The Poetry of Paul Celan and Seamus Heaney and the Poetic

Total Page:16

File Type:pdf, Size:1020Kb

The Poetry of Paul Celan and Seamus Heaney and the Poetic Coyle, Derek (2002) 'Out to an other side':the poetry of Paul Celan and Seamus Heaney and the poetic challenge to post-modern discussions of absence and presence in the context of theological and philosophical conceptions of language and artistic production. PhD thesis. http://theses.gla.ac.uk/1765/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Thesis: "Out to an Other Sideý- The poetry of Paul Celan and Seamus Heaney and the poetic, challenge to post-modem discussions of absence and presence in the context of theological and philosophical conceptions of language and artistic production Derek CoYle For the Ph. D Degree University of Glasgow Faculty of Divinity July 2002 Abstract Martin Heideggerin 'The Origin of the Work of Art' seeksto approachthe self- subsistentnature of art. The Greek Temple opensup a spacewithin which our Being may dwell. It is the site of human civilization and religion, and of our capacityto dwell within abstractionslike peace,justice, truth and representation.Art breaksopen a new place and presentsthings in a fresh light. Languageis the primary model for this activity. Paul Celan in his poetry offers a challengeto Heideggerianabstraction. Both poetand philosopher were intimately familiar with eachother's work, yet thereis no essayon Celan,or evena reference,in the entireHeideggerian corpus. Celan's poem 'The Straitening'conveys the breakdownof meaningthat hasoccurred after the holocaust.In form andcontent it challengesany Heideggerian notion of the higher univocityachieved by greatpoetry. We will explorerecent examples of how poetshave examined the ideaof culturalbelonging and exclusion. We presenta distillation of this ideain the writingsof PaulCelan, particularly his presentationof the momentof 'Shibboleth'.We explorethe biblical origin of the term 'Shibboleth'in a conflict betweenthe armyof Jephtahand the Ephraimites.We look at a contemporarypoem with shibboleth'as its theme,Seamus Heaney's'Broagh. A consistenttheme of Maurice Blanchot's critical reflection from The Work of Fire in 1949 up to and including YheSpace ofLiterature in 1955, is the mannerin which our being creaturesunto death allows us to createart, and to think and write in the abstractionthat is language.Life enduresdeath and maintains itself in it. For BlanchotRainer Maria Rilke is oneof the mostsignificant modem poets in the way in which he haspresented and explored this theme.We challengeBlanchot's inadequate readingof Rilke in TheSpace ofLiteature asan instanceof his own pre-conceived philosophicalnihilism. We presentJacques Derrida's essay On theName, along with a readingof SeamusHeaney's poetry in the light of this essay,as an attemptto keepopen a modem philosophicalhorizon to the invitationof the transcendentalOther. We present ImmanuelLevinas' thought in Totalityand Infinity, aswell asDerrida's critique of Levinas in Writing and Difference, as an attempt to preservea post-modem, intellectually credible, metaphysicalexpression f6r thought. Acknowledgments The first personI am deeplygrateful to for bringingthis thesisinto the world, with his vastmidwifery experiencein all thingsacademic, is my supervisorthe Rev. Prof David Jasper.Thank you David for your insightful thoughts,for being a paragon of patienceand for possessingsuch a well read mind. Many thanks for guiding me throughall stagesof the Ph.D process.In your capacityas founder of the Centrefor the Study of Literature, Theology and the Arts at the University of Glasgow,I thank you for your vision and persistencein running a creative, progressiveand satisfying intellectual environment.My best wishes to your lovely wife Alison and all the lamily. conveyalso my appreciationto otherCentre personnel: to Dr. Kiyoshi Tsuchiyafor the manyprovocative and heated seminar papers that kept us arguingfor threeyears, to the Rev.Prof GeorgeNewlands for so ably takingcontrol of the helm andto all the variousPh. D andNLTh. students who passedthrough the Centrein my time there,along with all othervisiting lecturersand researchers. A