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The Gallery Press The Gallery Press’s contribu - The Gallery Press has an unrivalled track record in publishing the tion to the cultural life of this first and subsequent collections of poems by now established Irish country is ines timable. The title poets such as Eiléan Ní Chuilleanáin, Eamon Grennan, ‘national treasure’ is these days Michael Coady, Dermot Healy, Frank McGuinness and Peter conferred, facetiously for the Sirr . It has fostered whole generations of younger poets it pub - most part, on almost any old lished first including Ciaran Berry, Tom French, Alan Gillis, thing — person or institution — Vona Groarke, Conor O’Callaghan, John McAuliffe, Kerry but The Gallery Press truly is an Hardie, David Wheatley, Michelle O’Sullivan and Andrew enterprise to be treasured by the Jamison . It has also published seminal career-establishing titles nation. by Ciaran Carson, Paula Meehan, Nuala Ní Dhomhnaill, — John Banville Justin Quinn, Seán Lysaght and Gerald Dawe . The Press has published books by Seamus Heaney, Paul Muldoon and John Banville and repatriated authors such as Brian Friel, Derek Peter Fallon’s Gallery Press is the Mahon and Medbh McGuckian who previously turned to living fulcrum around which the London and Oxford as a publishing outlet. swarm ing life of contemporary Irish poetry rotates. Fallon’s is a Gallery publishes the work of Ireland’s leading women poets truly extraordinary Irish life, and and playwrights including Eiléan Ní Chuilleanáin, Nuala Ní it goes on still, unabated. Dhomhnaill, Medbh McGuckian, Michelle O’Sullivan, Sara — Thomas McCarthy, Irish Berkeley Tolchin, Vona Groarke, Ailbhe Ní Ghearbhuigh, Literary Supplement Aifric MacAodha and Marina Carr . The Press has pioneered a series of bilingual editions of Ireland’s leading Irish language poets ( Michael Hartnett, Nuala Ní [The Gallery Press] made publi - Dhomhnaill, Pearse Hutchinson, Ailbhe Ní Ghearbhuigh and cation in Ireland to be a sign of Aifric Mac Aodha ). Though it is devoted to the work of Irish success rather than failure, which writers it includes world literature through the translations it I think it probably was in an publishes — from Derek Mahon ’s Echo’s Grove to Pearse earlier period. Hutchinson ’s Done Into English , Peter Fallon ’s The Georgics — Eiléan Ní Chuilleanáin of Virgil and Deeds and Their Days (after Hesiod) and Ciaran Carson ’s versions from the French — and the adaptations of European classical drama by Brian Friel, Thomas Kilroy, John The poets on the Gallery list are Banville, Paul Muldoon and others. indispensible to the art of poetry as an ongoing endeavour in The variety of the Press’s publications is evident in its collections Ireland: indispensible to the of literary and personal essays by Vona Groarke, Derek Mahon honour in which that art is held and Dennis O’Driscoll . Gallery regularly pub lishes special at home and to the honour editions including collaborations between the country’s leading which it earns for us abroad. writers and painters ( Seamus Heaney and Martin Gale , John — Seamus Heaney, Banville and Donald Teskey and Brian Friel and Basil The Abbey Theatre, Blackshaw ). Dramatists it publishes in clude Marina Carr, Jim on the occasion of Nolan and Thomas Kilroy while the acme of its play publishing The Gallery Press’s programme is the five volume set of Brian Friel ’s Collected 40th anniversary Plays (2016 )..

