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'Jumping Off Shadows'
'Jumping off Shadows' SELECTED CONTEMPORARY IRISH POETS Edited by Greg Delanty and Nuala Ni DhomhnaiU with a preface by Philip O'Leary CORK UNIVERSITY PRESS CONTENTS Acknowledgements xiv Preface by Philip O'Leary xvi Roz COWMAN Influenza/2 The Twelve Dancing Princesses/2 Dandelion/5 Annunciation/4 The Goose Herd/5 Logic/6 Apple Song/6 Compulsive/7 Fascist/7 The Old Witch Sings of Lost Children/5 Lot's Wife/9 Meanings/10 EILEAN Ni CHUILLEANAIN The Absent Girl//2 Swineherd/12 Pygmalion's Image/13 Ransom//.? The Second Voyage/74 Looking at the Fall//5 J'ai Mai a nos Dents/16 Odysseus Meets the Ghosts of the Women//7 Old Roads//* The Hill-town//<9 London//9 St Mary Magdalene Preaching at Marseilles/20 Dreaming in the Ksar es Souk Motel/20 The Informant/25 AINE MILLER Going Home/25 Da/26 Visitation/27 The Undertaker Calh/28 Woman Seated under the Willows/29 The Day is Gone/30 Seventeen/5/ ClARAN O'DRISCOLL Smoke Without Fire/55 The Poet and his Shadow/55 Great Auks/55 Little Old Ladies/56 Sunsets and Hernias/57 Epiphany in Buffalo/57 from The Myth of the South/5* ROBERT WELCH Rosebay Willowherb/42 Memoirs of a Kerry Parson/42 For Thomas Henry Gerard Murphy/ 46 DERRY O'SULLIVAN Roimh Thitim Amach/5/ Mianadoir Albanach os cionn Oilean Bhearra/5/ Marbhghin 1943: Glaoch ar Liombo/52 Teile-Smacht/54 PAUL DURCAN The Death by Heroin of Sid Vicious/57 Sally/57 Raymond of the Rooftops/5<9 Sport/59 On Pleading Guilty to Being Heterosexual/ 60 Wife Who Smashed Television Gets Jail/62 The Perfect Nazi Family is Alive and Well and Prospering in Modern Ireland/ -
Cork World Book Fest
CORK WORLD BOOK FEST Mon 23 - Sat 28 April 2018 City Library - Grand Parade Triskel Christchurch BOOKING INFORMATION Cork City Library Triskel Christchurch Library events are free of charge In Person: Triskel Box Office and tickets are not required. By phone: 021 4272022 Where pre-booking is specified 24hr Online Booking: you can do so, www.triskelartscentre.ie In person: Reception desk By Phone: 021-4924900 follow us on social media Cork World Book Festival @ WorldBookFest CORK WORLD BOOK FEST 2018 It is hard to believe that it is 13 years The Cork World Book Fest is a joint since the first Cork World Book Fest. production of the City Libraries and Triskel When we put ‘World’ in the title in Christchurch, with the active support of 2005, it was an aspiration. Now Cork the Munster Literature Centre. BOOKING INFORMATION is a vibrant intercultural city, and the This year the Fest will take place in the Intercultural City is one of the key City Library, in the Grand Parade plaza strands of this year’s Fest. outside the Library, in the adjoining Bishop Lucey Park and Triskel The 2018 Fest is the 14th edition of a Christchurch, and on the streets (and festival which continues to grow in some of the cafés) of Cork (see Fired! on range and breadth, and which, we page 14). hope, gets more interesting by the year. We hope you enjoy the 14th Cork World Book Fest – it is you, the audience, who ensure its continued success each year. The Fest has always sought to combine readings by world class writers in a variety of settings with a cultural streetfair: book stalls, music, street entertainment, the The Cork World Book Fest spoken word, and more. -
Irish Studies Around the World – 2020
Estudios Irlandeses, Issue 16, 2021, pp. 238-283 https://doi.org/10.24162/EI2021-10080 _________________________________________________________________________AEDEI IRISH STUDIES AROUND THE WORLD – 2020 Maureen O’Connor (ed.) Copyright (c) 2021 by the authors. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged for access. Introduction Maureen O’Connor ............................................................................................................... 240 Cultural Memory in Seamus Heaney’s Late Work Joanne Piavanini Charles Armstrong ................................................................................................................ 