GuyanaGuyana Cultural Cultural Association Association ofof NewNew York York Inc. Inc.on-lineon-line Magazine Magazine Jun 30 2017 Vol 7 Issue 6

TM CULTURAL ASSOCIATION OF NEW YORK, INC. CONGRATULATIONS TO THE RECIPIENTS OF THE 2017 GCA AWARDS & WINNERS OF THE GODFREY CHIN PRIZE

GEORGE SIMON DR. WALTER EDWARDS GODFREY WRAY MERCEDES PIERRE AILEEN HINTZEN CLIVE PROWELL ROMOLA LUCAS

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! GUYANA CHRISTIAN LINGER FRANCISCO WALTER ROTH AMERINDIAN MUSEUM RESEARCH CENTER JOHN AARON CHARITIES, CANADA RUEL JOHNSON DESMOND ALLI “Mighty Sparrow” UNIVERSITY GUYANA 0F ANTHROPOLOGY

ANYTHING GUYANESE CANADA GUYANA %%%%%%%% FIRST- LLOYD OUTREACH HEALTHFIRST NEIL MARKS PHILLIPS, Founder MISSION LEAR MATTHEWS T. ERICMATTHEWS AMANDA RICHARDS

Guyana Cultural Association of New York Inc. on-line IN THIS ISSUE PAGE 6: GCA Awards Honorees EDITORIAL PAGE 7 :Godfrey Chin Winners 2 PAGE 11-11: Music Industry Crisis Welcome to our 2017 Guyana Folk Festival season. PAGE 12-21:: GCA SWS The mission of the Guyana Cultural Association is to study and to celebrate 3 PAGE 22-27: Designs Guyana’s rich multiethnic heritage, as well as to encourage and to promote PAGE 28-30: Symposium 2017 Guyanese creativity. PAGE 31-35: Folk Festival Family Day PAGE 37: Fatherhood In addition to sharing stories from the diaspora and the homeland, this edition focuses on the theme for this season— “Celebrating Our Indigenous Heritage.” • The Dr. Desrey Caesar-Fox Memorial Lecture by Dr. Walter E. Edwards [Thursday, August 31, Guyana Arts Our theme represents another example of our “We Bridging …” workplan, which Editor & Cultural Center, 2806 Newkirk Avenue, Brooklyn, NY 11226. Welcome and reception from 5:00 pm. we adopted in the 2013 “Imagining Guyana Beyond the Politics of Race” sympo- Dr. Vibert Cambridge, A.A. Lecture from 7:00 pm sium. The consensus of the symposium was that a key challenge in Guyana is the • Come to My Kwe Kwe [Friday, September 1 from 8:00 pm, Guyana Arts and Cultural Center, 2806 Newkirk Cover Design ethnic tensions resulting from the pervasive ignorance of our collective history. Claire Goring & Ashton Franklin Avenue, Brooklyn, NY 11226] This results in a focus on the hurts and agonies experienced by our root cultures • Symposium and Literary Hang [Saturday, September 2 from 9:00 am, Guyana Arts and Cultural Center, Copy Editors- instead of our commonalities. It reinforces the ethnic stereotypes created during 2806 Newkirk Avenue, Brooklyn, NY 11226] Edgar Henry, Lear Matthews the periods of encounter since 1498. It is manifested in demonization of the “other” and sustains Guyana’s debilitating ethno-politics. • Family Fun Day [12:00 -7:00 pm: Family Fun Day, Old Boys High School Ground, 736 Rutland Road, Layout and Design by Brooklyn, NY 11203] GCA’s “We Bridgin …” initiative is a contribution to changing this dynamic. Our Claire A. Goring & Ashton Franklin We have assembled a powerful group of participants to help us tell the multisensory story of Guyana’s indige- goal is to make our common humanity known. We believe that the intergenera- nous heritage. In this edition, we introduce the confirmed participants in this year’s Symposium and Literary tion and transnational conversations of our folk festival seasons provide easy Contributors: Hang. Dr. Vibert Cambridge points of entry for starting and sustaining conversations about important societal Dan Cooper - School of Geography and the Environment, University of Oxford; Louisa Daggers – Director of Dave Martins issues—in this case, the creation of a stable and equitable society. Ronald Lammy the Amerindian Research Unit, Faculty of Education and Humanities, ; Victor Davson, a Our season started on July 5, with the Carlyle Harry practicing artist and founding director since 1983 of Aljira, a Center for Contemporary Art in Newark, New Heritage Summer Gordon Wilson Jersey; Michael Gilkes, Ph.D. Independent literary scholar and film maker; Bob Gonzales - American Indian Workshops for Guyanese and Shirley Thomas Community House. Leader of Taino Heritage Group in New York; William I. Harris – Department of Deacon Jennifer Webster Caribbean youth in Brooklyn. The Architecture, Faculty of Technology, University of Guyana; Hilton Hemerding, musician; Yaphet Jackson, focus has been our indigenous her MFA. Filmmaker; Dave Martins – musician; Matoaka Little Eagle - American Indian Community House. Photography: itage. From the photographs, we Storyteller, singer, dancer, and educator; Dr. Mark G. Plew, University Distinguished Professor and Director, Dr. Vibert Cambridge see that the participants are using Center for Applied Archaeological Science, Department of Anthropology, Boise State University; and Rohan Dr. Patricia Cambridge Sagar, ethnomusicologist. Donna Ramsammy-James folk lore, especially creation stories, Ave Brewster-Haynes music, dance, and arts and crafts to learn Our 2017 season ends with Family Fun Day on Sunday, September 3, 2017. Louis Daggers about the inheritance from our We extend sincere thanks to the nominators of the 2017 awardees. Our thanks are also extended to American indigenous peoples. Indian Community House, Abby Matthias, New York Council on the Arts, Materials for the Arts, New York, GCA Media Team In this edition, you will be introduced to our 2017 MetroPlus Health Plan, Ministry of Indigenous Peoples Affairs, Guyana; Ministry of Foreign Affairs, Ave Brewster-Haynes (Chairperson), awardees. They reflect our commitment to Guyana; Fly , and Brooklyn Arts Council for what is shaping up to be an exciting folk festival season. Juliet Emanuel, Edgar Henry, Lear Matthews, Claire A. Goring, community engagement and dialogue. The In this edition, we also pay attention to themes that transcend Guyana’s ethnic polarizations. Gordon Wilson Ashton Franklin, awardees were nominated by Guyanese at home reflects on the importance of fatherhood. The articles about Deaconess Rita Hunter and Jennifer Van Cooten- Margaret Lawrence Gail A. Nunes, Francis Quamina Farrier. and in the diaspora. They represent the values Webster are examples of the leadership by women at home and in the diaspora. Dave Martins provides GCA considers when determining awards— urgent commentary on media piracy in Guyana and its negative impact on creativity. Please join our Facebook group, originality, scope, impact/influence, contribu I also ask you to join me in extending thanks to the GCA volunteers who are hard at work to make this season tion to harmony, innovation, and creative memorable. We must extend special thanks to GCA’s media team for whom this online magazine is a labor of Website: www.guyfolkfest.org responses to challenges. love. To GCA’s Cultural Director, Claire Anne Goring, thank you for your coordination of the season and your GCA Secretariat -1368 E.89 Street, outstanding graphic design. Brooklyn, NY 11236 Tel: 800-774-5762 In this edition, we also provide confirmed details on venues We hope you enjoy this edition. Please read and share. We look forward to seeing you at the events. and times for this season’s signature events. Remember, “Treasure the inheritance. • Awards Ceremony [Wednesday, August 30, Brooklyn Dr. Vibert Cambridge, A.A. Borough Hall, 6:00 pm.]

