HUNGARIAN STUDIES REVIEW 21 Nos 1-2 (1994): 103-112
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This Was the Final Stop
This was the final stop Actions against Germans and Hungarians leading to fatalities in the Carpathian Basin between 1944 and 1949 Title “This was the final stop” Actions against Germans and Hungarians leading to fatalities in the Carpathian Basin between 1944 and 1949 Published by the Pécs-Baranya Ethnic Circle of Germans in Hungary with the support of the book publishing of Head of publication Matkovits-Kretz Eleonóra Editor-in-chief Bognár Zalán Editor Márkus Beáta Translator Papp Eszter Cover M. Lovász Noémi’s work of art titled “Forgetting is to banish, remembering is to free...” Published by Kontraszt Plusz Kft. www.kontraszt.hu ISBN 978-963-88716-6-4 Pécs-Baranya Ethnic Circle of Germans in Hungary Postal address: 55 Rákóczi str. H - 7621 Tel./fax: +36 72 213 453 Tax ID: 19031202-1-02 Bank account no: 50400113-11000695 www.nemetkor.hu [email protected] Pécs, 2015. English edition 2016. TABLE OF CONTENTS Acknowledgements ..................................................................................................................................................................5 Foreword....................................................................................................................................................................................6 Mass deportation of civilians from the Carpathian Basin to the Soviet Union – Malenky Robot ���������������������������������9 Zalán Bognár Mass deportation of civilians from the Carpathian Basin for forced labour in the Soviet Union, with perspectives to Central-Eastern -
“This Is About Me”: a Consideration of Spirituality and Desire in Avison's Poems
164 “This is about me”: A Consideration of Spirituality and Desire in Avison’s Poems by Elizabeth Davey When we reflect on the poetic legacy of Margaret Avison, we think of a giant or, as noted in one obituary, a “‘titan’ in modern Canadian poetry” (Kubacki) incongruously embodied in this shy, diminutive woman. Critics have long admired her often-dense poetry, attracted to her “ironically allu- sive manner” and her “spiritualized syntax” (Merrett 95, Starnino 139). David Jeffrey commends her for her “testimony to a philosophical and spiritual progress” (59). “Margaret Avison has probed and celebrated how we apprehend and envision the natural world,” Robert Merrett notes, “in the process acutely yet tactfully embodying the metaphysical issues that stem from our sensations and imaginations” (95). In the mining of her rich poems, admirers have taken cues from her careful selection of subjects in lyrics of complexity and ambiguity. We expect demanding intellectual and spiritual exercise from engaging in the process. I have wondered, though, at her and our reticence to explore one particular subject, perhaps because of assumptions we make about her status as an unmarried woman and her proclivity to eschew conversation about her private life. Little—but not nothing—is said in Avison’s poems about intimacy and sexuality, reinforc- ing our silence. If we put on different lenses of inquiry, we discover several clues that validate the poet’s experience and occasional expression of desire. To begin, it would be inaccurate to assume that because Avison never married, she did not know passion or experience sexual desire. -
A Comparative Analysis of a Selection of Hungarian
A COMPARATIVE ANALYSIS OF A SELECTION OF HUNGARIAN FOLKTALES IN ENGLISH • by ANDREA KATALIN SZILAGYI B.A., The University of Alberta, 2003 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF BRITISH COLUMBIA (Children's Literature) October 2007 ©Andrea Katalin Szilagyi, 2007 Abstract A significant body of Hungarian folktales in English exists, but these tales are difficult to locate, out of print, and/or excluded from international folktale anthologies. Critics have attributed this lack of prominence to linguistic isolation or to issues surrounding translation and economic challenges in today's publishing world. This thesis examines a selected body of Hungarian folktales in English. Specifically, it presents the findings of my extensive search for tales in translation and for scholarship on these tales; it offers a system of classifying and describing the selected tales and provides a comparative analysis of variants and types; and it offers an argument for anthologizing tales for a Canadian and/or Hungarian Canadian reading audience. Twenty tales (four variants within each tale category), chosen according to the selection criteria, comprise the body of primary material and are grouped according to tale categories - fairy tales, humorous tales, animal tales, anecdotes, and historical legends. In considering the variants of a selection of tale types and their particular references to Hungarian culture, this study illuminates the persistence of certain Hungarian folktales while highlighting their cultural distinctiveness. Ultimately, by creating awareness of this unique body of tales, my hope is for Canadian readers to be made aware of Hungary's culture and its folk literature, and for the tales to find their way into collections of multicultural folktales, to be released from their isolation, and to join other well-known international folktales on bookshelves around the world. -
