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Cork World Book Fest
CORK WORLD BOOK FEST Mon 23 - Sat 28 April 2018 City Library - Grand Parade Triskel Christchurch BOOKING INFORMATION Cork City Library Triskel Christchurch Library events are free of charge In Person: Triskel Box Office and tickets are not required. By phone: 021 4272022 Where pre-booking is specified 24hr Online Booking: you can do so, www.triskelartscentre.ie In person: Reception desk By Phone: 021-4924900 follow us on social media Cork World Book Festival @ WorldBookFest CORK WORLD BOOK FEST 2018 It is hard to believe that it is 13 years The Cork World Book Fest is a joint since the first Cork World Book Fest. production of the City Libraries and Triskel When we put ‘World’ in the title in Christchurch, with the active support of 2005, it was an aspiration. Now Cork the Munster Literature Centre. BOOKING INFORMATION is a vibrant intercultural city, and the This year the Fest will take place in the Intercultural City is one of the key City Library, in the Grand Parade plaza strands of this year’s Fest. outside the Library, in the adjoining Bishop Lucey Park and Triskel The 2018 Fest is the 14th edition of a Christchurch, and on the streets (and festival which continues to grow in some of the cafés) of Cork (see Fired! on range and breadth, and which, we page 14). hope, gets more interesting by the year. We hope you enjoy the 14th Cork World Book Fest – it is you, the audience, who ensure its continued success each year. The Fest has always sought to combine readings by world class writers in a variety of settings with a cultural streetfair: book stalls, music, street entertainment, the The Cork World Book Fest spoken word, and more. -
Irish Studies Around the World – 2020
Estudios Irlandeses, Issue 16, 2021, pp. 238-283 https://doi.org/10.24162/EI2021-10080 _________________________________________________________________________AEDEI IRISH STUDIES AROUND THE WORLD – 2020 Maureen O’Connor (ed.) Copyright (c) 2021 by the authors. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged for access. Introduction Maureen O’Connor ............................................................................................................... 240 Cultural Memory in Seamus Heaney’s Late Work Joanne Piavanini Charles Armstrong ................................................................................................................ 243 Fine Meshwork: Philip Roth, Edna O’Brien, and Jewish-Irish Literature Dan O’Brien George Bornstein .................................................................................................................. 247 Irish Women Writers at the Turn of the 20th Century: Alternative Histories, New Narratives Edited by Kathryn Laing and Sinéad Mooney Deirdre F. Brady ..................................................................................................................... 250 English Language Poets in University College Cork, 1970-1980 Clíona Ní Ríordáin Lucy Collins ........................................................................................................................ 253 The Theater and Films of Conor McPherson: Conspicuous Communities Eamon -
Lerud Dissertation May 2017
ANTAGONISTIC COOPERATION: PROSE IN AMERICAN POETRY by ELIZABETH J. LERUD A DISSERTATION Presented to the Department of English and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy June 2017 DISSERTATION APPROVAL PAGE Student: Elizabeth J. LeRud Title: Antagonistic Cooperation: Prose in American Poetry This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the English Department by: Karen J. Ford Chair Forest Pyle Core Member William Rossi Core Member Geri Doran Institutional Representative and Scott L. Pratt Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2017. ii © 2017 Elizabeth J. LeRud iii DISSERTATION ABSTRACT Elizabeth J. LeRud Doctor of Philosophy Department of English June 2017 Title: Antagonistic Cooperation: Prose in American Poetry Poets and critics have long agreed that any perceived differences between poetry and prose are not essential to those modes: both are comprised of words, both may be arranged typographically in various ways—in lines, in paragraphs of sentences, or otherwise—and both draw freely from the complete range of literary styles and tools, like rhythm, sound patterning, focalization, figures, imagery, narration, or address. Yet still, in modern American literature, poetry and prose remain entrenched as a binary, one just as likely to be invoked as fact by writers and scholars as by casual readers. I argue that this binary is not only prevalent but also productive for modern notions of poetry, the root of many formal innovations of the past two centuries, like the prose poem and free verse. -