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'Jumping Off Shadows'
'Jumping off Shadows' SELECTED CONTEMPORARY IRISH POETS Edited by Greg Delanty and Nuala Ni DhomhnaiU with a preface by Philip O'Leary CORK UNIVERSITY PRESS CONTENTS Acknowledgements xiv Preface by Philip O'Leary xvi Roz COWMAN Influenza/2 The Twelve Dancing Princesses/2 Dandelion/5 Annunciation/4 The Goose Herd/5 Logic/6 Apple Song/6 Compulsive/7 Fascist/7 The Old Witch Sings of Lost Children/5 Lot's Wife/9 Meanings/10 EILEAN Ni CHUILLEANAIN The Absent Girl//2 Swineherd/12 Pygmalion's Image/13 Ransom//.? The Second Voyage/74 Looking at the Fall//5 J'ai Mai a nos Dents/16 Odysseus Meets the Ghosts of the Women//7 Old Roads//* The Hill-town//<9 London//9 St Mary Magdalene Preaching at Marseilles/20 Dreaming in the Ksar es Souk Motel/20 The Informant/25 AINE MILLER Going Home/25 Da/26 Visitation/27 The Undertaker Calh/28 Woman Seated under the Willows/29 The Day is Gone/30 Seventeen/5/ ClARAN O'DRISCOLL Smoke Without Fire/55 The Poet and his Shadow/55 Great Auks/55 Little Old Ladies/56 Sunsets and Hernias/57 Epiphany in Buffalo/57 from The Myth of the South/5* ROBERT WELCH Rosebay Willowherb/42 Memoirs of a Kerry Parson/42 For Thomas Henry Gerard Murphy/ 46 DERRY O'SULLIVAN Roimh Thitim Amach/5/ Mianadoir Albanach os cionn Oilean Bhearra/5/ Marbhghin 1943: Glaoch ar Liombo/52 Teile-Smacht/54 PAUL DURCAN The Death by Heroin of Sid Vicious/57 Sally/57 Raymond of the Rooftops/5<9 Sport/59 On Pleading Guilty to Being Heterosexual/ 60 Wife Who Smashed Television Gets Jail/62 The Perfect Nazi Family is Alive and Well and Prospering in Modern Ireland/
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Issue 6 April 2017 a Literary Pamphlet €4
issue 6 april 2017 a literary pamphlet €4 —1— Denaturation Jean Bleakney from selected poems (templar poetry, 2016) INTO FLIGHTSPOETRY Taken on its own, the fickle doorbell has no particular score to settle (a reluctant clapper? an ill-at-ease dome?) were it not part of a whole syndrome: the stubborn gate; flaking paint; cotoneaster camouflaging the house-number. Which is not to say the occupant doesn’t have (to hand) lubricant, secateurs, paint-scraper, an up-to-date shade card known by heart. It’s all part of the same deferral that leaves hanging baskets vulnerable; although, according to a botanist, for most plants, short-term wilt is really a protective mechanism. But surely every biological system has its limits? There’s no going back for egg white once it’s hit the fat. Yet, some people seem determined to stretch, to redefine those limits. Why are they so inclined? —2— INTO FLIGHTSPOETRY Taken on its own, the fickle doorbell has no particular score to settle by Thomas McCarthy (a reluctant clapper? an ill-at-ease dome?) were it not part of a whole syndrome: the stubborn gate; flaking paint; cotoneaster Tara Bergin This is Yarrow camouflaging the house-number. carcanet press, 2013 Which is not to say the occupant doesn’t have (to hand) lubricant, secateurs, paint-scraper, an up-to-date Jane Clarke The River shade card known by heart. bloodaxe books, 2015 It’s all part of the same deferral that leaves hanging baskets vulnerable; Adam Crothers Several Deer although, according to a botanist, carcanet press, 2016 for most plants, short-term wilt is really a protective mechanism.
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Precursors, the Environment and the West in Seamus Heaney’S “Postscript”
Estudios Irlandeses, Issue 13, March 2018-Feb. 2019, pp. 69-81 __________________________________________________________________________________________ AEDEI Precursors, the Environment and the West in Seamus Heaney’s “Postscript” Ross Moore Independent scholar, Belfast Copyright (c) 2018 by Ross Moore. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged for access. Abstract. Being the final poem in Heaney’s 1996 collection The Spirit Level, situates the poem “Postscript” significantly in Heaney’s poetic oeuvre. The collection was Heaney’s first to be published after winning the Nobel Prize for literature, it was also his first published amidst the changed social and political context following the 1994 paramilitary ceasefires in Northern Ireland. Here, I will explore the manner in which “Postscript” interacts with previous work by Heaney. Looking closely at the language, imagery and procedures of the poem, I argue that the poem embodies a fundamental shift in Heaney's approach to the natural environment but that this change is reliant on poetic procedures which Heaney had come to trust early in his career. Heaney's descriptive precision and openness to the “marvellous” combine to produce a uniquely effective poem. “Postscript” treats the natural world and the human subject in a manner atypical of Heaney's procedures yet stands among his most accomplished work. I will consider the manner in which Heaney's poem simultaneously exists “post” the “scripts” of literature mythologizing the West of Ireland while remaining in close dialogue with perhaps the most famous of these: Yeats's poem “The Wild Swans at Coole”.