Guyana Cultural Association of New Guyana Cultural Association of New York Inc. on-line Magazine York Inc. on-line Magazine You are Invited 718FOLLOW 209 US ON FACEBOOK 5207 4 https://www.facebook.com/groups/GuyanaCulturalAssociation1/ GCA THE 9TH ANNUAL 5 VISIT OUR WEBSITE: www.guyfolkfest.org Summer Heritage

GUYANA FOLK FESTIVAL 2017 Work shop Se r ie s “Arts in the Community” “Celebrating CLOSING CEREMONY Thursday, August 10, 2017 from one o’clock promptly Our Indigenous St. Stephen’s Church Auditorium 2806 Newkirk Avenue, Brooklyn, NY 11226 Heritage” “Celebrating Our Indigenous Heritage”

Guyana Cultural Association of New York Inc. on-line Magazine Guyana Cultural Association of New York Inc. on-line Magazine CONGRATULATIONS TO THE 2017 WINNERS OF THE as Francis Farrier, Ken Cosby, Mark Matthews and Eusi Kwayana. The presentation takes us on a 6 The tableau present in the body of the nostalgic joy ride that invokes the cultural roots 7 CONGRATULATIONS TO THE 2017 and Creole parlance, reminiscent of the soul of 2017 Guyana Cultural Association of GODFREY CHIN Godfrey Chin’s literary genius. The language and New York Award recipients shows diction profoundly connects with the Guyanese of foundational, connecting human activi- PRIZE FOR all backgrounds. The places, people and situations ty. The indigenous characteristics are of “lang time” were vividly portrayed. One viewer noted, “…the video clearly complemented the GCA AWARDS multiple centuries old, and in modern- efforts of the Guyana Cultural Association to pro- day light, dispel the colonial lies with HERITAGE mote, preserve and propagate our cultural her- their truthful substance. Guyanese have itage.” HONOREES a magnificent cultural grounding. It is JOURNALISM The video is available at: evident in the initiatives and accom- Guyana Cultural Association of New York, Inc. https://www.youtube.com/channel/UCgZh64gLBZi3 is pleased to announce the 2017 winners of the glvvBzQz-Sg plishments of the Awardees who Godfrey Chin Prizes for Heritage Journalism. Third Prize: Amanda Richards: Amanda demonstrate creativity and distinctive- The 2017 winners embody the spirit, intellect, Richards was nominated for a Godfrey Chin Prize ness. We acknowledge and commend and wit of Godfrey Chin as well as the core val- for Heritage in recognition of five photographic ues that GCA considers when determining their successes in four designations: curations on contemporary cultural life in Guyana awards—originality, scope, impact/influence, during the period July 2016 to June 2017). These GCA Youth Award; GCA Award; GCA contribution to harmony, innovation, and cre- ative responses to challenges. include: African Holocaust Day 2016, Exemplary Award and GCA Lifetime Mashramani 2017, Rupununi Rodeo 2017, Easter Achievement Award. The winners represent qualities that Godfrey 2017, and Phagwah 2017. Godfrey Chin recog- Chin admired and encouraged. He enjoyed nized the power of photographs and spent much The 2017 honorees are spread across the doing research, especially collecting data—oral histories, photographs, songs, and “nylon.” time and treasure collecting them. Godfrey Chin Guyanese Diaspora. They reside in recognized that photographs are important arti- Paraguay, the United States of America, He was passionate about sharing. He used all facts in telling the Guyanese story. They provide available and accessible communication chan- Canada, and Guyana. Their predomi- nels to tell the Guyanese story. “historical and cultural contextualization.” In nant areas of impact have positively addition, they can trigger “affect—the experience of emotion.” Ms. Amanda Richards is an award- enriched Guyanese in various forms First Prize: Neil Marks For the article winning amateur photographer based in Guyana. WE CONGRATULATE and sectors. Our compatriots achieved "Pakaraima Bound.” The article showcased the She is a Getty contributor and CNN iReporter. significant achievements in visual arts, vast and relatively unknown Pakaraima moun- Her photographs have been featured in calendars, tains in Guyana and offered a glimpse into the AND INTRODUCE THE archaeology, linguistics, journalism, magazines, text books, websites, and several inter- alluring world of the people of the mountains. The national exhibitions. education, medical care, community 2017 AWARDEES Patamona culture is still relatively unknown and The collections are available at Flickr: African John L. Aaron; Desmond Alli; Dominic service, and as cultural enablers. undocumented, and hence the article embodies Holocaust Day 2016: Godfrey's quest to research and tell the stories of https://www.flickr.com/photos/arichards- Alleyne; Amerindian Research Unit-UG; In considering the diverse span of Guyana's cultural diversity. The article also Guyanese cultural attributes and our gallery/albums/72157673961599430; Mashramani 2017: Anything Guyanese First; Canada-Guyana enlightened others on how to get to the https://www.flickr.com/photos/arichards- Outreach Mission; Clinton Duncan; Walter close kinship to the Caribbean, we Pakaraimas, thus opening this world to others. It's gallery/albums/72157679077560350; Rupununi publication in Caribbean Beat, exposed it to both a F. Edwards, PhD; Slinger Francisco, make a special award to a calypso icon. Rodeo(2017):https://www.flickr.com/photos/arichards- local, Caribbean, and international audience. The gallery/albums/72157679533424583; Easter (2017): "Mighty Sparrow"; Guyana Christian article is available at: http://caribbean- https://www.flickr.com/photos/arichards- Ronald H. Lammy, beat.com/issue-144/pakaraima- Charities (Canada) Inc.; HealthFirst; Aileen gallery/albums/72157681953100316; and Phagwah (2017): Chairperson, Awards Committee bound#axzz4h9qEhGwo Hintzen; Kyle Igarta; Ruel Johnson; https://www.flickr.com/photos/arichards- Second Prize: Lear Matthews and Ted Eric gallery/albums/72157679031120992 Romola Lucas; Keanna McGarrell; Faith Matthews For the video Dis Time Nah Lang Parris; Mercedes Pierre; Clive Prowell; Time. Dis Time Nah Lang Time is a video presen- George Simon; Tevin Skeete; Walter Roth tation that clearly reflects the core values of Dr. Vibert Cambridge Guyanese cultural heritage. In their unique style Museum of Anthropology; Godfrey Wray. of delivery through the spoken word, the Chairperson, Godfrey Chin Prize for Heritage Matthews brothers captured the attention and Journalism Committee praise of thousands of Guyanese viewers at home and in the Diaspora, including cultural icons such

