New Writing from Ireland 2016
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2017 Programme
“An unforgettable literary festival!” Hugo Hamilton CULTUREFOX.IE Artistic Director – Paul Perry Every March something special happens in Ennis. Readers come together to celebrate their love of books. Not all, but many are members of book clubs. We are after all the only book club festival in the country. Audiences in 2017 will be guaranteed their festival favourites – the perennial 10 Books You Should Read, as well as a stellar line up for our Sunday Symposium on Sports & Politics. 2017 is also a year in which we evolve in new directions: we host our first Children’s Book Club, welcome the Laureate for Irish Fiction, The Irish Times and the Rick O’Shea Book Clubs, and we’re delighted to be collaborating with Clare County Library on Teen Week. Throw into the mix Paul Durcan, Rose Tremain, Little John Nee and the arrival of thousands of book club members, and you’re in for something singular in Irish literary culture. It’s been a pleasure and privilege working with the Festival Team in bringing this programme to you: they are an extraordinary NEVER committee of volunteers, for what is an extraordinary festival. Chairperson’s Welcome – Emer O’Connell MISS Fáilte is fiche go hInis! It’s hard to believe that a year has passed since our hugely successful 10th anniversary celebration last March. And, we continue to go from strength to strength! 2017 comes with a host of new partnerships, which we look forward to developing further. Critically, those partnerships are rooted in the incredible support network we have built up over many years – with the Arts Council, Fáilte Ireland, our loyal corporate OUT supporters and our army of volunteers. -
Displacing the Nation: Performance, Style and Sex in Eimear Mcbride's the Lesser Bohemians
Studi irlandesi. A Journal of Irish Studies, n. 9 (2019), pp. 161-178 DOI: http://dx.doi.org/10.13128/SIJIS-2239-3978-25510 Displacing the Nation: Performance, Style and Sex in Eimear McBride’s The Lesser Bohemians Gerry Smyth Liverpool John Moores University (<[email protected]>) Abstract: Eimear McBride’s second novel revisits many of the stylistic practices and conceptual themes which made A Girl is a Half-formed Thing such an important intervention within post-Tiger Irish cultural politics. By setting The Lesser Bohemians in London during the 1990s, how- ever, McBride displaces both the temporal and spatial focus on the here (Ireland) and now (post-Crash) which has tended to dominate contemporary Irish fiction. The theatrical milieu within which the main characters operate, moreover, as well as the novel’s emphasis on the redemptive power of sex, likewise militate against any attempt to regard it as just another Irish “trauma” narrative. By revealing the extent of Irish/British cultural interpenetration, McBride exposes the bad faith of both austerity economics and political isolationism. Keywords: Eimear McBride, Modernism, Neoliberalism, Perfor- mance, Sex 1. Introduction “Ireland”, the journalist Fintan O’Toole once wrote, “is something that often happens elsewhere” (1994, 27); to which I would add that one of the most important places where modern Ireland has “happened” is London. With a population roughly twice the size of the whole island, London looms dauntingly large in the Irish spatial imagination. Besides being the seat of the imperial overmasters, the great metropolis to the east is also a cultur- al melting pot and an economic powerhouse – entrepôt or final destination for generations of emigrants. -
The Gallery Press
The Gallery Press The Gallery Press’s contribu - The Gallery Press has an unrivalled track record in publishing the tion to the cultural life of this first and subsequent collections of poems by now established Irish country is ines timable. The title poets such as Eiléan Ní Chuilleanáin, Eamon Grennan, ‘national treasure’ is these days Michael Coady, Dermot Healy, Frank McGuinness and Peter conferred, facetiously for the Sirr . It has fostered whole generations of younger poets it pub - most part, on almost any old lished first including Ciaran Berry, Tom French, Alan Gillis, thing — person or institution — Vona Groarke, Conor O’Callaghan, John McAuliffe, Kerry but The Gallery Press truly is an Hardie, David Wheatley, Michelle O’Sullivan and Andrew enterprise to be treasured by the Jamison . It has also published seminal career-establishing titles nation. by Ciaran Carson, Paula Meehan, Nuala Ní Dhomhnaill, — John Banville Justin Quinn, Seán Lysaght and Gerald Dawe . The Press has published books by Seamus Heaney, Paul Muldoon and John Banville and repatriated authors such as Brian Friel, Derek Peter Fallon’s Gallery Press is the Mahon and Medbh McGuckian who previously turned to living fulcrum around which the London and Oxford as a publishing outlet. swarm ing life of contemporary Irish poetry rotates. Fallon’s is a Gallery publishes the work of Ireland’s leading women poets truly extraordinary Irish life, and and playwrights including Eiléan Ní Chuilleanáin, Nuala Ní it goes on still, unabated. Dhomhnaill, Medbh McGuckian, Michelle O’Sullivan, Sara — Thomas McCarthy, Irish Berkeley Tolchin, Vona Groarke, Ailbhe Ní Ghearbhuigh, Literary Supplement Aifric MacAodha and Marina Carr . -