particularthank you to Dr. David Klemm from the Universityof Iowa for his term asa visiting researcher.Words fail to expressmy gratitudeto you for your morethan generous hospitalityin Iowa in my time there. In particulara big expressionof gratitudeto fellow studentsover the years: RaphaelSys, Thorsten Leisser, Trygve Stabrun, Nick Thompson.To the staff in the office who enduredmuch blarney: Margaret, Jean, Marion andMarie. To all the staff of the GFF,truly oneof the highlightsof my stayin bonnieAlba, andwho also happenedto keepme financially andgood humouredly afloat in my lastyear there. Specialthanks and buckets of creativityto that great,neglected poet of Dundee,my goodfriend Pete Faulkner, his lovely wife Ruth andall their beautifulchildren, especiallyCaitlin. To SuzanneScott and all poetseverywhere. An especialthank you to old friendsin Ireland:Aoife Kerriganfor beingsuch an aceproof-reader and great pal. A great big thanks to Paul Nestor, friend and confidante for many years:that was a great trip to the Highlands wasn't it? To Helena Donnelly and Deirdre McCabe for that last minutevisit. To CarolineGavin and Brian Higgins.To PadraigKenny and Caroline: get that stageplay written boy! And last but by no meansleast, thank you to that most wonderful of women Dorothy Kenny. A big hug and kiss to all my wonderful fellow LGBT friends at the University of Glasgowwho, what canI say?kept me sanefor so long andso well, with whomI boogiedand occasionally cried, shared so muchwith, to friendshiplifelong anddeep: Dan andSharon, thanks for that unforgettablethirtieth birthdayparty, now whatam I to do at forty?,especially that GreekApollo amongstApollos Menelas Siafakas, to Brian Matthews,David Hay,David Grant,Graham Ramsey, Kenny Duffus, Sean Nye, Laura Howell and Maggie Currie, Ruth and Jo, Bob Softley, Pam and Jo, Andrew Kane, and lain Bull. Salutations:to Craig I and 11,to Nick, to Kiel, Paul Brown, Ian, RossFeilen, StephenKeltie, Sarah,Ray and John, Lindsey and Abe. For the many great late Thursday nights at Karen Dunbar's karaokenight in SadieFrost's underQueen Street Station and into the weehours at Bennett's,Glasgow's trashiest club. And the manySaturday nights begun in Delmonica'sand well andtruly concludedin that mosttasteful of venuesThe Polo Lounge.Thanks to DonaldReid. I acknowledgethe creativeverve of StuartHammond and all at the PoetryWorkshop in the LGBT Centre on Dixon Street. Thanksto all the baristasof the coffeeshops of the WestEnd. Especially the staff in Costason GreatWestern Road, and one of my favourites,the onewith the motorbike in the window,on ByresRoad, and whose name I cannotremember right now! Ah, I rememberit now, Tinderbox. A special thanks to Prof Brian Cosgroveat the Departmentof English, NationalUniversity of Ireland,Maynooth for his closeand thorough reading of this thesis. And finally a big thank you to all my family, to Dad and Mum, to Anthony, Alan, Roisin and Liam. I bet you're glad this is over, finally! for my Father and Mother Contents ThesisTitle Acknowledgments Dedication Contents Introduction: Unemployed and Homeless: Theology in a Post-Modern Space,p. 1- 18 ChapterOne: On the Path to Post-Modernity: Clearances and Presences,a Poetic Challenge to Martin Heidggerls 'The Origin of the Work of Art', p. 19 - 70 ChapterTwo Remembering the Word after the Shoah in the poemsof Paul Celan: A Challenge to Heidegger, p. 71 - 116 ChapterThree Through the Eye of the Shoah: The Shibboleth in Paul Celan and Seamus Heaney, p. 117 - 172 ChapterFour 'Out to an other side' -.Poetry as a Way to the Transcendental Other, p. 173 - 207 ChapterFive Un-Solid Foundations: The Aporetic, Philosophical Faith and the Plight of Metaphysicstoday, p. 208- 271 Conclusion The State of Play: SomeUseful Tips from Hans-Georg Gadamer and Paul Ricoeur, with illustrations from SeamusHeaney and Michael Longley, p. 272 - 297 Bibliography Introduction: Unemployed and Homeless, Theology in a Post-Modem Space Rhere doesthoughtfind itself today? Is it too big a questionto ask:where in termsof intellectualenterprise does humanity standtoday? How do we understandourselves, the world we live in, the shapeof human destiny, the purposeof existence?What answersto