We're Not Nazis, But…
August 2014 American ideals. Universal values. Acknowledgements On human rights, the United States must be a beacon. This report was made possible by the generous Activists fighting for freedom around the globe continue to support of the David Berg Foundation and Arthur & look to us for inspiration and count on us for support. Toni Rembe Rock. Upholding human rights is not only a moral obligation; it’s Human Rights First has for many years worked to a vital national interest. America is strongest when our combat hate crimes, antisemitism and anti-Roma policies and actions match our values. discrimination in Europe. This report is the result of Human Rights First is an independent advocacy and trips by Sonni Efron and Tad Stahnke to Greece and action organization that challenges America to live up to Hungary in April, 2014, and to Greece in May, 2014, its ideals. We believe American leadership is essential in as well as interviews and consultations with a wide the struggle for human rights so we press the U.S. range of human rights activists, government officials, government and private companies to respect human national and international NGOs, multinational rights and the rule of law. When they don’t, we step in to bodies, scholars, attorneys, journalists, and victims. demand reform, accountability, and justice. Around the We salute their courage and dedication, and give world, we work where we can best harness American heartfelt thanks for their counsel and assistance. influence to secure core freedoms. We are also grateful to the following individuals for We know that it is not enough to expose and protest their work on this report: Tamas Bodoky, Maria injustice, so we create the political environment and Demertzian, Hanna Kereszturi, Peter Kreko, Paula policy solutions necessary to ensure consistent respect Garcia-Salazar, Hannah Davies, Erica Lin, Jannat for human rights. -
Open Final Thesis Draft__Jacob Green.Pdf
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF HISTORY Resurgent Antisemitism: The Threat of Viktor Orban and His Political Arsenal JACOB GREEN SPRING 2021 A thesis submitted in partial fulfillment of the requirements for baccalaureate degrees in History and Spanish with honors in History Reviewed and approved* by the following: Tobias Brinkmann Malvin and Lea Bank Associate Professor of Jewish Studies and History Thesis Supervisor Cathleen Cahill Associate Professor of History Honors Advisor * Electronic approvals are on file. i ABSTRACT This thesis will analyze the role and prevalence of antisemitism in Hungary across various time periods to better understand the populist foundation of the modern crisis. Prime Minister Viktor Orban and his Fidesz government rely on antisemitic tropes to maintain political power and realize their authoritarian vision for the nation. By investigating Hungarian history from World War I through the communist era, this thesis will develop a historical framework to better understand recent events and why they are so troubling. Next, the modern context will be examined to uncover Orban’s tactical use of antisemitism and historical revisionism. Orban’s tactics leave minority communities in Hungary, especially the nation’s large Jewish community, vulnerable to nationalist outbursts and undermine democracy. ii TABLE OF CONTENTS LIST OF FIGURES ..................................................................................................... iii LIST OF TABLES ...................................................................................................... -
Elemér Homonnay`S Collection
ELEMÉR HOMONNAY`S COLLECTION A register of its records In Cleveland Hungarian Heritage Museum Processed by Judit Gerencsér Edited and revised by Carol Zsulya Cleveland Hungarian Heritage Museum Cleveland, Ohio 2003 THE CLEVELAND HUNGARIAN HERITAGE MUSEUM MANUSCRIPT COLLECTION Processed by: Judit Gerencser Edited and revised by: Carol Zsulya Register: Elemér Homonnay`s collection Elemér Homonnay (Biography) Elemér Homonnay was born in 1910 in Isaszeg. He studies in Budapest and Munich. In Hungary he worked as a physics teacher. After the World War II. he spent some time in Paris and then he immigrated to the USA. In Cleveland he worked as an engineer at the General Electric Company. He had a lot of patented inventions. He was also an expert on the questions of Czechoslovakia and Croatia. He wrote and published a lot of articles, essays and books as well in connection with these topics. The major newspapers and journals where he published his writings: Nyugati Magyarság, Lármafa, Virrasztó, Katolikus Magyarok Vasárnapja. He was also the leader of the Committee for the Liberation of Southern Hungary and he became the president of the Committee for Hungarian Liberation as well. He died in Cleveland. Elemér Homonnay records This collection consists of correspondence, newspaper clippings, newsletters, official materials, invitations, and booklets. The whole collection was the result of Elemèr Homonnay`s research activity. He collected this very valuable collection with special reference to the history of Hungary, Hungarians and the history of Hungarian Americans in the USA. The time period is primarily between 1930s - 1980s. As for the collection geographical reference the following areas can be mentioned: Hungary, the USA, Transylvania, Czechoslovakia, The Carpathian area, Austria with special reference to Burgenland. -
