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1 the Woman Question in Russia
The Woman Question in Russia: Contradictions and Ambivalence Elizabeth A. Wood The Woman Question in nineteenth and early twentieth century Russia focused principally on the position of women in the family and society. It was one of the so-called “burning” social issues that occupied the Russian intelligentsia in the second half of the nineteenth century, questions such as the emancipation of the peasants and the Jews, the rise of national consciousness. Yet it was perhaps the least straight-forward of the burning questions, the one most burdened by contradictions and ambivalence. It was, for one thing, very much a question about the place of men and masculinity under autocracy. Although it ostensibly addressed notions of how to improve women’s lot, it also contained within it and even perpetuated deeply misogynist notions of women’s backwardness. The early “woman question” was also often a code phrase for authors seeking to evade the strict censorship under Tsar Nicholas I (1825-1855); they wrote about women as a way of talking about revolution and radical social change. Contemporaries perceived the Woman Question as a native development that had organic Russian roots. Yet in actuality it came to Russia as an import, borrowing many Western ideas, yet melding them with Russian intellectual and moral traditions in a new synthesis. Historians and literature scholars debate the timing and nature of the earliest appearances of the Woman Question. Most general discussions date it from the time of discussions of the Emancipation of the peasantry, i.e., the late 1850s and early 1860s. Yet it is easy to see the roots in changes under Peter the Great and Catherine the Great, as well as in the 1830s-40s [1-4]. -
PDF Download Resurrection from the Underground: Feodor
RESURRECTION FROM THE UNDERGROUND: FEODOR DOSTOEVSKY PDF, EPUB, EBOOK Andrew B Hammond Professor of French Language Literature and Civilization Rene Girard,James G Williams | 120 pages | 15 Feb 2012 | Michigan State University Press | 9781611860375 | English | East Lansing, MI, United States Resurrection from the Underground: Feodor Dostoevsky PDF Book Coming "from above" the Swiss mountains , he physically resembles common depictions of Jesus Christ : slightly larger than average, with thick, blond hair, sunken cheeks and a thin, almost entirely white goatee. Learn More. Important Quotations Explained. On 14 April , they began a delayed honeymoon in Germany with the money gained from the sale. Russian author. Dostoevsky disliked the academy, primarily because of his lack of interest in science, mathematics and military engineering and his preference for drawing and architecture. Ivan, however, has stated that he is against Christ. On the following day, Dostoevsky suffered a pulmonary haemorrhage. The Grand Inquisitor Anthropocentric. Anyone interested in Dostoevsky will profit from grappling with Girard's take. Main article: Poor Folk. Ci tengo a precisare che il saggio - per sua natura - contiene spoiler di tutti i romanzi, ergo andrebbe letto a seguito del recupero dell'opera omnia. XXII, Nos. Some critics, such as Nikolay Dobrolyubov , Ivan Bunin and Vladimir Nabokov , viewed his writing as excessively psychological and philosophical rather than artistic. Resurrection from the Underground: Feodor Dostoevsky pp. Minihan, Michael A. See templates for discussion to help reach a consensus. LOG IN. Arshad Khan says: Reply December 17, at pm. C-1 Download Save contents. This aspect leads the narrator into doing wrong things. Yale University Press. -
Folklore and the Construction of National Identity in Nineteenth Century Russian Literature
Folklore and the Construction of National Identity in Nineteenth Century Russian Literature Jessika Aguilar Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy In the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Jessika Aguilar All rights reserved Table of Contents 1. Introduction……………………………………………………………………………..…..1 2. Alexander Pushkin: Folklore without the Folk……………………………….20 3. Nikolai Gogol: Folklore and the Fragmentation of Authorship……….54 4. Vladimir Dahl: The Folk Speak………………………………………………..........84 5. Conclusion……………………………………………………………………………........116 6. Bibliography………………………………………………………………………………122 i Introduction In his “Literary Reveries” of 1834 Vissarion Belinsky proclaimed, “we have no literature” (Belinskii PSS I:22). Belinsky was in good company with his assessment. Such sentiments are rife in the critical essays and articles of the first third of the nineteenth century. A decade earlier, Aleksandr Bestuzhev had declared that, “we have a criticism but no literature” (Leighton, Romantic Criticism 67). Several years before that, Pyotr Vyazemsky voiced a similar opinion in his article on Pushkin’s Captive of the Caucasus : “A Russian language exists, but a literature, the worthy expression of a mighty and virile people, does not yet exist!” (Leighton, Romantic Criticism 48). These histrionic claims are evidence of Russian intellectuals’ growing apprehension that there was nothing Russian about the literature produced in Russia. There was a prevailing belief that -
