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Zeitschrift Für Germanistik
Zeitschrift für Germanistik Neue Folge XXVI – 3/2016 Herausgeberkollegium Steffen Martus (Geschäftsführender Herausgeber, Berlin) Alexander Košenina (Hannover) Erhard Schütz (Berlin) Ulrike Vedder (Berlin) Gastherausgeberin Katja Stopka (Leipzig) Sonderdruck PETER LANG Internationaler Verlag der Wissenschaften Bern · Berlin · Bruxelles · Frankfurt am Main · New York · Oxford · Wien Inhaltsverzeichnis Schwerpunkt: Neue Materialien Literarische Schreibprozesse am Beispiel der Geschich - te des Instituts für Literatur „Johannes R. Becher“ ISABELLE LEHN – „Wo das Glück sicher wohnt.“ (IfL) / Deutsches Literaturinstitut Leipzig (DLL) Politische Kontrolle und Zensur am Institut für Literatur „Johannes R. Becher“ 622 ISABELLE LEHN, SASCHA MACHT, KATJA STOP- KA – Das Institut für Literatur „Johannes R. Becher“. Eine Institution im Wandel von vier Dossiers Dekaden DDR-Literaturgeschichte. Vorwort 485 ICOLA AmiNSki KATJA STOPKA – Rechenschaftsberichte und Se- N K – Andreas Gryphius (1616– mi narprotokolle, biographische Erzählungen 1664). Zum 400. Geburtstag des „Unsterb- und Zeitzeugenberichte. Eine Kritik zur Quel- lichen“ 634 lenlage des Instituts für Literatur „Johannes PHILIPP BÖTTCHER – „Der Herold des deutschen R. Becher“ 502 Bürgerthums“. Zum 200. Geburtstag Gustav Freytags (1816–1895) 638 ISABELLE LEHN – „Von der Lehrbarkeit der litera- rischen Meisterschaft“. Literarische Nachwuchs- STEPHAN BRAESE – „Ich bin bei weitem der kon- förderung und Begabtenpolitik am Institut für ventionellste Schriftsteller, den ich lesen kann“. Literatur „Johannes R. Becher“ 514 Zum 100. Geburtstag von Wolfgang Hildeshei- mer (1916–1991) 646 HANS-ULRICH TREICHEL – Ein Wort, geflissent- lich gemieden. Dekadenz und Formalismus am Institut für Literatur „Johannes R. Becher“ 530 Konferenzberichte MAJA-MARIA BECKER – „Was hat das mit sozia- listischer Lyrik zu tun?“. Die Bedeutung der Die Präsentation kanonischer Werke um 1900. Se - Lyrik am Institut für Literatur „Johannes R. -
Dušan Šarotar, Born in Murska Sobota +386 1 200 37 07 in 1968, Is a Writer, Poet and Screenwri- [email protected] Ter
Foreign Rights Beletrina Academic Press About the Author (Študentska založba) Renata Zamida Borštnikov trg 2 SI-1000 Ljubljana Dušan Šarotar, born in Murska Sobota +386 1 200 37 07 in 1968, is a writer, poet and screenwri- [email protected] ter. He studied Sociology of Culture and www.zalozba.org Philosophy at the University of Ljublja- www.readcentral.org na. He has published two novels (Island of the Dead in 1999 and Billiards at the Translation: Gregor Timothy Čeh Dušan Šarotar Hotel Dobray in 2007), three collecti- ons of short stories (Blind Spot, 2002, Editor: Renata Zamida Author’s Catalogue Layout: designstein.si Bed and Breakfast, 2003 and Nostalgia, Photo: Jože Suhadolnik, Dušan Šarotar 2010) and three poetry collections (Feel Proof-reading: Catherine Fowler, for the Wind, 2004, Landscape in Minor, Marianne Cahill 2006 and The House of My Son, 2009). Ša- rotar also writes puppet theatre plays Published by Beletrina Academic Press© and is author of fifteen screenplays for Ljubljana, 2012 documentary and feature films, mostly for television. The author’s poetry and This publication was published with prose have been included into several support of the Slovene Book Agency: anthologies and translated into Hunga- rian, Russian, Spanish, Polish, Italian, Czech and English. In 2008, the novel Billiards at the Hotel Dobray was nomi- nated for the national Novel of the Year Award. There will be a feature film ba- ISBN 978-961-242-471-8 sed on this novel filmed in 2013. Foreign Rights Beletrina Academic Press About the Author (Študentska založba) Renata Zamida Borštnikov trg 2 SI-1000 Ljubljana Dušan Šarotar, born in Murska Sobota +386 1 200 37 07 in 1968, is a writer, poet and screenwri- [email protected] ter. -
Come Usare Il Libro
