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Network Map of Knowledge And
Humphry Davy George Grosz Patrick Galvin August Wilhelm von Hofmann Mervyn Gotsman Peter Blake Willa Cather Norman Vincent Peale Hans Holbein the Elder David Bomberg Hans Lewy Mark Ryden Juan Gris Ian Stevenson Charles Coleman (English painter) Mauritz de Haas David Drake Donald E. Westlake John Morton Blum Yehuda Amichai Stephen Smale Bernd and Hilla Becher Vitsentzos Kornaros Maxfield Parrish L. Sprague de Camp Derek Jarman Baron Carl von Rokitansky John LaFarge Richard Francis Burton Jamie Hewlett George Sterling Sergei Winogradsky Federico Halbherr Jean-Léon Gérôme William M. Bass Roy Lichtenstein Jacob Isaakszoon van Ruisdael Tony Cliff Julia Margaret Cameron Arnold Sommerfeld Adrian Willaert Olga Arsenievna Oleinik LeMoine Fitzgerald Christian Krohg Wilfred Thesiger Jean-Joseph Benjamin-Constant Eva Hesse `Abd Allah ibn `Abbas Him Mark Lai Clark Ashton Smith Clint Eastwood Therkel Mathiassen Bettie Page Frank DuMond Peter Whittle Salvador Espriu Gaetano Fichera William Cubley Jean Tinguely Amado Nervo Sarat Chandra Chattopadhyay Ferdinand Hodler Françoise Sagan Dave Meltzer Anton Julius Carlson Bela Cikoš Sesija John Cleese Kan Nyunt Charlotte Lamb Benjamin Silliman Howard Hendricks Jim Russell (cartoonist) Kate Chopin Gary Becker Harvey Kurtzman Michel Tapié John C. Maxwell Stan Pitt Henry Lawson Gustave Boulanger Wayne Shorter Irshad Kamil Joseph Greenberg Dungeons & Dragons Serbian epic poetry Adrian Ludwig Richter Eliseu Visconti Albert Maignan Syed Nazeer Husain Hakushu Kitahara Lim Cheng Hoe David Brin Bernard Ogilvie Dodge Star Wars Karel Capek Hudson River School Alfred Hitchcock Vladimir Colin Robert Kroetsch Shah Abdul Latif Bhittai Stephen Sondheim Robert Ludlum Frank Frazetta Walter Tevis Sax Rohmer Rafael Sabatini Ralph Nader Manon Gropius Aristide Maillol Ed Roth Jonathan Dordick Abdur Razzaq (Professor) John W. -
King-Salter2020.Pdf (1.693Mb)
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Dostoevsky’s Storm and Stress Notes from Underground and the Psychological Foundations of Utopia John Luke King-Salter PhD Comparative Literature University of Edinburgh 2019 Lay Summary The goal of this dissertation is to combine philosophical and literary scholarship to arrive at a new interpretation of Dostoevsky’s Notes from Underground. In this novel, Dostoevsky argues against the Russian socialists of the early 1860s, and attacks their ideal of a socialist utopia in particular. Dostoevsky’s argument is obscure and difficult to understand, but it seems to depend upon the way he understands the interaction between psychology and politics, or, in other words, the way in which he thinks the health of a society depends upon the psychological health of its members. It is usually thought that Dostoevsky’s problem with socialism is that it curtails individual liber- ties to an unacceptable degree, and that the citizens of a socialist utopia would be frustrated by the lack of freedom. -
The Cases of Venedikt Erofeev, Kurt Vonnegut, and Victor Pelevin
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Scholarship@Western Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-21-2012 12:00 AM Burying Dystopia: the Cases of Venedikt Erofeev, Kurt Vonnegut, and Victor Pelevin Natalya Domina The University of Western Ontario Supervisor Professor Calin-Andrei Mihailescu The University of Western Ontario Graduate Program in Comparative Literature A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Natalya Domina 2012 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Comparative Literature Commons Recommended Citation Domina, Natalya, "Burying Dystopia: the Cases of Venedikt Erofeev, Kurt Vonnegut, and Victor Pelevin" (2012). Electronic Thesis and Dissertation Repository. 834. https://ir.lib.uwo.ca/etd/834 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. BURYING DYSTOPIA: THE CASES OF VENEDIKT EROFEEV, KURT VONNEGUT, AND VICTOR PELEVIN (Spine Title: BURYING DYSTOPIA) (Thesis Format: Monograph) by Natalya Domina Graduate Program in Comparative Literature A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada Natalya Domina 2012 THE UNIVERSITY OF WESTERN ONTARIO THE UNIVERSITY OF WESTERN ONTARIO SCHOOL OF GRADUATE AND POSTDOCTORAL STUDIES CERTIFICATE OF EXAMINATION Supervisor Examiners ____________________________ ________________________________ Prof. -