thesequestions are givenin the currentsociological and political matrix; how arethese questions answeredin the universities,in schoolsaround the world, on televisionand radio? Doestheology or religion play a role todayin addressingthese questions? To beginto addresssome of thesequestions we will commencewith contemporaryacademic philosopherSimon Critchley, geographer David Harveyand finally theologianJean- Luc Marion. In a recentpublication Simon Critchley states the problemof post-modernity quitebluntly: 'the task ofphilosophicalmodernity, at leastin its peakexperiences- in Hegel,Nietzsche, Heidegger - is a thinking throughof the deathof God termsof the problemof finitude". This hasradical implications, for not only arewe consideringthe
Recommended publications
  • Papers of John L. (Jack) Sweeney and Máire Macneill Sweeney LA52
    Papers of John L. (Jack) Sweeney and Máire MacNeill Sweeney LA52 Descriptive Catalogue UCD Archives School of History and Archives archives @ucd.ie www.ucd.ie/archives T + 353 1 716 7555 F + 353 1 716 1146 © 2007 University College Dublin. All rights reserved ii CONTENTS CONTEXT Biographical history iv Archival history v CONTENT AND STRUCTURE Scope and content v System of arrangement vi CONDITIONS OF ACCESS AND USE Access xiv Language xiv Finding-aid xiv DESCRIPTION CONTROL Archivist’s note xiv ALLIED MATERIALS Allied Collections in UCD Archives xiv Related collections elsewhere xiv iii Biographical History John Lincoln ‘Jack’ Sweeney was a scholar, critic, art collector, and poet. Born in Brooklyn, New York, he attended university at Georgetown and Cambridge, where he studied with I.A. Richards, and Columbia, where he studied law. In 1942 he was appointed curator of Harvard Library’s Poetry Room (established in 1931 and specialising in twentieth century poetry in English); curator of the Farnsworth Room in 1945; and Subject Specialist in English Literature in 1947. Stratis Haviaras writes in The Harvard Librarian that ‘Though five other curators preceded him, Jack Sweeney is considered the Father of the Poetry Room …’. 1 He oversaw the Poetry Room’s move to the Lamont Library, ‘establishing its philosophy and its role within the library system and the University; and he endowed it with an international reputation’.2 He also lectured in General Education and English at Harvard. He was the brother of art critic and museum director, James Johnson Sweeney (Museum of Modern Art, New York; Solomon R.
    [Show full text]
  • No Italian Translation
    MASK OF BYRON DISPLAYS NEW FACE October 5, 2004 A WAX carnival mask worn by Lord Byron at the height of the great poet's passionate affair with a young Italian countess in the early 19th century goes on display in Rome today after a delicate restoration. The mask, worn by Byron at a Ravenna carnival in 1820, was given to the Keats-Shelley Memorial House 40 years ago. But Catherine Payling, 33, director of the museum, said she was shocked by its deterioration when taking over 15 months ago. The Keats-Shelley house, next to the Spanish Steps, where Keats died in 1821, contains memorabilia associated with Keats, Shelley and Byron, all of whom lived in Italy at the height of the Romantic movement. Byron had left England in 1816 after a series of affairs and a disastrous year-long marriage, to join a brilliant group of English literary exiles that included Shelley and his wife, Mary. In the spring of 1819, Byron met Countess Teresa Guiccioli, who was only 20 and had been married for a year to a rich and eccentric Ravenna aristocrat three times her age. The encounter, he said later, "changed my life", and from then on he confined himself to "only the strictest adultery". Byron gave up "light philandering" to live with Teresa, first in the Palazzo Guiccioli in Ravenna - conducting the affair under the nose of the count - and then in Pisa after the countess had obtained a separation by papal decree. In his letters to John Murray, his publisher, Byron said that carnivals and balls were "the best thing about Ravenna, when everybody runs mad for six weeks", and described wearing the mask - which originally sported a thick beard - to accompany the countess to the carnival.
