STAYING ALIVE Real Poems for Unreal Times
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Ecological Activism and Some of the Poems of Ted Hughes, Seamus Heaney and Dylan Thomas
Research Journal of English Language and Literature (RJELAL) A Peer Reviewed (Refereed) International Journal Vol.6.Issue 1. 2018 Impact Factor 6.8992 (ICI) http://www.rjelal.com; (Jan-Mar) Email:[email protected] ISSN:2395-2636 (P); 2321-3108(O) RESEARCH ARTICLE ECOLOGICAL ACTIVISM AND SOME OF THE POEMS OF TED HUGHES, SEAMUS HEANEY AND DYLAN THOMAS ARINDAM GHOSH M.A. English, Presently Pursuing Research Under Visva-Bharati ABSTRACT With the rise of ecological branch of literary criticism many critics have attempted to explore the relationship of literature and environment. Consequently the role of literature, and especially poetry is re-examined from ecocentric perspective, that is, poetry is considered as promoting ecological consciousness. Some of the critics eve argue that this consciousness can be converted into activism. To them poetry can be successfully utilized in arresting the present ecological degradation and thus can save the planet from disaster. Here some mid-twentieth century poet, namely Ted Hughes, Seamus Heaney and Dylan Thomas are taken and their works are considered as promoting ecological consciousness. Further, some of the poems are thought to have reached to the level of ecological activism. Hughes’ poetry directly addresses the problem of man’s cohabitation with the non-human world. Heaney attempts to establish deeper connection of the individual with the soil. And Thomas’ pantheism is often considered as having deep ecological values. In the context it is also judged if at all poetry can have the seeds for promoting a global ecological movement. Key Words: Ecocriticism, ecological activism, poetry, deep ecology, sense of place, pantheism, eco-poetry . -
"Lady Lazarus" and Lady Chatterley
Plath Profiles 51 "Lady Lazarus" and Lady Chatterley W. K. Buckley, Indiana University Northwest For the October Conference on Plath at IUB, 2012 and Plath Profiles, Volume 5 Supplement, 20121 I. I remember my first reading of Plath, in college, at San Diego State University. We read, of course, all her famous poems from Ariel, as well as "The Jailor" ("I am myself. That is enough"[23]), "The Night Dances" ("So your gestures flake off" [29]). In my youth, on the beaches of Southern California, around a campfire, a group of us read to each other one night the poems of Plath, Ginsberg, Wilfred Owen, and D.H. Lawrence—seeing ourselves as prophets against war, despite that a few of us had been drafted to another oil adventure, including me. (Some of our friends had returned with no eyes or feet). We thought such famous poets could change America. They did not. (Despite Shelley's famous proclamation). Plath said in "Getting There": "Legs, arms, piled outside/The tent of unending cries—" (Ariel 57). Same old, same old historical mistakes: America, our 20th Century Roman Empire, we thought then. On the homefront, sexual activity in public places was then, as is now, monitored by our police, given our rape, murder, and "missing women" statistics, first or second in the world for such. Yet on that night, on that particular night, there was something "warmer" in the air on La Jolla Shores, as if we thought the world had calmed down for a moment. When the police arrived at our campfire, we all invited them to take it easy, since we saw ourselves as ordinary people, having ordinary activities in our ordinary bodies. -
The Music Lover's Poetry Anthology
THE MUSIC LOVER'S POETRY ANTHOLOGY EditedbyHELEN HANDLEY HOUGHTON andMAUREEN MCCARTHY DRAPER A Karen & Michael Brazillef Book PERSEA BOOKS/NEW YORK Contents Foreword xiii Introduction xvii LISTENING TO MUSIC In Music I Czeslaw Milosz 3 On Hearing A Symphony of Beethoven / ? Edna St. Vincent Millay 4 from Magnificat / Bill Holm 5 Listening / Dick Davis 6 Listening to the Koln Concert / Robert Bly 7 The Dumka / B. H. Fairchild 8 Fond Memory / Eavan Boland 10 [Bbssoms at Night] / Issa 11 Sonata / Edward Hirsch 12 Muse I Linda Pastan 13 Earphones / Michael Ryan 14 Elevator Music / Henry Taylor 15 Loud Music / Stephen Dobyns 16 Sunday Morning with the Sensational Nightingales / Billy Collins 17 Radio I Cornelius Eady 19 Country Radio / Daniel Hall 21 The Power of Music to Disturb / Lisel Mueller 23 Music / Charles Baudelaire 25 On Hearing a Flute at Night / Li Yi 26 The Eventual Music / Liam Rector 27 [Heart, Not So Heavy as Mine] / Emily Dickinson 28 To Music, To Becalm His Fever /Robert Herrick 29 Evening Music / May Sarton 31 The Victor Dog / James Merrill 32 A One-Eyed Cat Named Hathaway / Henri Coulette 34 SONGS & SINGING The Choir / Galway Kinnell 37 Music I Anne Porter 38 / Ask My Mother to Sing / Li-Young Lee 40 Where the Breath Is / Adam Zagajewski 41 Songs I Philip Levine 42 from Messiah (Christmas Portions) / Mark Doty 44 Joy I Lisel Mueller 45 The Singer's House / Seamus Heaney 46 First Song / Galway Kinnell 48 [I Shall Keep Singing!] / Emily Dickinson 49 Everyone Sang / Siegfried Sassoon 50 The Composer / W.H. -
