Poetry 2019 Programme
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2019 27Th Annual Poets House Showcase Exhibition Catalog
2019 27th Annual Poets House Showcase Exhibition Catalog Poets House | 10 River Terrace | New York, NY 10282 | poetshouse.org ELCOME to the 2019 Poets House Showcase, our annual, all-inclusive exhibition of the most recent poetry books, chapbooks, broadsides, artists’ books, and multimedia works published in the United States and W abroad. This year marks the 27th anniversary of the Poets House Showcase and features over 3,300 books from more than 800 different presses and publishers. For 27 years, the Showcase has helped to keep our collection current and relevant, building one of the most extensive collections of poetry in our nation—an expansive record of the poetry of our time, freely available and open to all. Building the Exhibit and the Poets House Library Collection Every year, Poets House invites poets and publishers to participate in the annual Showcase by donating copies of poetry titles released since January of the previous year. This year’s exhibit highlights poetry titles published in 2018 and the first part of 2019. Books have been contributed by the entire poetry community, from the publishers who send on their titles as they’re released, to the poets who mail us signed copies of their newest books, to library visitors donating books when they visit us. Every newly published book is welcomed, appreciated, and featured in the Showcase. The Poets House Showcase is the mechanism through which we build our library: a comprehensive, inclusive collection of over 70,000 poetry works, all free and open to the public. To make it as extensive as possible, we reach out to as many poetry communities and producers as we can, bringing together poetic voices of all kinds to meet the different needs and interests of our many library patrons. -
Papers of John L. (Jack) Sweeney and Máire Macneill Sweeney LA52
Papers of John L. (Jack) Sweeney and Máire MacNeill Sweeney LA52 Descriptive Catalogue UCD Archives School of History and Archives archives @ucd.ie www.ucd.ie/archives T + 353 1 716 7555 F + 353 1 716 1146 © 2007 University College Dublin. All rights reserved ii CONTENTS CONTEXT Biographical history iv Archival history v CONTENT AND STRUCTURE Scope and content v System of arrangement vi CONDITIONS OF ACCESS AND USE Access xiv Language xiv Finding-aid xiv DESCRIPTION CONTROL Archivist’s note xiv ALLIED MATERIALS Allied Collections in UCD Archives xiv Related collections elsewhere xiv iii Biographical History John Lincoln ‘Jack’ Sweeney was a scholar, critic, art collector, and poet. Born in Brooklyn, New York, he attended university at Georgetown and Cambridge, where he studied with I.A. Richards, and Columbia, where he studied law. In 1942 he was appointed curator of Harvard Library’s Poetry Room (established in 1931 and specialising in twentieth century poetry in English); curator of the Farnsworth Room in 1945; and Subject Specialist in English Literature in 1947. Stratis Haviaras writes in The Harvard Librarian that ‘Though five other curators preceded him, Jack Sweeney is considered the Father of the Poetry Room …’. 1 He oversaw the Poetry Room’s move to the Lamont Library, ‘establishing its philosophy and its role within the library system and the University; and he endowed it with an international reputation’.2 He also lectured in General Education and English at Harvard. He was the brother of art critic and museum director, James Johnson Sweeney (Museum of Modern Art, New York; Solomon R. -
Ledbury Poetry Festival 2019 Annual Report
1 2 Chair’s Report The 2019 Festival, celebrating its twenty second anniversary, was as vibrant, engaging and accessible as ever. Audiences were able to uncover genuine surprises as well as to experience well-established poets and writers like Margaret Atwood, Ali Smith, Roger McGough, Carol Ann Duffy, Andrew Motion and the new Poet Laureate, Simon Armitage. We would like to thank our many volunteers, our funders and sponsors, our schools and all our supporters for making the Festival what it is. We are particularly proud of our growing international links, our closer co-operation with small publishers and our developing and potential working partnerships. On a practical note, we are very pleased with growing ticket sales, which increased substantially. We are also very fortunate in our Board, and we are particularly pleased that the Festival will now have the skills and energy of a new trustee, Sandeep Parmar. Our staff too continue to work to the highest calibre, and we feel confident about the future and look forward to further promoting the enjoyment in the art of poetry by working with poets, sponsors and audiences locally, nationally and internationally. As the permanent sign at the railway station confirms: “Ledbury - Junction for Poetry”. Peter Arscott Artistic Director’s Report The 2019 Festival flexed its cultural might with an offering of 60 ticketed events, 24 free events, 4 exhibitions and 2 writing trails. High profile events included two exclusive appearances from Canada’s most respected living poet and writer Margaret Atwood, who also visited pupils at local John Masefield High School. -