PDF Download Notes from Underground and the Double 1St
NOTES FROM UNDERGROUND AND THE DOUBLE 1ST EDITION PDF, EPUB, EBOOK Fyodor Dostoyevsky | 9780140455120 | | | | | Notes from Underground and the Double 1st edition PDF Book Published by Oxford University Press I have a lot of Dostoyevsky left to explore. The narrator observes that utopian society removes suffering and pain, but man desires both things and needs them to be happy. Halfway through it, the dialogue picked up. Dostoevsky, in a letter to his brother Mikhail at the age of Apropos of the spite, what can I say about Notes from underground? They become friends and the man falls in love with her as she d There were multiple stories in this volume and unless you really like Dostoevsky, you could probably let this one pass. Light edge and corner wear with an uncreased spine; no interior markings. When I heard people say Dostoevsky is difficult to read, I always assumed it might be because of complex language and storyline, or long Russian names that are hard to keep up with. I think I preferred the first part of this text, just because I found it that more interesting in terms of philosophy, yet it still had the witty narration in it. Trade Paperback. Told through first person narrative, this book unearths in my opinion one of the most unlikeable characters I've ever come across - a complete anti-hero. How all these characters interact with each other is however beyond me, and here is where most of my problems with Dostoyevsky lies. Main Ideas Here's where you'll find analysis about the book as a whole. -
Agape, Philia and Eros Anca Simitopol Thesis Submi
Ideas of Community in the Thought of Pierre Leroux and of Feodor Dostoevsky: Agape , Philia and Eros Anca Simitopol Thesis submitted to the Faculty of Graduate and Postdoctoral Studies In partial fulfillment of the requirements For the PhD degree in Political Science Supervisor: Gilles Labelle Political Studies Social Sciences University of Ottawa ©Anca Simitopol, Ottawa, Canada, 2012 Contents ABSTRACT ……………………………………………………………………… iv INTRODUCTION ……………………………………………………………… 1 CHAPTER ONE Two Critics of “Possessive Individualism” ………………………………….. 11 1.1. Introduction ……………………………………………………………... 11 1.2. Leroux as a liberal …………………………………………………......... 27 1.3. Leroux’s anthropology: Liberté, Égalité, Fraternité …………………... 37 1.4. Division of society, division of the self and eclecticism ………………... 42 1.5. Freedom according to Leroux …………………………………………... 47 1.6. Property according to Leroux …………………………………………… 58 1.7. Dostoevsky as political thinker ………………………………………….. 68 1.8. The poor and the ontological meaning of capitalism ………………….. 70 1.9. “Possessive Individualism” in Russia …………………………………… 82 1.10. From individualism to the revolutionary affirmation of the will-to-power 1.10.1. Raskolnikov ………………………………………………….. 93 1.10.2. The case of “The possessed” ………………………………... 98 1.11. Conclusion …………………………………………………………… 105 CHAPTER TWO Varieties of Socialism and of Utopia ………………………………………. 115 2.1. Introduction ...………………………………………………………… 115 2.2. Dostoevsky’s critique of socialism: “Shigalovism” …………………. 130 2.3. Leroux’s critique of Fourier’s socialism ……………………………. 144 2.4. Introduction to utopia ………………………………………………... 149 2.5. Transformation of utopia in the 19 th century ……………………….. 158 2.6. Saint-Simon: oscillation between transcendence and immanence .... 171 2.7. The Saint-Simonian School: utopia transformed into political program …………………………………………………….. 180 2.8. The Grand Inquisitor and the incompatibility between freedom and unity ……………………………………………………. 193 2.9. Dostoevsky: a dialogical utopia ……………………………………… 207 2.10. -
ABSTRACT Dostoevsky's View of the Russian Soul and Its Impact on the Russian Question in the Brothers Karamazov Paul C. Schlau