Precursors, the Environment and the West in Seamus Heaney’S “Postscript”
Estudios Irlandeses, Issue 13, March 2018-Feb. 2019, pp. 69-81 __________________________________________________________________________________________ AEDEI Precursors, the Environment and the West in Seamus Heaney’s “Postscript” Ross Moore Independent scholar, Belfast Copyright (c) 2018 by Ross Moore. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged for access. Abstract. Being the final poem in Heaney’s 1996 collection The Spirit Level, situates the poem “Postscript” significantly in Heaney’s poetic oeuvre. The collection was Heaney’s first to be published after winning the Nobel Prize for literature, it was also his first published amidst the changed social and political context following the 1994 paramilitary ceasefires in Northern Ireland. Here, I will explore the manner in which “Postscript” interacts with previous work by Heaney. Looking closely at the language, imagery and procedures of the poem, I argue that the poem embodies a fundamental shift in Heaney's approach to the natural environment but that this change is reliant on poetic procedures which Heaney had come to trust early in his career. Heaney's descriptive precision and openness to the “marvellous” combine to produce a uniquely effective poem. “Postscript” treats the natural world and the human subject in a manner atypical of Heaney's procedures yet stands among his most accomplished work. I will consider the manner in which Heaney's poem simultaneously exists “post” the “scripts” of literature mythologizing the West of Ireland while remaining in close dialogue with perhaps the most famous of these: Yeats's poem “The Wild Swans at Coole”. -
New Writing from Ireland
New Writing from Ireland Promoting Irish Literature Abroad Fiction | 1 NEW WRITING FROM ireLAND 2013 This is a year of new beginnings – Ireland first published 2013 Impac Award-winner Literature Exchange has moved offices Kevin Barry’s collection, There Are Little and entered into an exciting partnership Kingdoms in 2007, offers us stories from with the Centre for Literary Translation at Colin Barrett. Trinity College, Dublin. ILE will now have more space to host literary translators from In the children and young adult section we around the world and greater opportunities have debut novels by Katherine Farmar and to organise literary and translation events Natasha Mac a’Bháird and great new novels in co-operation with our partners. by Oisín McGann and Siobhán Parkinson. Writing in Irish is also well represented and Regular readers of New Writing from Ireland includes Raic/Wreck by Máire Uí Dhufaigh, will have noticed our new look. We hope a thrilling novel set on an island on the these changes make our snapshot of Atlantic coast. contemporary Irish writing more attractive and even easier to read! Poetry and non-fiction are included too. A new illustrated book of The Song of Contemporary Irish writing also appears Wandering Aengus by WB Yeats is an exciting to be undergoing a renaissance – a whole departure for the Futa Fata publishing house. 300 pp range of intriguing debut novels appear Leabhar Mór na nAmhrán/The Big Book of this year by writers such as Ciarán Song is an important compendium published Collins, Niamh Boyce, Paul Lynch, Frank by Cló Iar-Chonnacht. -
Irish Schools Athletics Champions 1916-2015 Updated June 15 2015
Irish Schools Athletics Champions 1916-2015 Updated June 15 2015 In February 1916 Irish Amateur Athletic Association (IAAA) circularised the principal schools in Ireland regarding the advisability of holding Schoolboys’ Championships. At the IAAA’s Annual General Meeting held on Monday 3rd April, 1916 in Wynne’s Hotel, Dublin, the Hon. Secretary, H.M. Finlay, referred to the falling off in the number of affiliated clubs due to the number of athletes serving in World War I and the need for efforts to keep the sport alive. Based on responses received from schools, the suggestion to hold Irish Schoolboys’ Championships in May was favourably considered by the AGM and the Race Committee of the IAAA was empowered to implement this project. Within a week a provisional programme for the inaugural athletics meeting to be held at Lansdowne Road on Saturday 20th May, 1916 had been published in newspapers, with 7 events and a relay for Senior and 4 events and a relay for Junior Boys. However, the championships were postponed "due to the rebellion" and were rescheduled to Saturday 23rd September, 1916, at Lansdowne Road. In order not to disappoint pupils who were eligible for the championships on the original date of the meeting, the Race Committee of the IAAA decided that “a bona fide schoolboy is one who has attended at least two classes daily at a recognised primary or secondary school for three months previous to 20 th May, except in case of sickness, and who was not attending any office or business”. The inaugural championships took place in ‘quite fine’ weather. -