No Italian Translation
MASK OF BYRON DISPLAYS NEW FACE October 5, 2004 A WAX carnival mask worn by Lord Byron at the height of the great poet's passionate affair with a young Italian countess in the early 19th century goes on display in Rome today after a delicate restoration. The mask, worn by Byron at a Ravenna carnival in 1820, was given to the Keats-Shelley Memorial House 40 years ago. But Catherine Payling, 33, director of the museum, said she was shocked by its deterioration when taking over 15 months ago. The Keats-Shelley house, next to the Spanish Steps, where Keats died in 1821, contains memorabilia associated with Keats, Shelley and Byron, all of whom lived in Italy at the height of the Romantic movement. Byron had left England in 1816 after a series of affairs and a disastrous year-long marriage, to join a brilliant group of English literary exiles that included Shelley and his wife, Mary. In the spring of 1819, Byron met Countess Teresa Guiccioli, who was only 20 and had been married for a year to a rich and eccentric Ravenna aristocrat three times her age. The encounter, he said later, "changed my life", and from then on he confined himself to "only the strictest adultery". Byron gave up "light philandering" to live with Teresa, first in the Palazzo Guiccioli in Ravenna - conducting the affair under the nose of the count - and then in Pisa after the countess had obtained a separation by papal decree. In his letters to John Murray, his publisher, Byron said that carnivals and balls were "the best thing about Ravenna, when everybody runs mad for six weeks", and described wearing the mask - which originally sported a thick beard - to accompany the countess to the carnival. -
Where Independent Publishers Live Spring / Summer 2020
Where Independent Publishers Live Spring / Summer 2020 Cover image: silent stories 08 from COEXIST by Franziska Stünkel, courtesy Kehrer Verlag. All rights reserved. Congratulations to all our bestsellers! Go the Fuck to Sleep Fuck, Now There Are Two Adam Mansbach of You Illustrated by Ricardo Cortés Go the Fuck to Sleep #3 Akashic Books Adam Mansbach Paper over Board Illustrated by Owen Brozman US $15.95 | CAN $20.99 Akashic Books 9781617750250 W* Paper over Board US $15.95 | CAN $20.99 9781617757600 W* The Rosie Result A Velocity of Being Graeme Simsion Letters to A Young Reader Text Publishing Company Edited by Maria Popova and Trade Paper Claudia Bedrick US $16.99 | CAN $22.99 Enchanted Lion Books 9781925773828 USC Trade Cloth Trade Cloth US $34.95 | CAN $38.99 US $26.99 | CAN $35.99 9781592702282 W* 9781925773811 USC Pleasure Activism Emergent Strategy The Politics of Feeling Good Shaping Change, Changing Edited by adrienne maree Worlds brown adrienne maree brown AK Press AK Press Trade Paper Trade Paper US $20.00 | CAN $25.99 US $16.00 | CAN $21.99 9781849353267 USC 9781849352604 USC Bestsellers Congratulations to all our bestsellers! Night Sky with Exit The Tradition Wounds Jericho Brown Ocean Vuong Copper Canyon Press Copper Canyon Press Trade Paper Trade Paper US $17.00 | CAN $21.99 US $16.00 | CAN $20.99 9781556594861 USC 9781556594953 USC Paper over Board US $23.00 | CAN $29.99 9781556595851 USC Tell Me How It Ends My Grandmother’s Hands An Essay in 40 Questions Racialized Trauma and the Valeria Luiselli Pathway to Mending -
The Poetry of Paul Celan and Seamus Heaney and the Poetic
Coyle, Derek (2002) 'Out to an other side':the poetry of Paul Celan and Seamus Heaney and the poetic challenge to post-modern discussions of absence and presence in the context of theological and philosophical conceptions of language and artistic production. PhD thesis. http://theses.gla.ac.uk/1765/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Thesis: "Out to an Other Sideý- The poetry of Paul Celan and Seamus Heaney and the poetic, challenge to post-modem discussions of absence and presence in the context of theological and philosophical conceptions of language and artistic production Derek CoYle For the Ph. D Degree University of Glasgow Faculty of Divinity July 2002 Abstract Martin Heideggerin 'The Origin of the Work of Art' seeksto approachthe self- subsistentnature of art. The Greek Temple opensup a spacewithin which our Being may dwell. It is the site of human civilization and religion, and of our capacityto dwell within abstractionslike peace,justice, truth and representation.Art breaksopen a new place and presentsthings in a fresh light. -