Come usare il libro Il libro è diviso in 14 moduli dalle origini ai nostri giorni. La pagina cronologica di apertura di ciascun modulo mostra gli eventi significativi della Storia e della Letteratura trattati riportandoli su una linea temporale di riferimento. L’icona rossa rimanda alla sezione Geschichte und Literatur del CD-ROM (vedi pagina 5). Nelle pagine di contesto storico Geschichtliches Bild, di contesto socio-culturale Leute und Gesellschaft e di contesto letterario Literarische Landschaft che aprono ogni modulo troverete un glossario evidenziato in azzurro con le parole chiave per comprendere il contenuto del testo e facilitarvi nella lettura. Vi sarà utile impararle a memoria. Incontrerete certamente anche parole nuove che dovrete cercare sul dizionario; prima di farlo però cercate di intuirne il significato dal contesto. Ogni contesto termina con Nach dem Lesen, ovvero I contesti storico, esercizi per fissare ciò che socio-culturale e letterario si è appena letto. Per ogni possono presentare dei brevi testo presentato il consiglio box di approfondimento è di leggere e ripetere ad e curiosità riguardanti alta voce. Per aiutarvi a principalmente fatti storici memorizzare meglio le e culturali (in azzurro) parole e a familiarizzare o trasposizioni con la lingua tedesca avete cinematografiche di a disposizione la sezione opere letterarie (in rosso). Geschichte und Literatur del CD-ROM che accompagna il volume. 3 3415_Medaglia 00.indd 3 29-02-2012 15:42:38 Come usare il libro La sezione Autori è caratterizzata dal colore rosso ed è strutturata in tre parti. Nella prima parte viene presentato l’autore: breve biografia accompagnata dalla cronologia di alcune delle sue opere più importanti e commento generale alla sua opera, con breve trattazione critica del brano di lettura proposto. -
Prose by Julia Franck and Judith Hermann
Studies in 20th & 21st Century Literature Volume 28 Issue 1 Writing and Reading Berlin Article 10 1-1-2004 Gen(d)eration Next: Prose by Julia Franck and Judith Hermann Anke Biendarra University of Cincinnati Follow this and additional works at: https://newprairiepress.org/sttcl Part of the German Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Biendarra, Anke (2004) "Gen(d)eration Next: Prose by Julia Franck and Judith Hermann," Studies in 20th & 21st Century Literature: Vol. 28: Iss. 1, Article 10. https://doi.org/10.4148/2334-4415.1574 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Gen(d)eration Next: Prose by Julia Franck and Judith Hermann Abstract In March 1999, critic Volker Hage adopted a term in Der Spiegel that subsequently dominated public discussions about new German literature by female authors-"Fräuleinwunder"… Keywords 1999, Volker Hage, Der Spiegel, new German literature, female authors, Fräuleinwunder, Julia Franck, Judith Hermann, critic, gender, generation This article is available in Studies in 20th & 21st Century Literature: https://newprairiepress.org/sttcl/vol28/iss1/10 Biendarra: Gen(d)eration Next: Prose by Julia Franck and Judith Hermann Gen(d)eration Next: Prose by Julia Franck and Judith Hermann Anke S. Biendarra University of Cincinnati In March 1999, critic Volker Hage adopted a term in Der Spiegel that subsequently dominated public discussions about new Ger- man literature by female authors-"Frauleinwunder."' He uses it collectively for "the young women who make sure that German literature is again a subject of discussion this spring." Hage as- serts that they seem less concerned with "the German question," the consequences of two German dictatorships, and prefer in- stead to thematize "eroticism and love" in their texts. -
The Central Europe of Yuri Andrukhovych and Andrzej Stasiuk
Rewriting Europe: The Central Europe of Yuri Andrukhovych and Andrzej Stasiuk Ariko Kato Introduction When it joined the European Union in 2004, Poland’s eastern bor- der, which it shared with Ukraine and Belarus, became the easternmost border of the EU. In 2007, Poland was admitted to the Schengen Con- vention. The Polish border then became the line that effectively divided the EU identified with Europe from the “others” of Europe. In 2000, on the eve of the eastern expansion of the EU, Polish writer Andrzej Stasiuk (1960) and Ukrainian writer Yuri Andrukhovych (1960) co-authored a book titled My Europe: Two Essays on So-called Central Europe (Moja Europa: Dwa eseje o Europie zwanej Środkową). The