243 Fine Meshwork: Philip Roth, Edna O’Brien, and Jewish-Irish Literature Dan O’Brien George Bornstein .................................................................................................................. 247 Irish Women Writers at the Turn of the 20th Century: Alternative Histories, New Narratives Edited by Kathryn Laing and Sinéad Mooney Deirdre F. Brady ..................................................................................................................... 250 English Language Poets in University College Cork, 1970-1980 Clíona Ní Ríordáin Lucy Collins ........................................................................................................................ 253 The Theater and Films of Conor McPherson: Conspicuous Communities Eamon -
The Early Work of Austin Clarke the Early Work (1916-1938)
THE EARLY WORK OF AUSTIN CLARKE THE EARLY WORK (1916-1938) OF AUSTIN CLARKE By MAURICE RIORDAN, M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Doctor of Philosophy McMaster University March 1981 DOCTOR OF PHILOSOPHY (1981) McMASTER UNIVERSITY (English) Hamilton, Ontario TITLE: The Early Work (1916-1938) of Austin Clarke. AUTHOR: Maurice Riordan, B.A. (Cork) M.A. (Cork) SUPERVISOR: Dr. Brian John NUMBER OF Fll.GES: vi, 275 ii ABSTRACT Austin Clarke dedicated himself to the ideal of an independent Irish literature in English. This dedication had two principal consequences for his work: he developed a poetic style appropriate to expressing the Irish imagination, and he found inspiration in the matter of Ireland, in hex mythology and folklore, in her literary, artistic and __ religious traditions, and in the daily life of modern Ireland. The basic orientation of Clarke's work determines the twofold purpose of this thesis. It seeks to provide a clarifying background for his poetry, drama and fiction up to 1938; and, in examining the texts in their prope.r context, it seeks to reveal the permanent and universal aspects of his achievement. Clarke's early development in response to the shaping influence of the Irish Revival is examined in the opening chapter. His initial interest in heroic saga is considered, but, principally, the focus is on his effort to establish stylistic links between the Anglo-Irish and the Gaelic traditions, an effort that is seen to culminate with his adoption of assonantal verse as an essential element in his poetic technique. -
Oxford Brookes Poetry Centre Collection
LIBRARY Oxford Brookes Poetry Centre Collection This collection was set up in collaboration with the Oxford Brookes Poetry Centre to promote contemporary poetry from the UK, Ireland, United States and beyond. It comprises books that have been shortlisted for 6 poetry prizes from the UK, Ireland, USA and beyond. The books are housed in the Headington Library (Level 4, Zone D) and they can all be borrowed. Find out more about the collection and the Oxford Brookes Poetry Centre on our web pages TS Eliot Prize for Poetry The TS Eliot Prize for Poetry is presented annually by The Poetry Book Society. The Collection covers the books shortlisted for the prize since 2012. TS Eliot Prize shortlist 2018 Winner: Hannah Sullivan, Three poems Phoebe Power, Shrines of Upper Austria Tracy K. Smith, Wade in the water + Ailbhe Darcy – Insistence Terrance Hayes – American Sonnets for My Past and Future Assassins Zaffar Kunial – Us Nick Laird – Feel Free Fiona Moore – The Distal Point Sean O'Brien – Europa Richard Scott – Soho TS Eliot Prize shortlist 2017 Winner: Ocean Vuong, Night sky with exit wounds Tara Bergin, The tragic death of Eleanor Marx Caroline Bird, In these days of prohibition Douglas Dunn, The noise of a fly Leontia Flynn, The radio Roddy Lumsden, So glad I'm me Robert Minhinnick, Diary of the last man Michael Symmons Roberts, Mancunia Jacqueline Saphra, All my mad mothers James Sheard, The abandoned settlements TS Eliot Prize shortlist 2016 Winner: Jacob Polley, Jackself Rachael Boast, Void Studies Vahni Capildeo, Measures of Expatriation Ian Duhig, The Blind Roadmaker J O Morgan, Interference Pattern WWW.BROOKES.AC.UK/LIBRARY Bernard O’Donoghue, The Seasons of Cullen Church Alice Oswald, Falling Awake Denise Riley, Say Something Back Ruby Robinson, Every Little Sound Katharine Towers, The Remedies TS Eliot Prize shortlist 2015 Winner: Sarah Howe, Loop of Jade Mark Doty, Deep Lane Tracey Herd, Not in this World Selima Hill, Jutland Tim Liardet, The World before Snow Les A. -