    [Show full text]
  • Poetry from Britain and Ireland Since 1945
    The Penguin Book of Poetry from Britain and Ireland since 1945 EDITED BY SIMON ARMITAGE AND ROBERT CRAWFORD VIKING CONTENTS Introduction xix EDWIN MUIR 1887-1959 The Interrogation 1 The Annunciation 2 The Horses 3 HUGH MACDIABMID 1892-1978 Crystals Like Blood 5 To a Friend and Fellow-Poet 6 DAVID JONES 1895-1974 from The Sleeping Lord 7 ROBERT GRAVES 1895-1985 The White Goddess 9 Apple Island 10 Surgical Ward: Men 11 AUSTIN CLARKE 1896-1974 from Eighteenth Century Harp Songs (Mabel Kelly) 12 RUTH PITTER 1897—1992 Old Nelly's Birthday 13 BASIL BUNTING 1900-1985 from Briggflatts 15 STEVIE SMITH 1902-1971 Do Take Muriel Out 20 Not Waving but Drowning 21 The Jungle Husband 22 Piggy to Joey 22 PATRICK KAVANAGH 1904—1967 A Christmas Childhood 23 The Long Garden 25 I vi | Contents JOHN BETJEMAN 1906-1984 A-Subaltern's Love-Song 26 I. M. Walter Ramsden ob. March 26, 1947, Pembroke College, Oxford 28 Executive 29 Louis MACNEICE 1907-1963 All Over Again 30 Soap Suds 31 The Suicide 31 The Taxis 32 W. H. AUDEN 1907-1973 The Fall of Rome 33 The Shield of Achilles 34 First Things First 36 In Praise of Limestone 37 JOHN HEWITT 1907-1987 I Write For ... 40 The Scar 41 KATHLEEN RAINE 1908— Air 42 The Pythoness 42 ROBERT GARIOCH 1909-1981 The Wire 43 NORMAN MACCAIG 1910—1996 Summer farm 48 July evening 49 Aunt Julia 50. Toad 51 Small boy 52 SOMHAIRLE MACGILL-EAIN/SORLEY MACLEAN 1911-1996 Soluis/Lights 53 Hallaig/Hallaig 54 A' Bheinn air Chall/The Lost Mountain 58 ROY FULLER 1912—1991 1948 60 Contents | vii | GEORGE BARKER 1913-1991 On a Friend's Escape from Drowning off the Norfolk Coast 61 from Villa Stellar 62 R.