book includes two essays on Central Europe, each written by one of the authors. Unlike Milan Kundera, who discusses Central Europe as “a kidnapped West” which is “situated geographically in the center—cul- turally in the West and politically in the East”1 in his well-known essay “A Kidnapped West, or the Tragedy of Central Europe” (“Un Occident kidnappé ou la tragédie de l’Europe centrale”) (1983),2 written in the Cold War period, they describe Central Europe neither as a corrective concept nor in terms of the binary opposition of West and East. First, as the subtitle of this book suggests, they discuss Central Europe as “my 1 Milan Kundera, “A Kidnapped West or Culture Bows Out,” Granta 11 (1984), p. 96. 2 The essay was originally published in French magazine Le Débat 27 (1983). - 91 - Ariko Kato Europe,” drawing from their individual perspectives. -
Collapse of Memory
– – COLLAPSE OF MEMORY – MEMORY OF COLLAPSE Narrating Past, Presence and Future about Periods of Crisis Alexander Drost Olga Sasunkevich Joachim Schiedermair COLLAPSE OF MEMORY OF COLLAPSE MEMORY Barbara Törnquist-Plewa (Eds.) Alexander Drost, Volha Olga Sasunkevich, Olga Sasunkevich, Alexander Drost, Volha Joachim Schiedermair, Barbara Törnquist-Plewa Joachim Schiedermair, Barbara Törnquist-Plewa Open-Access-Publikation im Sinne der CC-Lizenz BY-NC 4.0 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC 4.0 Alexander Drost ∙ Olga Sasunkevich Joachim Schiedermair ∙ Barbara Törnquist-Plewa (Ed.) COLLAPSE OF MEMORY – MEMORY OF COLLAPSE NARRATING PAST, PRESENCE AND FUTURE ABOUT PERIODS OF CRISIS BÖHLAU VERLAG WIEN KÖLN WEIMAR Open-Access-Publikation im Sinne der CC-Lizenz BY-NC 4.0 Gedruckt mit Unterstützung der Deutschen Forschungsgemeinschaft aus Mitteln des Internationalen Graduiertenkollegs 1540 „Baltic Borderlands: Shifting Boundaries of Mind and Culture in the Borderlands of the Baltic Sea Region“ Published with assistance of the Deutsche Forschungsgemeinschaft by funding of the International Research Training Group “Baltic Borderlands: Shifting Boundaries of Mind and Culture in the Borderlands of the Baltic Sea Region” Bibliografische Information der Deutschen Nationalbibliothek : Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie ; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. © 2019 by Böhlau Verlag GmbH & Cie, Lindenstraße 14, D-50674 Köln -
Curriculum Vitae
CURRICULUM VITAE Bernd Fischer December 2016 PROFESSIONAL EXPERIENCE Professor of German, Department of Germanic Languages and Literatures, OSU, 1995-present Chairperson, Department of Germanic Languages and Literatures, OSU, 1996-2008; Interim Chairperson 2012-14 Alexander von Humboldt Research Fellowship, Universität Bonn, Summer/Autumn 2016 Principal Investigator, “Lesen Germanisten anders? Zur kritischen Kompetenz von Literatur- und Kulturwissenschaft,“ Four-day section of the XIII. Kongress der Internationalen Vereinigung für Germanitik, Shanghai, China, 23-30 Aug. 2015 International Workshop, “The Political Kleist,” OSU, 3 April 2014 International Conference, “Transformations of the Public Sphere,” Mershon Center, OSU, 13-14 Apr. 2012 (with May Mergenthaler) International Conference “Literature and the Public Sphere: The Case of Heinrich von Kleist,” Humanities Institute, OSU, 21-22 Sept. 2011 International Conference (Humboldt Kolleg) “Kleist and Modernity,” University of Otago, New Zealand, 24-27 Sep. 2010 (with Tim Mehigan) Principal Investigator, “The Public Sphere and Modern Social Imaginaries,” working group at the Institute for Collaborative Research and Public Humanities, OSU, 2009-2011 Board Member, Melton Center for Jewish Studies, 2009- Alexander von Humboldt Research Fellowship, Universität Essen, Summer 2005 Visiting Professor, Universität Essen (intensive six-week seminar), Spring 2005 Editor, The German Quarterly, published by the American Association of Teachers of German, 1997-1999 (with Dagmar Lorenz) Executive -
Andrzej Stasiuk and the Literature of Periphery