Austin Clarke Papers
Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 83 Austin Clarke Papers (MSS 38,651-38,708) (Accession no. 5615) Correspondence, drafts of poetry, plays and prose, broadcast scripts, notebooks, press cuttings and miscellanea related to Austin Clarke and Joseph Campbell Compiled by Dr Mary Shine Thompson 2003 TABLE OF CONTENTS Introduction 7 Abbreviations 7 The Papers 7 Austin Clarke 8 I Correspendence 11 I.i Letters to Clarke 12 I.i.1 Names beginning with “A” 12 I.i.1.A General 12 I.i.1.B Abbey Theatre 13 I.i.1.C AE (George Russell) 13 I.i.1.D Andrew Melrose, Publishers 13 I.i.1.E American Irish Foundation 13 I.i.1.F Arena (Periodical) 13 I.i.1.G Ariel (Periodical) 13 I.i.1.H Arts Council of Ireland 14 I.i.2 Names beginning with “B” 14 I.i.2.A General 14 I.i.2.B John Betjeman 15 I.i.2.C Gordon Bottomley 16 I.i.2.D British Broadcasting Corporation 17 I.i.2.E British Council 17 I.i.2.F Hubert and Peggy Butler 17 I.i.3 Names beginning with “C” 17 I.i.3.A General 17 I.i.3.B Cahill and Company 20 I.i.3.C Joseph Campbell 20 I.i.3.D David H. Charles, solicitor 20 I.i.3.E Richard Church 20 I.i.3.F Padraic Colum 21 I.i.3.G Maurice Craig 21 I.i.3.H Curtis Brown, publisher 21 I.i.4 Names beginning with “D” 21 I.i.4.A General 21 I.i.4.B Leslie Daiken 23 I.i.4.C Aodh De Blacam 24 I.i.4.D Decca Record Company 24 I.i.4.E Alan Denson 24 I.i.4.F Dolmen Press 24 I.i.5 Names beginning with “E” 25 I.i.6 Names beginning with “F” 26 I.i.6.A General 26 I.i.6.B Padraic Fallon 28 2 I.i.6.C Robert Farren 28 I.i.6.D Frank Hollings Rare Books 29 I.i.7 Names beginning with “G” 29 I.i.7.A General 29 I.i.7.B George Allen and Unwin 31 I.i.7.C Monk Gibbon 32 I.i.8 Names beginning with “H” 32 I.i.8.A General 32 I.i.8.B Seamus Heaney 35 I.i.8.C John Hewitt 35 I.i.8.D F.R. -
Frank O'connor
The 10th Annual FRANK O’CONNOR INTERNATIONAL SHORT STORY FESTIVAL 2009 elcome. Cork is the place to come for the world’s oldest, annual, dedicated, short story festival now in its tenth year. In Cork we have a special love of the short story because of our city and county’s association with W so many masters of the form including Daniel Corkery, Sean O’Faolain, Frank O’Connor, Elizabeth Bowen and William Trevor. The Munster Literature Centre, with the crucial help of funding from Cork City Council is delighted to be able to raise our city’s profile in the world through this festival and also through the annual Cork City-Frank O’Connor Short Story Award, the richest literary prize for the form which is now in its fifth year. Since the festival began we have featured modern masters from at home and abroad including the likes of Segun Afolabi, Cónal Creedon, Nisha da Cunha, Anne Enright, Richard Ford, Alasdair Gray, Bret Anthony Johnston, Miranda July, Claire Keegan, Etgar Keret, Jhumpa Lahiri, James Lasdun, Mary Leland, Eugene Mc- Cabe, Mike McCormick, Bernard MacLaverty, David Marcus, David Means, Rebecca Miller, Rick Moody, Eilis Ní Dhuibhne, Julia O’Faolain, James Plunkett, Dan Rhodes, Ludmila Ulitskaya, Samrat Upadhyay, William Wall, Yiyun Li Wang Zhousheng and many others. This year, we have five continents represented in our international lineup. We welcome back writers who have appeared before, not only former O’Connor Award shortlistees such as Grimshaw and O Ceallaigh, but writers such as Titley and Doyle who participated in our very first festival in 2000. -
Full Text of 'Joyce House' Letter and Signatories