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Konec a Začátek
OBSAH: Martin Fibiger o V. Páralovi Josef Peřina o multietnicitě severních Čech Alois Burda 20 o Petru Ulrychovi 2000 Rozhovor s J. Janáčkovou Dvakrát LITERÁRNÍ OBTÝDENÍK Dvě století 30. listopadu 20 Kč ruské literatury v podlost.“ Na Teigově příkladu pak Pe- Štefan Švec routka ukazuje osud avantgardních uměl- ců, kteří spojili svůj život s komunistickou o O. Březinovi Konec a začátek stranou, ale od třicátých let naráželi na to, že totalitární myšlení této instituce nebylo lze spojit s proklamovanou svobodou umělce a koncepcí avantgardního umění, Václav Smitka hlásícího se k tradici francouzské moderny a („Karel Teige byl jedním z těch mužů, kte- Nejstarší literární ří nevěděli, co dělají, když se hlásili ke ko- munismu. Pokud ještě vládla demokracie, ustavičně se mu zdálo, že není dost svobo- dokument v jazycev jazyce dy. Ale když nastalo, co přivolával, jeho a literatuře poslední kalný pohled viděl policisty, kteří o sebevraždě ho přišli zatknout“), ale zdůrazňuje i jeho odpovědnost za to, že toto totalitární myš- Ústí nekončí, rové nad ruskou literaturou „nové vlny“, je lení, vedoucí k potlačování svobody, po- však dobře, že na sympoziu zazněly rov- máhali zakrýt svou kultivovaností, svým Z archivu PNP: něž příspěvky absolventů PF UJEP: por- charizmatem: „Málokdo získal pro komu- Ústí nezačíná a literatuře trét Jiřího Muchy v pojetí Jiřího Jonáka nismus tolik přívrženců mezi vzdělanci jako Publikační S největší pravděpodobností se dá kon- a citlivá úvaha Hany Burešové o Janu Teige. (...) On více než kdo jiný svou oso- statovat, že kdyby nedošlo k odchodu lite- Hančovi. Tři pohostinné dny v Ústí nad bou pomáhal zastřít, že komunismus přiná- rární historičky a kritičky Dobravy Molda- Labem, spojené i s vlastivědnou exkurzí ší převahu hrubosti a nevzdělanosti (...).“ možnosti nové z Prahy do Ústí nad Labem, jen stěží do oseckého kláštera a do duchcovského V závěru nekrologu pak vzdává Teigemu by se tamější Pedagogická fakulta UJEP zámku, se staly argumentem o prospěšnos- i poctu: „(...) tento tvrdohlavý komunista (kde tč.
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2015 23Rd Annual Poets House Showcase Exhibition Catalog
2015 23rd Annual Poets House Showcase Exhibition Catalog |Poets House|10 River Terrace|New York, NY 10282|poetshouse.org| 5 The 2015 Poets House Showcase is made possible through the generosity of the hundreds of publishers and authors who have graciously donated their works. We are deeply grateful to Deborah Saltonstall Pease (1943 – 2014) for her foundational support. Many thanks are also due to the National Endowment for the Arts, the New York State Council on the Arts, the NYC Department of Cultural Affairs, the Leon Levy Foundation, and the many members of Poets House for their support of this project. 6 I believe that poetry is an action in which there enter as equal partners solitude and solidarity, emotion and action, the nearness to oneself, the nearness to mankind and to the secret manifestations of nature. – Pablo Neruda Towards the Splendid City Nobel Lecture, 1971 WELCOME to the 2015 Poets House Showcase! Each summer at Poets House, we celebrate all of the poetry published in the previous year in an all-inclusive exhibition and festival of readings from new work. In this year’s Showcase, we are very proud to present over 3,000 poetry books, chapbooks, broadsides, artist’s books, and multimedia projects, which represent the work of over 700 publishers, from commercial publishers to micropresses, both domestic and foreign. For twenty-three years, the annual Showcase has provided foundational support for our 60,000-volume library by helping us keep our collection current and relevant. With each Showcase, Poets House—one of the most extensive poetry collections in the nation—continues to build this comprehensive poetry record of our time.
