Margaret Avison's Concrete and Wild Carrot and Paul Muldoon's Moy
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“This Is About Me”: a Consideration of Spirituality and Desire in Avison's Poems
164 “This is about me”: A Consideration of Spirituality and Desire in Avison’s Poems by Elizabeth Davey When we reflect on the poetic legacy of Margaret Avison, we think of a giant or, as noted in one obituary, a “‘titan’ in modern Canadian poetry” (Kubacki) incongruously embodied in this shy, diminutive woman. Critics have long admired her often-dense poetry, attracted to her “ironically allu- sive manner” and her “spiritualized syntax” (Merrett 95, Starnino 139). David Jeffrey commends her for her “testimony to a philosophical and spiritual progress” (59). “Margaret Avison has probed and celebrated how we apprehend and envision the natural world,” Robert Merrett notes, “in the process acutely yet tactfully embodying the metaphysical issues that stem from our sensations and imaginations” (95). In the mining of her rich poems, admirers have taken cues from her careful selection of subjects in lyrics of complexity and ambiguity. We expect demanding intellectual and spiritual exercise from engaging in the process. I have wondered, though, at her and our reticence to explore one particular subject, perhaps because of assumptions we make about her status as an unmarried woman and her proclivity to eschew conversation about her private life. Little—but not nothing—is said in Avison’s poems about intimacy and sexuality, reinforc- ing our silence. If we put on different lenses of inquiry, we discover several clues that validate the poet’s experience and occasional expression of desire. To begin, it would be inaccurate to assume that because Avison never married, she did not know passion or experience sexual desire. -
Oxford Brookes Poetry Centre Collection
LIBRARY Oxford Brookes Poetry Centre Collection This collection was set up in collaboration with the Oxford Brookes Poetry Centre to promote contemporary poetry from the UK, Ireland, United States and beyond. It comprises books that have been shortlisted for 6 poetry prizes from the UK, Ireland, USA and beyond. The books are housed in the Headington Library (Level 4, Zone D) and they can all be borrowed. Find out more about the collection and the Oxford Brookes Poetry Centre on our web pages TS Eliot Prize for Poetry The TS Eliot Prize for Poetry is presented annually by The Poetry Book Society. The Collection covers the books shortlisted for the prize since 2012. TS Eliot Prize shortlist 2018 Winner: Hannah Sullivan, Three poems Phoebe Power, Shrines of Upper Austria Tracy K. Smith, Wade in the water + Ailbhe Darcy – Insistence Terrance Hayes – American Sonnets for My Past and Future Assassins Zaffar Kunial – Us Nick Laird – Feel Free Fiona Moore – The Distal Point Sean O'Brien – Europa Richard Scott – Soho TS Eliot Prize shortlist 2017 Winner: Ocean Vuong, Night sky with exit wounds Tara Bergin, The tragic death of Eleanor Marx Caroline Bird, In these days of prohibition Douglas Dunn, The noise of a fly Leontia Flynn, The radio Roddy Lumsden, So glad I'm me Robert Minhinnick, Diary of the last man Michael Symmons Roberts, Mancunia Jacqueline Saphra, All my mad mothers James Sheard, The abandoned settlements TS Eliot Prize shortlist 2016 Winner: Jacob Polley, Jackself Rachael Boast, Void Studies Vahni Capildeo, Measures of Expatriation Ian Duhig, The Blind Roadmaker J O Morgan, Interference Pattern WWW.BROOKES.AC.UK/LIBRARY Bernard O’Donoghue, The Seasons of Cullen Church Alice Oswald, Falling Awake Denise Riley, Say Something Back Ruby Robinson, Every Little Sound Katharine Towers, The Remedies TS Eliot Prize shortlist 2015 Winner: Sarah Howe, Loop of Jade Mark Doty, Deep Lane Tracey Herd, Not in this World Selima Hill, Jutland Tim Liardet, The World before Snow Les A. -
Sharon Olds : the Poetry Foundation 12/5/12 11:55 AM