    [Show full text]
  • <Insert Cover>
    ` An Chomhairle Ealaíon An Dara Tuarascáil Bhliantúil is Tríocha maille le Cuntais don bhliain dar chríoch 31ú Nollaig 1983. Tíolachadh don Rialtas agus leagadh faoi bhráid gach T1 den Oireachtas de bhun Altanna 6(3) agus 7(1) den Acht Ealaíon 1951 (P1.2619). Thirty-second Annual Report and Accounts for the year ended 31st December 1983. Presented to the Government and laid before each House of the Oireachtas pursuant to Sections 6(3) and 7(1) of the Arts Act, 1951 ISBN 0 906627 06 0 ISSN 0790-1593 Cover. Photograph by Jaimie Blandford of The Slide File, of the gold tore symbol of Aosdána. The torc, which was made by Pat Flood, is worn by the Saoi. Members (Until December 1983) (From January 1984) James White, Chairman Mairtin McCullough, Chairman Robert Ballagh John Banville Kathleen Barrington Vivienne Bogan Brian Boydell Breandán Breathnach Máire de Paor David Byers Andrew Devane Patrick Dawson Brian Friel Máire de Paor Arthur Gibney Bríd Dukes J. B. Kearney Vincent Ferguson Proinsias MacAonghusa Mairéad Furlong Patrick J. Murphy Garry Hynes Donald Potter Barry McGovern Nóra Relihan Patrick J. Murphy Michael Scott Éilís O’Connell Richard Stokes Seán Ó Mordha T. J. Walsh Michael Smith James Warwick Michael Taylor Staff Director Adrian Munnelly (from July) Director Colm Ó Briain (until July) Drama and Dance Officer Arthur Lappin Opera and Music Officer Marion Creely Traditional Music and Regional Development Officer Paddy Glackin Education and Community Arts Officer Adrian Munnelly (until July) Literature and Combined Arts Officer Laurence Cassidy Visual Arts Officer/Grants Medb Ruane Visual Arts Officer I Exhibitions Patrick Murphy Finance Officer David McConnell Administration Research and Film Officer Phelim Donlon Executive Assistant Nuala O'Byrne Secretarial Assistants Patricia Callaly Antoinette Dawson Sheilah Harris Kevin Healy Patricia Moore Bernadette O'Leary Suzanne Quinn Receptionist Kathryn Cahille 70 Merrion Square, Dublin 2.
    [Show full text]
  • How to Explain This and the Construction Of
    How to Explain This and The Construction of Disability in British Female Poetry in the 1990s-2010s: How Susan Wicks and Jo Shapcott Typify the New Generation’s Attention to Body and Difference A thesis submitted to The University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2018 Eleanor C. Ward School of Arts, Languages and Cultures 2 Contents Abstract .................................................................................................................................... 4 Declaration ............................................................................................................................... 5 Copyright .................................................................................................................................. 5 Acknowledgments .................................................................................................................... 6 How to Explain This ................................................................................................................. 7 Part I. .................................................................................................................................... 8 2013 - Three-Hundred Afternoons at the Neurology Hospital ........................................ 8 2016 - Three-Hundred Days to Explain .......................................................................... 18 2016-2017 Three-Hundred Days Outside the Neurology Hospital ................................ 21 Part II. ................................................................................................................................
    [Show full text]
  • Humour, Irony &
    ÉIGSE 2009 HUMOUR , IRONY & WIT A FESTIVAL OF POETRY AND PROSE presented by the Munster Literature Centre Éigse 2009 Humour, Irony & Wit Welcome to the 2009 Spring literary festival from the Munster Literature Centre. As with each of the last six years, our festival is arranged around a changing theme. In the past we have dealt with immigration, translation, love, politics and religion. This year the theme is Humour! Irony! Wit! Not all irony is funny and not all humour induces belly laughter. Humour can be subtly nuanced or it can be in-your -face obvious and is often shaped by cultural considerations. - a French arthouse film of some years back, notoriously claimedRidicule that the English had no wit but something called humour instead. Arguably one person’s wit is another person’s mere humour. To acknowledge this we have gathered together a disparate motley crew of literary clowns whose origins include America, Britain, Estonia and Japan as well as Ireland. We have poets, novelists, essayists and chancers of many genres. I’m hopeful that for anyone habitually inclined to pick up a book, this festival will contain something to induce a wry smile or convulse the stomach muscles. Taking note of the known healing properties of laughter, we have decided, for the first time ever, to distribute one of our festival brochures to Doctors’ waiting rooms. Who knows? There might even be a few prescriptions issued on the basis of the festival. As medicine you can take your pick from readings, workshops or book launches with complimentary wine or lemonade.