I got imprisoned for rock and roll. Andrzej Stasiuk and the Literature of Periphery Krzysztof Gajewski Institute of Literary Research Polish Academy of Science Warsaw/New York, 15 April 2021 1 / 64 Table of Contents Andrzej Stasiuk. An Introduction Literature of periphery Forms of periphery in the work of Stasiuk Biographical periphery Social periphery Political periphery Cultural periphery 2 / 64 Andrzej Stasiuk. An Introduction 3 / 64 Andrzej Stasiuk 4 / 64 USA Poland • la Pologne, c'est-à-dire nulle part (Alfred Jarry, Ubu the King, 1888) • Poland, "that is to say nowhere" 5 / 64 Andrzej Stasiuk bio Andrzej Stasiuk born on Sept., 25th, 1960 in Warsaw 6 / 64 Warsaw in the 1960. 7 / 64 Warsaw in the 1960. 8 / 64 Warsaw in the 1960. 9 / 64 Warsaw in the 1960. 10 / 64 Warsaw in the 1960. 11 / 64 Andrzej Stasiuk bio attended Professional High School of Car Factory in Warsaw 12 / 64 Andrzej Stasiuk bio 1985 anti-communist Freedom and Peace Movement 13 / 64 Andrzej Stasiuk literary debut (1989?) 14 / 64 Andrzej Stasiuk, Prison is hell These two words in English are one of the most frequ- ently performed tattoos in Polish prisons.1 1Andrzej Stasiuk, Prison is hell, Warsaw 1989? 15 / 64 Andrzej Stasiuk bio since 1990 publishing poetry and prose in Po prostu, bruLion, Czas Kultury, Magazyn Literacki, Tygodnik Powszechny and others 16 / 64 Andrzej Stasiuk in 1994 Andrzej Stasiuk in 1994: He doesn't have any special beliefs. Smokes a lot 17 / 64 Andrzej Stasiuk bio 1986 left Warsaw and settled in the mountains Low Beskids: Czarne 18 / 64 Low Beskids Czarne 19 / 64 Low Beskids Czarne 20 / 64 Beskid Niski - Czarne St. -
Diversity Report 2010 1 Diversity Report 2010 Literary Translation in Current European Book Markets
Diversity Report 2010 1 Diversity Report 2010 Literary Translation in Current European Book Markets. An analysis of authors, languages, and flows. Written by Miha Kovač and Rüdiger Wischenbart, with Jennifer Jursitzky and Sabine Kaldonek, and additional research by Julia Coufal. www.wischenbart.com/DiversityReport2010 Contact: [email protected] 2 Executive Summary The Diversity Report 2010, building on previous research presented in the respective reports of 2008 and 2009, surveys and analyzes 187 mostly European authors of contemporary fiction concerning translations of their works in 14 European languages and book markets. The goal of this study is to develop a more structured, data-based understanding of the patterns and driving forces of the translation markets across Europe. The key questions include the following: What characterizes the writers who succeed particularly well at being picked up by scouts, agents, and publishers for translation? Are patterns recognizable in the writers’ working biographies or their cultural background, the language in which a work is initially written, or the target languages most open for new voices? What forces shape a well-established literary career internationally? What channels and platforms are most helpful, or critical, for starting a path in translation? How do translations spread? The Diversity Report 2010 argues that translated books reflect a broad diversity of authors and styles, languages and career paths. We have confirmed, as a trend with great momentum, that the few authors and books at the very top, in terms of sales and recognition, expand their share of the overall reading markets with remarkable vigor. Not only are the real global stars to be counted on not very many fingers. -
Załącznik Nr 1A
Załącznik nr 1 do Uchwały Senatu Nr XXV-9.48/21 z dnia 30 czerwca 2021 r. Zagadnienia do egzaminu dyplomowego dla studentów kierunku germanistyka studia stacjonarne pierwszego stopnia kończących studia od roku akademickiego 2021/2022 1/ z dyscypliny językoznawstwo: 1: Sprache und Linguistik 1.1. Das Wesen der Sprache 1.1.1. Sprache als soziales Phänomen 1.1.2. Sprache als historisches Phänomen 1.1.3. Sprache als biologisches Phänomen 1.1.4. Sprache als kognitives Phänomen 1.2. Funktionen von Sprache 1.3. Erscheinungsformen von Sprache 1.4. Beschreibungsmöglichkeiten von Sprache 2: Semiotik 2.1. Zeichentypen 2.2. Sprachliches Zeichen 2.3. Zeichen und Zeichenbenutzer 3: Phonetik und Phonologie 3.1. Artikulationbasis 3.2. das Phonemsystem 4: Morphologie und Wortbildung 4.1. Morphologische Grundbegriffe 4.2. Wortarten 4.3. Flexion 4.3.1 