BNB Literary Translations Bibliography 2000 2005 2008
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Dušan Šarotar, Born in Murska Sobota +386 1 200 37 07 in 1968, Is a Writer, Poet and Screenwri- [email protected] Ter
Foreign Rights Beletrina Academic Press About the Author (Študentska založba) Renata Zamida Borštnikov trg 2 SI-1000 Ljubljana Dušan Šarotar, born in Murska Sobota +386 1 200 37 07 in 1968, is a writer, poet and screenwri- [email protected] ter. He studied Sociology of Culture and www.zalozba.org Philosophy at the University of Ljublja- www.readcentral.org na. He has published two novels (Island of the Dead in 1999 and Billiards at the Translation: Gregor Timothy Čeh Dušan Šarotar Hotel Dobray in 2007), three collecti- ons of short stories (Blind Spot, 2002, Editor: Renata Zamida Author’s Catalogue Layout: designstein.si Bed and Breakfast, 2003 and Nostalgia, Photo: Jože Suhadolnik, Dušan Šarotar 2010) and three poetry collections (Feel Proof-reading: Catherine Fowler, for the Wind, 2004, Landscape in Minor, Marianne Cahill 2006 and The House of My Son, 2009). Ša- rotar also writes puppet theatre plays Published by Beletrina Academic Press© and is author of fifteen screenplays for Ljubljana, 2012 documentary and feature films, mostly for television. The author’s poetry and This publication was published with prose have been included into several support of the Slovene Book Agency: anthologies and translated into Hunga- rian, Russian, Spanish, Polish, Italian, Czech and English. In 2008, the novel Billiards at the Hotel Dobray was nomi- nated for the national Novel of the Year Award. There will be a feature film ba- ISBN 978-961-242-471-8 sed on this novel filmed in 2013. Foreign Rights Beletrina Academic Press About the Author (Študentska založba) Renata Zamida Borštnikov trg 2 SI-1000 Ljubljana Dušan Šarotar, born in Murska Sobota +386 1 200 37 07 in 1968, is a writer, poet and screenwri- [email protected] ter. -
Mafia Motifs in Andrea Camilleri's Detective
MAFIA MOTIFS IN ANDREA CAMILLERI’S DETECTIVE MONTALBANO NOVELS: FROM THE CULTURE AND BREAKDOWN OF OMERTÀ TO MAFIA AS A SCAPEGOAT FOR THE FAILURE OF STATE Adriana Nicole Cerami A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Languages and Literatures (Italian). Chapel Hill 2015 Approved by: Dino S. Cervigni Amy Chambless Roberto Dainotto Federico Luisetti Ennio I. Rao © 2015 Adriana Nicole Cerami ALL RIGHTS RESERVED ii ABSTRACT Adriana Nicole Cerami: Mafia Motifs in Andrea Camilleri’s Detective Montalbano Novels: From the Culture and Breakdown of Omertà to Mafia as a Scapegoat for the Failure of State (Under the direction of Ennio I. Rao) Twenty out of twenty-six of Andrea Camilleri’s detective Montalbano novels feature three motifs related to the mafia. First, although the mafia is not necessarily the main subject of the narratives, mafioso behavior and communication are present in all novels through both mafia and non-mafia-affiliated characters and dialogue. Second, within the narratives there is a distinction between the old and the new generations of the mafia, and a preference for the old mafia ways. Last, the mafia is illustrated as the usual suspect in everyday crime, consequentially diverting attention and accountability away from government authorities. Few critics have focused on Camilleri’s representations of the mafia and their literary significance in mafia and detective fiction. The purpose of the present study is to cast light on these three motifs through a close reading and analysis of the detective Montalbano novels, lending a new twist to the genre of detective fiction. -