Poetry from Britain and Ireland Since 1945
The Penguin Book of Poetry from Britain and Ireland since 1945 EDITED BY SIMON ARMITAGE AND ROBERT CRAWFORD VIKING CONTENTS Introduction xix EDWIN MUIR 1887-1959 The Interrogation 1 The Annunciation 2 The Horses 3 HUGH MACDIABMID 1892-1978 Crystals Like Blood 5 To a Friend and Fellow-Poet 6 DAVID JONES 1895-1974 from The Sleeping Lord 7 ROBERT GRAVES 1895-1985 The White Goddess 9 Apple Island 10 Surgical Ward: Men 11 AUSTIN CLARKE 1896-1974 from Eighteenth Century Harp Songs (Mabel Kelly) 12 RUTH PITTER 1897—1992 Old Nelly's Birthday 13 BASIL BUNTING 1900-1985 from Briggflatts 15 STEVIE SMITH 1902-1971 Do Take Muriel Out 20 Not Waving but Drowning 21 The Jungle Husband 22 Piggy to Joey 22 PATRICK KAVANAGH 1904—1967 A Christmas Childhood 23 The Long Garden 25 I vi | Contents JOHN BETJEMAN 1906-1984 A-Subaltern's Love-Song 26 I. M. Walter Ramsden ob. March 26, 1947, Pembroke College, Oxford 28 Executive 29 Louis MACNEICE 1907-1963 All Over Again 30 Soap Suds 31 The Suicide 31 The Taxis 32 W. H. AUDEN 1907-1973 The Fall of Rome 33 The Shield of Achilles 34 First Things First 36 In Praise of Limestone 37 JOHN HEWITT 1907-1987 I Write For ... 40 The Scar 41 KATHLEEN RAINE 1908— Air 42 The Pythoness 42 ROBERT GARIOCH 1909-1981 The Wire 43 NORMAN MACCAIG 1910—1996 Summer farm 48 July evening 49 Aunt Julia 50. Toad 51 Small boy 52 SOMHAIRLE MACGILL-EAIN/SORLEY MACLEAN 1911-1996 Soluis/Lights 53 Hallaig/Hallaig 54 A' Bheinn air Chall/The Lost Mountain 58 ROY FULLER 1912—1991 1948 60 Contents | vii | GEORGE BARKER 1913-1991 On a Friend's Escape from Drowning off the Norfolk Coast 61 from Villa Stellar 62 R. -
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` An Chomhairle Ealaíon An Dara Tuarascáil Bhliantúil is Tríocha maille le Cuntais don bhliain dar chríoch 31ú Nollaig 1983. Tíolachadh don Rialtas agus leagadh faoi bhráid gach T1 den Oireachtas de bhun Altanna 6(3) agus 7(1) den Acht Ealaíon 1951 (P1.2619). Thirty-second Annual Report and Accounts for the year ended 31st December 1983. Presented to the Government and laid before each House of the Oireachtas pursuant to Sections 6(3) and 7(1) of the Arts Act, 1951 ISBN 0 906627 06 0 ISSN 0790-1593 Cover. Photograph by Jaimie Blandford of The Slide File, of the gold tore symbol of Aosdána. The torc, which was made by Pat Flood, is worn by the Saoi. Members (Until December 1983) (From January 1984) James White, Chairman Mairtin McCullough, Chairman Robert Ballagh John Banville Kathleen Barrington Vivienne Bogan Brian Boydell Breandán Breathnach Máire de Paor David Byers Andrew Devane Patrick Dawson Brian Friel Máire de Paor Arthur Gibney Bríd Dukes J. B. Kearney Vincent Ferguson Proinsias MacAonghusa Mairéad Furlong Patrick J. Murphy Garry Hynes Donald Potter Barry McGovern Nóra Relihan Patrick J. Murphy Michael Scott Éilís O’Connell Richard Stokes Seán Ó Mordha T. J. Walsh Michael Smith James Warwick Michael Taylor Staff Director Adrian Munnelly (from July) Director Colm Ó Briain (until July) Drama and Dance Officer Arthur Lappin Opera and Music Officer Marion Creely Traditional Music and Regional Development Officer Paddy Glackin Education and Community Arts Officer Adrian Munnelly (until July) Literature and Combined Arts Officer Laurence Cassidy Visual Arts Officer/Grants Medb Ruane Visual Arts Officer I Exhibitions Patrick Murphy Finance Officer David McConnell Administration Research and Film Officer Phelim Donlon Executive Assistant Nuala O'Byrne Secretarial Assistants Patricia Callaly Antoinette Dawson Sheilah Harris Kevin Healy Patricia Moore Bernadette O'Leary Suzanne Quinn Receptionist Kathryn Cahille 70 Merrion Square, Dublin 2. -
Poetry, Daoism, Physics and Systems Theory: a Poetics: a Set of Critical Essays
Edith Cowan University Research Online Theses: Doctorates and Masters Theses 2018 A coat of ashes: A collection of poems, incorporating a metafictional narrative - and - Poetry, Daoism, physics and systems theory: a poetics: A set of critical essays Janet Ruth Jackson Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Creative Writing Commons Recommended Citation Jackson, J. R. (2018). A coat of ashes: A collection of poems, incorporating a metafictional narrative - and - Poetry, Daoism, physics and systems theory: a poetics: A set of critical essays. https://ro.ecu.edu.au/ theses/2125 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/2125 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). -
How to Explain This and the Construction Of