Guyana Cultural Association of New York Inc. on-line Magazine Guyana Cultural Association of New York Inc. on-line Magazine GUYANA CULTURAL ASSOCIATION OF NEW YORK, INC. GUYANA FOLK FESTIVAL 2017: SAVE THE DATES 8 CELEBRATING OUR INDIGENOUS HERITAGE 9 SYMPOSIUM & & LITERARY HANG 2017 Symposium FOLK FESTIVAL 2017 Literary Hang “Celebrating Our Indigenous Heritage”

THURSDAY, AUGUST 31: WELCOME BY NATIVE AMERICAN COMMUNITY FROM 5.00 P.M. THE DR. DESREY FOX-CAESAR MEMORIAL LECTURE DR. WALTER EDWARDS - “Desrey Fox and the Amerindian Languages Project.” LECTURE STARTS AT 7.00 P.M. GUYANA ARTS & CULTURAL CENTER 2805 NEWKIRK AVE., (Bet 28 & 29 Streets) BROOKLYN, NY 11226 SYMPOSIUM TABLES AVAILABLE FOR 2 EVENTS SATURDAY. SEPTEMBER 2: 9.00 A.M. - 8.00 P.M. $125.00 SYMPOSIUM & LITERARY HANG SAT. SEPT. 2 PANEL DISCUSSIONS, POSTER DISPLAYS, STORYTELLING, PERFORMANCES, CRAFT AND BOOK DISPLAYS, FESTIVAL OF VIDEOS SYMPOSIUM & LITERARY HANG AND SPECIAL DINNER GUYANA ARTS & CULTURAL CENTER BOOK “Contributors include: Dan Cooper, Louisa Daggers, Victor Davson, Bob 2806 NEWKIRK AVENUE, BROOKLYN, NY 11226 Gonzales, Dr. Michael Gilkes, William I. Harris, Hilton Hemerding, Yaphet MARTTO RESERVE, CONTACT Jackman, Karao Group from Karaudarna, Dave Martins, Matoaka Little Dr. Juliet Emanuel SUN. SEPT 3 Eagle, & Dr. Mark Plew.” FOLK FESTIVAL FAMILY DAY GUYANA ARTS & CULTURAL CENTER 347-387-0329 736 RUTLAND RD. BROOKLYN, NY 11203 2805 NEWKIRK AVE., (Bet 28 & 29 Streets) BROOKLYN, NY 11226 $25.00 REGISTRATION INCLUDES INDIGENOUS DINNER & ENTERTAINMENT