ABSTRACT Dostoevsky's View of the Russian Soul and Its Impact on the Russian Question in the Brothers Karamazov Paul C. Schlau
ABSTRACT Dostoevsky’s View of the Russian Soul and its Impact on the Russian Question in The Brothers Karamazov Paul C. Schlaudraff Director: Adrienne M. Harris, Ph.D Fyodor Dostoevsky, one of Russia’s most renowned novelists, profoundly affected the way that Russia would think of itself in the years following his death. One of the most important issues for Dostoevsky and other authors at the time was the reconciliation of the peasant and noble classes in the aftermath of the serf emancipation in Russia. Dostoevsky believed that the solution to this issue would come from the Russian peasantry. My research investigates Dostoevsky’s view of the “Russian soul”, which is the particular set of innate characteristics which distinguishes Russians from other nationalities. Furthermore, it examines how Dostoevsky’s view of the Russian soul affected his answer to the question of Russia’s ultimate destiny. During the 19th century, socialism was an especially popular answer to that question. Dostoevsky, however, presented an entirely different solution. Through a thorough examination of Dostoevsky’s final novel, The Brothers Karamazov, my thesis demonstrates this alternative solution and its significance in light of competing Russian theory during the 19th century. APPROVED BY DIRECTOR OF HONORS THESIS ______________________________________________________ Dr. Adrienne M. Harris, Department of Modern Languages APPROVED BY THE HONORS PROGRAM: ______________________________________________ Dr. Andrew Wisely, Director DATE: ________________________ DOSTOEVSKY’S VIEW OF THE RUSSIAN SOUL AND ITS IMPACT ON THE RUSSIAN QUESTION IN THE BROTHERS KARAMAZOV A Thesis Submitted to the Faculty of Baylor University In Partial Fulfillment of the Requirements for the Honors Program By Paul C. -
19Th Century
HUMANITIES INSTITUTE Ayse Dietrich, Ph.D. th RUSSIAN CULTURE – 19 Century Overview Culture refers to the entire way of life of a society. Russian culture, like other cultures in the world, reflects the views, values, traditions, rituals, attitudes and beliefs of its people, defining their evolutionary identity. Starting with Vladimir’s conversion to Christianity, Russian culture not only reflected Christian ideas and values, but also traditional Russian culture, national themes and style. It was the 19th century when creative Russian minds produced independent, original and authentically national works while revolutionary and intellectual life were put under state pressure. VERBAL ARTS Literature Russian writers produced original works, employing national themes and style during the time of tsar Alexander I, a period noted for its literary creativity. Without a doubt the quintessential works of this period are those of A.S. Pushkin. Although European culture is assimilated and debated at this time, in years to come a Slavophile opposition will emerge, challenging western ideas in culture not only nationally and psychologically, but also in the arenas of culture and art. Alexander I’s era was a period of creativity when Russian literature produced independent, original and authentically national works. It was a period in which literature moved from neoclassicism to Romanticism and from the writing of imitative works to ones which would be the basis of a national cultural model. It was only during the reign of Alexander II that Russian writers were able, for the first time, to experience the satisfaction of independent, creative work which was national in both its spirit and its style. -
2 Concordia Teachers College Fyodor
2 CONCORDIA TEACHERS COLLEGE FYODOR MIKHAILOVICH DOSTOYEVSKY (1821-1881): CHRISTIAN MYSTIC AND SOCIAL PHILOSOPHER by JOSEPH DAVID RHODES RUSSIA AND THE SOVIET UNION ( HISTORY 451 ) PROFESSOR: DR. ROBERT FIALA NOVEMBER 24, 1988 3 FYODOR MIKHAILOVICH DOSTOYEVSKY (1821-1881): CHRISTIAN MYSTIC AND SOCIAL PHILOSOPHER I will tell you that at such moments one thirsts for faith as ` the parched grass, ' and one finds it at last because truth becomes evident in unhappiness. I will tell you that I am a child of my century, a child of disbelief and doubt, I am that today and (I know it) will remain so until the grave. How much terrible torture this thirst for faith has cost me and costs me even now, which is all the stronger in my soul the more arguments I can find against it. And yet, God sends me sometimes instants when I am completely calm; at those instants I love and 1 feel loved by others, and it is at these instants that I have shaped for myself a Credo where everything is clear and sacred for me. This Credo is very simple, here it is: to believe that nothing is more beautiful, profound, sympath- etic, reasonable, manly, and more perfect than Christ; and I tell myself with a jealous love that not only that there is nothing but that there cannot be anything. Even more, if someone proved to me that Christ is outside the truth, and that in reality the truth were outside of Christ, then I should remain with Christ rather than with the truth (Pisma, edited and annotated by A.S. -