The Early Work of Austin Clarke the Early Work (1916-1938)
THE EARLY WORK OF AUSTIN CLARKE THE EARLY WORK (1916-1938) OF AUSTIN CLARKE By MAURICE RIORDAN, M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Doctor of Philosophy McMaster University March 1981 DOCTOR OF PHILOSOPHY (1981) McMASTER UNIVERSITY (English) Hamilton, Ontario TITLE: The Early Work (1916-1938) of Austin Clarke. AUTHOR: Maurice Riordan, B.A. (Cork) M.A. (Cork) SUPERVISOR: Dr. Brian John NUMBER OF Fll.GES: vi, 275 ii ABSTRACT Austin Clarke dedicated himself to the ideal of an independent Irish literature in English. This dedication had two principal consequences for his work: he developed a poetic style appropriate to expressing the Irish imagination, and he found inspiration in the matter of Ireland, in hex mythology and folklore, in her literary, artistic and __ religious traditions, and in the daily life of modern Ireland. The basic orientation of Clarke's work determines the twofold purpose of this thesis. It seeks to provide a clarifying background for his poetry, drama and fiction up to 1938; and, in examining the texts in their prope.r context, it seeks to reveal the permanent and universal aspects of his achievement. Clarke's early development in response to the shaping influence of the Irish Revival is examined in the opening chapter. His initial interest in heroic saga is considered, but, principally, the focus is on his effort to establish stylistic links between the Anglo-Irish and the Gaelic traditions, an effort that is seen to culminate with his adoption of assonantal verse as an essential element in his poetic technique. -
Sharon Olds : the Poetry Foundation 12/5/12 11:55 AM
Sharon Olds : The Poetry Foundation 12/5/12 11:55 AM Home > Poems & Poets > Sharon Olds Sharon Olds b. 1942 Sharon Olds is one of contemporary poetry’s leading voices. Winner of several prestigious awards, including the National Book Critics Circle Award, Olds is known for writing intensely personal, emotionally scathing poetry which graphically depicts family life as well as global political events. “Sharon Olds is David Bartolomi enormously self-aware,” wrote David Leavitt in the Voice Literary Supplement. “Her poetry is remarkable for its candor, its eroticism, and its power to move.” Olds’s candor has led to both high praise and condemnation. Her work is often built out of intimate details concerning her children, her fraught relationship with her parents and, most controversially, her sex life. Critic Helen Vendler publically disparaged Olds’s work as self-indulgent, sensationalist and even pornographic. However, Olds has just as many supporters who praise her poetry for its sensitive portrayal of emotional states, as well as its bold depiction of “unpoetic” life events. Discussing Olds in Poetry, Lisel Mueller noted: “By far the greater number of her poems are believable and touching, and their intensity does not interfere with craftsmanship. Listening to Olds, we hear a proud, urgent, human voice.” And the poet Billy Collins has called her “a poet of sex and the psyche,” adding that “Sharon Olds is infamous for her subject matter alone…but her closer readers know her as a poet of constant linguistic surprise.” Olds’s poetry is known for its accessible and direct free verse style. -
Hammer Langdon Cv18.Pdf