ABSTRACT Dostoevsky’s View of the Russian Soul and its Impact on the Russian Question in The Brothers Karamazov Paul C. Schlaudraff Director: Adrienne M. Harris, Ph.D Fyodor Dostoevsky, one of Russia’s most renowned novelists, profoundly affected the way that Russia would think of itself in the years following his death. One of the most important issues for Dostoevsky and other authors at the time was the reconciliation of the peasant and noble classes in the aftermath of the serf emancipation in Russia. Dostoevsky believed that the solution to this issue would come from the Russian peasantry. My research investigates Dostoevsky’s view of the “Russian soul”, which is the particular set of innate characteristics which distinguishes Russians from other nationalities. Furthermore, it examines how Dostoevsky’s view of the Russian soul affected his answer to the question of Russia’s ultimate destiny. During the 19th century, socialism was an especially popular answer to that question. Dostoevsky, however, presented an entirely different solution. Through a thorough examination of Dostoevsky’s final novel, The Brothers Karamazov, my thesis demonstrates this alternative solution and its significance in light of competing Russian theory during the 19th century. APPROVED BY DIRECTOR OF HONORS THESIS ______________________________________________________ Dr. Adrienne M. Harris, Department of Modern Languages APPROVED BY THE HONORS PROGRAM: ______________________________________________ Dr. Andrew Wisely, Director DATE: ________________________ DOSTOEVSKY’S VIEW OF THE RUSSIAN SOUL AND ITS IMPACT ON THE RUSSIAN QUESTION IN THE BROTHERS KARAMAZOV A Thesis Submitted to the Faculty of Baylor University In Partial Fulfillment of the Requirements for the Honors Program By Paul C. -
3. Knowing the Skeptic: the Underground and the Everyday
CONVERSATIONS 8 3. Knowing the Skeptic: The Underground and the Everyday MICHAEL MCCREARY Descartes may have produced the paradigmatic image of modern philosophy when he donned his winter dressing gown, settled into his favorite armchair by the fire, and began a private meditation by wondering whether the flame in front of him were anything more than a dream. Like most skeptical recitals, the force of Descartes’ method arises through the mobilization of best cases for knowing; that is, through casting doubt on something so certain that one begins to question one’s ability to know anything at all. By impugning precisely those axioms we held most assured, Descartes demonstrates philosophy’s propensity to challenge our most fundamental assumptions, yet he simultaneously leverages the significance of the philosophical enterprise against more everyday or ordinary claims to knowledge, that of course the fire really burns. In doing so, Descartes opens up the possibility that a critic of skepti- cism will be more inclined to doubt the sanity of philosophical inquiry than to admit that the flame, or the greater external world, may be nothing more than a dream, or the conjuring of an evil demon. So the profundity or inanity of philosophy seems to turn on the whim of human temperament, and in particular, on my reaction to the idea that I may be mistaken about everything I claim to know. In an early essay on “Knowing and Acknowledging,” Stanley Cavell takes a deeply Wittgensteinian position with respect to the apparently competing claims of philosophy and the everyday. Cavell is specifically concerned with the temptation to (or the interpretation that Wittgenstein wishes to) dismiss the skeptic on the ground that his doubts are not ordinary—i.e., do not arise in the course of everyday life outside of philosophy—and therefore that the skeptic cannot possibly mean what he says when he confesses his inability to know. -
19Th Century
