Download Press Release, Poet Bios and Citations
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Open Wide a Wilderness Canadian Nature Poems
Open Wide a Wilderness Canadian Nature Poems Edited by NANCY HOLMES Introduction by DON MCKAY Wilfrid Laurier University Press IfwuTH Contents xv PREFACE xvii ACKNOWLEDGEMENTS I INTRODUCTION: "GREAT FLINT SINGING" BY DON MCKAY THE POEMS 35 Thomas Cary from Abram's Plain 38 Adam Allan A Description of the Great Falls, of the River Saint lohn, in the Province of New Brunswick 40 Ann Cuthbert Knight from A Year in Canada 41 Adam Hood Burwell from Talbot Road 44 Standish O'Grady from The Emigrant 46 Adam Kidd from The Huron Chief 48 William Kirby from The U.E., "Niagara" 50 Alexander McLachlan The Hall of Shadows 53 Charles Sangster from The St. Lawrence and theSaguenay 55 George Martin The lewelled Trees 57 Charles Mair The Last Bison 63. Isabella V.Crawford The Lily Bed 65 Isabella V. Crawford from Malcolm's Katie 67 Ethelwyn Wetherald Unheard Niagaras 68 Ethelwyn Wetherald The Horned Larks in Winter 69 Susan Frances Harrison Rhapsodie (II) [Seranus] 70 Susan Frances Harrison A Canadian Anthology [Seranus] 73 Wilfred Campbell Indian Summer 74 Wilfred Campbell How One Winter Came in the Lake Region 75 Charles G. D. Roberts The Clearing 76 Charles G. D. Roberts from'Ave!" 80 Charles G. D. Roberts The Skater 81 Bliss Carman A Vagabond Song 82 Bliss Carman Vestigia 83 Pauline Johnson The Flight of the Crows (Tekahionwake) 85 Pauline Johnson The Camper (Tekahionwake) 86 Archibald Lampman Freedom 88 Archibald Lampman In November 90 Archibald Lampman To the Ottawa River 91 Archibald Lampman On the Companionship with Nature 92 Frederick G. -
TREVOR CAROLAN / Dorothy Livesay in North Vancouver
TREVOR CAROLAN / Dorothy Livesay in North Vancouver Ten years ago, as a District of North Vancouver Councillor, I proposed to my colleagues in the nearby City of North Vancouver the idea of creating a memorial plaque in honour of Dorothy Livesay. An important twentieth century Canadian poet and social activist, Livesay lived in the city on and off for more than twenty years with her husband, fellow socialist Duncan McNair. They lived in several homes within view of the inner harbour: at Cumberland Crescent, then at 848-6th Street about a block from Sutherland High School, and later on toney Grand Boulevard. Livesay wrote some of her best work here making it an appropriate place to commemorate not only a fine poet, but also a champion of women's rights and family planning before either became fashionable. The idea of a memorial marker-stone failed to gain traction with the politicians of the day; it's an idea that's still out there for commissioning. In her memoir Journ ey with My Selves, Livesay says that she originally arrived in BC wanting to find her way to the San Francisco literary scene. In fact, she came to Vancouver to work as an editor for a communist labour journal. From Vancouver she hoped to travel further south to join the Depression-era's well-established leftist arts community concentrated in the San Francisco Bay Area. This was IWW territory and numerous publications there served the One Big Union labour ideal, which appealed to her political interests. The city also enjoyed a long liberal tradition in its journalism and politics. -
Dionne Brand's Global Intimacies: Practising Affective Citizenship
Dionne Brand’s Global Intimacies: Practising Affective Citizenship Diana Brydon “I say this big world is the story, I don’t have any other” (Inventory 84) Rosi Braidotti suggests that “The human has been subsumed in global relations of intimacy, complicity and proximity with forces of the inhuman and post-human kind: scientific, industrial and military complexes, global communication networks, processes of commodification and exchange on a global scale” (264). She argues further that it is the task of critical theory to track the “fluctuations“ of this new disorder (264). In this paper I ask what tracking these fluctuations involves, for the poet Dionne Brand who sets herself this task in her long poem, Inventory, and for the critic who reads her work fully attentive to the historical legacies of humanism and