LANGDON HAMMER Department of English [email protected] Yale University jamesmerrillweb.com New Haven CT 06520-8302 yale.edu bio page USA EDUCATION Ph.D., English Language and Literature, Yale University B.A., English Major, summa cum laude, Yale University ACADEMIC APPOINTMENT Niel Gray, Jr., Professor of English and American Studies, Yale University Appointments in the English Department at Yale: Lecturer Convertible, 1987; Assistant Professor, 1989; Associate Professor with tenure, 1996; Professor, 2001; Department Chair, 2005-fall 2008, Acting Department Chair, fall 2011 and fall 2013, Department Chair, 2014-17 and 2017-19 PUBLICATIONS Books In progress: Elizabeth Bishop: Life & Works, A Critical Biography (under contract to Farrar Straus Giroux) The Oxford History of Poetry in English (Oxford UP), 18 volumes, Patrick Cheney general editor; LH coordinating editor for Volumes 10-12 on American Poetry, and editor for Volume 12 The Oxford History of American Poetry Since 1939 The Selected Letters of James Merrill, edited by LH, J. D. McClatchy, and Stephen Yenser (under contract to Alfred A. Knopf) Published: James Merrill: Poems, Everyman’s Library Pocket Poets, selected and edited with a foreword by LH (Penguin RandomHouse, 2017), 256 pp James Merrill: Life and Art (Alfred A. Knopf, 2015), 944 pp, 32 pp images, and jamesmerrillweb.com, a website companion with more images, bibliography, documents, linked reviews, and blog Winner, Lambda Literary Award for Gay Memoir/Biography, 2016. Finalist for the Poetry 2 Foundation’s Pegasus Award for Poetry Criticism, 2015. Named a Times Literary Supplement “Book of the Year, 2015” (two nominations, November 25). New York Times, “Top Books of 2015” (December 11). -
Frank Bidart, Louise Glück, and Robert Pinsky
Chancellor's Distinguished Fellows Program 2004-2005 Selective Bibliography UC Irvine Libraries Frank Bidart, Louise Glück, Robert Pinsky March 11, 2005 Prepared by: John Novak Research Librarian for English & Comparative Literature, Classics and Critical Theory [email protected] and Lisa Payne Research Librarian Assistant [email protected] Note: For some Web links listed, access is restricted to resources licensed by the UCI Libraries. Table of Contents Frank Bidart .......................................................................................... p. 1 Louise Glück................................................................................................... p .4 Robert Pinsky ................................................................................................. p. 7 Frank Bidart Books & Poetry Collections of Bidart Bidart, Frank. Music Like Dirt. Louisville, Ky.: Sarabande Books, 2002. ________. Desire. New York: Farrar, Straus and Giroux, 1997. ________. In the Western Night: Collected Poems, 1965-90, ed. Joe Brainard. 1st ed. New York: Farrar Straus Giroux, 1990. ________. "The War of Vaslav Nijinsky." (1984): 1 sound cassette (52 min.). 1 ________. The Sacrifice. New York: Random House, 1983. ________. The Book of the Body, ed. Joe Brainard. New York: Farrar, Straus and Giroux, 1977. ________. Golden State. New York: G. Braziller, 1973. Works edited by Bidart Lowell, Robert. Collected Poems, eds. Frank Bidart and David Gewanter. New York: Farrar, Straus and Giroux, 2003. Essays by Bidart Bidart, Frank. "Pre-Existing Forms: We Fill Them and When We Fill Them We Change Them and Are Changed." Salmagundi 128 (Fall 2000): 109-122. ________, Wyatt Prunty, Richard Tillinghast, and James Kimbrell. "Panel: Lowell on the Page." Kenyon Review 22, no. 1 (Winter 2000): 234-248. ________. "'You Didn't Write, You Rewrote'." Kenyon Review 22, no. 1 (Winter 2000): 205-215. ________. "Like Hardy." Harvard Review 10 (Spring 1996): 115. -
The Chad Walsh Poetry Prize Was Established in 1993 by Alison Walsh Sackett and Her Husband Paul in Honor of Ms
The Chad Walsh Poetry Prize was established in 1993 by Alison Walsh Sackett and her husband Paul in honor of Ms. Sackett's father, Chad Walsh (1914-1991), a co-founder in 1950 of the Beloit Poetry Journal. An author and scholar, Walsh wrote several books on literary history, notably on C.S. Lewis, and published six volumes of poetry, including The End of Nature and Hang Me Up My Begging Bowl. He was professor and writer-in-residence at Beloit College in Wisconsin for thirty-two years, serving for many of those as chair of the English Department. He also taught as a Fulbright lecturer in Finland and Italy. Editors’ Note When Alison Walsh Sackett, daughter of BPJ founding editor Chad Walsh, approached editor Marion Stocking in 1993 with an offer to fund an annual prize