HUMANITIES INSTITUTE Ayse Dietrich, Ph.D. th RUSSIAN CULTURE – 19 Century Overview Culture refers to the entire way of life of a society. Russian culture, like other cultures in the world, reflects the views, values, traditions, rituals, attitudes and beliefs of its people, defining their evolutionary identity. Starting with Vladimir’s conversion to Christianity, Russian culture not only reflected Christian ideas and values, but also traditional Russian culture, national themes and style. It was the 19th century when creative Russian minds produced independent, original and authentically national works while revolutionary and intellectual life were put under state pressure. VERBAL ARTS Literature Russian writers produced original works, employing national themes and style during the time of tsar Alexander I, a period noted for its literary creativity. Without a doubt the quintessential works of this period are those of A.S. Pushkin. Although European culture is assimilated and debated at this time, in years to come a Slavophile opposition will emerge, challenging western ideas in culture not only nationally and psychologically, but also in the arenas of culture and art. Alexander I’s era was a period of creativity when Russian literature produced independent, original and authentically national works. It was a period in which literature moved from neoclassicism to Romanticism and from the writing of imitative works to ones which would be the basis of a national cultural model. It was only during the reign of Alexander II that Russian writers were able, for the first time, to experience the satisfaction of independent, creative work which was national in both its spirit and its style. -
Scientism, Satire, and Sacrificial Ceremony in Dostoevsky's
Smalt 1 Scientism, Satire, and Sacrificial Ceremony in Dostoevsky’s Notes From Underground and C.S. Lewis’s That Hideous Strength A Thesis Submitted to The Faculty of the School of Communication In Candidacy for the Degree of Master of Arts in English By Jonathan Smalt 1 May 2014 Smalt 2 To my brother, David, for inspiring in me a love for literature, and of course, for all of the dialogues. Smalt 3 Acknowledgements I wish to express the deepest gratitude to: Dr. Carl Curtis, for long patience and careful instruction; Dr. Branson Woodard, for imbuing in me a love for Lewis and story; Dr. David Baggett, for encouragement and direction in deep philosophical waters; Nick Olson, for giving this project structural integrity; My family, for prayer, support, and for listening; Jacob, for inspiring and shaping this project and for being my best friend; My roommates—Taylor, Bryce, and Jacob—for enduring the anxieties of writing a thesis. Smalt 4 Table of Contents Dedication…………………………………………………………………………………..…….2 Acknowledgements………………………………………………………………………………3 Table of Contents……………………………………………………………………………......4 Abstract………………………………………………………………………….....…………….5 Chapter One: Connecting Dostoevsky and Lewis………………………………………………………………..6 Three Major Developments that Contributed to the Rise of scientism……………..……………18 Chapter Two: Dostoevsky—Prophet and Satirist……………………………………………………………….28 The Necessity of Dialogue……………………………………………..………………….……..38 The Palace: A Monologic Moral Morass………………………………………………………...52 The Crystal Palace: A Monologic Society……………………………………………………….59 Chapter Three: The N.I.C.E.: A New Myth………………………………………………………………………67 N.I.C.E and Language: A Linguistic Dystopia…………………………………………………..77 The N.I.C.E.’s Attack on Reason………………………………………………………………...89 A New Man: A New Morality…………………………………………………………………...97 Chapter Four: Conclusion and Solution………………………………………………………………………..106 Dostoevsky: A Place of Suffering vs. -
2 Concordia Teachers College Fyodor
2 CONCORDIA TEACHERS COLLEGE FYODOR MIKHAILOVICH DOSTOYEVSKY (1821-1881): CHRISTIAN MYSTIC AND SOCIAL PHILOSOPHER by JOSEPH DAVID RHODES RUSSIA AND THE SOVIET UNION ( HISTORY 451 ) PROFESSOR: DR. ROBERT FIALA NOVEMBER 24, 1988 3 FYODOR MIKHAILOVICH DOSTOYEVSKY (1821-1881): CHRISTIAN MYSTIC AND SOCIAL PHILOSOPHER I will tell you that at such moments one thirsts for faith as ` the parched grass, ' and one finds it at last because truth becomes evident in unhappiness. I will tell you that I am a child of my century, a child of disbelief and doubt, I am that today and (I know it) will remain so until the grave. How much terrible torture this thirst for faith has cost me and costs me even now, which is all the stronger in my soul the more arguments I can find against it. And yet, God sends me sometimes instants when I am completely calm; at those instants I love and 1 feel loved by others, and it is at these instants that I have shaped for myself a Credo where everything is clear and sacred for me. This Credo is very simple, here it is: to believe that nothing is more beautiful, profound, sympath- etic, reasonable, manly, and more perfect than Christ; and I tell myself with a jealous love that not only that there is nothing but that there cannot be anything. Even more, if someone proved to me that Christ is outside the truth, and that in reality the truth were outside of Christ, then I should remain with Christ rather than with the truth (Pisma, edited and annotated by A.S. -