their entanglements with the humanities and the humanitarian.1 The CFP for this special issue asks two related questions that I pursue here: “what good is the study of literature?” and “how does the turn to ethics position literary criticism in relation to politics?” It is not possible to answer these questions definitively. In this paper, I follow Brand’s lead into registering the visceral force of the kinds of global intimacies enumerated by Braidotti in order to ask what these practices imply for the political projects of citizenship and community in contemporary times. I argue that to fully grasp the implications of how Brand’s poetry engages and is engaged in these emerging global complicities, critics need to attend to the dynamics of the experiential dimensions of its affect as well as its explicit meaning.2 “On Poetry,” the last essay in Dionne Brand’s Bread Out of Stone, concludes: “Poetry is here, just here. -
Livesay to a Conference on Her Work Held in the Offing at the College March 4-5
Vol. 2, No. 4 March 1983 University of St. Jerome's College interpersonal relations, marriage and the family. It is an excellent preparation for those Mark your who have a crucial role in Family Life pro grams in the school and in the community," calendars says John Theis, director of the program which is now in its twelfth year. Theis Alumni Picnic! expects about 200 people to be enrolled this The date has been set for an alumni reunion summer. picnic on Sunday, June 26, 1:00 p.m. at The Institute for Studies in Learning Waterloo Park.It has been two years since the Disabilities will be offered from July 4 to 22, College's last alumni gathering, and a picnic This Summer at providing courses at the introductory, in is a great reason to come together with old termediate and advanced levels, says pro friends and classmates. gram director John Orlando. A number of The College decided on a single-day event St. Jerome's visiting experts will participate in this rather than a weekend of activities as has The majority of summer courses to be offered summer's program. been done in the past. "We hope that this will at the University of Waterloo this year will be The Just Society, a credit course to be encourage more people to attend and that taught at St. Jerome's. A variety of full and offered July 4-22 by the Institute for Studies they will feel free to bring their families," half-credit courses in English, history, in Theological Renewal, will examine the says Rob Donelson, assistant to the registrar religious studies, psychology and philosophy involvement of the Roman Catholic and and one of the organizers. -
THE C$80,000 GRIFFIN POETRY PRIZE ANNOUNCES CANADIAN and INTERNATIONAL SHORTLIST for 2003 Robin Robertson David Young
THE GRIFFIN TRUST For Excellence In Poetry Trustees: Press Release Margaret Atwood Scott Griffin Robert Hass Michael Ondaatje THE C$80,000 GRIFFIN POETRY PRIZE ANNOUNCES CANADIAN AND INTERNATIONAL SHORTLIST FOR 2003 Robin Robertson David Young TORONTO, March 27th — The Griffin Poetry Prize shortlist for 2003 was announced today by Scott Griffin, Chairman of The Griffin Trust. The C$80,000 Griffin Poetry Prize is the most generous international poetry prize for a single volume of poetry, and is awarded annually for the two best books of poetry published in English the previous year anywhere in the world. The seven shortlisted nominees are divided into three Canadian and four International. The Canadian Shortlist Concrete and Wild Carrot • Margaret Avison Brick Books thirsty • Dionne Brand McClelland & Stewart Ltd. Planet Earth: Poems Selected and New • P.K. Page The Porcupine’s Quill, Inc. The International Shortlist Mr. and Mrs. Scotland are Dead: Poems 1980-1994 • Kathleen Jamie Bloodaxe Books Moy sand and gravel • Paul Muldoon Farrar, Straus & Giroux American Sonnets: Poems • Gerald Stern W.W. Norton and Company Steal Away: Selected and New Poems • C.D. Wright Copper Canyon Press The shortlisted poets will be invited to give a reading in Toronto at a Harbourfront Reading Series Special event on June 11th and the two winners, who each receive C$40,000 will be announced at the third Griffin Poetry Prize awards on June 12th. THE GRIFFIN TRUST For Excellence In Poetry The judges for 2003 are the distinguished poets Michael Longley (Northern Ireland), Sharon Olds (U.S.) and Sharon Thesen (Canada). -