INDICE (Con Appendice Delle Fonti)
INDICE (con appendice delle fonti) Walter Veltroni Sindaco di Roma . XLIII Francesco Storace Presidente della Regione Lazio . XLV Gianni Borgna Assessore alla Cultura del Comune di Roma . XLVII PRESENTAZIONI Armando Gnisci . XLVIII Roberto Piperno . L Jolanda Capotondi . LI INTRODUZIONE Filippo Bettini . LIII CAPITOLO I - IL PERIODO CLASSICO I. LE ORIGINI E L'ETÀ ARCAICA Licófrone Alessandria . 3 Ennio Annali . 3 Gaio Lucilio Satire . 4 APPENDICE RISERVATA ALLA PROSA Polibio Le Storie . 5 II. L'ETÀ DI CESARE Lucrezio De rerum natura . 10 Catullo I carmi . 10 APPENDICE RISERVATA ALLA PROSA Sallustio La congiura di Catilina . 11 III. L'ETÀ DI AUGUSTO Publio Virgilio Marone Eneide, Bucoliche, Georgiche . 14 Quinto Orazio Flacco Satire, Odi, Epodi, Carme secolare, Epistole . 20 Properzio Elegie . 30 Publio Ovidio Nasone Rimedi contro l'amore, L'arte di amare, I Fasti, Tristezze . 31 Manilio Il poema degli astri - Astronomica . 38 APPENDICE RISERVATA ALLA PROSA Tito Livio Storia di Roma . 42 Strabone Geografia - L'Italia . 43 IV. L'ETÀ GIULIO CLAUDIA San Giovanni Evangelista Apocalisse . 45 Lucio Anneo Seneca La zucca «divinizzata» Apoteosi del divo Claudio . 47 Aulio Persio Flacco Satire . 47 M. Anneo Lucano Farsaglia . 48 VII APPENDICE RISERVATA ALLA PROSA Lucio Anneo Seneca L'ozio e la serenità . 53 Petronio Satiricon . 53 V. L'ETÀ DEI FLAVI Marco Valerio Marziale Il libro degli spettacoli, Epigrammi . 54 Publio Papinio Stazio Le selve . 75 Decimo Giunio Giovenale Satire . 78 Iscrizione funeraria di Urso . 90 APPENDICE RISERVATA ALLA PROSA Plinio il Vecchio Storia naturale . 91 Flavio Giuseppe La guerra giudaica . 93 Plutarco Vita di Alessandro Magno - Vita di Cesare . -
Nachlässe Von Germanistinnen Und Germanisten Aus Derddr
Erschienen in: Mitteilungen des Deutschen Germanistenverbandes Jg. 64 (2017) H. 2, S. 171-180. Nachlässe von Germanistinnen und Germanisten aus der DDR: eine Beständeübersicht Simone Waidmann / Frederike Teweleit / Ruth Doersing Die nachfolgende Beständeübersicht ist als heuristisches Arbeitsinstrument zu verstehen, das keinerlei Anspruch auf Vollständigkeit erhebt. Sie beruht auf Re cherchen in öffentlich zugänglichen Nachweisinstrumenten und Selbstauskünften bestandshaltender Institutionen. Neben Literaturwissenschaftlerinnen und Literaturwissenschaftlern wurden in Auswahl auch germanistische Linguistinnen und Linguisten berücksichtigt. Auf nahme in die Übersicht fanden nur Bestände (Nachlässe und Vorlässe), die von den genannten Personen bzw. deren Erben gebildet wurden. Instituts- und Gremien unterlagen, Promotions- und Habilitationsakten, Personalakten von Arbeitgebern und andere durch Dritte gebildete Bestände, u. a. Stasiakten, bleiben unberück sichtigt. Die Heterogenität der Angaben ist auf die sehr unterschiedlichen Er schließungsstände in den jeweiligen Archiven zurückzuführen. Becker, Henrik (1902-1984) Universitäts rchiv Jena Nachlass(5,25 lfm, erschlossen, Findbuch) Inhalt:Lehrtätigkeit, hier Unterlagen über die Tätigkeit an der Volkshochschule und der ABF in Leipzig sowie am Germanistischen Institut und dem Institut für Sprachpflege und Wortforschung der FSU Jena. Mitarbeit in Arbeitsgemein schaften und Kommissionen, hauptsächlich Sprachlehrbücher des Sprachlehr- buchausschusses der Gewerkschaft der Lehrer und Erzieher -
La Sicilianità Di Andrea Camilleri: “La Forma Dell‟Acqua” Come Modello Dott.Ssa Rania Zakaria Abdelsamad Nella Mia Ricerc