for a single outstanding poem from among all the poems published by the journal within the calendar year, Marion and the other members of the editorial board were initially somewhat skeptical. How were we to weigh the merits of a pitch-perfect lyric against those of a broad-ranging meditation or a searing narrative? Our impulses were inclusive and egalitarian; we saw all the poets we published as part of the BPJ family and their poems as in conversation with each other. Selecting a single poem for recognition, we objected, would put the poems we published implicitly in competition with each other. Might we at least divide the prize (which as proposed would carry the single largest cash award given for a single poem by any literary magazine) among several outstanding poets, or at least two? Alison, however, was insistent and, it turned out, wise. -
San José State University Department of English and Comparative Literature ENGLISH 131: Writing Poetry, Sec. 1 Fall 2014
San José State University Department of English and Comparative Literature ENGLISH 131: Writing Poetry, sec. 1 Fall 2014 Instructor: Prof. Alan Soldofsky Office Location: FO 106 Telephone: 408-924-4432 Email: [email protected] Office Hours: M, T, W 1:30 – 3:00 PM, Th PM by appointment Class Days/Time: M W 12:00 – 1:15 PM Classroom: Clark Hall 111 (Incubator Classroom) Prerequisites: ENGL 71: Introduction to Creative Writing (or equivalent); or instructor’s consent. Course Description Workshop in verse forms and poetic craft. Study of traditional and contemporary models. (May be repeated for credit.) Methods and Procedures • Students in this course will write and revise original poems, which class members will critique during the weekly in-class workshops. • Class will be divided into four student writing-groups whose members will post drafts of poems to Canvas for other members to discuss (on the Student Groups setting in Canvas). • Student Writing-Groups (one group per week) will have their members’ poems discussed in the weekly in-class workshop. • The workshop’s principal text will be class members’ original poems posted on our workshop’s Canvas and Blogger sites. • Verse forms and poetic craft will be taught through assigned readings from the required textbooks and from links to poems and commentary on the Internet. comprised of published poems, an online prosody workbook with commentaries and craft exercises, and links to poems and commentaries (sometimes including audio and video files of poets reading. • The class will be divided into 4 student writing-groups (6 or 7 students per group) to discuss first/early drafts of poems. -
September 2003 Updrafts
Chaparral from the California Federation of Chaparral Poets, Inc. serving Californiaupdr poets for over 60 yearsaftsVolume 64, No. 5 • September, 2003 President James Shuman, PSJ Louise Glück appointed new Poet Laureate First Vice President Librarian of Congress James H. Billington has announced the appointment of Louise Jeremy Shuman, PSJ Glück as the country’s12th Poet Laureate Consultant in Poetry. She will take up her duties Second Vice President in the fall, opening the Library’s annual literary series on October 21 with a reading of her Katharine Wilson, RF work. Glück succeeds Robert Penn Warren, Richard Wilbur, Howard Nemerov, Mark Strand, Third Vice President Pegasus Buchanan, Tw Joseph Brodsky, Mona Van Duyn, Rita Dove, Robert Hass, Robert Pinsky, Stanley Kunitz Fourth Vice President and Billy Collins. Eric Donald, Or The literary series will continue on October 22 Treasurer with a Favorite Poem reading featuring Frank Bidart Meadowlands (1996); The Wild Iris (1992), which re- Ursula Gibson, Tw and former Poet Laureate Robert Pinsky. In addition ceived the Pulitzer Prize and the Poetry Society of Recording Secretary to programming the new reading series, Glück will America’s William Carlos Williams Award; Ararat Lee Collins, Tw participate in events in February and again in May at (1990), which received the Library of Congress’s Corresponding Secretary the Library of Congress. On making the appointment, Rebekah Johnson Bobbitt National Prize for Poetry; Dorothy Marshall, Tw the Librarian said, “Louise Glück will bring to the and The Triumph of Achilles (1985), which received Members-at-Large Chair Library of Congress a strong, vivid, deep poetic the National Book Critics Circle Award, the Boston Frances Yordan, FG voice, accomplished in a series of book-length po- Globe Literary Press Award, and the Poetry Society etic cycles. -