C24 New Long Poem Anthology.Pdf
T H E N E w L 0 N G P 0 E M ANTHOLOGY E D T E D B y SHARON THESEN T H E N E W LONG POEM :)LOGY ~ 111 ~111111 111111 11111111 1111 11111~ 1111111111 11111111 1111111 3 9345 00959985 7 CLC SIMON FRASER UNIVERSITY LIBRARY SPECIAL COLLECTIONS PR 9058 N4785 1991 The New long poem anthology . T H E N E w LONG P 0 E M ANTHOLOGY E D T E D B Y SHARON TH ES EN COACH HOUSE PRESS · TORONTO For the selection and introduction, © Sharon Thesen, 1991 Published with the assistance of the Canada Council and the Ontario Arts Council. Canadian Cataloguing in Publication Data Main entry under title: The New Long Poem Anthology 1. Canadian poetry (English) - 20th century.* I. Thesen, Sharon, 1946- PS8279.N4 1991 C8u'.5408 C91-093228-3 PR9195.7.N4 1991 Cover photograph: Thaddeus Holownia "Abandoned Boats," Dartmouth, Nova Scotia, March 1986 Courtesy: Jane Corkin Gallery, Toronto ACKNOWLEDGEMENTS I'd like to thank Michael Ondaatje for having the foresighr to pur rogecher the first Long Poem Anthology in 1979· Thanks also to Robin Blaser, Phyllis Webb and George Bowering, for rhe conversations. - S. T. The following selecrions were originally publi hed by Coach House Press and are reprinred in rhis anrhology with rhe kind permi sion of the aurhors: Blaser, Robin, "The Moch Poem," from The Long Poem Anthology, © 1979 by Robin Blaser. Bowering, George, "Elegy ine" and "Elegy Ten," from Kerrisdale Elegies, © 1984 by George Bowering. Brand, Dionne," o Language I eurral," from No Language Is Neutral, © 1990 by Dionne Brand. -
Download This Free
THE WORLD OVER: TRANSLATORS SPEAK ON NEW POETRY IN TRANSLATION BY H. L. HIX ESSAY PRESS LISTENING TOUR #22 ESSAY PRESS LISTENING TOUR CONTENTS As the Essay Press website re-launches, we have commissioned some of our favorite conveners of Introduction: Translation as Demopoesis public discussions to curate conversation-based by H. L. Hix v chapbooks. Overhearing such dialogues among poets, prose writers, critics and artists, we hope Don Mee Choi on Kim Hyesoon’s Mommy Must to re-envision how Essay can emulate and expand Be a Fountain of Feathers 1 upon recent developments in trans-disciplinary small-press cultures. Ferial Ghazoul on Muhammad Afifi Matar’s Quartet of Joy 7 Johannes Göransson on Aase Berg’s Remainland 11 Series Editors: Andy Fitch Aimee Harrison Courtney Mandryk David Keplinger on Carsten René Nielsen’s Victoria A. Sanz The World Cut Out with Crooked Scissors 16 Ryan Spooner Alexis Levitin on Astrid Cabral’s Cage 23 Series Assistants: Cristiana Baik Ryan Ikeda George Messo on İlhan Berk’s A Leaf About Christopher Liek to Fall 27 Cover design: Courtney Mandryk Wayne Miller on Moikom Zeqo’s I Don’t Believe in Ghosts 31 ii iii Jennifer Moxley on Jacqueline Risset’s Sleep’s Powers 36 Idra Novey and Paulo Henriques Britto Introduction: on Britto’s The Clean Shirt of It 40 Translation as Demopoesis Ravi Shankar on Language for a New Century 44 —H. L. Hix Carolyne Wright on Taslima Nasrin’s The Game in Reverse 53 ne of the bumper stickers on my neighbor’s pickup Oreads: “I love my country. -
Radical Utopian Politics in Dionne Brand's "No Language Is Neutral" and "Bread out of Stone"
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies Legacy Theses 2000 Voicing grace: Radical utopian politics in Dionne Brand's "No language is neutral" and "bread out of stone" Garrett, Brenda Garrett, B. (2000). Voicing grace: Radical utopian politics in Dionne Brand's "No language is neutral" and "bread out of stone" (Unpublished master's thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/13957 http://hdl.handle.net/1880/40590 master thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca THE UNIVERSITY OF CALGARY Voicing Grace: Radical Utopian Politics in Dionne Brand's No Laneuaee is Neutral and Bread out of Stone Brenda Garrett A THESIS SUBMInED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF ENGLISH CALGARY, ALBERTA AUGUST, 2000 O Brenda Garrett 2000 National Library Bibliotheque nati~nale of Canada du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Street 395, rue Wellington OttawaON K1AON4 Ottawa ON KIA ON4 Canada Canada Your lYe Vme referenm Our lVe Norre retersnu, The author has granted a non- L'auteur a accorde une licence non exclusive Licence allowing the exclusive permettant a la National Library of Canada to Bibliotheque nationale du Canada de reproduce, loan, distribute or sell reproduire, prgter, distribuer ou copies of ths thesis in microform, vendre des copies de cette these sous paper or electronic formats. -