The Life and Times of Karola Szilvássy, Transylvanian Aristocrat and Modern Woman*
Cristian, Réka M.. “The Life and Times of Karola Szilvássy, A Transylvanian Aristocrat and Modern Woman.” Hungarian Cultural Studies. e-Journal of the American Hungarian Educators Association, Volume 12 (2019) DOI: 10.5195/ahea.2019.359 The Life and Times of Karola Szilvássy, Transylvanian Aristocrat and Modern Woman* Réka M. Cristian Abstract: In this study Cristian surveys the life and work of Baroness Elemérné Bornemissza, née Karola Szilvássy (1876 – 1948), an internationalist Transylvanian aristocrat, primarily known as the famous literary patron of Erdélyi Helikon and lifelong muse of Count Miklós Bánffy de Losoncz, who immortalized her through the character of Adrienne Milóth in his Erdélyi trilógia [‘The Transylvanian Trilogy’]. Research on Karola Szilvássy is still scarce with little known about the life of this maverick woman, who did not comply with the norms of her society. She was an actress and film director during the silent film era, courageous nurse in the World War I, as well as unusual fashion trendsetter, gourmet cookbook writer, Africa traveler—in short, a source of inspiration for many women of her time, and after. Keywords: Karola Szilvássy, Miklós Bánffy, János Kemény, Zoltán Óváry, Transylvanian aristocracy, modern woman, suffrage, polyglot, cosmopolitan, Erdélyi Helikon Biography: Réka M. Cristian is Associate Professor, Chair of the American Studies Department, University of Szeged, and Co-chair of the university’s Inter-American Research Center. She is author of Cultural Vistas and Sites of Identity: Literature, Film and American Studies (2011), co-author (with Zoltán Dragon) of Encounters of the Filmic Kind: Guidebook to Film Theories (2008), and general editor of AMERICANA E-Journal of American Studies in Hungary, as well as its e-book division, AMERICANA eBooks. -
RIVISTA DI STUDI UNGHERESI Nuova Serie, N
19 – 2020 University Press RIVISTA DI STUDI UNGHERESI nuova serie, n. 19 Rivista di Filologia Ungherese, di Studi sull’Europa Centrale e di Letterature Comparate Testata di proprietà di Sapienza Università di Roma, pubblicata con il sostegno dell’Ateneo Redazione: Centro Studi Ungheresi, presso il Centro di ricerca “Cooperazione con l’Eurasia, il Mediterraneo, l’Africa Sub-sahariana” CEMAS (Dipartimento di Storia Antropologia Religioni Arte Spettacolo, SARAS), Facoltà di Lettere e Filosofia, III piano, sezione di Storia moderna, stanza n. 10 P.le Aldo Moro, 5 - 00185 Roma tel.: (+39) 06 49913414 – email: [email protected] Archivio digitale delle annate precedenti: http://epa.oszk.hu/02000/02025 Direttore responsabile: Andrea Carteny Direttore scientifico: Cinzia Franchi Comitato di redazione: Francesca Ciccariello (coordinamento), Elena Dumitru, Melinda Mihályi, Shirin Zakeri Comitato scientifico: Edit Rózsavölgyi (coordinamento, Roma1), Antonello Biagini (Roma1), Stefano Bottoni (Firenze), Emese Egyed (Kolozsvár-Cluj), Árpád Hornyák (Pécs), Kornélia Horváth (PPKE, Budapest - Selye János, Komárom-Komárno), József Pál (Szeged), László Pete (Debrecen), Antonio D. Sciacovelli (Turku), Franca Sinopoli (Roma1), Endre Szkárosi (ELTE, Budapest), László Szörényi (MTA, Budapest), Alessandro Vagnini (Roma1), Krisztina Zékány (Ungvár-Uzhhorod) Rivista registrata presso la Cancelleria del Tribunale di Roma, sezione per la stampa e l’informazione, in data 9 maggio 2002, al n° 2015. ISSN 1125-520X 19 – 2020 Copyright © 2020 Sapienza Università Editrice Piazzale Aldo Moro 5 – 00185 Roma www.editricesapienza.it [email protected] ISSN 1125-520X Iscrizione Registro Operatori Comunicazione n. 11420 La traduzione, l’adattamento totale e parziale, la riproduzione con qualsiasi mezzo (compresi microfilm, film, fotocopie), nonché la memorizzazione elettronica, sono riservati per tutti i Paesi. -
ECLECTIC DETACHMENT Aspects of Identity in Canadian Poetry