Heather Altfeld
Heather Altfeld Contact Information: P.O. Box 6597 Chico, CA 95927 (530) 321-2476 [email protected] EDUCATION California State University, Chico CA MFA, Creative Writing, Emphasis in Poetry Thesis: “The Other Mother” Committee: Professors Jeanne E. Clark and Carole Simmons Oles Columbia University, New York B.A., Double Major, Anthropology and Writing TEACHING EXPERIENCE California State University, Chico CA Academic Advisor, Honors Program Fall 2005-Present Thesis Advisor, Honors Program Course Coordinator, Honors Program, Beauty Seminar Currently teaching: Humanities 222: Arts and Modern Ideas Honors 203: Seminar in Virtue Humanities 220: Arts and Ideas, Ancient/Medieval Humanities 281: Food and Film. Honors 399: Senior Thesis Seminar Courses Taught: Honors 201: Seminar in Beauty Honors 399/499: Senior Thesis Seminar English 342: Literature of the Child English 220: Introduction to Creative Writing English 252: American Indian Literature English 130: Academic Writing (ten years). For all courses, designed original lectures, readings, syllabi, and assignment sequences. Heather Altfeld, Page 2 Butte Community College, Oroville CA Spring 2009-Spring 2016 Lecturer in English Courses taught: English 21: Mythology English 4: Introduction to Literature English 6: Creative Writing English 11: Communication and Critical Thinking English 2: Composition and Writing. Designed course-specific textbook (coursepacks) and curriculum for each of the above courses. Upward Bound Projects Summer 2005-2007 English Teacher Prepared college preparatory curriculum and provided instruction for six weeks during summer to a diverse high school student population from low income and first-generation families. TEACHING INTERESTS • Humanities and Western Civilization • General courses in Religion • Modern and Contemporary Poetry • Creative Writing (Fiction, Nonfiction, Poetry) • Women Writers • World Literature • Literature and Film BOOK AND AWARDS Poetry Book, The Disappearing Theatre, Winner of the Spring 2016 inaugural Poets at Work prize, judged by Stephen Dunn. -
Margaret Avison's Concrete and Wild Carrot and Paul Muldoon's Moy
THE GRIFFIN TRUST For Excellence In Poetry Trustees: FOR IMMEDIATE RELEASE Margaret Atwood Scott Griffin Robert Hass Michael Ondaatje MARGARET AVISON’S CONCRETE AND WILD CARROT AND PAUL MULDOON’S MOY SAND AND GRAVEL Robin Robertson WIN THE 2003 GRIFFIN POETRY PRIZE David Young TORONTO, June 12, 2003 – The Canadian and International winners of the 2003 Griffin Poetry Prize are Margaret Avison’s, Concrete and Wild Carrot and Paul Muldoon’s, Moy sand and gravel, it was announced tonight at the third annual awards event. The C$80,000 Griffin Poetry Prize, the richest poetry prize in the world for a single volume of poetry, is divided between the two winners. The prize is for first edition books of poetry published in 2002. The awards event was hosted by Scott Griffin; founder of the prize, Heather McHugh (International winner 2001) was the Emcee, with judges Sharon Olds and Sharon Thesen announcing the Canadian and International winners for 2003. Among the more than 300 guests celebrating the awards were the Guests of Honour, Her Excellency the Right Honourable Adrienne Clarkson, Governor General of Canada and His Excellency John Ralston Saul. In addition, poets, publishers and other literary luminaries attended the celebration which took place in The Stone Distillery (formerly a whiskey distillery), Toronto’s newly renovated centre for the arts, designated a historic site. The two winners will be invited to read at this year’s Edinburgh International Book Festival on August 17th, the second year that the Griffin Poetry Prize winners have been showcased at the Edinburgh Festival. Preceding the awards event, the seven short listed poets (three Canadian and four international) read excerpts from their books at a sold-out Special Harbourfront Reading Series Event on June 11th, attended by more than 500 devotees.