Deb Westbury
cNº4 1998 ISSNo 1328-2107 r d i t e Poetry and Poetics Review $ Denis Mizzi, Untitled. 5 Adam Aitken interviews Martin Harrison Kevin Hart on Experience and Transcendence and the poetry of Tomas Tranströmer Simon Patton on Jennifer Compton’s hammer! Adam Aitken Interview with Martin Harrison 3 CORDITE Poetry and Poetics Review A quarterly review of Australian poetry Kevin Hart Experience and Transcendence– the poetry of Tomas Tranströmer 10 Publisher CORDITE is published by CORDITE PRESS INC. Simon Patton Compton’s Hammer 23 Editors Adrian Wiggins, Margie Cronin & Chris Andrews Mortal 15 Jennie Kremmer Review Editors Margie Cronin & Dominic Adrift 15 Fitzsimmons John Ashbery The Pathetic Fallacy 4 Interview Editor Bruce Williams Performance Editor Phil Norton Paola Bilbrough Canvastown 13 Picture Editor Sue Bower Peter Boyle Everyday 14 Managing Editor Adrian Wiggins Two translations of Octavio Paz 21 Associate Editor Britta Deuschl Founding Editors Peter Minter & Adrian Wiggins joanne burns shelf life 4 Special Thanks The Arts Law Centre, Richard truce: the humid handshake 19 Mohan, Ivor Indyk, Allan Dean. Jennifer Compton Safe House 22 Printer Marrickville Newspapers Tricia Dearborn schlieren lines 8 18–22 Murray St, Marrickville NSW 2204 Dan Disney Two poems 6 Subscription You can receive four issues of CORDITE at only $20 Keri Glastonbury Rent Boy 8 for humans or $40 for institutions. Send a cheque or Pulp 10 money order payable to CORDITE PRESS INC at the address below. Philip Harvey Q 20 Contribution Z back cover Contributions of long articles, essays or interviews should be discussed with the editors before submis- Lisa Jacobson Evolutionary Tales Nº1: sion. -
Simone Weil, Fanny Howe and Alice Walker
University of Wollongong Thesis Collections University of Wollongong Thesis Collection University of Wollongong Year Towards a poetics of hope: Simone Weil, Fanny Howe and Alice Walker Christine Howe University of Wollongong Howe, Christine, Towards a poetics of hope: Simone Weil, Fanny Howe and Al- ice Walker, PhD thesis, Faculty of Creative Arts, University of Wollongong, 2008. http://ro.uow.edu.au/theses/548 This paper is posted at Research Online. http://ro.uow.edu.au/theses/548 TOWARDS A POETICS OF HOPE: SIMONE WEIL, FANNY HOWE AND ALICE WALKER A thesis submitted in partial fulfilment of the requirements for the award of the degree DOCTOR OF PHILOSOPHY from UNIVERSITY OF WOLLONGONG by CHRISTINE HOWE, BCA (Hons I) FACULTY OF CREATIVE ARTS 2008 Howe Towards a Poetics of Hope i CERTIFICATION I, Christine Howe, declare that this thesis, submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy, in the Faculty of Creative Arts, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Christine Howe 15 August 2008 ii Howe Towards a Poetics of Hope TABLE OF CONTENTS Abstract………………………………………………………………………………v Acknowledgements…………………………………………………………………vii Introduction………………………………………………………………………….. 1 Hope in the Harlem Renaissance and the Negritude Movement………………… 3 Future Versus Present Oriented Hope: the Argument between Jean-Paul Sartre and Albert Camus…………………………………………………………... 7 Simone Weil’s Politics and Aesthetics………………………………………….. 16 Uprootedness and Hope in the Fiction of Fanny Howe and Alice Walker……… 24 Thesis Outline……………………………………………………………………. 29 Chapter 1. Simone Weil’s Poetics: Literature, Hope and Metaxu………………. -
HEANEY, SEAMUS, 1939-2013. Seamus Heaney Papers, 1951-2004
HEANEY, SEAMUS, 1939-2013. Seamus Heaney papers, 1951-2004 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Heaney, Seamus, 1939-2013. Title: Seamus Heaney papers, 1951-2004 Call Number: Manuscript Collection No. 960 Extent: 49.5 linear feet (100 boxes), 3 oversized papers boxes (OP), and AV Masters: 1 linear foot (2 boxes) Abstract: Personal papers of Irish poet Seamus Heaney consisting mostly of correspondence, as well as some literary manuscripts, printed material, subject files, photographs, audiovisual material, and personal papers from 1951-2004. Language: Materials entirely in English. Administrative Information Restrictions on access Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Special restrictions apply: Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. -