From Shakespeare to Modern Ages La sicilianità di Andrea Camilleri: “La forma dell‟acqua” come modello Dott.ssa Rania Zakaria Abdelsamad Nella mia ricerca, studio la sicilianità di Andrea Camilleri, che ha ottenuto grandi successi letterari con il giallo “La forma dell'acqua” nel 1994. Ha anche creato la serie del commissario Salvo Montalbano, e altri romanzi polizieschi, romanzi e racconti e film sono tutti ambientati in Sicilia. L'ambiente siciliano ha trasformato il destino di queste storie in giro per il mondo, tanto che alcuni critici hanno parlato del vero "caso Camilleri"1. Camilleri è considerato lo scrittore italiano più letto al mondo, con circa 20 milioni di libri venduti nel mondo e tradotti in più lingue2 per non parlare del successo degli adattamenti televisivi. Il concetto di spazio letterario che prevale nelle opere di Camilleri inizia ad essere studiato in modo più sistematico intorno agli anni '60 e '70. Questa tendenza fa parte di una controversia più ampia avviata da tanti studiosi che nel XX secolo hanno discusso se siamo eredi del tempo o abitanti dello spazio. Pertanto, il tempo e lo spazio sono il contenuto principale del testo. Dopo numerosi studi sul concetto di tempo, la priorità è stata data al metodo storico della letteratura, poi sono apparsi i primi studi sulla spazialità, che hanno introdotto anche metodi geografici, e che hanno segnato il primo passo nel campo della geografia letteraria. Lo stesso paesaggio, lo stesso oggetto e lo stesso spazio possono avere significati diversi, cioè "individualità" e "omogeneità", che dipendono dalla capacità dell'individuo o 1 Lupo, Salvatore, Il caso Camilleri letteratura e storia, Sellerio, Palermo 2004, p.4. -
Fall 2011 / Winter 2012 Dalkey Archive Press
FALL 2011 / WINTER 2012 DALKEY ARCHIVE PRESS CHAMPAIGN - LONDON - DUBLIN RECIPIENT OF THE 2010 SANDROF LIFETIME ACHIEVEMENT Award FROM THE NatiONAL BOOK CRITICS CIRCLE what’s inside . 5 The Truth about Marie, Jean-Philippe Toussaint 6 The Splendor of Portugal, António Lobo Antunes 7 Barley Patch, Gerald Murnane 8 The Faster I Walk, the Smaller I Am, Kjersti A. Skomsvold 9 The No World Concerto, A. G. Porta 10 Dukla, Andrzej Stasiuk 11 Joseph Walser’s Machine, Gonçalo M. Tavares Perfect Lives, Robert Ashley (New Foreword by Kyle Gann) 12 Best European Fiction 2012, Aleksandar Hemon, series ed. (Preface by Nicole Krauss) 13 Isle of the Dead, Gerhard Meier (Afterword by Burton Pike) 14 Minuet for Guitar, Vitomil Zupan The Galley Slave, Drago Jančar 15 Invitation to a Voyage, François Emmanuel Assisted Living, Nikanor Teratologen (Afterword by Stig Sæterbakken) 16 The Recognitions, William Gaddis (Introduction by William H. Gass) J R, William Gaddis (New Introduction by Robert Coover) 17 Fire the Bastards!, Jack Green 18 The Book of Emotions, João Almino 19 Mathématique:, Jacques Roubaud 20 Why the Child is Cooking in the Polenta, Aglaja Veteranyi (Afterword by Vincent Kling) 21 Iranian Writers Uncensored: Freedom, Democracy, and the Word in Contemporary Iran, Shiva Rahbaran Critical Dictionary of Mexican Literature (1955–2010), Christopher Domínguez Michael 22 Autoportrait, Edouard Levé 23 4:56: Poems, Carlos Fuentes Lemus (Afterword by Juan Goytisolo) 24 The Review of Contemporary Fiction: The Failure Issue, Joshua Cohen, guest ed. Available Again 25 The Family of Pascual Duarte, Camilo José Cela 26 On Elegance While Sleeping, Viscount Lascano Tegui 27 The Other City, Michal Ajvaz National Literature Series 28 Hebrew Literature Series 29 Slovenian Literature Series 30 Distribution and Sales Contact Information JEAN-PHILIPPE TOUSSAINT titles available from Dalkey Archive Press “Right now I am teaching my students a book called The Bathroom by the Belgian experimentalist Jean-Philippe Toussaint—at least I used to think he was an experimentalist. -