    [Show full text]
  • CIPF 2013 PDF.Pdf
    Welcome The Munster Literature Centre/Ionad Litríochta an Deiscirt has been hosting spring literary festivals in Cork since the mid nineties. Last year in recognition of the central position of poetry in Cork’s contemporary literary life we decided to make the festival exclusively poetry. But we don’t feature just Cork poets. Every year we invite brilliant bards from across the globe. English is the dominant language of the festival: we always present a strong showing of poets from these islands and the Americas, but we also feature poets working in Irish and many European languages, including, this year, Estonian, Maltese, Slovenian, Swedish and Welsh. The European dimension to this festival is especially important in 2013 as it coincides with Ireland’s assumption of the European Presidency. The months of January to June will see Ireland proudly celebrating its integral place at the heart of European civilisation, politically and culturally. Special events will happen throughout Ireland featuring European writers and artists and throughout Europe involving Irish writers and artists. The Munster Literature Centre/Ionad Litríochta an Deiscirt and the Cork Spring Poetry Festival is proud to be a part of these celebrations. Cork is a picturesque city of hills and waterways, grand Georgian parades and characterful 17th century alleyways leading off streets which twist and turn to fit in with the topography. Restaurants with international reputations serve the best of local produce, and a proliferation of traditional pubs boast of the best in live music. Come to Cork to experience all this and the Cork Spring Poetry Festival. You’ll get a huge welcome.
    [Show full text]
  • Cork Poets Class 213.Pdf
    Class 213 Cork Poets Colm Breathnach: http://www.poetryinternationalweb.net/pi/site/poet/item/8675/30/Colm-Breathnach Rosemary Canavan: http://www.rosemarycanavan.com/ Paul Casey: http://www.salmonpoetry.com/details.php?ID=261&a=222 Patrick Cotter: www.patrickcotter.ie Roz Cowman: http://www.munsterlit.ie/Writer%20pages/Cowman,%20Roz.html James Cummins: http://www.munsterlit.ie/Writer%20pages/Cummins,%20James.html Kathy Darcy: http://www.kathydarcy.com/ Louis De Paor: http://www.poetryinternationalweb.net/pi/site/poet/item/7524/30/Louis-De-Paor Greg Delanty: http://www.poetryinternationalweb.net/pi/site/poet/item/21188/30/Greg-Delanty Theo Dorgan: http://www.poetryinternationalweb.net/pi/site/poet/item/12473/30/Theo-Dorgan Martina Evans: http://www.poetryinternationalweb.net/pi/site/poet/item/15561/30/Martina-Evans James Harpur: http://www.poetryinternationalweb.net/pi/site/poet/item/12503/30/James-Harpur Liam Hodder: http://www.munsterlit.ie/Writer%20pages/Hodder,%20Liam.html Trevor Joyce: http://www.poetryinternationalweb.net/pi/site/poet/item/22752/30/Trevor-Joyce Dave Lordan: http://www.poetryinternationalweb.net/pi/site/poet/item/21866/30/Dave-Lordan Derek Mahon: http://www.poetryinternationalweb.net/pi/site/poet/item/9292/30/Derek-Mahon Thomas McCarthy: http://www.poetryinternationalweb.net/pi/site/poet/item/9272/30/Thomas-McCarthy Afric McGlinchey: http://www.africmcglinchey.com/ Áine Miller: http://www.munsterlit.ie/Writer%20pages/Miller,%20Aine.html Gerry Murphy: http://www.poetryinternationalweb.net/pi/site/poet/item/10062/30/Gerry-Murphy
    [Show full text]
  • Poetry 2019 Programme
    lynnlitfests.com Programme INFORMATION All events take place at The Town Hall, Saturday Market Place, King’s Lynn PE30 5DQ The Poetry Festival presents some of the best contemporary writers in a congenial and informal setting. The authors read and discuss their work and will be available to chat and sign your purchases from the festival’s well stocked book stall. You are welcome to join them and the festival organisers for lunch at restaurants near the festival venue - details given at the morning events. Ticket Prices Please arrive in good time to be seated. Readings will commence All events £8.50 promptly at listed start time Bargain Season Ticket £37.50 Tickets for students £1 (£5 BST) Doors will open around 30 minutes in advance We cannot guarantee that all the Booking writers will take part in the plenary sessions By post with stamped addressed envelope to All seats are unreserved Events and writers are correct at time of printing Hawkins Ryan Solicitors 19 Tuesday Market Place The organisers reserve the right to King’s Lynn PE30 1JW make changes without notice Please tell us if you have changed By telephone your address or wish to join the mailing list 01553 691661 (office hours) In person at the above address, by website or at the door on the day The Poetry Festival Please make cheques payable to is grateful for support from The Poetry Festival Hawkins Ryan Solicitors Programme and website advertisers Monthly Draw Club members You can contribute to help fund future Raffle Prize literature festivals. Join the Monthly Draw Club this weekend.