Guyana Cultural Association of New York Inc. on-line Magazine Guyana Cultural Association of New York Inc. on-line Magazine ing my original investment, never mind making a profit on what is a business enterprise for me. I Unexpected communications or encounters that have not done another album since, because to go appear suddenly in one’s life can bring sudden into the business of producing recordings for sale 10 focus to an issue that has been there all along, 11 in Guyana in a legitimate manner is simply to go albeit in somewhat of a secondary position or into debt – and depending on the scale of the something pending. This week, for instance, I was enterprise, considerable debt. To further add to coming out of the Bounty Supermarket on MUSIC the bleak picture, even negotiations with foreign Alexander Street in Kitty, and a man came up to music distributors (North America, Europe, etc.) me on the sidewalk asking if I was “the guy from are being affected because such companies are Tradewinds”. He told me he was in the music reluctant to enter into deals with music entities business, as well, and almost in the same breath, from a country where copyright laws and royalty he casually told me, “Your music is popular. I burn INDUSTRY payments are not enforced. Persons in the music CDs and sells them.” I stepped back from the industry know what I’m talking about – the reper- man, surprised by his effrontery, and said, “You cussion is not just here, with CD sales; it is also realize what you’re telling me? That you’re one of abroad in distribution agreements for recordings. those people in the business of taking my music, IN CRISIS selling it for profit, and I don’t see a cent?” The There is a huge amount of education, I would even man smiled and said something that came like a say, transformation needed among Guyanese on slap in the face: “Well, you do what you, and we this subject and our successive governments must make money from it.” He said it with no com- take the lead in this realignment. We are at the punction whatsoever. I stepped away from the stage where a man who is in the business of copy- individual and walked away. I had never heard it ing someone else’s art and selling it for his own put so boldly. advantage actually sees that as a legitimate under- taking. We have taken stealing and made it into Sitting in my car, ruminating about what had just something acceptable, and, indeed, even happened, brought the copyright issue into full admirable. I don’t know his name, but that’s how flower before me. The remark showed me how far the man on Alexander Street sees it. I say transfor- the situation had deteriorated. The piracy practice mation is needed, because the man on the side- has seen no intervention in the eight years I’ve walk who spoke to me is not going to do it on his been here, and furthermore the general public own. He is beyond redemption; his thinking is also sees nothing wrong in buying what they know polluted. Regulation and control must be intro- to be stolen, and the seller himself clearly saw duced for this total abandonment of order and Dave Martins nothing wrong in copying someone else’s work for First published in Stabroek News systems that runs through our music industry like sale. Indeed, his comment came with the implica- a river at flood. Those who steal must be made to tion that it was something that should make me stop this fundamental aberration. ithin the first year of my returning pened; the pirates had gotten hold of the proud. In recent months, there have been easily over a to live in Guyana in 2008, I set album and were burning copies to meet the There are some behaviours that are crying out for dozen occasions where people on the street have government regulation and intervention in this about recording an album of new demand in town. The question of CD piracy come up to me, fans of my music, asking “When society – I’m not about to take up space here with material, in the established Tradewinds for- has been a hot subject in Guyana for several we hearing something new from you?” When I W a list – but this abuse of our artistes’ Intellectual mat, at Krosskolor Studios in Campbellville, years, and to put the subject squarely, after have the time, I tell them the story of my AT Property, is an absolute disgrace on this nation, using local musicians. Entitled “At Home”, the third day of that initial flood of sales I HOME recording and the loss I endured there. and I continue to be astonished that it is allowed When I’m in a hurry, my response is short: “Not the album was soon on the market and the have not sold a single AT HOME CD in to continue. Outcries have come from a number this week.” initial reception was strong. It was in several Guyana. Not one. Consequently, in the of local musicians and record producers and there downtown stores, and I was frequently get- intervening years, I have been involved, is not even a ripple of official response. The con- ting calls for more stock – “bring 45”; “bring along with other record producers here, such sequence for the music industry here, if one pays 50”; “we need them today”. But after the as Burchmore Simon of Krosskolor, in only passing notice to it, is that musicians and third day of that rush, the calls suddenly efforts to combat the piracy of musicians’ producers have simply, as we say in Guyana, dried up. work, and we have heard promises of copy- “gone out”. The recording I released in 2008 cost me over US$5,000 and with sales drying up after It didn’t take me long to figure out what hap- right enforcement from succeeding govern- ments, but the piracy continues unchecked only three days, I have not come close to recoup-

Guyana Cultural Association of New York Inc. on-line Magazine Guyana Cultural Association of New York Inc. on-line Magazine 12 GCA 2017 SUMMER 13 HERITAGE WORKSHOP SERIES LEARNING rts ABOUT MY A INDIGENOUS & Craft HERITAGE This year's (annual) Summer Workshop Series which started on Wednesday, July fifth had two At SWS, we learned about the primary concentrations:-- Indigenous Peoples of Guyana, (i).. We BRIDGIN; and their culture, customs and (ii)..The legacies and practices of traditions, the types of food they eat, our indigenous people(s) how they fish and hunt, and their dress. Thus, the themes and lessons that were imparted to the participants- -spanning six to fourteen years, My Village bore those emphases. My village stand in a little clearing in the forst.I live here with my family. The primary resource-persons at My father is a hunter. the Workshop are Ms.Deborah My brother can catch a fish Assannah ; along with Messrs.Edgar with a bow and arrow. in our village Henry; Hilton Hemmerding; Reuben Freeman; Clive Prowell; Ryan Berkeley; and Clinton Duncan. They have been ably supported by Nurse Claudette Howell; Faith Parris; Yves Cajou and Janice Apart from the houses where families live, we also have a school house. Dougall. The roof of our house is made of palm leaves and slopes steeply almost to the ground to allow the rain water to fall clear of the floor. We sleep in hammocks which hang from the rafters. Hammocks are made from tough fibres and died grass gathered from the forest. Carlyle Harry, Director

Guyana Cultural Association of New York Inc. on-line Magazine Guyana Cultural Association of New York Inc. on-line Magazine 14 My 15 Canoe - (Corial)

Every family owns at least one canoe. Baskets, calabashes and paddles for the canoes are all stacked in one corner of the They call them corials. Canoes are made from tree trunks. When it is house. The blow pipes and bows and arrows which my father, brother and uncles market day in the nearby village, my father and brothers go down the use for hunting and fishing are kept in the rafters. river in their corials. They guide the corials over the rapids. Some children also use Corials to get to school.

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Creation Stories One of the themes to be explored during Guyana Folk Festival 2017 will be Mari Mari Dance our creation stories. The creation stories from our indigenous heritage— situates our origins in a time prior, way prior to European contact in 1492. Their successful fishing, hunting and raiding expeditions were also followed by In some of our creation stories, our origins are with the sky people. Victor mass celebrations, during which time those who performed creditably were often rewarded". Davson’s How the Warraus Came brought this story to life in 1972. Henry The traditional Mari-Mari and Matapei Dances were performed. Josiah’s Makonaima’s People—and service/sacrifice for peace. Sister Rose Magdalene’s marvelous collection has helped us to populate the collection of creation stories we will explore this season.

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Music we sing

My Headdress Used on ceremonial occasions

For the Indigenous Peoples of Guyana, song is traditionally the chief means of communicating with the supernatural powers, and music is seldom performed for its own sake; definite results, such as the bringing of rain, success in battle, or the curing of the sick, are expected from music. There are three classes of songs— traditional songs, handed down from generation to generation; ceremonial and med- icine songs, supposed to be received in dreams; and modern songs. Songs of heroes are often old, adapted to the occasion by the insertion of the new hero's name. Amerindian music is enjoyed by all Guyanese. Some of their earliest form of dance can be known as the Mari Mari which brought other Guyanese to rec- ognize this form of music and dance. Other instruments that are used by the Amerindians are banjos and flutes which are made from trees in their environment.

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Timehri Motifs The terms “Timehri design” and “Timehri motif” have been used to refer the application of petro- glyphs to contemporary Guyanese arts—paintings, sculpture, ceram- ics, graphic design, jewelry, and fashion. Our Celebration! Our Pow Wow

Mashramani is an Amerindian word, specifically Arawak in origin, which basically means "a venture". It grew out of the feasting and dancing that characterised the suc- cessful completion of land preparation and cassava planting by our indigenous peoples. It originated out of the activity that determined the very survival of the Amerindian people. They depended greatly on the cultivation of cassava which for centuries was their staple crop".