Literaturverzeichnis
Literaturverzeichnis Das Korpus der untersuchten Romane Goethe, Johann Wolfgang: Die Leiden des jungen Werthers / Leiden des jungen Werthers. Paralleldruck der Fassungen von 1774 und 1787. In: J. W. G.: Sämtliche Werke. Briefe, Ta- gebücher und Gespräche. Bd. 8. Hg. von Waltraud Wiethölter. Frankfurt a. M. 1994, S. 10/266 bzw. S. 11/267. Kehlmann, Daniel: Die Vermessung der Welt. Roman. Reinbek b. H. 2005. [Lafontaine, August Heinrich Julius]: Klara du Plessis und Klairant. Eine Familiengeschichte Französischer Emigrierten. Von dem Verfasser des Rudolphs von Werdenberg. Berlin 1795. Mann, Thomas: Große kommentierte Frankfurter Ausgabe. Werke, Briefe, Tagebücher. Bd. 1,1: Buddenbrooks. Verfall einer Familie. Roman. Hg. von Eckhard Heftrich. Frankfurt a. M. 2002. Miller, Johann Martin: Siegwart. Eine Klostergeschichte. 2 Bde. Faksimiledruck der Ausgabe Leipzig 1776. Stuttgart 1971. Remarque, Erich Maria: Im Westen nichts Neues. Roman. Hg. von Thomas F. Schneider. Köln 2014. Reuter, Gabriele: Aus guter Familie. Leidensgeschichte eines Mädchens. Bd. I: Text. Hg. von Katja Mellmann. Marburg 2006. Schlink, Bernhard: Der Vorleser. Zürich 1995. Süskind, Patrick: Das Parfum. Die Geschichte eines Mörders. Zürich 1985. Rezeptionsdokumente Die bibliographischen Angaben zu den historischen Quellen sind auf die Informationen kon- zentriert, die erforderlich sind, um die zitierten Texte zu identifizieren und aufzufinden. Gerade bei Quellen in Periodika kann das vielleicht hilfreich sein, etwa dann, wenn zwischen Jahr- gang/Band/Teil und Stück/Nummer oder dergleichen unterschieden wird. Mitunter erforderli- che Ergänzungen (Autorname, Anon., Ersatz für nicht vorhandene Titel, Erscheinungsort und Jahr, Seitenangabe) stehen in eckigen Klammern. Auf zusätzliche Angaben, zum Beispiel zum Verlag, auf die Wiedergabe von Informationen, die über die Gestaltung des Titelblattes Aus- kunft geben, und auf Standortangaben wurde aus Gründen der einfachen Benutzbarkeit be- wusst verzichtet. -
Maria Sofia Pimentel Biscaia Leituras Dialógicas Do Grotesco: Dialogical
Universidade de Aveiro Departamento de Línguas e Culturas 2005 Maria Sofia Pimentel Leituras Dialógicas do Grotesco: Biscaia Textos Contemporâneos do Excesso Dialogical Readings of the Grotesque: Texts of Contemporary Excess Universidade de Aveiro Departamento de Línguas e Culturas 2005 Maria Sofia Pimentel Leituras Dialógicas do Grotesco: Biscaia Textos Contemporâneos do Excesso Dialogical Readings of the Grotesque: Texts of Contemporary Excess Dissertação apresentada à Universidade de Aveiro para cumprimento dos requisitos necessários à obtenção do grau de Doutor em Literatura, realizada sob a orientação científica do Doutor Kenneth David Callahan, Professor Associado do Departamento de Línguas e Culturas da Universidade de Aveiro e da Doutora Maria Aline Salgueiro Seabra Ferreira, Professora Associada do Departamento de Línguas e Culturas da Universidade de Aveiro o júri Presidente Prof. Doutor José Carlos da Silva Neves Professor Catedrático da Universidade de Aveiro Prof. Doutor Mário Carlos Fernandes Avelar Professor Associado com Agregação da Universidade Aberta Profª. Doutora Ana Gabriela Vilela Pereira de Macedo Professora Associada da Universidade do Minho Prof. Doutor Anthony David Barker Professor Associado da Universidade de Aveiro Profª. Doutora Maria Aline Salgueiro Seabra Ferreira Professora Associada da Universidade de Aveiro Prof. Doutor Kenneth David Callahan Professor Associado da Universidade de Aveiro Profª. Doutora Adriana Alves de Paula Martins Professora Auxiliar da Universidade Católica Portuguesa - Viseu Agradecimentos A elaboração desta dissertação foi possível graças ao apoio financeiro da FCT e do FSE, no âmbito do III Quadro Comunitário. As condições de acolhimento proporcionadas pelo Departamento de Línguas e Culturas e pelo Centro de Línguas e Culturas foram essenciais para o cumprimento atempado do projecto. -