Durham E-Theses
Durham E-Theses 'A forest of intertextuality' : the poetry of Derek Mahon Burton, Brian How to cite: Burton, Brian (2004) 'A forest of intertextuality' : the poetry of Derek Mahon, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/1271/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk "A Forest of Intertextuality": The Poetry of Derek Mahon Brian Burton A copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. Submitted as a thesis for the Degree of Doctor of Philosophy University of Durham Department of English Studies 2004 1 1 JAN 2u05 I Contents Contents I Declaration 111 Note on the Text IV List of Abbreviations V Introduction 1 1. 'Death and the Sun': Mahon and Camus 1.1 'Death and the Sun' 29 1.2 Silence and Ethics 43 1.3 'Preface to a Love Poem' 51 1.4 The Terminal Democracy 59 1.5 The Mediterranean 67 1.6 'As God is my Judge' 83 2. -
Poetic Reformulations of Dwelling in Jo Shapcott, Alice Oswald, and Lavinia Greenlaw
Homecomings: Poetic reformulations of dwelling in Jo Shapcott, Alice Oswald, and Lavinia Greenlaw Janne Stigen Drangsholt, University of Stavanger Abstract In the study The Last of England?, Randall Stevenson refers to the idea of landscape as “the mainstay of poetic imagination” (Stevenson 2004:3). With the rise of the postmodern idiom, our relationship to the “scapes” that surround us has become increasingly problematic and the idea of place is also increasingly deferred and dis- placed. This article examines the relationship between self and “scapes” in the poetries of Jo Shapcott, Alice Oswald and Lavinia Greenlaw, who are all concerned with various “scapes” and who present different, yet connected, strategies for negotiating our relationships to them. Keywords: shifting territories; place; contemporary poetry; postmodernity In The Last of England?, Randall Stevenson points to how the mid- century renunciation of empire was followed by changes that need to be understood primarily in terms of loss. Each of these losses are conceived as marking the last of a certain kind of England, he says, and while another England gradually emerged, this was an England less unified by tradition and more open in outlook, lifestyle, and culture, in short, a place characterised by factors that render it more difficult to define (cf. Stevenson 2004: 1-10). Along with these losses in terms of national character, Stevenson holds, the English landscape also seemed to be increasingly imperilled. While this landscape had traditionally been “the mainstay of poetic imagination” it now seemed in danger of disappearing, as signalled in Philip Larkin’s poem “Going, Going”, where he laments an “England gone, / The shadows, the meadows, the lanes” (Stevenson 2004: 3). -
ICLA 2016 – Abstracts General Conference Sessions, July 17Th, 2016
ICLA 2016 – Abstracts General Conference Sessions, July 17th, 2016 ICLA 2016 – Abstracts General Conference Sessions Content Fri, July 22nd, 09:00, Urmil Talwar , C. Many cultures, many idioms ..................................................... 7 Fri, July 22nd, 11:00, Marjanne Gooze, D. The language of thematics ................................................... 8 Fri, July 22nd, 11:00, Marta Teixeira Anacleto, D. The language of thematics ....................................... 9 Fri, July 22nd, 18:00, no chair yet, E. Comparatists at work - professional communication ................ 11 Fri, Huly 22nd, 16:00, no chair yet, C. Many cultures, many idioms ..................................................... 11 Fri, July 22nd, 11:00, no chair yet, D. The language of thematics ......................................................... 12 Fri, July 22nd, 14:00, no chair yet, D. The language of thematics ......................................................... 13 Fri, July 22nd, 09:00, no chair yet , C. Many cultures, many idioms ..................................................... 14 Fri, July 22nd, 11:00, Yiu-wai Chu , C. Many cultures, many idioms ..................................................... 15 Fri, July 22nd, 14:00, Gabriele Eckart, C. Many cultures, many idioms ................................................ 17 Fri, July 22nd, 16:00, Nagla Bedeir, E. Comparatists at work - professional communication ............... 18 Fri, July 22nd, 09:00, no chair yet, D. The language of thematics ........................................................ -
2021 PDF Catalogue