Sheila Watson Fonds Finding Guide
SHEILA WATSON FONDS FINDING GUIDE SPECIAL COLLECTIONS JOHN M. KELLY LIBRARY | UNIVERSITY OF ST. MICHAEL’S COLLEGE 113 ST. JOSEPH STREET TORONTO, ONTARIO, CANADA M5S 1J4 ARRANGED AND DESCRIBED BY ANNA ST.ONGE CONTRACT ARCHIVIST JUNE 2007 (LAST UPDATED SEPTEMBER 2012) TABLE OF CONTENTS TAB Part I : Fonds – level description…………………………………………………………A Biographical Sketch HiStory of the Sheila WatSon fondS Extent of fondS DeScription of PaperS AcceSS, copyright and publiShing reStrictionS Note on Arrangement of materialS Related materialS from other fondS and Special collectionS Part II : Series – level descriptions………………………………………………………..B SerieS 1.0. DiarieS, reading journalS and day plannerS………………………………………...1 FileS 2006 01 01 – 2006 01 29 SerieS 2.0 ManuScriptS and draftS……………………………………………………………2 Sub-SerieS 2.1. NovelS Sub-SerieS 2.2. Short StorieS Sub-SerieS 2.3. Poetry Sub-SerieS 2.4. Non-fiction SerieS 3.0 General correSpondence…………………………………………………………..3 Sub-SerieS 3.1. Outgoing correSpondence Sub-SerieS 3.2. Incoming correSpondence SerieS 4.0 PubliShing records and buSineSS correSpondence………………………………….4 SerieS 5.0 ProfeSSional activitieS materialS……………………………………………………5 Sub-SerieS 5.1. Editorial, collaborative and contributive materialS Sub-SerieS 5.2. Canada Council paperS Sub-SerieS 5.3. Public readingS, interviewS and conference material SerieS 6.0 Student material…………………………………………………………………...6 SerieS 7.0 Teaching material………………………………………………………………….7 Sub-SerieS 7.1. Elementary and secondary school teaching material Sub-SerieS 7.2. UniverSity of BritiSh Columbia teaching material Sub-SerieS 7.3. UniverSity of Toronto teaching material Sub-SerieS 7.4. UniverSity of Alberta teaching material Sub-SerieS 7.5. PoSt-retirement teaching material SerieS 8.0 Research and reference materialS…………………………………………………..8 Sub-serieS 8.1. -
In the Archive of Queer Politics: Adrienne Rich and Dionne Brand Listening for Something
In the archive of queer politics: Adrienne Rich and Dionne Brand Listening for Something Liana Borghi Università degli Studi di Firenze [email protected] Nel caso dei queer studies il punto fondamentale non è forse la resistenza critica alle categorie sessuali da cui si è costruiti? [The fundamental point of queer studies is it not the critical resistance to the sexual categories by which we are constructed?] (M. Pustianaz, 2009). Mother’s daughter who at ten years old knew she was queer (C. Moraga, 1983: ii). This paper endorses the suggestion that we push back the timeline of queer theory to the 1980s rooting it firmly in lesbian feminism despite the disclaimers and erasures of official queer theory. But rather than stating the obvious – i.e. that queer theory owes much to the lesbian movement – I would claim narrative space for a «reparative reading», and talk in terms of a «lesbian Queer». After the movement of radical lesbians in the 70s had settled down into visibility claims, identity politics and civil rights, it opened out into the fractals of the sex wars, butch and femme, S&M, and of lesbian AIDS projects alongside performance art and the bar scene – changing from a community, never singular but united by compact tales of coming out stories, to communities and diversities some of which eventually joined Queer Nation and Act Up alongside the GLT associations, as Arlene Stein has described in Sisters and Queers (1992). Looking back to those years, Adrienne Rich writes that «in the 1980s, AIDS catalyzed a new gay activism in outrage laced with mourning», and adds, quoting the poet and critic Essex Hemphill, that the epidemic pointed out that the «community» could no longer be surmised to be «one gender and one color» when the extreme cultural and economic differences produced such a higher death count among Black gay men (A. -