How to Explain This and The Construction of Disability in British Female Poetry in the 1990s-2010s: How Susan Wicks and Jo Shapcott Typify the New Generation’s Attention to Body and Difference A thesis submitted to The University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2018 Eleanor C. Ward School of Arts, Languages and Cultures 2 Contents Abstract .................................................................................................................................... 4 Declaration ............................................................................................................................... 5 Copyright .................................................................................................................................. 5 Acknowledgments .................................................................................................................... 6 How to Explain This ................................................................................................................. 7 Part I. .................................................................................................................................... 8 2013 - Three-Hundred Afternoons at the Neurology Hospital ........................................ 8 2016 - Three-Hundred Days to Explain .......................................................................... 18 2016-2017 Three-Hundred Days Outside the Neurology Hospital ................................ 21 Part II. ................................................................................................................................ -
Humour, Irony &
ÉIGSE 2009 HUMOUR , IRONY & WIT A FESTIVAL OF POETRY AND PROSE presented by the Munster Literature Centre Éigse 2009 Humour, Irony & Wit Welcome to the 2009 Spring literary festival from the Munster Literature Centre. As with each of the last six years, our festival is arranged around a changing theme. In the past we have dealt with immigration, translation, love, politics and religion. This year the theme is Humour! Irony! Wit! Not all irony is funny and not all humour induces belly laughter. Humour can be subtly nuanced or it can be in-your -face obvious and is often shaped by cultural considerations. - a French arthouse film of some years back, notoriously claimedRidicule that the English had no wit but something called humour instead. Arguably one person’s wit is another person’s mere humour. To acknowledge this we have gathered together a disparate motley crew of literary clowns whose origins include America, Britain, Estonia and Japan as well as Ireland. We have poets, novelists, essayists and chancers of many genres. I’m hopeful that for anyone habitually inclined to pick up a book, this festival will contain something to induce a wry smile or convulse the stomach muscles. Taking note of the known healing properties of laughter, we have decided, for the first time ever, to distribute one of our festival brochures to Doctors’ waiting rooms. Who knows? There might even be a few prescriptions issued on the basis of the festival. As medicine you can take your pick from readings, workshops or book launches with complimentary wine or lemonade. -
CIPF 2013 PDF.Pdf
Welcome The Munster Literature Centre/Ionad Litríochta an Deiscirt has been hosting spring literary festivals in Cork since the mid nineties. Last year in recognition of the central position of poetry in Cork’s contemporary literary life we decided to make the festival exclusively poetry. But we don’t feature just Cork poets. Every year we invite brilliant bards from across the globe. English is the dominant language of the festival: we always present a strong showing of poets from these islands and the Americas, but we also feature poets working in Irish and many European languages, including, this year, Estonian, Maltese, Slovenian, Swedish and Welsh. The European dimension to this festival is especially important in 2013 as it coincides with Ireland’s assumption of the European Presidency. The months of January to June will see Ireland proudly celebrating its integral place at the heart of European civilisation, politically and culturally. Special events will happen throughout Ireland featuring European writers and artists and throughout Europe involving Irish writers and artists. The Munster Literature Centre/Ionad Litríochta an Deiscirt and the Cork Spring Poetry Festival is proud to be a part of these celebrations. Cork is a picturesque city of hills and waterways, grand Georgian parades and characterful 17th century alleyways leading off streets which twist and turn to fit in with the topography. Restaurants with international reputations serve the best of local produce, and a proliferation of traditional pubs boast of the best in live music. Come to Cork to experience all this and the Cork Spring Poetry Festival. You’ll get a huge welcome.