Poetry and Psychiatry
POETRY AND PSYCHIATRY Essays on Early Twentieth-Century Russian Symbolist Culture S t u d i e S i n S l av i c a n d R u ss i a n l i t e R at u R e S , c u lt u R e S , a n d H i S to Ry Series Editor: Lazar FLeishman (Stanford University) POETRY a n d PSYCHIATRY Essays on Early Twentieth-Century Russian Symbolist Culture Magnus L junggren Translated by Charles rougle Boston / 2014 Library of Congress Cataloging-in-Publication Data: A bibliographic record for this title is available from the Library of Congress. Copyright © 2014 Academic Studies Press All rights reserved. ISBN 978-1-61811-350-4 (cloth) ISBN 978-1-61811-361-0 (electronic) ISBN 978-1-61811-369-6 (paper) Book design by Ivan Grave On the cover: Sergey Solovyov and Andrey Bely, 1904. Published by Academic Studies Press in 2014 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. -
London Journals of LJRHSS Volume 18 Issue 1
Scan to know paper details and author's profile MFIVME+VSQE5IREP(SPSR]XSE2SHIVRc 7IKMSRc )ķķ±ĻƣåĮƐkĮ±ÚĞŤŇƐkĥŇƭ ĞÆåŹĞ±ĻƐ8åÚåŹ±ĮƐĻĞƽåŹžĞƒDžƭ ABSTRACT ƭ This paper examines three phases in the history of Siberia within the larger context of Russian history. It points out that following its conquest and annexation by Russia during the reign of Ivan IV (the Terrible), Siberia became a penal colony for criminal elements, book radicals, revolutionaries and other sundry offenders. The sustained attempt by Russian Tsars to keep ‘unwanted elements’ out of circulation in European Russia did not only result in a heavy human traffic to Siberia; it led to the planting of ‘seeds of cities’ there and inadvertently became ‘a rite of passage’ for the men and women who turned it into a ‘gigantic laboratory of revolution’ and kindled the revolutionary flame that so fatally consumed tsarism and autocracy in Russia. The paper contends that Siberia became an open graveyard under Stalin and examines some striking opposites and trajectories in the history of the region. The study concludes that despite its harsh and inclement weather, Siberia has transited from a penal colony to a modern region. UåDžƾŇŹÚž×ƐSiberia, Soviet Union, Russia, penal colony, revolution, resources, development. Į±žžĞüĞϱƒĞŇĻ×)25&RGH X±Ļďƣ±ďå×Ɛ(QJOLVK LJP Copyright ID: 232546 Print ISSN: 2515-5784 Online ISSN: 2515-5792 London Journal of Research in Humanities and Social Sciences 379U Volume 18 | Issue 1 | Compilation 1.0 © 2018. Emmanuel Oladipo Ojo. This is a research/review paper, distributed under the terms of the Creative Commons Attribution- Noncommercial 4.0 Unported License http://creativecommons.org/licenses/by-nc/4.0/), permitting all noncommercial use, distribution, and reproduction in any medium, provided the original work is properly cited. -
“Neo Romantic Period” in the Soviet Literary Research of the 1960-1980S
ISSN 2039-2117 (online) Mediterranean Journal of Social Sciences Vol 6 No 5 S2 ISSN 2039-9340 (print) MCSER Publishing, Rome-Italy September 2015 Debate Background on the “Neo Romantic Period” in the Soviet Literary Research of the 1960-1980s Kirill Nikolaevich Ankudinov Uchuzhuk Maskhudovich Panesh Kutas Nukhovna Paranuk Galina Viktorovna Sokolova Federal State Budget Institution of Higher Professional Education «Adyghe State University» (ASU), 385000 Maikop, street Pervomayskaya, 208, Russian Federation; Email: [email protected] Doi:10.5901/mjss.2015.v6n5s2p191 Abstract The article is a local research related to the solution of the general theoretical literary issue: whether Romanticism is beyond Romanticism boundaries as a certain historical trend. The article reveals the methodology of solving this problem that combines the achievements of ‘sociological’ and ‘formal’ national schools of literary research, as well as uses the method of philosophical metahermeneutics. In addition, the article provides a panorama of methodological approaches to the discussion of the Romanticism problem in foreign literary research. The bulk of the article examines the controversy in the Soviet literary research of the 60-80s in the 20th century about the possible existence of ‘new Romanticism’ in the initial method of ‘socialist realism’. This controversy has revealed two opposite approaches to the issue of ‘Romanticism post Romanticism’. The first approach expressed in the statements of G. Pospelov, V. Vanslov N. Gulyaev, E. Maymin (et al.) categorically denied ‘Romanticism post Romanticism’ as “Romanticism had already existed before”. The second approach, represented by A. Kireyeva, A. Ovcharenko, U. R. Focht, on the contrary, suggested the possibility (and even the regularity) of this phenomenon in the Soviet art. -
Phd Dissertation Full