Unabashed Canadian Poet' Dorothy Live
IMPACT: International Journal of Research in Humanities, Arts and Literature (IMPACT: IJRHAL) ISSN (P): 2347–4564; ISSN (E): 2321–8878 Vol. 8, Issue 8, Aug 2020, 27–40 © Impact Journals THE ‘FEMININE PREDICAMENT IN THE ‘UNABASHED CANADIAN POET’ DOROTHY LIVESAY Hyacinth Pink Professor, Science and Humanities, Kumaraguru College of Technology, Coimbatore, Tamil Nadu, India Received: 05 Aug 2020 Accepted: 11 Aug 2020 Published: 20 Aug 2020 ABSTRACT The article explores the involvement of the work of Dorothy Livesay to Canadian modernist poetry during the 1940s and to creatively connect female subjectivity to a belated Canadian modernism which included female poets writing about themselves, their own gender and their belonging to Canada. Livesay's early work is motivated on the subjectivity of an emerging female-centred poetics inspired by feminist readings of Modernism. The feminist’s perspective on literature, creative or critical, whether in a third world country or elsewhere, has had to confront issues of similar persuasion: male- chauvinism, sexist bias, psychological and even physical exploitation, hegemonistic inclinations, and an utter disregard for the female’s psychological, cultural, familial and spiritual quests. KEYWORDS: Female Subjectivity, Male-Chauvinism, Sexist Bias, Psychological, Physical Exploitation, Hegemonistic Inclinations, Cultural, Familial and Spiritual Quests INTRODUCTION Canadian Feminist Literature is “a coat of many cultures”1 (Thompson, Lee Briscoe, (1981) -soft, prominent and strident. The voices emanating from Canada vary from the traditional but conscious of their selves to exclusively self- seeking feminists with a vengeance. The feminist’s perspective on literature, creative or critical, whether in a third world country or elsewhere, has had to confront issues of similar persuasion: male-chauvinism, sexist bias, psychological and even physical exploitation, hegemonistic inclinations, and utter disregard for the female’s psychological, cultural, familial and spiritual quests. -
The Griffin Poetry Prize Announces the 2011 International And
THE GRIFFIN TRUST For Excellence In Poetry Trustees: Margaret Atwood Press Release Carolyn Forché Scott Griffin Robert Hass THE GRIFFIN POETRY PRIZE ANNOUNCES Michael Ondaatje THE 2011 INTERNATIONAL AND CANADIAN SHORTLIST Robin Robertson David Young TORONTO – April 5, 2011 – Scott Griffin, founder of The Griffin Trust For Excellence In Poetry and David Young, trustee, announced the International and Canadian shortlist for this year’s prize noting that judges Tim Lilburn (Canada), Colm Toíbín (Ireland) and Chase Twichell (USA) each read 450 books of poetry, including 20 translations, from poets in 37 countries around the globe. The seven finalists – three Canadian and four International – will be invited to read in Toronto at Koerner Hall at The Royal Conservatory in the TELUS Centre for Performance and Learning, 273 Bloor Street West, Toronto on Tuesday, May 31, 2011. The seven finalists will be awarded $10,000 for their participation in the shortlist readings. The winners, announced at the Griffin Poetry Prize Awards evening on Wednesday, June 1, 2011, will be awarded $65,000 each. International Shortlist Human Chain ● Seamus Heaney Farrar, Straus and Giroux Adonis: Selected Poems ● Khaled Mattawa, translated from the Arabic written by Adonis Yale University Press The Book of the Snow ● Philip Mosley, translated from the French written by François Jacqmin Arc Publications Heavenly Questions ● Gjertrud Schnackenberg Farrar, Straus and Giroux Canadian Shortlist Ossuaries ● Dionne Brand McClelland & Stewart The Irrationalist ● Suzanne Buffam House of Anansi Press Lookout ● John Steffler McClelland & Stewart 363 Parkridge Crescent, Oakville, Ontario L6M 1A8, Canada www.griffinpoetryprize.com Tel: 905 618 0420 Email: [email protected] THE GRIFFIN TRUST For Excellence In Poetry Each year, the Griffin Poetry Prize publishes an anthology, a selection of poems from the shortlisted books, published by House of Anansi Press.