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Comparative Critical Special Issue King’s Research Portal Link to publication record in King's Research Portal Citation for published version (APA): Feigel, L., & Morley, E. (2016). The Transformative Power of Culture in Occupied Germany. (Comparative Critical Studies; Vol. 13, No. 2). Edinburgh: Edinburgh University Press. Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. 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Sep. 2021 Comparative Critical Studies The Journal of the British Comparative Literature Association VOLUME 13.2 (2016) The Transformative Power of Culture in Occupied Germany 1945–1949 GUEST EDITED BY LARA FEIGEL AND ELAINE MORLEY EDINBURGH UNIVERSITY PRESS Copyright Edinburgh University Press BRITISH COMPARATIVE LITERATURE ASSOCIATION President: Professor Marina Warner, Fellow, All Souls College, Oxford; Professor of English and Creative Writing, Birkbeck College, University of London. Secretary: Professor Matthew Reynolds, St Anne’s College and Faculty of English, Oxford University Treasurer: Dr Margaret Anne Clarke, School of Languages and Area Studies, University of Portsmouth The British Comparative Literature Association (BCLA) was founded in 1975. It aims to promote the scholarly study of literature without confinement to national or linguistic boundaries, and in relation to other disciplines. The BCLA’s primary interests are in literature, the contexts of literature and the interaction between disciplines. The Association encourages research along comparative, intercultural and interdisciplinary lines, as well as in the fields of general literary studies, literary theory and translation studies. It aims to foster the exchange and renewal of critical ideas and concepts, and to keep its members informed about national and international developments in the study of literature, providing a forum for personal and institutional contacts, both within Britain and with associations and individuals in other countries. Its principal activities are: • The organisation of a large-scale triennial conference and other, smaller, workshop conferences • The publication of the journal Comparative Critical Studies and of monographs on comparative literature • The organisation (with the British Centre of Literary Translation) of the John Dryden Translation Competition Membership of the BCLA is open to academic members of universities and other institutions of higher learning, as well as to graduate students and to other persons with appropriate scholarly interests, both in Britain and abroad. Membership gives the following benefits: subscription to Comparative Critical Studies; membership of the International Comparative Literature Association (ICLA), reduced registration fees for BCLA conferences and workshops, discounts on certain publications in comparative literature and related fields. Details of BCLA activities, the membership of the executive committee, subscription rates, etc. will be found on the BCLA website at http://www.bcla.org © British Comparative Literature Association 2016 All inquiries should be directed to Edinburgh University Press Ltd, The Tun – Holyrood Road, 12(2f) Jackson’s Entry, Edinburgh EH8 8PJ Comparative Critical Studies is indexed in the Arts & Humanities Citation Index and Current Contents/Arts & Humanities. Copyright Edinburgh University Press CONTENTS BCLA, Studies in Comparative Literature (SICL) book series: call for proposals iv Notes on Contributors v Introduction 139 ESSAYS STEPHEN BROCKMANN Establishing Cultural Fronts in East and West Germany 149 HELMUT PEITSCH AND DIRK WIEMANN Transformation of ‘Culture’: From Anti-Fascism to Anti-Totalitarianism 173 ELAINE MORLEY Intercultural Experience, the Anglo-American Occupation and UNESCO in Germany 1945–1949 193 ABBY ANDERTON Hearing Democracy in the Ruins of Hitler’s Reich: American Musicians in Postwar Germany 215 LARA FEIGEL ‘The Sermons in the Stones of Germany Preach Nihilism’: ‘Outsider Rubble Literature’ and the Reconstruction of Germany, 1945–1949 233 ERWIN J. WARKENTIN War by Other Means: British Information Control and Wolfgang Borchert’s Draußen vor der Tür 255 BOOK REVIEW WILIAM J. O’KEEFFE A Literary Occupation: Responses of German Writers in Service in Occupied Europe Reviewed by ELAINE MORLEY 273 Copyright Edinburgh University Press STUDIES IN COMPARATIVE LITERATURE The British Comparative Literature Association invites proposals for monographs and edited volumes for its series Studies in Comparative Literature, published on behalf of the Association by LEGENDA, an imprint of the Modern Humanities Research Association. Studies in Comparative Literature takes a global approach and ranges widely across comparative and theoretical topics in literary studies and translation studies. It accommodates research at the interface between different artistic media and between the humanities and the sciences. The series has published over thirty titles to date. A full list is available from the following website: http://www.legendabooks.com/series/sicl. If you have a manuscript that shares our comparative concerns, please write to the Editorial Committee Secretary, Dr Dorota Goluch ([email protected]), and LEGENDA’s Managing Editor, Dr Graham Nelson ([email protected]). Subject to editorial approval and following revisions in the light of peer review, LEGENDA is able to publish relatively quickly (usually within six months). Guidelines on submission are available from the LEGENDA website: http://www.legendabooks.com/proposals.html. If the manuscript derives from a doctoral project, indicate how you propose to revise the thesis into a book which will make a contribution to your field of study. Please attach examiners’ reports and specify how examiners’ suggestions have been addressed in the book proposal. We look forward to hearing from you. The Studies in Comparative Literature Editorial Committee. Editorial Committee: • Dr Emily Finer, University of St Andrews • Dr Dorota Goluch, Cardiff University • Dr Priyamvada Gopal, Churchill College Cambridge • Dr Duncan Large, British Centre for Literary Translation, University of East Anglia (Chair) • Professor Timothy Mathews, University College London • Professor Wen-chin Ouyang, SOAS, University of London • Professor Elinor Shaffer, School of Advanced Study, London Advisory Board: • Dr Shun-liang Chao, National Chengchi University, Taiwan • Dr Sayantan Dasgupta, Jadavpur University, Kolkata • Dr Ben Etherington, University of Western Australia • Professor J.T. Leerssen, University of Amsterdam • Professor Haun Saussy, University of Chicago • Dr Marco Wan, Hong Kong University • Professor Robert Weninger, King’s College London • Dr Mi Zhou, Hong Kong University Copyrightiv Edinburgh University Press Comparative Critical Studies 13.2 (2016): v–vi Edinburgh University Press DOI: 10.3366/ccs.2016.0195 C British Comparative Literature Association www.euppublishing.com/loi/ccs NOTES ON CONTRIBUTORS ABBY ANDERTON is Assistant Professor of Music at Baruch College, City University of New York. Her work has appeared in Music and Politics, The Journal of Musicological Research,andMusic Research Forum. She has received research grants from the Fulbright Commission and the German Academic Exchange Service (DAAD), and is currently working on a monograph about postwar Berlin’s classical music culture between 1945 and 1950. STEPHEN BROCKMANN is Professor of German at Carnegie Mellon University, Pittsburgh and President of the International Brecht Society. In 2010–2011 he was President of the German Studies Association. His publications include The Writers’ State: Constructing East German Literature, 1945–1959 (2015), A Critical History of German Film (2010), Nuremberg: The Imaginary Capital (2006), German Literary Culture at Zero Hour (2004), and Literature and German Reunification (1999). LARA FEIGEL is Senior Lecturer in English at King’s College London, where she is the Principal Investigator on the European Research Council Project, Beyond Enemy Lines. She is the author of The Bitter Taste of Victory: In the Ruins of the Reich (2016), The Love-Charm of Bombs: Restless Lives in the Second World War (2013), Literature, Cinema and Politics, 1930–1945 – Reading between the Frames (2010) and editor of Stephen Spender: New Selected Journals 1930–1995 (2012) and Modernism on Sea – Art and Culture
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