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The 'Nothing-Could-Be-Simpler Line': Form in Contemporary Irish Poetry
The 'nothing-could-be-simpler line': Form in Contemporary Irish Poetry Brearton, F. (2012). The 'nothing-could-be-simpler line': Form in Contemporary Irish Poetry. In F. Brearton, & A. Gillis (Eds.), The Oxford Handbook of Modern Irish Poetry (pp. 629-647). Oxford University Press. Published in: The Oxford Handbook of Modern Irish Poetry Document Version: Early version, also known as pre-print Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:26. Sep. 2021 OUP UNCORRECTED PROOF – FIRST PROOF, 04/19/2012, SPi c h a p t e r 3 8 ‘the nothing-could- be-simpler line’: form in contemporary irish poetry f r a n b r e a r t o n I I n ‘ Th e Irish Effl orescence’, Justin Quinn argues in relation to a new generation of poets from Ireland (David Wheatley, Conor O’Callaghan, Vona Groarke, Sinéad Morrissey, and Caitríona O’Reilly among them) that while: Northern Irish poetry, in both the fi rst and second waves, is preoccupied with the binary opposition of Ireland and England .
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Irish Studies Around the World – 2020
Estudios Irlandeses, Issue 16, 2021, pp. 238-283 https://doi.org/10.24162/EI2021-10080 _________________________________________________________________________AEDEI IRISH STUDIES AROUND THE WORLD – 2020 Maureen O’Connor (ed.) Copyright (c) 2021 by the authors. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged for access. Introduction Maureen O’Connor ............................................................................................................... 240 Cultural Memory in Seamus Heaney’s Late Work Joanne Piavanini Charles Armstrong ................................................................................................................ 243 Fine Meshwork: Philip Roth, Edna O’Brien, and Jewish-Irish Literature Dan O’Brien George Bornstein .................................................................................................................. 247 Irish Women Writers at the Turn of the 20th Century: Alternative Histories, New Narratives Edited by Kathryn Laing and Sinéad Mooney Deirdre F. Brady ..................................................................................................................... 250 English Language Poets in University College Cork, 1970-1980 Clíona Ní Ríordáin Lucy Collins ........................................................................................................................ 253 The Theater and Films of Conor McPherson: Conspicuous Communities Eamon
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UCC Library and UCC Researchers Have Made This Item Openly Available
UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title Revisiting Irish poetic modernisms Author(s) Whittredge, Julia Katherine Publication date 2011-03 Original citation Whittredge, Julia Katherine, 2011. Revisting Irish Poetic Modernisms. PhD Thesis, University College Cork. Type of publication Doctoral thesis Link to publisher's http://library.ucc.ie/record=b2006564~S0 version Access to the full text of the published version may require a subscription. Rights © 2011, Julia Katherine Whittredge http://creativecommons.org/licenses/by-nc-nd/3.0/ Embargo information Pages 25-346 have been restricted Item downloaded http://hdl.handle.net/10468/324 from Downloaded on 2021-10-01T07:01:51Z Revisiting Irish Poetic Modernisms Dissertation submitted in candidacy for the degree of doctor of philosophy at the School of English, College of Arts, National University of Ireland, Cork, by Julia Katherine Whittredge, MA Under the Supervision of Professor Patricia Coughlan and Professor Alex Davis Head of Department: Professor James Knowles March 2011 Over years, and from farther and nearer, I had thought, I knew you— in spirit—I am of Ireland. Thomas MacGreevy, “Breton Oracles” 2 For John 3 ACKNOWLEDGEMENTS Thanks to my parents for their encouragement, endless support, love, and for sharing their own love of books, art and music, for being friends as well as amazing parents. And for understanding my love for a tiny, rainy island 3,000 miles away. Thank you to my sister, Em, for her life-long friendship. Her loyalty and extraordinary creative and artistic talent are truly inspiring.