UC Santa Cruz UC Santa Cruz Electronic Theses and Dissertations Title The Invention of Russia in America, 1880-1920 Permalink https://escholarship.org/uc/item/9h04h57r Author Dobrushin, Maxim Publication Date 2018 License https://creativecommons.org/licenses/by-nc-nd/4.0/ 4.0 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA SANTA CRUZ THE INVENTION OF RUSSIA IN AMERICA, 1880-1920 A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in LITERATURE by Maxim Dobrushin December 2018 The Dissertation of Maxim Dobrushin is approved: Professor Susan Gillman, Chair Professor Kirsten Gruesz Professor Tyrus Miller Professor Steven Cassedy Lori Kletzer Vice Provost and Dean of Graduate Studies Copyright © by Maxim Dobrushin 2018 TABLE OF CONTENTS Abstract……………………………………………………………………………….iv Acknowledgments………………………………………………………………..…..vi Introduction……………………………………………………………………………1 Chapter One A Climate of Flexibility: Russian Translation Philosophy and Practice in the Nineteenth-Century U.S………33 Chapter Two America’s “Immaturity”: Russian Aesthetic “Truth” in the U.S.…………………………………..…………...84 Chapter Three Narratives of Failure: The Politics of Realism in the U.S. Novel………………………………………….123 Bibliography…………………………………………………………….....…….…161 iii ABSTRACT The Invention of Russia in America, 1880-1920 Maxim Dobrushin The Invention of Russia in America aims to breaks new ground by exploring an international phenomenon that was well-known in the nineteenth century but has since become an under-studied moment in U.S. literature and culture: the rise of Russian culture and politics at a time when the U.S. was considering new methods of literary representation, art-criticism, and language. -
Fyodor Dostoevsky
The Double Fyodor Dostoevsky Translated by Hugh Aplin ALMA CLASSICS AlmA ClAssiCs ltd London House 243-253 Lower Mortlake Road Richmond Surrey tw9 2ll United Kingdom www.almaclassics.com The Double first published in Russian in 1846 This translation first published by Hesperus Press Ltd in 2004 This new, revised edition first published by Alma Classics Ltd in 2012 Translation and Introduction © Hugh Aplin, 2004, 2012 Extra Material © Alma Classics Ltd Cover image © Catriona Gray Printed in Great Britain by CPI Group (UK) Ltd, Croydon, Cr0 4yy isbn: 978-1-84749-301-9 All the pictures in this volume are reprinted with permission or pre sumed to be in the public domain. Every effort has been made to ascertain and acknowledge their copyright status, but should there have been any unwitting oversight on our part, we would be happy to rectify the error in subsequent printings. All rights reserved. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or other- wise), without the prior written permission of the publisher. This book is sold subject to the condition that it shall not be resold, lent, hired out or otherwise circulated without the express prior consent of the publisher. Contents Introduction ix The Double 1 Notes 181 Extra Material 183 Fyodor Dostoevsky’s Life 185 Fyodor Dostoevsky’s Works 197 Select Bibliography 208 Introduction The Double was Fyodor Dostoevsky’s second published work, appearing in the journal Notes of the Fatherland in February 1846, hot on the heels of the rapturously received Poor People. -
“Superfluous Man” in Russian Literature by Christopher Henry
The Redemption of the “Superfluous Man” in Russian Literature By Christopher Henry Carr B.B.A. University of Michigan, Ann Arbor, 1998 M.A. Middlebury College, 2004 M.A. Brown University, 2012 Dissertation Submitted in partial fulfillment of the requirements for the Degree of Doctor of Philosophy in the Department of Slavic Studies at Brown University PROVIDENCE, RHODE ISLAND May 2016 © Copyright 2016 by Christopher Henry Carr This dissertation by Christopher Henry Carr is accepted in its present form by the Department of Slavic Studies as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date_____________ _________________________________ Vladimir Golstein, Advisor Recommended to the Graduate Council Date_____________ _________________________________ Svetlana Evdokimova, Reader Date_____________ _________________________________ Alexander Levitsky, Reader Approved by the Graduate Council Date_____________ _________________________________ Peter M. Weber, Dean of the Graduate School iii VITA Christopher Henry Carr was born in Jackson Heights, New York in 1976. He received a B.B.A. from the University of Michigan in 1998, an M.A. in Russian from Middlebury College in 2004, an M.A. in Slavic Studies from Brown University in 2012, and a Ph.D. in Slavic Studies from Brown University in 2016. Prior to his doctoral studies, Christopher taught English composition and literature several colleges in New York City. During his time at Brown, he has taught the Russian language, served as a teaching assistant for Russian literature courses, and has taught writing courses at Providence College and in Brown’s summer pre-college program. Within the Department of Slavic Studies at Brown, Christopher has co-organized graduate student conferences and colloquia, one of which was funded by a grant from Brown’s Office of International Studies in 2010-11.