ECLECTIC DETACHMENT Aspects of Identity in Canadian Poetry A. J. M. Smith I,N THE CLOSING PARAGRAPHS of the Introduction to The Oxford Book of Canadian Verse I made an effort to suggest in a phrase that I hoped might be memorable a peculiar advantage that Canadian poets, when they were successful or admirable, seemed to possess and make use of. This, of course, is a risky thing to do, for what one gains in brevity and point may very well be lost in inconclusiveness or in possibilities of misunderstanding. A thesis needs to be demonstrated as well as stated. In this particular case I think the thesis is implicit in the poems assembled in the last third of the book — and here and there in earlier places too. Nevertheless, I would like to develop more fully a point of view that exigencies of space confined me previously merely to stating. The statement itself is derived from a consideration of the characteristics of Canadian poetry in the last decade. The cosmopolitan flavor of much of the poetry of the fifties in Canada derives from the infusion into the modern world of the archetypal patterns of myth and psychology rather than (as in the past) from Christianity or nationalism. After mentioning the names of James Reaney, Anne Wilkinson, Jay Macpherson, and Margaret Avison—those of the Jewish poets Eli Mandel, Irving Layton, and Leonard Cohen might have been added—I went on to say : The themes that engage these writers are not local or even national; they are cos- mopolitan and, indeed, universal. -
Hungarian Studies ^Eviezv Vol
Hungarian Studies ^eviezv Vol. XXV, Nos. 1-2 (Spring-Fall, 1998) Special Volume: Canadian Studies on Hungarians: A Bibliography (Third Supplement) Janos Miska, comp. This special volume contains a bibliography of recent (1995-1998) Canadian publications on Hungary and Hungarians in Canada and else- where. It also offers a guide to archival sources on Hungarian Canadians in Hungary and Canada; a list of Hungarian-Canadian newspapers, jour- nals and other periodicals ever published; as well as biographies of promi- nent Hungarian-Canadian authors, educators, artists, scientists and com- munity leaders. The volume is completed by a detailed index. The Hungarian Studies Review is a semi- annual interdisciplinary journal devoted to the EDITORS publication of articles and book reviews relat- ing to Hungary and Hungarians. The Review George Bisztray is a forum for the scholarly discussion and University of Toronto analysis of issues in Hungarian history, politics and cultural affairs. It is co-published by the N.F. Dreisziger Hungarian Studies Association of Canada and Royal Military College the National Sz£ch6nyi Library of Hungary. Institutional subscriptions to the HSR are EDITORIAL ADVISERS $12.00 per annum. Membership fees in the Hungarian Studies Association of Canada in- Oliver Botar clude a subscription to the journal. University of Manitoba For more information, visit our web-page: Geza Jeszenszky http://www.ccsp.sfu.ca/calj.hsr Budapest- Washington Correspondence should be addressed to: Ilona Kovacs National Szechenyi Library The Editors, Hungarian Studies Review, University of Toronto, Mlria H. Krisztinkovich 21 Sussex Ave., Vancouver Toronto, Ont., Canada M5S 1A1 Barnabas A. Racz Statements and opinions expressed in the HSR Eastern Michigan U. -
History Or Fictionalized Truth in Fenyő's Diary Az Elsodort Ország (A Country Swept Away)
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 17 (2015) Issue 3 Article 13 History or Fictionalized Truth in Fenyő's Diary Az elsodort ország (A Country Swept Away) Judy Young Independent Scholar Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the Comparative Literature Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Young, Judy. "History or Fictionalized Truth in Fenyő's Diary Az elsodort ország (A Country Swept Away)." CLCWeb: Comparative Literature and Culture 17.3 (2015): <https://doi.org/10.7771/1481-4374.2690> This text has been double-blind peer reviewed by 2+1 experts in the field. -
Avison's Imitation of Christ the Artist
AVISON'S IMITATION OF CHRIST THE ARTIST George Bowering IL,N A REVIEW ARTICLE about The Dumbfounding (in Cana- dian Literature 38), Lawrence M. Jones makes reference to an unpublished essay that Margaret Avison composed about her relationship with Christ and its effect upon her work. Looking back on her early poetry, she announces "how grievously I cut off his way by honouring the artist" during her "long wilful detour into darkness". Readers of Miss Avison's work will know that such a con- fession does not lead to her abandoning poetic care and plunging into artless canticles of devotional verse. She is not compulsively looking for security, as Germaine Gréer would put it. Of all our poets, Margaret Avison is the most art- fully daring. In the same article she speaks of the progress of her personal belief from the "will to be good", to "getting to be where Christ's suffering goes, ter- ribly on." Like the "metaphysical" poets, Miss Avison plays on paradox, and theirs, her belief, religious or artistic, depends on the paradox not being that at all. She does not abandon the artist — she just does not any longer honour him. Honour- ing an artist is for non-reading people or poetry-commissars to do; or if the artist is Christ himself, for church ministers to do. Honouring a prophet in his own country is to kill prophecy. There is no honour in that. Miss Avison says that her personal vision of Christ, which has been till now often enough referred to, made the New Testament story unclear.