Spring & Summer CATALOGUE2021 Contents 3 Spring & Summer Selection 4 Featured Title When I Think of My Body as a Horse by Wendy Pratt 6 Featured Title Talking to Stanley on the Telephone by Michael Schmidt 9 The PB Bookshelf The AQI by David Tait 10 The North 11 New Poets List Ugly Bird by Lauren Hollingsworth-Smith Have a nice weekend I think you’re interesting by Lucy Holt Aunty Uncle Poems by Gboyega Odubanjo Takeaway by Georgie Woodhead 14 Forthcoming Titles 15 Subject Codes Pamphlet | 9781912196418 | £6 Black Mascara (Waterproof) eBook | 9781912196517 | £4.50 Published 1st Feb 2021 Rosalind Easton 34pp Black Mascara (Waterproof) is a glamorous and lively debut exploring Rosalind Easton grew up in Salisbury and relationships, popular culture, and the enduring power of teenage memories. now lives in South East London, where she works as an English teacher. After a first degree at Exeter University, she trained as Full of wicked invention. – Imtiaz Dharker a dance teacher and spent several years Love and the possibilities of love and intimacy are examined and celebrated teaching tap, modern and ballet before completing her PGCE at Bristol and MA at and quotidian adventures like bra fittings and running mascara are given the Goldsmiths. She has recently completed her power of myth. – Ian McMillan PhD thesis on Sarah Waters. Black Mascara (Waterproof) is her first collection. Witty, sexy poems that strut across the page – Natalie Whittaker Pamphlet | 9781912196425 | £6 In Your Absence eBook | 9781912196524 | £4.50 Published 1st Feb 2021 Jill Penny 36pp In Your Absence is a response to a year of bereavement, a murder and a trial, Jill Penny is from a touring theatre and estrangements, departures and insights. -
Unseen Poetry Preparation Anthology
Unseen Poetry Preparation Anthology The Pearson Edexcel AS and A level English Literature Unseen Poetry Preparation Anthology can be used to prepare for Component 3 of your assessment Pearson Edexcel GCE in English Literature Approaching Contemporary Unseen Poetry: An Anthology of poems and resources For use with: GCE English Literature A level (9ET0) Component 3 Published by Pearson Education Limited, a company incorporated in England and Wales, having its registered office at Edinburgh Gate, Harlow, Essex, CM20 2JE. Registered company number: 872828 Edexcel is a registered trade mark of Edexcel Limited © Pearson Education Limited 2014 First published 2014 17 16 15 14 10 9 8 7 6 5 4 3 2 1 British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 9781446913505 Copyright notice All rights reserved. No part of this publication may be reproduced in any form or by any means (including photocopying or storing it in any medium by electronic means and whether or not transiently or incidentally to some other use of this publication) without the written permission of the copyright owner, except in accordance with the provisions of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London, EC1N 8TS (www.cla.co.uk). Applications for the copyright owner’s written permission should be addressed to the publisher. See page 65 for acknowledgements. Contents 1 Introduction 4 2 How to approach -
Papers of John L. (Jack) Sweeney and Máire Macneill Sweeney LA52
Papers of John L. (Jack) Sweeney and Máire MacNeill Sweeney LA52 Descriptive Catalogue UCD Archives School of History and Archives archives @ucd.ie www.ucd.ie/archives T + 353 1 716 7555 F + 353 1 716 1146 © 2007 University College Dublin. All rights reserved ii CONTENTS CONTEXT Biographical history iv Archival history v CONTENT AND STRUCTURE Scope and content v System of arrangement vi CONDITIONS OF ACCESS AND USE Access xiv Language xiv Finding-aid xiv DESCRIPTION CONTROL Archivist’s note xiv ALLIED MATERIALS Allied Collections in UCD Archives xiv Related collections elsewhere xiv iii Biographical History John Lincoln ‘Jack’ Sweeney was a scholar, critic, art collector, and poet. Born in Brooklyn, New York, he attended university at Georgetown and Cambridge, where he studied with I.A. Richards, and Columbia, where he studied law. In 1942 he was appointed curator of Harvard Library’s Poetry Room (established in 1931 and specialising in twentieth century poetry in English); curator of the Farnsworth Room in 1945; and Subject Specialist in English Literature in 1947. Stratis Haviaras writes in The Harvard Librarian that ‘Though five other curators preceded him, Jack Sweeney is considered the Father of the Poetry Room …’. 1 He oversaw the Poetry Room’s move to the Lamont Library, ‘establishing its philosophy and its role within the library system and the University; and he endowed it with an international reputation’.2 He also lectured in General Education and English at Harvard. He was the brother of art critic and museum director, James Johnson Sweeney (Museum of Modern Art, New York; Solomon R.