Sharon Olds : The Poetry Foundation 12/5/12 11:55 AM Home > Poems & Poets > Sharon Olds Sharon Olds b. 1942 Sharon Olds is one of contemporary poetry’s leading voices. Winner of several prestigious awards, including the National Book Critics Circle Award, Olds is known for writing intensely personal, emotionally scathing poetry which graphically depicts family life as well as global political events. “Sharon Olds is David Bartolomi enormously self-aware,” wrote David Leavitt in the Voice Literary Supplement. “Her poetry is remarkable for its candor, its eroticism, and its power to move.” Olds’s candor has led to both high praise and condemnation. Her work is often built out of intimate details concerning her children, her fraught relationship with her parents and, most controversially, her sex life. Critic Helen Vendler publically disparaged Olds’s work as self-indulgent, sensationalist and even pornographic. However, Olds has just as many supporters who praise her poetry for its sensitive portrayal of emotional states, as well as its bold depiction of “unpoetic” life events. Discussing Olds in Poetry, Lisel Mueller noted: “By far the greater number of her poems are believable and touching, and their intensity does not interfere with craftsmanship. Listening to Olds, we hear a proud, urgent, human voice.” And the poet Billy Collins has called her “a poet of sex and the psyche,” adding that “Sharon Olds is infamous for her subject matter alone…but her closer readers know her as a poet of constant linguistic surprise.” Olds’s poetry is known for its accessible and direct free verse style. -
ECLECTIC DETACHMENT Aspects of Identity in Canadian Poetry
ECLECTIC DETACHMENT Aspects of Identity in Canadian Poetry A. J. M. Smith I,N THE CLOSING PARAGRAPHS of the Introduction to The Oxford Book of Canadian Verse I made an effort to suggest in a phrase that I hoped might be memorable a peculiar advantage that Canadian poets, when they were successful or admirable, seemed to possess and make use of. This, of course, is a risky thing to do, for what one gains in brevity and point may very well be lost in inconclusiveness or in possibilities of misunderstanding. A thesis needs to be demonstrated as well as stated. In this particular case I think the thesis is implicit in the poems assembled in the last third of the book — and here and there in earlier places too. Nevertheless, I would like to develop more fully a point of view that exigencies of space confined me previously merely to stating. The statement itself is derived from a consideration of the characteristics of Canadian poetry in the last decade. The cosmopolitan flavor of much of the poetry of the fifties in Canada derives from the infusion into the modern world of the archetypal patterns of myth and psychology rather than (as in the past) from Christianity or nationalism. After mentioning the names of James Reaney, Anne Wilkinson, Jay Macpherson, and Margaret Avison—those of the Jewish poets Eli Mandel, Irving Layton, and Leonard Cohen might have been added—I went on to say : The themes that engage these writers are not local or even national; they are cos- mopolitan and, indeed, universal. -
THE C$80,000 GRIFFIN POETRY PRIZE ANNOUNCES CANADIAN and INTERNATIONAL SHORTLIST for 2003 Robin Robertson David Young
THE GRIFFIN TRUST For Excellence In Poetry Trustees: Press Release Margaret Atwood Scott Griffin Robert Hass Michael Ondaatje THE C$80,000 GRIFFIN POETRY PRIZE ANNOUNCES CANADIAN AND INTERNATIONAL SHORTLIST FOR 2003 Robin Robertson David Young TORONTO, March 27th — The Griffin Poetry Prize shortlist for 2003 was announced today by Scott Griffin, Chairman of The Griffin Trust. The C$80,000 Griffin Poetry Prize is the most generous international poetry prize for a single volume of poetry, and is awarded annually for the two best books of poetry published in English the previous year anywhere in the world. The seven shortlisted nominees are divided into three Canadian and four International. The Canadian Shortlist Concrete and Wild Carrot • Margaret Avison Brick Books thirsty • Dionne Brand McClelland & Stewart Ltd. Planet Earth: Poems Selected and New • P.K. Page The Porcupine’s Quill, Inc. The International Shortlist Mr. and Mrs. Scotland are Dead: Poems 1980-1994 • Kathleen Jamie Bloodaxe Books Moy sand and gravel • Paul Muldoon Farrar, Straus & Giroux American Sonnets: Poems • Gerald Stern W.W. Norton and Company Steal Away: Selected and New Poems • C.D. Wright Copper Canyon Press The shortlisted poets will be invited to give a reading in Toronto at a Harbourfront Reading Series Special event on June 11th and the two winners, who each receive C$40,000 will be announced at the third Griffin Poetry Prize awards on June 12th. THE GRIFFIN TRUST For Excellence In Poetry The judges for 2003 are the distinguished poets Michael Longley (Northern Ireland), Sharon Olds (U.S.) and Sharon Thesen (Canada). -