Full text of ‘Joyce house’ letter and signatories As writers, artists, and scholars of Irish literature and culture, we call upon Josepha Madigan, the Minister for Culture, Heritage and the Gaeltacht, and Owen Keegan, Dublin City Manager, to intervene to save, for the nation and the world, the house at 15 Usher's Island, known to all as Joyce's house of "The Dead", and prevent any deterioration of its fabric. In the decades since Joyce's death, too many of the places that are rendered immortal in his writing have been lost to the city. Let us not repeat this mistake today. 15 Usher's Island is not just another house connected with Joyce. Built in 1775, its upper floors were rented by Joyce's great-aunts in the 1890s and the writer himself often visited them there. Most importantly, it is the setting of "The Dead", widely considered Joyce's and indeed the world's greatest short story. The atmosphere in the house and the way the rooms are configured are mostly untouched since Joyce's time. Turning it into a 56-room hostel would destroy the uniquely valuable interior which still maintains the character of the house so splendidly described in the story. Usher's Island has the potential to become a worthwhile site of literary pilgrimage, a way to inform and inspire new generations of Joyce readers. As we approach the centenary of Ulysses in 2022, we believe that saving this unique piece of our national heritage is within the power of the Government and the national institutions and that it should be an urgent priority. -
Papers of John L. (Jack) Sweeney and Máire Macneill Sweeney LA52
Papers of John L. (Jack) Sweeney and Máire MacNeill Sweeney LA52 Descriptive Catalogue UCD Archives School of History and Archives archives @ucd.ie www.ucd.ie/archives T + 353 1 716 7555 F + 353 1 716 1146 © 2007 University College Dublin. All rights reserved ii CONTENTS CONTEXT Biographical history iv Archival history v CONTENT AND STRUCTURE Scope and content v System of arrangement vi CONDITIONS OF ACCESS AND USE Access xiv Language xiv Finding-aid xiv DESCRIPTION CONTROL Archivist’s note xiv ALLIED MATERIALS Allied Collections in UCD Archives xiv Related collections elsewhere xiv iii Biographical History John Lincoln ‘Jack’ Sweeney was a scholar, critic, art collector, and poet. Born in Brooklyn, New York, he attended university at Georgetown and Cambridge, where he studied with I.A. Richards, and Columbia, where he studied law. In 1942 he was appointed curator of Harvard Library’s Poetry Room (established in 1931 and specialising in twentieth century poetry in English); curator of the Farnsworth Room in 1945; and Subject Specialist in English Literature in 1947. Stratis Haviaras writes in The Harvard Librarian that ‘Though five other curators preceded him, Jack Sweeney is considered the Father of the Poetry Room …’. 1 He oversaw the Poetry Room’s move to the Lamont Library, ‘establishing its philosophy and its role within the library system and the University; and he endowed it with an international reputation’.2 He also lectured in General Education and English at Harvard. He was the brother of art critic and museum director, James Johnson Sweeney (Museum of Modern Art, New York; Solomon R. -
Ecocriticism & Irish Poetry a Preliminary Outline
Estudios Irlandeses , Number 6, 2011, pp. 54-69 __________________________________________________________________________________________ AEDEI Ecocriticism & Irish Poetry A Preliminary Outline James Mc Elroy The University of California, Davis Copyright (c) 2011 by James Mc Elroy. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged for access. Abstract. This article offers a brief thumbnail sketch of how Irish poetry has situated “nature” inside its competing narrative forms. Beginning with Irish poetry’s earliest lyrics and concluding with some of Ireland’s most recent, and most experimental, writers, the goal of the piece is to introduce some rudimentary eco-critical theory as a means of better understanding how nature acts as a complex cultural and political semiotic, so often overlooked, in Irish literature. En route, the article examines and in part deconstructs those critical categories that have often divided Irish literature into two distinct ecological camps: the picturesque (read