London Journals of LJRHSS Volume 18 Issue 1
Scan to know paper details and author's profile MFIVME+VSQE5IREP(SPSR]XSE2SHIVRc 7IKMSRc )ķķ±ĻƣåĮƐkĮ±ÚĞŤŇƐkĥŇƭ ĞÆåŹĞ±ĻƐ8åÚåŹ±ĮƐĻĞƽåŹžĞƒDžƭ ABSTRACT ƭ This paper examines three phases in the history of Siberia within the larger context of Russian history. It points out that following its conquest and annexation by Russia during the reign of Ivan IV (the Terrible), Siberia became a penal colony for criminal elements, book radicals, revolutionaries and other sundry offenders. The sustained attempt by Russian Tsars to keep ‘unwanted elements’ out of circulation in European Russia did not only result in a heavy human traffic to Siberia; it led to the planting of ‘seeds of cities’ there and inadvertently became ‘a rite of passage’ for the men and women who turned it into a ‘gigantic laboratory of revolution’ and kindled the revolutionary flame that so fatally consumed tsarism and autocracy in Russia. The paper contends that Siberia became an open graveyard under Stalin and examines some striking opposites and trajectories in the history of the region. The study concludes that despite its harsh and inclement weather, Siberia has transited from a penal colony to a modern region. UåDžƾŇŹÚž×ƐSiberia, Soviet Union, Russia, penal colony, revolution, resources, development. Į±žžĞüĞϱƒĞŇĻ×)25&RGH X±Ļďƣ±ďå×Ɛ(QJOLVK LJP Copyright ID: 232546 Print ISSN: 2515-5784 Online ISSN: 2515-5792 London Journal of Research in Humanities and Social Sciences 379U Volume 18 | Issue 1 | Compilation 1.0 © 2018. Emmanuel Oladipo Ojo. This is a research/review paper, distributed under the terms of the Creative Commons Attribution- Noncommercial 4.0 Unported License http://creativecommons.org/licenses/by-nc/4.0/), permitting all noncommercial use, distribution, and reproduction in any medium, provided the original work is properly cited. -
The Formation of a New Female Identity in the Russian
Abstract of the Thesis The Early Women’s Emancipation Movement: Formation of a New Female Identity in the Russian and Late-Victorian Novel by Elena V. Shabliy Thesis Director: Professor Raymond C. Taras Women's emancipation altered the course of Victorian and Russian literature by challenging the literary conventions that governed the portrayal of women and women's experience at the fin de siècle. Emancipationist writing either explicitly advocated social change or embodied a feminist impulse in their treatment of particular themes and questions. The second half of the nineteenth century was marked by the emergence of the women’s movement; this focused primarily on women’s social and moral emancipation. In the 1830s and 1850s, in the German Federation of States, Denmark, England, France, Poland, Russia, and Spain women began to mobilize under the influence of emancipationist novels, discussing the role of women and shifting gender relations. This dissertation The Early Women’s Emancipation Movement: The Formation of a New Female Identity in the Russian and Late-Victorian Novel is comprised of two parts. The first part focuses on the women’s liberation movement in Russia and literary responses to the social change. The second part is dedicated to the women’s movement in Victorian England and its feminist literary discourse. Relatively little research exists on the Russian women’s movement in the nineteenth century, while there is a vast scholarship on the early women’s movement in England. To date, there is no scholarship that treats Russian and Victorian emancipationist work comparatively. The choice of female (S. V.