The Chad Walsh Poetry Prize Was Established in 1993 by Alison Walsh Sackett and Her Husband Paul in Honor of Ms
The Chad Walsh Poetry Prize was established in 1993 by Alison Walsh Sackett and her husband Paul in honor of Ms. Sackett's father, Chad Walsh (1914-1991), a co-founder in 1950 of the Beloit Poetry Journal. An author and scholar, Walsh wrote several books on literary history, notably on C.S. Lewis, and published six volumes of poetry, including The End of Nature and Hang Me Up My Begging Bowl. He was professor and writer-in-residence at Beloit College in Wisconsin for thirty-two years, serving for many of those as chair of the English Department. He also taught as a Fulbright lecturer in Finland and Italy. Editors’ Note When Alison Walsh Sackett, daughter of BPJ founding editor Chad Walsh, approached editor Marion Stocking in 1993 with an offer to fund an annual prize for a single outstanding poem from among all the poems published by the journal within the calendar year, Marion and the other members of the editorial board were initially somewhat skeptical. How were we to weigh the merits of a pitch-perfect lyric against those of a broad-ranging meditation or a searing narrative? Our impulses were inclusive and egalitarian; we saw all the poets we published as part of the BPJ family and their poems as in conversation with each other. Selecting a single poem for recognition, we objected, would put the poems we published implicitly in competition with each other. Might we at least divide the prize (which as proposed would carry the single largest cash award given for a single poem by any literary magazine) among several outstanding poets, or at least two? Alison, however, was insistent and, it turned out, wise. -
Avison's Imitation of Christ the Artist
AVISON'S IMITATION OF CHRIST THE ARTIST George Bowering IL,N A REVIEW ARTICLE about The Dumbfounding (in Cana- dian Literature 38), Lawrence M. Jones makes reference to an unpublished essay that Margaret Avison composed about her relationship with Christ and its effect upon her work. Looking back on her early poetry, she announces "how grievously I cut off his way by honouring the artist" during her "long wilful detour into darkness". Readers of Miss Avison's work will know that such a con- fession does not lead to her abandoning poetic care and plunging into artless canticles of devotional verse. She is not compulsively looking for security, as Germaine Gréer would put it. Of all our poets, Margaret Avison is the most art- fully daring. In the same article she speaks of the progress of her personal belief from the "will to be good", to "getting to be where Christ's suffering goes, ter- ribly on." Like the "metaphysical" poets, Miss Avison plays on paradox, and theirs, her belief, religious or artistic, depends on the paradox not being that at all. She does not abandon the artist — she just does not any longer honour him. Honour- ing an artist is for non-reading people or poetry-commissars to do; or if the artist is Christ himself, for church ministers to do. Honouring a prophet in his own country is to kill prophecy. There is no honour in that. Miss Avison says that her personal vision of Christ, which has been till now often enough referred to, made the New Testament story unclear. -
The Poetry of Raymond Souster and Margaret Avison
THE POETRY OF RAYMOND SOUSTER AND MARGARET AVISON by Francis Mansbridge Thesis presented to the School of Graduate Studies in partial fulfillment of the requirements for the degree of Ph.D. in English literature UNIVERSITY OF OTTAWA OTTAWA, CANADA, 1975 dge, Ottawa, Canada, 1975 UMI Number: DC53320 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform DC53320 Copyright 2011 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 TABLE OP CONTENTS INTRODUCTION 1 CHAPTER I. POETIC ROOTS OP MARGARET AVISON AND RAYMOND SOUSTER 8 CHAPTER II. CRITICAL VIEWS ON AVISON AND SOUSTER . 