APPENDIX. Have Extensive Schools Also Here
738 .HISTOBY . OF LIMERICK. projected, from designs by 5. J. M'Carthy, Esq., Dublia, by the Very Rev. Jsmes O'Shea, parish priest, and the parishioners. The Sister of Mercy have an admirable convent and school, and the Christian Brothers APPENDIX. have extensive schools also here. s~a~s.-Rathkede Abbey (G. W: Leech, Esq.), Castle Matrix, Beechmount (T. Lloyd, Esq , U.L.), Ba1lywillia.m (D. Mansell, Esq.), and Mount Browne (J. Browne, Ey.) There is a branch of the Provincial Bank of Ireland, adof the National PgqCJPhL CHARTERS OF LIMERICK, Bank of Ireland here. Charter granted by John ... dated 18th December, 1197-8 . ,, ,, Edward I., ,, 4th February, 1291 ,, ,, ,, Ditto ,, 6th May, 1303 ,, ,, Henry IV. ,, 26th June, 1400 ,, ,, Henry V. ,, 20th January, 1413 The History of Limerick closes appropriately with the recognition by ,, ,, ,, Henry VI. ,, 27th November, 1423 the government of Lord Palmerston, who has since been numbered ~6th ,, ,, ,, Ditto, ,, 18th November, l429 ,. ,, ,, Henry VI., ,, 26th July, 1449 the dead, of the justice and expediency of the principle of denominational ,, ,, ,, Edward VI. ,, 20th February, 1551 education, so far at least as the intimation that has been given of a liberal ,, ,, ,, Elizabeth, ,, 27th October, 1575 modification of the Queen's Culleges to meet Catholic requirements is con- ,, ,, ,, Ditto, ,, 19th March, 15b2 , Jrrmes I. ,, 8d March, 1609 cerned. We have said appropriately", because Limerick was the first Amsng the muniments of the Corporation is an Inspex. of Oliver Cromwell, dated 10th of locality in Ireland to agitate in favour of that movement, the author of February, 1657 ; and an Inspex. of Charles 11. -
The Goldsmiths Prize and Its Conceptualization of Experimental Literature
The Goldsmiths Prize and Its Conceptualization 35 of Experimental Literature The Goldsmiths Prize and Its Conceptualization of Experimental Literature Wojciech Drąg University of Wrocław Abstract: In the aftermath of a critical debate regarding the Man Booker Prize’s adoption of ‘readability’ as the main criterion of literary value, Goldsmiths College established a new literary prize. The Goldsmiths Prize was launched in 2013 as a celebration of ‘fiction that breaks the mould or extends the possibil- ities of the novel form.’ Throughout its six editions, the prize has been awarded to such writers as Ali Smith, Nicola Barker and Eimear McBride, and has at- tracted a lot of media attention. Annually, its jury have written press features praising the shortlisted books, while invited novelists have given lectures on the condition of the novel. Thanks to its quickly won popularity, the Goldsmiths Prize has become the main institution promoting – and conceptualizing – ‘ex- perimental’ fiction in Britain. This article aims to examine all the promotional material accompanying each edition – including jury statements, press releases and commissioned articles in the New Statesman – in order to analyze how the prize defines experimentalism. Keywords: Goldsmiths Prize, literary prizes, experimental literature, avant-gar- de, contemporary British fiction Literary experimentalism is a notion both notoriously difficult to define and generally disliked by those to whose work it is often applied. B.S. Johnson famously stated that ‘to most reviewers [it] is almost always a synonym for “unsuccessful”’ (1973, 19). Among other acclaimed avant-garde authors who defied the label were Raymond Federmann and Ronald Sukenick (Bray, Gib- bon, and McHale 2012, 2-3). -
Frank O'connor
The 10th Annual FRANK O’CONNOR INTERNATIONAL SHORT STORY FESTIVAL 2009 elcome. Cork is the place to come for the world’s oldest, annual, dedicated, short story festival now in its tenth year. In Cork we have a special love of the short story because of our city and county’s association with W so many masters of the form including Daniel Corkery, Sean O’Faolain, Frank O’Connor, Elizabeth Bowen and William Trevor. The Munster Literature Centre, with the crucial help of funding from Cork City Council is delighted to be able to raise our city’s profile in the world through this festival and also through the annual Cork City-Frank O’Connor Short Story Award, the richest literary prize for the form which is now in its fifth year. Since the festival began we have featured modern masters from at home and abroad including the likes of Segun Afolabi, Cónal Creedon, Nisha da Cunha, Anne Enright, Richard Ford, Alasdair Gray, Bret Anthony Johnston, Miranda July, Claire Keegan, Etgar Keret, Jhumpa Lahiri, James Lasdun, Mary Leland, Eugene Mc- Cabe, Mike McCormick, Bernard MacLaverty, David Marcus, David Means, Rebecca Miller, Rick Moody, Eilis Ní Dhuibhne, Julia O’Faolain, James Plunkett, Dan Rhodes, Ludmila Ulitskaya, Samrat Upadhyay, William Wall, Yiyun Li Wang Zhousheng and many others. This year, we have five continents represented in our international lineup. We welcome back writers who have appeared before, not only former O’Connor Award shortlistees such as Grimshaw and O Ceallaigh, but writers such as Titley and Doyle who participated in our very first festival in 2000. -
