Prize" for young baritones. He also becme a member of Nürnberg State Opera, where he performed the major roles of the baritone repertory. Dimitris Tiliakos has already trod the boards of some among the major theaters of the world, including New York Metropolitan Opera (La bohème), London Royal Opera House (Don Carlo), Opéra National de Paris (Don Carlo, Macbeth), Teatro Real Madrid (Les Huguenots, Dido and Aeneas and Macbeth), Teatre Liceu de Barcelona (The Legend of the invisible city of Kitez by Rimsky-Korsakov), Opernhaus Zürich (Macbeth), Opéra de Monte-Carlo (La bohème), Teatro La Fenice di Venezia (Manon Lescaut), La Monnaie de Bruxelles (Aida and Francesca da Rimini) Athens Megaron (Simone Boccanegra, Macbeth), Greek National Opera (Don Giovanni, Carmen, Il trovatore, Tosca, Elektra), Opera de Nice (Il Trovatore e Simon Boccanegra), Staatsoper Hamburg (Manon Lescaut), Royal Danish Opera (La traviata), Tchaikovsky Hall (La bohème) and Bolshoi Theatre (Rigoletto) in Moscow, Festival dei Due Mondi in Spoleto (Don Giovanni conducted by James Conlon), and many others. He worked with such conductors as Myung-Whun Chung, Renato Palumbo, Evelino Pidò, Teodor Currentzis, Alain Altinoglu and Marc Minkowski, and with such stage directors as Graham Vick, Claus Guth, Dmitri Tcherniakov, Robert Carsen, Bob Wilson.