Weaving Baskets

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“Timili” is a Patamona word meaning “paintings and drawings on the rock.” The word “Timehri” is used to refer the Wanatuba Falls' rock petroglyphs in the Corentyne River. The word is either of Lokono (Arawak) or Warrau origin. The petro- glyphs at in the South Rupununi are classic examples of timili/ timehri. Elements of the Enumerative petroglyph series. From Denis Williams, TIMEHRI DESIGNS Prehistoric Guiana, p. 157. & GUYANESE Petroglyphs at Aishalton, South Rupununi, Guyana. Photograph courtesy of Louisa Daggers, Amerindian Research Unit, University Dr. VibertSTYLE C. Cambridge, A.A. of Guyana. In his book, Prehistoric Guiana, Denis Williams proposed that the petroglyphs found in Guyana were created during the Archaic period (circa 7000 b.p.). According to Williams, the petro- glyphs represent evidence of ancient migrations, settlement, and the state of human development. He discerned three traditions or series in the pet- roglyphs found in Guyana—Enumerative, Fish The Fish Trap petroglyph series are younger than Trap, and Timehri. The first two are associated those of the Enumerative series. with subsistence lifestyles. The last refers to the horticultural period, characterized by the cultiva- Louisa Daggers with what appears to be a Fish tion of cassava. Trap petroglyph at Aishalton Survey 2016. Photo The Enumerative Series is the older of the three courtesy Louisa Daggers, Amerindian Research traditions and fall into two categories—the bio- Unit, University of Guyana. morphic and geometric. Williams provided the following illustrations of petroglyphs from the Enumerative tradition

Guyana Cultural Association of New York Inc. on-line Magazine Guyana Cultural Association of New York Inc. on-line Magazine Williams considered the youngest series, the In this reflection, we focus on jewelry, home deco- HOME DECORATIONS Timehri petroglyphs to be “a representation of an ration, and fashion designs by men and women, House Proud identifiable deity, the Manioc Mother described in who, inspired by the petroglyphs, especially from 24 a fertility dance.” the Timehri Series, gave Guyanese a sense of the Home furnishings were also influenced by the 25 depth of their ancestral roots and an opportunity indigenous aesthetic in the early post-indepen- to wear Guyanese art with pride. dence ear. Here are two wall hangings: JEWELRY Gaskin and Jackson Jewelers Gaskin & Jackson Jewellers was established in 1969 by Herman G. Gaskin and Elric A. Jackson. The company is recognized as the launchers of the Timehri design jewelry. From its inception, the company has produced a rings, earrings, pen- Archaic occupation of the Guianas. From Denis dants, chain, bracelets, cufflinks, brooches/pins, Williams, Prehistoric Guiana, p. 91. and other jewelry inspired by the Timehri Series. This tradition continues in the company’s Afrozodiac line. The company is now managed by The terms “Timehri design” and “Timehri motif” Dean M. Jackson, the son of the late Elric Jackson. have been used to refer the application of these Louisa Daggers highlighting Manioc Mother petroglyphs to contemporary Guyanese arts— petroglyph, Aishalton Survey 2016. paintings, sculpture, ceramics, graphic design, jewelry, and fashion. The early post-independence years saw a blossom- The illustration below shows sketches of examples ing of this tendency among Guyanese visual of Manioc Mother from other locations in the artists. The Timehri motif was evident in the Orinoco Basin. paintings of Donald Loncke, Stanley Greaves, and ; the designs emanating from Design and Graphics; the ceramics of Stephanie Correia and Vanceram; household furnishings (House Proud); the jewelry of Gaskin and Jackson; and clothing of the era.

Bracelet Photograph courtesy of Ave Brewster-Haynes.

Wall hanging from House Proud (circa 1970s). Examples of Timehri petroglyph stereotypes in Photograph courtesy Vibert and Patricia the Orinoco Basin. From Denis Williams, Cambridge. Prehistoric Guiana, p. 238.

The map below shows the distribution of these Timehri Man Shooting Fish (1967) by Donald petroglyphs in the Guianas. Loncke. Photograph retrieved online at http://www.guyanatimesinternational.com/?p=19387

Guyana Cultural Association of New York Inc. on-line Magazine Guyana Cultural Association of New York Inc. on-line Magazine CERAMICS In the early post-independence years, Guyanese Vanceram Tableware Factory (1980s) fashion designers incorporated Timehri motifs in clothing. The Timehri motif represented a new day—a new beginning and an expression of 27 26 national pride and identity. It was part of the Cacique heritage—our indigenous leadership sym- bol. Donna Ramsammy-James been incorporating the motif in her designs over the past three decades. Here are examples of her clothing and accessories:

Dinner plate from Vanceram Tableware Factory (mid-1980s). Photograph courtesy of Vibert and Patricia Cambridge.

FASHION "Pisces" from Gaskin and Jackson's Amazodiac line (2017). Photograph courtesy of Han Granger-Gaskin Earrings designed by Leather belt made in Donna Ramsammy- Guyana (circa 2010). James and made by From Donna From a 2015 fashion show of Donna In 2017, the motif is still incorporated into Donna Magarita’s Gift Shop, Ramamsammy-James’ Ramsammy-James’ designs. Ramsammy-James’ designs and in jewelry, as is Georgetown, Guyana collection. Photograph Photograph by Vibert Cambridge. evident in Gaskin and Jackson’s current (2001). courtesy of Donna Ramsammy-James. Amazodiac line: The ancient petroglyphs and their contemporary incarnations have a special place in the Guyanese psyche. They symbolize longevity and the long rootedness of humanity—a special pulse in the Guyanese spirit. It is national identity.

Donna Ramsammy-James, choreographer, "Capricorn" from Gaskin and Jackson's designer, and an international creative consul- Amazodiac collection (2017). Photograph cour- tant (GCA Awardee, 2009). Donna Ramsammy-James’ design (2005). tesy of Han Granger-Gaskin.