colonialist/tourist) and the oral (read native/indigenous). The article also considers the importance of ecofeminist theory and asks how critics might better read Ireland’s women poets as nature poets in their own right. In closing, the piece turns its attention to a number of recent poets, both men and women, who have exceeded the picturesque/oral divide and now require eco-alternative readings of nature as we enter the second decade of the 21st Century. Key Words. Nature, ecocriticism, picturesque, oral, ecofeminisim Resumen. El artículo ofrece una breve reseña de cómo la poesía irlandesa ha situado a la ‘naturaleza” en el centro de sus variadas formas narrativas. -
Autori / Contributors
Studi irlandesi. A Journal of Irish Studies, n. 5 (2015), pp. 273-277 DOI: http://dx.doi.org/10.13128/SIJIS-2239-16358 Autori / Contributors Katarzyna Bartoszyńska (<[email protected]>) spent several years working at the Program of Cultures, Civilizations and Ideas at Bilkent University, Ankara (Turkey). This fall she will join the English De- partment at Monmouth College, Illinois. Her research has appeared in New Hibernia Review and 19th Century Contexts. She is currently at work on a book that uses a comparative reading of literary history in Poland and Ireland as an entry point into an examination of comparative studies and ways of under- standing the rise of the novel in different parts of the world. An article related to this research, on Jonathan Swift’s Gulliver’s Travels and Ignacy Krasicki’s Adventures of Mr Nicholas Wisdom, appeared in Comparative Literature Studies. Tomasz Bilczewski (<[email protected]>) is an Assistant Professor and the director of the Centre for Advanced Studies in the Humanities at the Jagiel- lonian University, Krakow. He is the author of Komparatystyka i interpretacja. Nowoczesne badania porównawcze wobec translatologii (Comparative Literature and Interpretation: Modern CompLit and Translation Studies, 2010), the editor of Niewspółmierność. Perspektywy nowoczesnej komparatystyki, (Incommensurabil- ity. Perspectives on Modern Comparative Literature, 2010), and co-editor (with Luigi Marinelli and Monika Woźniak) of Rodzinny świat Czesława Miłosza (The Family World of Czesław Miłosz, 2014). He has received the Prime Minister’s Award for best doctoral dissertations in Poland (2009), and is a recipient of the Polityka and Ministry of Science scholarships for outstanding young scholars (2010 and 2014 respectively). -
Download Annual Report 1977
An Chomhairle Ealaíon An Séú Tuarascáil Bhliantúil is Fiche, maille le Cuntais don bhliain dar chríoch 31ú Nollaig 1977. Tíolacadh don Rialtas agus leagadh faoi bhráid gach Tí den Oireachtas de bhun Altanna 6 [3] agus 7 [1] den Acht Ealaíon 1951. Twenty-Sixth Annual Report and Accounts for the year ended 31st December 1977. Presented to the Government and laid before each House of the Oireachtas pursuant to Section 6 [3] and 7 [1] of the Arts Act, 1951. Front Cover: Multiple image of a sculpture ceramic, by Pat Connor, purchased by the Council An Chomhairle Ealaíon was set up by the Arts Acts 1951 and 1973 and consists of a chairman and not more than sixteen other members appointed by the Taoiseach. The present Council was appointed on 31st December 1973 and its term of office expires in 1978. The principal role of' the Council is to stimulate public interest in the arts; to promote the knowledge, appreciation and practice of the arts; and to assist in improving the standards of the arts. The Council also acts as an adviser on artistic matters to the Government and Government Departments and is one of the four bodies which have a statutory duty to make representations to local authorities in connection with applications for planning permission in areas of special amenity throughout the country. The Council receives an annual grant-in-aid from the Oireachtas. In the Arts Acts, the expression 'the arts' means painting, sculpture, architecture, music, drama, cinema, literature, design in industry, and the fine arts and applied arts generally.