Stanislaw Brzozowski and the Migration of Ideas
Jens Herlth, Edward M. Świderski (eds.) Stanisław Brzozowski and the Migration of Ideas Lettre Jens Herlth, Edward M. Świderski (eds.) with assistance by Dorota Kozicka Stanisław Brzozowski and the Migration of Ideas Transnational Perspectives on the Intellectual Field in Twentieth-Century Poland and Beyond This volume is one of the outcomes of the research project »Standing in the Light of His Thought: Stanisław Brzozowski and Polish Intellectual Life in the 20th and 21st Centuries« funded by the Swiss National Science Foundation (project no. 146687). The publication of this book was made possible thanks to the generous support of the »Institut Littéraire Kultura«. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Na- tionalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de This work is licensed under the Creative Commons Attribution-NonCommer- cial-NoDerivatives 4.0 (BY-NC-ND) which means that the text may be used for non-commercial purposes, provided credit is given to the author. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/ To create an adaptation, translation, or derivative of the original work and for com- mercial use, further permission is required and can be obtained by contacting [email protected] Creative Commons license terms for re-use do not apply to any content (such as graphs, figures, photos, excerpts, etc.) not original to the Open Access publication and further permission may be required from the rights holder. The obligation to research and clear permission lies solely with the party re-using the material. -
Stephanos #5 (13) September 2015
Irina Anastasyeva Readings of Russian novels in the context of intercultural exchange Abstract: The article deals with the concept of Modernism and Postmodernism developed in the novels by an Argentinean author F. Andahazi «Conquistador» and «City of Heretics» in relation to the concept of Russian modernism and in relation to the European cultural tradition. Key words: Andahazi, Leopoldo Zea, Fry Bernardino de Sahagun, VI. Soloviev, Brusov, Rozanov, Minsky, Merezhkovsky, European civilization, the Old World and the New World, Mexican myths, Christianity, Latin American Renaissance, modernism, the Silver Age Аннотация: В статье рассматриваются понятия модернизма и постмодер- низма, представленные в романах аргентинского автора Ф. Андахази «Кон- кистадор» и «Город еретиков», в соотношении с концепцией русского модер- низма и европейской культурной традицией. Ключевые слова: Андахази, Леопольдо Сеа, Фрай Бернардино де Саагун, Вл. Соловьев, Брюсов, Розанов, Минский, Мережковский, европейская ци- вилизация, Старый свет и Новый свет, мексиканские мифы, христинаство, Латино-Американский ренессанс, модернизм, Серебряный век «Modernism in art and aesthetic theory which is closely associated with the general movement of bourgeois social thoughts in the era of decline reveals itself fi rst of all through a devastating break with classical tradition»1, – said M. Lif- shitz. It is well-known that withdrawal from the tradition revealed itself both in the aesthetics and ethics. Nowadays there is a signifi cant number of studies of specifi c features of European modern culture. It is very interesting to see how modern aesthetics penetrate into a little-studied area – the philosophy and litera- ture of Latin America. 1 Lifshitz M. Ancient and modern mythology / Лифшиц М. Мифология древняя и современная. -