Guyana Cultural Association of New York Inc. on-line Magazine Guyana Cultural Association of New York Inc. on-line Magazine 28 2017 GCA SYMPOSIUM & LITERARY HANG 29

DR.TO LAUNCH WALTER 2-DAY SYMPOSIUM EDWARDS WITH e GCA 2017 SYMPOSIUM & LITERARY HANG DR. WALTER EDWARDS TO Dr. Desrey LAUNCH 2-DAY SYMPOSIUM WITH THE DR. DESREY FOX- CAESAR MEMORIAL LECTURE We are happy to announce that the distinguished Guyanese scholar Dr. Walter Edwards, Professor DR. DESREYFOX-CAESAR of Linguistics and Director of the Humanities Fox-Caesar Center at Wayne State University will launch the MEMORIAL LECTURE two-day Symposium and Literary Hang with the Dr. Desrey Fox-Caesar Memorial Lecture on MEMORIAL LECTURE THURS. AUGUST 31: Thursday, August 31, 2017 at the Guyana Arts& GUYANA ARTS & Cultural Center, Brooklyn, New York. His pro- “Desrey Fox and the Amerindian Languages Project.” CULTURAL CENTER posed title is “Desrey Fox and the Amerindian 2805 NEWKIRK AVE., (Bet 28 Languages Project.” & 29 Streets) BROOKLYN, NY Dr. Edwards established the Amerindian Languages Project (ALP) at the University of Guyana in 1976. One of the founding research assis- THURSDAY, AUGUST 31, 2017 11226 tants was Desrey Caesar-Fox. One of the ALP’s goals was to help GUYANA ARTS & CULTURAL CENTER administrators and teachers learn about the languages and culture of ST. STEPHEN AUDITORIUM our indigenous peoples. There were plans for a hydro-electricity pro- ject in the Cuyuni-Mazaruni region where the Akawaios and Arekunas 2806 NEWKIRK AVENUE (BET. 28 & 29 STREETS) BROOKLYN, NY 11226 JOIN US ALSO AT THE live. The ALP’s first publication, An Introduction to the Akawaio and SYMPOSIUM & LITERARY HANG Arekuna Peoples of Guyana (University of Guyana, April 1977), 5.00 P.M. - WELCOME BY NATIVE AMERICANS FOR KARAO GROUP focused on the Akawaios and Arekunas. SAT. SEPTEMBER 2, 2017 Although the hydro-electricity project was shelved, the ALU contin- 7.00 P.M. - LECTURE GUYANA ARTS & CULTURAL CENTER ued its work. Desrey Fox remained with the ALP and its successor, 2806 NEWKIRK AVENUE the Amerindian Research Unit, for 20 years. She conducted field BROOKLYN, NY 11226 work with all of Guyana’s indigenous peoples and developed “fluency FOR INFORMATION CONTACT: in all dialects of Pemóng and Kapóng, plus conversational ability in THE GUYANA CULTURAL ASSOCIATION OF NEW YORK, INC. Cariban languages Kari’na (Carib proper) and Arawak.” In 2003, the late Dr. Desrey Caesar-Fox, completed her Ph.D., at Rice University, Houston, TX with the dissertation ZAURONÖDOK 718 783 5190 or 718 209 5207 AGAWAYA YAU: Variants of Akawaio spoken at Waramadong.

Guyana Cultural Association of New York Inc. on-line Magazine Guyana Cultural Association of New York Inc. on-line Magazine 30 SYMPOSIUM & Guyana Indigenous Peoples 31 LITERARY HANG 2017: CELEBRATING OUR INDIGENOUS HERITAGE & Native Americans in first ever Guyana / USA MATOAKA LITTLE EAGLE (Tewa, Apache, and Chickahominy) Pow Wow WILL PRESENT INFORMATION OF NATIVE AMERINCANS THROUGH A COMBINATION OF MUSIC, DANCE FOLK FESTIVAL AND STORYTELLING FAMILY DAY 2017 Matoaka Little Eagle has introduced people to Native American culture, using music, dance and storytelling, since childhood. She has taught in several Native educational programs in the Northeast and has presented workshops and classes for stu- dents of all levels, teachers, administrators, and the general public. In her collaborations with several vocal groups, theater ensem- bles, and Native dance troupes, she has traveled the US, Canada, and Europe. Singularly and/or with brother, Karao Groupe, Karaudarnau Powhatan, she has presented programs to over 15,000 people Matoaka in educational and cultural settings to help dispel stereotypes and to share the vitality and richness of Native cultures. Their Little Eagle collaboration is called "Native American Tales and Journeys." They have taught classes and workshops at numerous colleges, universities, institutes for arts in education, public and private schools, and community events, throughout the Northeast. In 1992, they performed in Frankfurt and Dresden, Germany in a John Cage concert called, "Renga, Apartment House 1776."

Matoaka continues to do educational work and is currently a member of the Thunderbird American Indian Dancers, a schol- arship fund raising and cultural organization, based in New York City. For her "day" job, she is a community follow-up Taino Dance Troupe Bon Gonzalez worker for a community service organization in Kingston. Jorge Estevez

Guyana Cultural Association of New York Inc. on-line Magazine Guyana Cultural Association of New York Inc. on-line Magazine 32 Karao Group 33 OF SOUTH RUPUNUNI & KARAOFROM THE VILLAGEGROUP, OF Native Americans KARAUDARNAU, SOUTH RUPUNUNI FOR FIRST EVER GUYANA / USA FOR FOLK FESTIVAL 2017 Pow Wow FOLK FESTIVAL FAMILY FUN Day, Sunday, September 3, 2017 The theme of GCA’s 2017 Folk Festival sea- son “ Celebrating our Indigenous Culture” will come alive throughout the season – August 30 to September 3, 2017 - with performances by the Karao Culture Group, from the South Rupununi Savannahs in Guyana. The twelve members if this tri-lingual group tect the Land, Rivers and Forest. ranging in ages from six to sixty years, speak The legend has it that a large snake gave the Wapichana, Porguguese and English. They village its name. The name Karao was chosen will perform skits and dances in Wapichana, as it is the word used to calm the large snake which will be narrated in English. so it returns to forest without harming the vil- This Cultural Group has performed in lagers. Guyana’s capital, Georgetown, at celebrations Some of the newest members have never visited to mark Indigenous Month which is held in Georgetown and this trip is their very first September of each year. time out of the village. The GCA’s objective of the 16th annual All members are Tri-Lingual speaking Guyana Folk Festival in Brooklyn, New York Wapichana, English and Portuguese. is to provide the Guyanese, Caribbean and Brooklyn communities with a satisfying intro- duction to Guyana’s Indigenous heritage and creativity. The Karoa Group hails from the village of Karaudaznaa, in Wapichana and Pow Wow Karaudarnau in English, South Rupununi Guyana. Barnabas & Imogene Ambrose with their daughter Beatrice Ambrose and other STARTS AT 3.30 P.M. members of the village began in 2005 to pro-