    [Show full text]
  • EMERGENCY KIT Poems for Strange Times Edited by Jo Shapcottand MATTHEW SWEENEY
    EMERGENCY KIT Poems for Strange Times edited by jo SHAPCOTTand MATTHEW SWEENEY S faberandfaber Contents Introduction, xv Hamnavoe Market GEORGE MACKAY BROWN, 3 A Constable Calls SEAM us HEANEY, 4 No MARK DOTY, 5 Red Roses ANNE SEXTON, 6 Harold's Walk GEOFFREY LEHMANN, 7 Owl GEORGE MACBETH, IO A Bee PETER DIDSBURY, II The Heaven of Animals JAMES DICKEY, 12 Rat, O Rat.. CHRISTOPHER LOGUE, 13 My Rival's House Liz LOCHHEAD, 14 A Doll's House KIT WRIGHT, 16 The Condom Tree CHASE TWICHELL, 17 Smoke SUSAN MITCHELL, 18 Listen Carefully PHILIP LEVINE, 20 'More Light! More Light!' ANTHONY HECHT, 21 I Am a Cameraman DOUGLAS DUNN, 22 Time Out MAURICE RIORDAN, 23 Mr and Mrs Scotland Are Dead KATHLEEN JAMIE, 26 Brief Lives OLIVE SENIOR, 27 Apple Island ROBERT GRAVES, 28 All Except Hannibal ROBERT GRAVES, 28 Palm Tree King JOHN AGARD, 29 Emergency Kit TANURE OJAIDE, 31 The Transposition of Clermont LES MURRAY, 32 Mercian Hymns IX, XII GEOFFREY HILL, 33 The Making of the Drum EDWARD KAMAU BRATHWAITE, 34 The Silent Piano LOUIS SIMPSON, 38 Bedtime Story GEORGE MACBETH, 38 The Horses EDWIN MUIR, 40 Johann Joachim Quantz's Five Lessons w. s. GRAHAM, 42 Variations for Two Pianos DONALD JUSTICE, 45 An American Roadside Elegy DAVE SMITH, 46 The Dream of Wearing Shorts Forever LES MURRAY, 47 [vii] Swineherd EILEAN NI CHUILLEANAIN, 50 Studying the Language EILEAN NI CHUILLEANAIN, 51 Diving into the Wreck ADRIENNE RICH, 51 Punishment SEAMUS HEANEY, 54 A Disused Shed in County Wexford DEREK MAHON, 56 The Bright Lights of Sarajevo TONY HARRISON, 58 Lightenings: viii
    [Show full text]
  • Cork Spring Literary Festival 2011 We Thank All Our Funders
    Cork Spring Literary Festival 2011 We thank all our funders To sign up for our newsletter go to: www.munsterlit.ie contact: [email protected] Cover image: Judyta Kryzanowska 1 Pat Boran Reading with Alan Garvey & Ian Wild Thursday 17th February 7.15pm THE DEAD MAN’S CLOTHES The dead man’s clothes were willed to the village orphans so that, those long summer evenings, he was everywhere, moving through the fields until the sun went down, bloodily. The villagers loved it, calling Gretel, Hansel, Romulus, and watching the old man’s shoulder turn or the big baggy arse that was his alone come to a sudden, billowing halt. Except his wife. Unable to decide whether this was flattery or insult, she kept herself to herself, shut up inside, while the village orphans came in from the fields, their hands reddened from picking berries and trailing mothballs in the street at Boran was born in Portlaoise, Ireland in 1963 like puffs of light. Pand currently lives in Dublin. He has published four