The Superseding, a Prague Nocturne 141
| | | | The Return of Král Majáles PRAGUE’S INTERNATIONAL LITERARY RENAISSANCE 990-00 AN ANTHOLOGY | Edited by LOUIS ARMAND Copyright © Louis Armand, 2010 Copyright © of individual works remains with the authors Copyright © of images as captioned Published 1 May, 2010 by Univerzita Karlova v Praze Filozofická Fakulta Litteraria Pragensia Books Centre for Critical & Cultural Theory, DALC Náměstí Jana Palacha 2 116 38 Praha 1, Czech Republic All rights reserved. This book is copyright under international copyright conventions. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the copyright holders. Requests to publish work from this book should be directed to the publish- ers. ‘Cirkus’ © 2010 by Myla Goldberg. Used by permission of Wendy Schmalz Agency. The publication of this book has been partly supported by research grant MSM0021620824 “Foundations of the Modern World as Reflected in Literature and Philosophy” awarded to the Faculty of Philosophy, Charles University, Prague, by the Czech Ministry of Education. All reasonable effort has been made to contact copyright holders. | Cataloguing in Publication Data The Return of Král Majáles. Prague’s International Literary Renaissance 1990-2010 An Anthol- ogy, edited by Louis Armand.—1st ed. p. cm. ISBN 978-80-7308-302-1 (pb) 1. Literature. 2. Prague. 3. Central Europe. I. Armand, Louis. II. Title Printed in the Czech Republic by PB Tisk Cover, typeset & design © lazarus Cover image: Allen Ginsberg in Prague, 1965. Photo: ČTK. Inside pages: 1. Allen Ginsberg in Prague, 1965. Photo: ČTK. -
College of Arts and Letters
College of Arts and Letters 76-88, 90-211 Section 5 (A&L) 76 9/6/02, 11:44 AM 76-88, 90-211 Section 5 (A&L) 77 9/6/02, 11:44 AM 78 Curricula and Degrees. The College of Arts and Admission Policies. Admission to the College of College of Arts Letters offers curricula leading to the degree of bach- Arts and Letters takes place at the end of the first elor of fine arts in Art (Studio and Design) and of year. The student body of the College of Arts and and Letters bachelor of arts in: Letters thus comprises sophomores, juniors and American Studies seniors. Anthropology The prerequisite for admission of sophomores The College of Arts and Letters is the oldest, and Art: into the College of Arts and Letters is good standing traditionally the largest, of the four undergraduate Studio at the end of the student’s first year. colleges of the University of Notre Dame. It houses Design The student must have completed at least 24 17 departments and several programs through Art History credit hours and must have satisfied all of the speci- which students at both undergraduate and graduate Classics: fied course requirements of the First Year of Studies levels pursue the study of the fine arts, the humani- Classical Civilization Program: University Seminar; Composition; two se- ties and the social sciences. Latin mester courses in mathematics; two semester courses Greek in natural science; one semester course chosen from Liberal Education. The College of Arts and Let- East Asian Languages and Literatures: history, social science, philosophy, theology, litera- ters provides a contemporary version of a tradi- Chinese ture or fine arts; and two semester courses in physical tional liberal arts educational program.