Guyana Cultural Association of New York Inc. on-line Magazine Guyana Cultural Association of New York Inc. on-line Magazine 34 JORGE 35 ESTEVEZ & SANGRE TAINA DANCE TROUPE FOR FOLK FESTIVAL FAMI- LY FUN DAY Sangre Taina Is a Dance troupe of Taino dancers, singers, and drummers from across the Caribbean islands. Our dances are both Estevez will entertain and educate visitors on contemporary and traditional. We perform Caribbean Indigenous culture with Taino cre- our dances to demonstrate to the world that ation stories, culture, and customs using a we the Taino people are still here. variety of cultural handling objects from the region. In addition, a headdress making Valerie Tureyari Vargas and Jorge Baracutei demonstration will take place throughout the day!

JORGE ESTEVEZ & SANGRE TAINA DANCE TROUPE FOR FOLK FESTIVAL FAMILY FUN DAY

Guyana Cultural Association of New York Inc. on-line Magazine Guyana Cultural Association of New York Inc. on-line Magazine I once came across a greetings card with the fol- for the road, not the road for the child”. In other Bobby González is a nationally lowing caption: “Dad – A son’s first hero and a words, instead of trying to remove all obstacles 36 known multicultural motivational BOBBY GONZALEZ, daughter’s first love.” After thinking long and and pave the way for their children, good fathers speaker, storyteller and poet. hard, it finally dawned on me what that message focus on equipping them to deal with the difficul- 37 Born and raised in the South meant. It told me that fatherhood was much more ties they will encounter on the road ahead. Bronx, New York City, he grew up STORYTELLER FOR than the production of an offspring resulting from Effective communication methods, I believe, have in a bicultural environment. the fertilization of an egg by a sperm. A child is the different meanings in different cultures. For exam- Bobby draws on his Native CHILDREN’S VILLAGE result of a physical union between a man and a ple, growing up in Guyana, I was exposed to the American (Taino) and Latino woman, and as such fathers are an important “word and a blow” method of absorbing a point (Puerto Rican) roots to offer a FOLK FESTIVAL source of our genetic makeup. A father gives life to (more like a command) made by my parents. It unique repertoire of discourses, his children, but it doesn’t stop there. A good went something like this: “Do that, or else”, or “Do readings and performances that father recognizes this as a limitation; and recog- this, because I say so!” End of discussion – no FAMILY FUN DAY nizes, accepts and properly fulfills his critical role explanation warranted, none given – and it celebrates his indigenous heritage. in the family. worked (I guess that made it effective!) Bobby has lectured at many institutions including Yale So, what is that critical role? You can troll the Of critical importance is teaching your children to University, the University of Internet “until the cows come home”, but I’ll guar- respect members of the opposite sex. Children Alaska-Fairbanks and the antee you will not find a “one size fits all” defini- tend to mimic the behavior of their parents; and University of Alabama-Huntsville. tion of fatherhood. I do, however, recognize that their observation of your treatment of your spous- there are several common components to this crit- es, daughters, sisters, etc., will cause them to As a storyteller he’s had the privi- ical role, regardless of our cultural differences. believe and accept your behavior as the norm. The lege of performing at Carnegie Firstly, fatherhood means being there, physically, teaching aspect of fatherhood presents a wonder- Hall, the Museum of Television & for your children. The idea of your presence in ful privilege and responsibility to share our lives Radio and the Detroit Institute of your child’s life is to create memories which will with the next generation and generations to come. Arts. He has given poetry read- form solid foundations of trust and respect on Thirdly, along with the ability to teach and effec- ings at the National Museum of which your children can build as they develop. tively communicate, comes the role of the father as the American Indian, the Secondly, fatherhood means the ability to teach the disciplinarian in the home. This was certainly University of North Dakota and your children and communicate with them effec- true in the Guyanese culture in which I was raised. the Nuyorican Poets Café. tively. We have heard it said: “Prepare the child How often have we heard our mothers say: “You wait ‘till your father come home. Gordon Wilson FATHERHOOD: WHAT DOES IT MEAN?