46 CHAPTER III. MARGARET AVISON 67 CHAPTER IV. RAYMOND SOUSTER 154 CHAPTER V. SUMMARY AND CONCLUSIONS 225 BIBLIOGRAPHY 241 LIST OP ABBREVIATIONS BCP The Book of Canadian Poetry, ed. by A.J.M. Smith CT The Colour of the Times D The Dumbfounding PM Place of Meeting PMC Poetry of Mid-Century, ed. by Milton Wilson SF So Par So Good SP 1956 Selected Poems (1956 edition) SP 1972 Selected Poems (1972 edition) TE Ten Elephants on Yonge Street WS Winter Sun Y The Years 111 ACKNOWLEDGMENTS Special thanks to Raymond Souster for his generous hospi tality on my trips to Toronto, and his interest and perceptive comnusnts that opened up new perspectives on his work; to the Inter- Library Loan department of the University of Ottawa Library, whose never-failing dependability saved much time; and finally to my Directress, Dr. -
Heather Altfeld
Heather Altfeld Contact Information: P.O. Box 6597 Chico, CA 95927 (530) 321-2476 [email protected] EDUCATION California State University, Chico CA MFA, Creative Writing, Emphasis in Poetry Thesis: “The Other Mother” Committee: Professors Jeanne E. Clark and Carole Simmons Oles Columbia University, New York B.A., Double Major, Anthropology and Writing TEACHING EXPERIENCE California State University, Chico CA Academic Advisor, Honors Program Fall 2005-Present Thesis Advisor, Honors Program Course Coordinator, Honors Program, Beauty Seminar Currently teaching: Humanities 222: Arts and Modern Ideas Honors 203: Seminar in Virtue Humanities 220: Arts and Ideas, Ancient/Medieval Humanities 281: Food and Film. Honors 399: Senior Thesis Seminar Courses Taught: Honors 201: Seminar in Beauty Honors 399/499: Senior Thesis Seminar English 342: Literature of the Child English 220: Introduction to Creative Writing English 252: American Indian Literature English 130: Academic Writing (ten years). For all courses, designed original lectures, readings, syllabi, and assignment sequences. Heather Altfeld, Page 2 Butte Community College, Oroville CA Spring 2009-Spring 2016 Lecturer in English Courses taught: English 21: Mythology English 4: Introduction to Literature English 6: Creative Writing English 11: Communication and Critical Thinking English 2: Composition and Writing. Designed course-specific textbook (coursepacks) and curriculum for each of the above courses. Upward Bound Projects Summer 2005-2007 English Teacher Prepared college preparatory curriculum and provided instruction for six weeks during summer to a diverse high school student population from low income and first-generation families. TEACHING INTERESTS • Humanities and Western Civilization • General courses in Religion • Modern and Contemporary Poetry • Creative Writing (Fiction, Nonfiction, Poetry) • Women Writers • World Literature • Literature and Film BOOK AND AWARDS Poetry Book, The Disappearing Theatre, Winner of the Spring 2016 inaugural Poets at Work prize, judged by Stephen Dunn. -
The Griffin Poetry Prize Announces the 2011 International And
THE GRIFFIN TRUST For Excellence In Poetry Trustees: Margaret Atwood Press Release Carolyn Forché Scott Griffin Robert Hass THE GRIFFIN POETRY PRIZE ANNOUNCES Michael Ondaatje THE 2011 INTERNATIONAL AND CANADIAN SHORTLIST Robin Robertson David Young TORONTO – April 5, 2011 – Scott Griffin, founder of The Griffin Trust For Excellence In Poetry and David Young, trustee, announced the International and Canadian shortlist for this year’s prize noting that judges Tim Lilburn (Canada), Colm Toíbín (Ireland) and Chase Twichell (USA) each read 450 books of poetry, including 20 translations, from poets in 37 countries around the globe. The seven finalists – three Canadian and four International – will be invited to read in Toronto at Koerner Hall at The Royal Conservatory in the TELUS Centre for Performance and Learning, 273 Bloor Street West, Toronto on Tuesday, May 31, 2011. The seven finalists will be awarded $10,000 for their participation in the shortlist readings. The winners, announced at the Griffin Poetry Prize Awards evening on Wednesday, June 1, 2011, will be awarded $65,000 each. International Shortlist Human Chain ● Seamus Heaney Farrar, Straus and Giroux Adonis: Selected Poems ● Khaled Mattawa, translated from the Arabic written by Adonis Yale University Press The Book of the Snow ● Philip Mosley, translated from the French written by François Jacqmin Arc Publications Heavenly Questions ● Gjertrud Schnackenberg Farrar, Straus and Giroux Canadian Shortlist Ossuaries ● Dionne Brand McClelland & Stewart The Irrationalist ● Suzanne Buffam House of Anansi Press Lookout ● John Steffler McClelland & Stewart 363 Parkridge Crescent, Oakville, Ontario L6M 1A8, Canada www.griffinpoetryprize.com Tel: 905 618 0420 Email: [email protected] THE GRIFFIN TRUST For Excellence In Poetry Each year, the Griffin Poetry Prize publishes an anthology, a selection of poems from the shortlisted books, published by House of Anansi Press. -