New Writing from Irelandfromwriting New New Writing from Ireland Ireland Literatureirelandexchange
New Writing from Ireland New Writing from Ireland Ireland Literature Exchange Ireland Literature Ireland Literature Exchange – Promoting Irish literature abroad Welcome Welcome to the 2007 edition of New Writing from Ireland This year’s expanded catalogue contains an even wider cross-section of newly Finally, there are poetry collections by some of Ireland’s most established poets published titles of Irish interest. - Peter Fallon, Seán Lysaght, Gerard Smyth, Francis Harvey, Liam Ó Muirthile and Cathal Ó Searcaigh. New collections also appear from a generation of The fiction section includes novels by several new voices including débuts younger poets, including Nick Laird, John McAuliffe, Alan Gillis and from Karen Ardiff, Alice Chambers and Julia Kelly. We also list books by a Mary O’Donoghue. number of established and much-loved authors, e.g. Gerard Donovan, Patrick McCabe and Joseph O’Connor, and we are particularly pleased this year to We hope that you enjoy the catalogue and that many international publishers present a new collection by the short story writer, Claire Keegan, and a new will apply to Ireland Literature Exchange for translation funding. play by Sebastian Barry. Sinéad Mac Aodha Rita McCann Children’s books have always been a particular strength of Irish writing. There Director Programme Officer are books here from, amongst others, Conor Kostick, Deirdre Madden, Eileen O’Hely and Enda Wyley. A former magician’s rabbit, a mysterious notebook, giant venomous spiders and a trusted pencil are just some of the more colourful elements to be found in the children’s fiction category. Inclusion of a book in this catalogue does not indicate that it has been approved for a translation subsidy by ILE. -
"The Given Note": Traditional Music and Modern Irish Poetry
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title "The Given Note": traditional music and modern Irish poetry Author(s) Crosson, Seán Publication Date 2008 Publication Crosson, Seán. (2008). "The Given Note": Traditional Music Information and Modern Irish Poetry, by Seán Crosson. Newcastle: Cambridge Scholars Publishing. Publisher Cambridge Scholars Publishing Link to publisher's http://www.cambridgescholars.com/the-given-note-25 version Item record http://hdl.handle.net/10379/6060 Downloaded 2021-09-26T13:34:31Z Some rights reserved. For more information, please see the item record link above. "The Given Note" "The Given Note": Traditional Music and Modern Irish Poetry By Seán Crosson Cambridge Scholars Publishing "The Given Note": Traditional Music and Modern Irish Poetry, by Seán Crosson This book first published 2008 by Cambridge Scholars Publishing 15 Angerton Gardens, Newcastle, NE5 2JA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2008 by Seán Crosson All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-84718-569-X, ISBN (13): 9781847185693 Do m’Athair agus mo Mháthair TABLE OF CONTENTS Acknowledgements ................................................................................. -
Full Text of 'Joyce House' Letter and Signatories
Full text of ‘Joyce house’ letter and signatories As writers, artists, and scholars of Irish literature and culture, we call upon Josepha Madigan, the Minister for Culture, Heritage and the Gaeltacht, and Owen Keegan, Dublin City Manager, to intervene to save, for the nation and the world, the house at 15 Usher's Island, known to all as Joyce's house of "The Dead", and prevent any deterioration of its fabric. In the decades since Joyce's death, too many of the places that are rendered immortal in his writing have been lost to the city. Let us not repeat this mistake today. 15 Usher's Island is not just another house connected with Joyce. Built in 1775, its upper floors were rented by Joyce's great-aunts in the 1890s and the writer himself often visited them there. Most importantly, it is the setting of "The Dead", widely considered Joyce's and indeed the world's greatest short story. The atmosphere in the house and the way the rooms are configured are mostly untouched since Joyce's time. Turning it into a 56-room hostel would destroy the uniquely valuable interior which still maintains the character of the house so splendidly described in the story. Usher's Island has the potential to become a worthwhile site of literary pilgrimage, a way to inform and inspire new generations of Joyce readers. As we approach the centenary of Ulysses in 2022, we believe that saving this unique piece of our national heritage is within the power of the Government and the national institutions and that it should be an urgent priority.