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Modern Irish Poetry, 1800–2000 Over the Last Two Centuries, Ireland Has Produced Some of the World’S Most Outstanding and Best-Loved Poets, from Thomas Moore to W
Cambridge University Press 978-0-521-84673-8 - The Cambridge Introduction to Modern Irish Poetry, 1800-2000 Justin Quinn Frontmatter More information The Cambridge Introduction to Modern Irish Poetry, 1800–2000 Over the last two centuries, Ireland has produced some of the world’s most outstanding and best-loved poets, from Thomas Moore to W. B. Yeats to Seamus Heaney. This introduction not only provides an essential overview of the history and development of poetry in Ireland, but also offers new approaches to aspects of the ﬁeld. Justin Quinn argues that the language issues of Irish poetry have been misconceived and re-examines the divide between Gaelic and Anglophone poetry. Quinn suggests an alternative to both nationalist and revisionist interpretations and fundamentally challenges existing ideas of Irish poetry. This lucid book offers a rich contextual background against which to read the individual works, and pays close attention to the major poems and poets. Readers and students of Irish poetry will learn much from Quinn’s sharp and critically acute account. Justin Quinn is Associate Professor of English and American Studies at the Charles University, Prague. © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-84673-8 - The Cambridge Introduction to Modern Irish Poetry, 1800-2000 Justin Quinn Frontmatter More information Cambridge Introductions to Literature This series is designed to introduce students to key topics and authors. Accessible and lively, these introductions will also appeal to readers who want to broaden their understanding of the books and authors they enjoy. r Ideal for students, teachers, and lecturers r Concise, yet packed with essential information r Key suggestions for further reading Titles in this series: Christopher Balme The Cambridge Introduction to Theatre Studies Eric Bulson The Cambridge Introduction to James Joyce Warren Chernaik The Cambridge Introduction to Shakespeare’s History Plays John Xiros Cooper The Cambridge Introduction to T.
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Contents Poetry Ireland Review 133
Contents Poetry Ireland Review 133 Colette Bryce 5 editorial Vona Groarke 7 under a tree, parked 8 daily news round-up 9 for now Ella Duffy 10 rumour Edward Larrissy 11 london, june 2016 Majella Kelly 13 the secret wife of jesus 15 fig Mícheál McCann 16 immanence 17 big city types Kimberly Reyes 18 stain in creases Kerry Hardie 20 insomnia in talbot street Damian Smyth 21 keats’s bed Tamara Barnett-Herrin 22 soft play 24 hi! is this for me? Thomas McCarthy 25 a meadow in july Bernard O’Donoghue 26 l’aiuola 27 the impulsator Siobhán Campbell 28 the outhouse Tim MacGabhann 29 morelia ghosts Grace Wilentz 32 essay: towards a first collection Katie Donovan 34 review: matthew sweeney, michael gorman, geraldine mills Hugh Haughton 38 essay: derek mahon Frank Farrelly 45 essay: towards a first collection Niamh NicGhabhann 47 review: pádraig j daly, eamon grennan, kerry hardie, julie o’callaghan Stephen Sexton 52 essay: towards a first collection Declan Ryan 54 review: alan gillis, justin quinn Proinsias Ó Drisceoil 58 review: seán ó ríordáin / greg delanty, fearghas macfhionnlaigh / simon ó faoláin Seosamh Ó Murchú 61 cogar caillí Bríd Ní Mhóráin 62 ialus Áine Ní Ghlinn 63 droim mo mháthar Ceaití Ní Bheildiúin 64 saolú mhongáin Simon Ó Faoláin 65 as an corrmhíol Máirtín Coilféir 66 ping Seán Lysaght 67 review: cathal ó searcaigh Maria Stepanova 70 from the body returns Maurice Riordan 74 gravel 75 mould 76 lumps David McLoghlin 77 independent commission for the location of victims’ silence Emily Middleton 78 misloaded Bryony Littlefair 80 typo