collections of poetry: (1990), which won the Patrick KavanaghThe Unwound Award, Clock (1993), (1996) and Familiar Things (2001).The Shape His of Water As appeared the Hand, from the SaltGlove Publishing in New2005. and He Selected has publishedPoems a collection of short stories, (1991), short fiction for children includingStrange the Bedfellows Bisto finalist (1999) and non-fiction titlesAll including the Way the writers’from China handbook (1999/revised andThe expanded Portable Creative2005). WritingHis memoir Workshop was publishedThe inInvisible 2009. Prison: A former Scenes editorfrom an of Irish Childhood, he is the presenter of The Poetry Poetry Programme Ireland Review on RTÉ Radio 1, A member of Aosdána in 2008 he received the Lawrence O’Shaughnessy Poetry Award.
    [Show full text]
  • BNB Literary Translations Bibliography 2000 2005 2008
    Publishing Data and Statistics on Translated Literature in the United BNB Literary Translations Kingdom and Ireland Bibliography 2000_2005_2008 Personal name Title Imprint Translator, editor, etc Language codes Dewey number Scholtz, A. H. M. (Andrew Henry Martin),A 1923-2004place called Vatmaar : a living storyCape of a Towntime that : Kwela, is no morec2000. / A.H.M. Scholtz ; translated by Chris van Wyk. Afrikaans 823 Meyer, Deon. Dead at daybreak / Deon Meyer ; translatedLondon by: Hodder Madeleine & Stoughton, van Biljon. 2000. Afrikaans 823 Van der Vyver, Marita. Breathing space / Marita van der VyverLondon ; translated : Penguin, from 2000. the Afrikaans by Isobel Dixon. Afrikaans 839.3636 Van Niekerk, Marlene. Triomf / Marlene van Niekerk ; translatedLondon by Leon: Abacus, de Kock. 2000, c1999. Afrikaans 839.3636 The epic of Gilgamesh : the BabylonianLondon epic :poem Penguin, and other2000, textsc1999. in Akkadian and SumerianGeorge, / translated A. R. and with an introductionAkkadian by Andrew George. 899.951 Rosen, Michael, 1946- Shkojmë të gjuajmë arinj = we're goingLondon on a bear: Mantra, hunt 2000./ retold by Michael Rosen ; illustratedOxenbury, by Helen Helen. Oxenbury. Albanian 823.914 Kadare, Ismail. Three elegies for Kosovo / Ismail KadareLondon ; translated : Harvill Press,from the 2000. Albanian by Peter Constantine. Albanian 891.9913 Barghūthī, Murīd. I saw Ramallah / Mourid Barghouti ; translatedCairo ; [Great by Ahdaf Britain] Soueif : American ; with aUniversity foreword inby Cairo Edward Press, W. Said.c2000. Arabic 892.716 Adūnīs, 1930- The pages of day and night / Adonis Evanston,; translated Ill. from ; [Great the Arabic Britain] by : MarlboroSamuel Hazo. Press/Northwestern,Hazo, Samuel 2000. John. Arabic 892.716 Faqīh, Aḥmad Ibrāhīm. Gazelles and other plays / Ahmed Fagih.London : Kegan Paul International, 2000.
    [Show full text]