Kamau Brathwaite's Born to Slow Horses And
THE GRIFFIN TRUST For Excellence In Poetry Trustees: FOR IMMEDIATE RELEASE Margaret Atwood KAMAU BRATHWAITE’S BORN TO SLOW HORSES Carolyn Forché AND Scott Griffin SYLVIA LEGRIS’ NERVE SQUALL Robert Hass WIN THE 2006 GRIFFIN POETRY PRIZE Michael Ondaatje Robin Robertson Toronto, ON (June 1, 2006) – Kamau Brathwaite and Sylvia Legris are the International and Canadian winners of the 6th annual Griffin Poetry Prize. The C$100,000 Griffin Poetry David Young Prize, the richest prize in the world for a single volume of poetry, is divided between the two winners. The prize is for first edition books of poetry, including translations, published in English in 2005, and submitted from anywhere in the world. The awards event was hosted by Scott Griffin, founder of the prize. Simon Armitage, renowned poet, author and playwright assumed the role of Master of Ceremonies. Judges Lisa Robertson and Eliot Weinberger announced the International and Canadian winners for 2006. More than 400 guests celebrated the awards, including former Governor-General, the Right Honourable Adrienne Clarkson, acclaimed Canadian actors Albert Schultz and Sarah Polley, Senator Jerry Grafstein and his wife Carol, among others. In addition, poets, publishers and other literary luminaries attended the celebration. The evening’s theme was Shangri-La and featured a silk route marketplace replete with banners of fuschia, purple and gold. Hundreds of pigmy orchids and butterflies in a dizzying array of colours adorned the room. The event, which took place at The Stone Distillery in Toronto, offered up a menu of decidedly Asian fusion cuisine. Appetizers included mango and Thai basil sushi rolls, deep-fried plantain, sweet corn tamales, crab cakes on a bed of remoulade, and a sweet potato and jicama salad. -
HUNGARIAN STUDIES REVIEW 21 Nos 1-2 (1994): 103-112
Hungarian Canadian Authors' Association. 11th. Ed. Lajos Kasza Marton]. Toronto: The Association, 1998. 268 pp. illus. [Includes poems by: Anna Barath, Zoltan Boszormenyi, Karoly Grand- pierre, Lorand Horvath, Lajos Kasza Marton, Szerena Sovari, Lukacs Tapolczay and Ferenc Zsigovich. Short stories by: Janos Bebek, Jozsef Csernyi, Rozsa Danes, Maria Domonkos, Elemer Gabri, Gyula Gyimesi, Lajos Kulcsar, Karoly Radnothy, Imre Sari Gal, and Sandor Turcsanyi. Essays by: Rozsa Danes, Janos Miska, and Zoltan Simon.] 260 Making a Difference: Canadian Multicultural Literature. Ed. Suaro Kamboureli. Toronto: Oxford University Press, 1996. 547 pp. [Includes poems, among others, by George Faludy and George Jonas.] 26! Nyugaton is felkel a nap: A nanaimoi magyarok eletkepei. Miska Janos bevezetojevel [The Sun Also Rises in the West: The Ethnic Life of Hungarians in Nanaimo. Introduction by Janos Miska], Nanaimo: The Hungarian Cultural Society of Nanaimo, 1997. 162 pp. illus. [A collection of poetry by: Bedone Toth Anna, Bolccz Bela, Csinger Jozsef, Gergelyne Kostyal Mariennc, Madaraszne Nemeth Maria, Ferenc Mandalik, and Laszlo Pinter.] 262 Visszatekintes - Looking Back - Regard sur le passe f.v/c, passe] Ed. Eva Puskas Balogh. Montreal: The Montreal Hungarian Literary Society, 1996. 173 pp. photos, illus. [This collection includes writings by Hungarian and Canadian authors in Hungarian, English and French.] Research studies, articles 263 BENKO, Geza "Isten vcled, Tibor batyank" [God Be With You, Tibor Tollas]. TARO- GATO 24 no 9 (1997): 13. [A farewell to Tibor Tollas, a poet, a renown publisher of the newspaper Nemzetor, and editor of several comprehensive anthologies. He had passed away in Munich, Germany, in 1997.] 264 BISZTRAY, George "Image or Self-image — Reports on Hungarian-Canadians in Hungarian Publications of the l980's." EAST EUROPEAN QUARTERLY 27 no 1 (1993): 65-77.