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Claremen & Women in the Great War 1914-1918
Claremen & Women in The Great War 1914-1918 The following gives some of the Armies, Regiments and Corps that Claremen fought with in WW1, the battles and events they died in, those who became POW’s, those who had shell shock, some brothers who died, those shot at dawn, Clare politicians in WW1, Claremen courtmartialled, and the awards and medals won by Claremen and women. The people named below are those who partook in WW1 from Clare. They include those who died and those who survived. The names were mainly taken from the following records, books, websites and people: Peadar McNamara (PMcN), Keir McNamara, Tom Burnell’s Book ‘The Clare War Dead’ (TB), The In Flanders website, ‘The Men from North Clare’ Guss O’Halloran, findagrave website, ancestry.com, fold3.com, North Clare Soldiers in WW1 Website NCS, Joe O’Muircheartaigh, Brian Honan, Kilrush Men engaged in WW1 Website (KM), Dolores Murrihy, Eric Shaw, Claremen/Women who served in the Australian Imperial Forces during World War 1(AI), Claremen who served in the Canadian Forces in World War 1 (CI), British Army WWI Pension Records for Claremen in service. (Clare Library), Sharon Carberry, ‘Clare and the Great War’ by Joe Power, The Story of the RMF 1914-1918 by Martin Staunton, Booklet on Kilnasoolagh Church Newmarket on Fergus, Eddie Lough, Commonwealth War Grave Commission Burials in County Clare Graveyards (Clare Library), Mapping our Anzacs Website (MA), Kilkee Civic Trust KCT, Paddy Waldron, Daniel McCarthy’s Book ‘Ireland’s Banner County’ (DMC), The Clare Journal (CJ), The Saturday Record (SR), The Clare Champion, The Clare People, Charles E Glynn’s List of Kilrush Men in the Great War (C E Glynn), The nd 2 Munsters in France HS Jervis, The ‘History of the Royal Munster Fusiliers 1861 to 1922’ by Captain S.
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Call No. Responsibility Item Publication Details Date Note 1
Call no. Responsibility Item Publication details Date Note TKNC0001 Roberts, H. Song, to a gay measure Dublin: printed at the Dolmen 1951 "200 copies." Neville Press TKNC0002 Promotional notice for Travelling tinkers, a book of Dolmen Press ballads by Sigerson Clifford TKNC0003 Promotional notice for Freebooters by Mauruce Kennedy Dolmen Press TKNC0004 Advertisement for Dolmen Press Greeting cards &c Dolmen Press TKNC0005 The reporter: the magazine of facts and ideas. Volume July 16, 1964 contains 'In the 31 no. 2 beginning' (verse) by Thomas Kinsella TKNC0006 Clifford, Travelling tinkers Dublin: Dolmen Press 1951 Of one hundred special Sigerson copies signed by the author this is number 85. Insert note from Thomas Kinsella. TKNC0007 Kinsella, Thomas The starlit eye / Thomas Kinsella ; drawings by Liam Dublin: Dolmen Press 1952 Set and printed by hand Miller at the Dolmen Press, Dublin, in an edition of 175 copies. March 1952. (p. [8]). TKNC0008 Kinsella, Thomas Galley proof of Poems [Glenageary, County Dublin]: 1956 Galley proof Dolmen Press TKNC0009 Kinsella, Thomas The starlit eye / Thomas Kinsella ; drawings by Liam Dublin : Dolmen Press 1952 Of twenty five special Miller copies signed by the author this is number 20. Set and printed by hand at the Dolmen Press, Dublin, in an edition of 175 copies. March 1952. TKNC0010 Promotional postcard for Love Duet from the play God's Dolmen Press gentry by Donagh MacDonagh TKNC0011 Irish writing. No. 24 Special issue - Young writers issue Dublin Sep-53 1 Thomas Kinsella Collection Listing Call no. Responsibility Item Publication details Date Note TKNC0012 Promotional notice for Dolmen Chapbook 3, The perfect Dolmen Press 1955 wife a fable by Robert Gibbings with wood engravings by the author TKNC0013 Pat and Mick Broadside no.
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