grammatische Kategorien 4.4. Wortbildung 4.4.1. Wortstruktur 4.4.2. Wortbildungstypen 5: Syntax 5.1. Grundbegriffe 5.2. Kategorien und Funktionen 5.3. Topologische Felder 5.4. Satzarten 5.5. Konstituentenstruktur 6: Semantik und Lexikologie 6.1. semantische Grundbegriffe 6.2. Wortsemantik 6.3. Satzsemantik 6.4. Textsemantik 6.5. Wortfamilien, Wortfelder 6.6. Bedeutungsbeziehungen 7: Textlinguistik 7.1. Grundbegriffe 7.2. Textmerkmale 7.3. Textfunktionen 7.4. Textsorten 7.5. Textkonstitution (graphische, syntaktische, semantische, pragmatische) 8: Pragmatik 8.1. Deixis und Anapher 8.2. Implikaturen 8.3. Präsupposition 8.4. Sprechakte 8.5. Gesprächlinguistik 9: Psycholinguistik 9.1. Sprachperzeption 9.2. Sprachproduktion 9.3. Spracherwerb 10. Soziolinguistik 10.1. soziolinguistische Begriffe 10.2 Gemeinsprache 10.3. Fachsprache 10.4. Sondersprache 10.5. -
Curriculum Vitae
CURRICULUM VITAE Bernd Fischer January 2020 PROFESSIONAL EXPERIENCE Professor of German, Department of Germanic Languages and Literatures, OSU, 1995-present Chairperson, Department of Germanic Languages and Literatures, OSU, 1996-2008; Interim Chairperson 2012-14 Alexander von Humboldt Research Fellowship, Universität Bonn, Summer/Autumn 2016 Principal Investigator, “Lesen Germanisten anders? Zur kritischen Kompetenz von Literatur- und Kulturwissenschaft,“ Four-day session of the XIII. Kongress der Internationalen Vereinigung für Germanitik, Shanghai, China, 23-30 Aug. 2015 International Workshop, “The Political Kleist,” OSU, 3 April 2014 International Conference, “Transformations of the Public Sphere,” Mershon Center, OSU, 13-14 Apr. 2012 (with May Mergenthaler) International Conference “Literature and the Public Sphere: The Case of Heinrich von Kleist,” Humanities Institute, OSU, 21-22 Sept. 2011 International Conference (Humboldt Kolleg) “Kleist and Modernity,” University of Otago, New Zealand, 24-27 Sep. 2010 (with Tim Mehigan) Principal Investigator, “The Public Sphere and Modern Social Imaginaries,” working group at the Institute for Collaborative Research and Public Humanities, OSU, 2009-2011 Board Member, Melton Center for Jewish Studies, 2009- Alexander von Humboldt Research Fellowship, Universität Essen, Summer 2005 Visiting Professor, Universität Essen (intensive six-week seminar), Spring 2005 Editor, The German Quarterly, published by the American Association of Teachers of German, 1997-1999 (with Dagmar Lorenz) Executive -
Discourses About Central Europe in Hungarian and Polish Essayism
Discourses About Central Europe in Hungarian and Polish Essayism After 1989 By Andrzej Sadecki Submitted to Central European University History Department In partial fulfilment of the requirements for the degree of Master of Arts Supervisor: Balázs Trencsényi Second Reader: Maciej Janowski CEU eTD Collection Budapest, Hungary 2012 Copyright in the text of this thesis rests with the Author. Copies by any process, either in full or part, may be made only in accordance with the instructions given by the Author and lodged in the Central European Library. Details may be obtained from the librarian. This page must form a part of any such copies made. Further copies made in accordance with such instructions may not be made without the written permission of the Author CEU eTD Collection i Abstract The thesis traces the developments in the discourse about Central Europe following the peak of its popularity in the 1980s. First, it overviews the origins and various definitions of the concept. Then, it discusses the 1980s‟ discourse which lays ground for the further analysis. Finally, it examines a selection of essays representative for the post-1989 discourse written by Krzysztof Czyżewski, Péter Esterházy, Aleksander Fiut, Lajos Grendel, Csaba Gy. Kiss, Robert Makłowicz, Andrzej Stasiuk, and László Végel. The analysis is organized around three research questions: how do the authors employ the term of Central Europe, what features they attribute to the region and who do they perceive as significant others of Central Europe. The post-1989 essayism about Central Europe demonstrated several continuities and ruptures in comparison with the discourse of the 1980s.