Guyana Cultural Association of New York Inc. on-line Magazine Guyana Cultural Association of New York Inc. on-line Magazine He will deal with you.” Even your siblings got human beings possess. History is replete with exam- IT was a watershed moment for the Anglican a deacon is a privilege, so I am happy.” involved in the act: “I will tell daddy when he come ples of a father’s unconditional love for his child. Diocese of Guyana (including Suriname and An otherwise solemn service, characterised by rev- home”. And immediately you knew that a “cut tail” And we are all familiar with the biblical parable of Cayenne) when the Church consecrated and erence, it was a moment of great excitement when (good or bad) was imminent, because, in those days, the prodigal son, which demonstrates both God’s ordained its first-ever female and first ever indige- Celebrant, The Right Reverend Bishop Charles 38 the preferred method of “bringing a child back in love for sinners and a father’s love for his children. nous woman as a Deacon in the Church of God. 39 line” was the administration of a “cut tail”. And the And there is one other attribute we must never for- Davidson, ceremoniously presented to Deacon irony is that it was administered with love! get: that is, a good father is a genius. He knows the The consecration and ordination of Mrs. Rita Hunter the instruments that gave her authority for answer to every question there is on any topic. So Hunter, 62, of Jawalla, Region Seven, Cuyuni- the office and work of a Deacon in the Church of Fourthly, fatherhood means the ability to provide. Mazaruni, was held at Christ Church, Waterloo God, saying: Receive this book [The Holy Bible] We have grown up with the understanding that a when you ask him a question, he always comes up Street, Georgetown and was witnessed by a size- and take authority to proclaim the Gospel and to good father is the provider of the finances and needs with the correct answer: “boy, I don’t know. Go ask able congregation which included Speaker of the assist in the administration of the Sacrament.” of the home and family. Our dependents need food, your mother!” shelter, protection, clothing, money, and a host of Good fathers set a positive example in all they do. National Assembly, Dr. Barton Scotland, family Then there was the robing of the deacon, assisted other things that the father is expected to provide. Remember, your children are not only watching; members of the deacon, including her husband, by her son and daughter, after which the Bishop Fifthly, fatherhood equals protection. As human they’re modeling themselves after your behavior. Barrington Hunter, son Raphael Hunter and eldest presented the newly ordained deacon to the con- beings, we tend to see God’s protection as a sort of Therefore, practice your very best habits of thought daughter Kathleen Grannis. gregation. magical shield that keeps us from all harm; and that and action. Fathers, please consider the important Married… and a proud mother of five (all alive), A member of St. John’s Evangelist Church, is exactly how children view the protective responsi- role that you play in your family. Your daughters are Deacon Hunter told the Sunday Chronicle: “I feel Jawalla, she also reads, writes and translates bilities of their fathers. The father could be fully forming opinions of themselves based on how you happy. I feel blessed, being called by the Lord. I depended upon and fully trusted to be protector; relate to them and your sons are watching you to Akawaio, the language of the people of Jawalla, flu- have come through the ranks. I was at first a ently, and has been translating the Holy Bible into and a good father relishes that responsibility. learn how to act as a man. May you walk in faith and Catechist. I was a Lay Minister and now to become Sixthly, fatherhood is synonymous with uncondi- continue to be positive role models. Akawaio for the benefit of her people. During the tional love. When a father gives to his children, he ordination, Deacon Hunter’s daughter read the demonstrates the strongest expression of love that Epistle which was prepared in Akawaio by Deacon ANGLICAN CHURCH Hunter. ORDAINS FIRST DEACONESS IN

ShirleyGUYANA Thomas St. Rose’s Alumni Association USA Inc. Anniversary Gala Honoring Cathy Cholmondeley-Hughes Guyana Minister of Public Telecommunications & Fly Jamaica Date: Thursday, August 31, 2017 Place: Russo’s on the Bay 162-45 Cross Bay Boulevard, Howard Beach, NY, 11414

Cocktails: 7:30 p.m. ~ Dinner: 8:30 p.m. Dress: Formal Donation: $125 (all inclusive) Ticket info: 917-553-4154 | 718-342-7046 | 917-617-0277 | 917-921-8660 RSVP: no later than June 30, 2017

Guyana Cultural Association of New York Inc. on-line Magazine Guyana Cultural Association of New York Inc. on-line Magazine Mrs. Hunter’s daughter Kathleen recalls that it never occurred to me she was going to be her mother has also been a health worker and the first indigenous woman; it never occurred DEACON JENNIFER later became trained as a birth attendant, in to me that the oldest bishop would be coordi- which capacity she functioned until she nating the ceremony.” SERVING DISADVANTAGED 41 40 reached the age of retirement. And to his delight, Mrs. Hunter, after dis- YOUTH IN BROOKLYN Jennifer VanCooten Webster is currently working for the TRiO – Asked how she feels now that her mother has cussing it with her family, willingly consented. Brooklyn College Educational Talent Search Program, as a Pre-col- broken records as being the first woman to be And another first in the scheme of things, the lege/career Counselor. This is one of the federally-funded, pre-col- ordained a deacon in the Diocese of Guyana , Bishop admitted that it was the first time that lege programs, on the Brooklyn College Campus. The goal of the pro- Kathleen replied: “I feel more than proud. there was an ordination at Christ Church. She gram is “to increase the number of youths from disadvantaged back- Mom has been a role model from a tender age was highly recommended by veteran priests in grounds to complete high school, to enroll in, and complete their postsecondary education.” and is a proud example for the people of the diocese and farther afield, who had inter- Jawalla to follow. She is returning to the acted with her through the years. One recom- Ms. VanCooten Webster was born in Georgetown, Guyana. She received her pre-college education in Guyana. Her early childhood Jawalla Mission, where she will work under mendation said: “She was devoted and dedi- education began at centers in Georgetown. Thereafter, she attended the supervision of Priest, Canon Wilson cated and a trustworthy woman of the Mazaruni Primary School, Lodge Government School, Smith’s Williams. Christian faith.” Others concurred with this Church Congregational School and Tutorial High School. She started Meanwhile, recalling the moment he asked position. her post-secondary education at Brooklyn College as an adult student. Mrs. Hunter to consider becoming a deacon, In 2003 she attained a Bachelor of Arts Degree in Sociology with dou- ble minors in Speech Communication and Children Studies. During Bishop Davidson said: “It never occurred to her years as a college student, she interned for the Division of Student me that she was going to be the first woman; Affairs. Ms. VanCooten Webster formed professional relationships with some staff members. With their support and encouragement, she was motivated to return to college in pursuit of graduate studies. In 2007 she attained a Master of Arts Degree in Political Science with a Concentration in Urban Policy and Public Administration. Her focus was Education Policy. She believes her studies have adequately prepared her for the job. The students in her case load come from various racial, cultural, and social backgrounds. They must live in and/or attend high schools in Brooklyn. Many are newly arriving immigrants. The needs of the lat- ter group revolve around adjustment issues and navigating the educa- tion system. The TRiO Program offers all participating students and families much needed support in these areas. Students receive sup- plemental services to help them boost their academics; they visit col- lege campuses; they engage in various career-oriented experiences; and they share in constant conversations about higher education and careers. Teaching financial literacy is another mandate of the pro- gram. Ms. VanCooten Webster states as an observation, that those students who take advantage of supplemental services and participate in program activities (this pertains to similar college-ready programs) are more likely to be ready for the rigor and successful completion of college. When she is asked why this choice of work with young adults? Ms. VanCooten is eager to respond that her educational journey was quite challenging. She always needed to take advantage of supplemental services. The school day never ended at dismissal. But with faith and the loving support of community God had granted her much suc- cess!!! This had created a constant reminder and motivation to give back generously and whole-heartedly. “It takes a village” – for me, it always has and with me it always will!

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