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St. Nick Spotted Near Campus
October 12, 2009 WWW.UNEWS.COM Vol. 77, Issue 8 St. Nick spotted near campus Continuing campus crime posses threat Tyler Allen Assistant News Editor Crime is a looming problem on campus. Last year alone, there were 142 crimes reported at UMKC. “Even though UMKC is sur- rounded by some bad streets I always felt safe here,” student Kelsey Gos- sen said, “but now that I’m hearing about everything going on, I worry and I try to watch my back.” Other students are not too wor- ried. “I’m not concerned about crime on campus, quite simply because I know exactly how to avoid it,” stu- dent Rachael Herndon said. Unfortunately, not everyone on campus can avoid crime. In the past month, there have been two burglaries at 4747 Troost Ave., the building that houses the In- Blistery, cold weather blew into Kansas City stitute for Entrepreneurship and In- novation. The first incident occurred on Saturday morning and along with it around noon on Sept. 21 when a victim’s money was stolen out of his came a jolly Christmas spirit. desk. painted interior and exterior walls, laid The second incident occurred on Alexia Stout-Lang News Editor carpet, pulled weeds and even moved Sept. 25 and involved Cary Clark, some furniture. Sam Walton Fellow and director of pproximately 20 stu- “This is just such a blessing,” Freddie Students in Free Enterprise. dents, staff and faculty from UMKC bundled up Slaughter, one of the homeowners, said and faced the chill to par- as tears ran down her cheeks. “I just don’t “It’s just sort of random ticipate in the second an- know how to thank you all.” crime. -
Network Map of Knowledge And
Humphry Davy George Grosz Patrick Galvin August Wilhelm von Hofmann Mervyn Gotsman Peter Blake Willa Cather Norman Vincent Peale Hans Holbein the Elder David Bomberg Hans Lewy Mark Ryden Juan Gris Ian Stevenson Charles Coleman (English painter) Mauritz de Haas David Drake Donald E. Westlake John Morton Blum Yehuda Amichai Stephen Smale Bernd and Hilla Becher Vitsentzos Kornaros Maxfield Parrish L. Sprague de Camp Derek Jarman Baron Carl von Rokitansky John LaFarge Richard Francis Burton Jamie Hewlett George Sterling Sergei Winogradsky Federico Halbherr Jean-Léon Gérôme William M. Bass Roy Lichtenstein Jacob Isaakszoon van Ruisdael Tony Cliff Julia Margaret Cameron Arnold Sommerfeld Adrian Willaert Olga Arsenievna Oleinik LeMoine Fitzgerald Christian Krohg Wilfred Thesiger Jean-Joseph Benjamin-Constant Eva Hesse `Abd Allah ibn `Abbas Him Mark Lai Clark Ashton Smith Clint Eastwood Therkel Mathiassen Bettie Page Frank DuMond Peter Whittle Salvador Espriu Gaetano Fichera William Cubley Jean Tinguely Amado Nervo Sarat Chandra Chattopadhyay Ferdinand Hodler Françoise Sagan Dave Meltzer Anton Julius Carlson Bela Cikoš Sesija John Cleese Kan Nyunt Charlotte Lamb Benjamin Silliman Howard Hendricks Jim Russell (cartoonist) Kate Chopin Gary Becker Harvey Kurtzman Michel Tapié John C. Maxwell Stan Pitt Henry Lawson Gustave Boulanger Wayne Shorter Irshad Kamil Joseph Greenberg Dungeons & Dragons Serbian epic poetry Adrian Ludwig Richter Eliseu Visconti Albert Maignan Syed Nazeer Husain Hakushu Kitahara Lim Cheng Hoe David Brin Bernard Ogilvie Dodge Star Wars Karel Capek Hudson River School Alfred Hitchcock Vladimir Colin Robert Kroetsch Shah Abdul Latif Bhittai Stephen Sondheim Robert Ludlum Frank Frazetta Walter Tevis Sax Rohmer Rafael Sabatini Ralph Nader Manon Gropius Aristide Maillol Ed Roth Jonathan Dordick Abdur Razzaq (Professor) John W. -
Reeification Feb 10.Pdf
REEIfi cation NEWS FROM INDIANA UNIVERSITY’S RUSSIAN AND EAST EUROPEAN INSTITUTE Maria Bucur, Director Lauren Butt, Editor Vol. 34, No. 1 February 2010 Elinor Ostrom: the Romanian Connection by Horia Terpe February 2010 Elinor Ostrom Photo courtesy of Indiana University Features A few years before the Nobel Prize in Economic Sciences put their ideas into the worldwide spotlight, the work of Elinor Ostrom and her colleagues at Elinor Ostrom: the Roma- the Workshop for Political Theory and Policy Analysis at Indiana University nian Connection 1 was already fairly known and well received in Romania and other countries in REEI on Base in Monterey 2 post-communist transition. The pattern of Romanian social sciences after 1990 has been to catch up On Thick Ice: Thoughts on to the advances in Western social thinking that occurred during the fi fty years the Russian Winter 3 of isolation behind the Iron Curtain. This process has unfolded quickly, with successive generations of professionals re-tooling their specializations. Classical, Faculty Profile: Ariann Stern- behavioral, institutional and (neo) institutional theories have found their way to Gottschalk 4 Romanian academic centers. This pattern is not limited to the social sciences; it 3rd Annual Romanian Studies is even more observable in areas such as technology, music and fashion. Among Conference 6 various infl uences, Ostrom’s ideas were at the top of the list. There is also a special compatibility between the Bloomington variant of new institutionalism (especially its organization in the Institutional Analysis Robert Gates Visits IU 7 and Development framework) and the specifi c instance of a country in post- Outreach Notes: 8 communist transition. -
Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town. -
PDF Download Resurrection from the Underground: Feodor
RESURRECTION FROM THE UNDERGROUND: FEODOR DOSTOEVSKY PDF, EPUB, EBOOK Andrew B Hammond Professor of French Language Literature and Civilization Rene Girard,James G Williams | 120 pages | 15 Feb 2012 | Michigan State University Press | 9781611860375 | English | East Lansing, MI, United States Resurrection from the Underground: Feodor Dostoevsky PDF Book Coming "from above" the Swiss mountains , he physically resembles common depictions of Jesus Christ : slightly larger than average, with thick, blond hair, sunken cheeks and a thin, almost entirely white goatee. Learn More. Important Quotations Explained. On 14 April , they began a delayed honeymoon in Germany with the money gained from the sale. Russian author. Dostoevsky disliked the academy, primarily because of his lack of interest in science, mathematics and military engineering and his preference for drawing and architecture. Ivan, however, has stated that he is against Christ. On the following day, Dostoevsky suffered a pulmonary haemorrhage. The Grand Inquisitor Anthropocentric. Anyone interested in Dostoevsky will profit from grappling with Girard's take. Main article: Poor Folk. Ci tengo a precisare che il saggio - per sua natura - contiene spoiler di tutti i romanzi, ergo andrebbe letto a seguito del recupero dell'opera omnia. XXII, Nos. Some critics, such as Nikolay Dobrolyubov , Ivan Bunin and Vladimir Nabokov , viewed his writing as excessively psychological and philosophical rather than artistic. Resurrection from the Underground: Feodor Dostoevsky pp. Minihan, Michael A. See templates for discussion to help reach a consensus. LOG IN. Arshad Khan says: Reply December 17, at pm. C-1 Download Save contents. This aspect leads the narrator into doing wrong things. Yale University Press. -
Russian Theatre Festivals Guide Compiled by Irina Kuzmina, Marina Medkova
Compiled by Irina Kuzmina Marina Medkova English version Olga Perevezentseva Dmitry Osipenko Digital version Dmitry Osipenko Graphic Design Lilia Garifullina Theatre Union of the Russian Federation Strastnoy Blvd., 10, Moscow, 107031, Russia Tel: +7 (495) 6502846 Fax: +7 (495) 6500132 e-mail: [email protected] www.stdrf.ru Russian Theatre Festivals Guide Compiled by Irina Kuzmina, Marina Medkova. Moscow, Theatre Union of Russia, April 2016 A reference book with information about the structure, locations, addresses and contacts of organisers of theatre festivals of all disciplines in the Russian Federation as of April, 2016. The publication is addressed to theatre professionals, bodies managing culture institutions of all levels, students and lecturers of theatre educational institutions. In Russian and English. All rights reserved. No part of the publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission from the publisher. The publisher is very thankful to all the festival managers who are being in constant contact with Theatre Union of Russia and who continuously provide updated information about their festivals for publication in electronic and printed versions of this Guide. The publisher is particularly grateful for the invaluable collaboration efforts of Sergey Shternin of Theatre Information Technologies Centre, St. Petersburg, Ekaterina Gaeva of S.I.-ART (Theatrical Russia Directory), Moscow, Dmitry Rodionov of Scena (The Stage) Magazine and A.A.Bakhrushin State Central Theatre Museum. 3 editors' notes We are glad to introduce you to the third edition of the Russian Theatre Festival Guide. -
Investment Activities
About the company Strategic report Performance overview Investment activities Investment programme approaches The Company’s investment programme The projects’ commercial efficiency Budget efficiency for projects is assessed is designed to: is assessed based on the net cash flow based on comparison of cash inflows (tax, • ensure uninterrupted transportation from investing and operating activities, customs and insurance payments) resulting service; with the resulting estimates taking into from railway infrastructure development • embrace the most promising projects consideration the financial aftermaths vs government-financed investments. in terms of both commercial and budget for the investment project owner assuming efficiency; that such owner fully covers the project • minimise federal government spending costs and reaps all of its benefits. on investment projects. Russian Railways has uniform guidelines in place to assess the efficiency All the investment projects have of investment projects1. With a payback commercial and budget efficiency period of up to 20 years and an IRR estimates in place and are ranked using of at least 10%, an investment project the cost/benefit analysis. is deemed to be sufficiently efficient. 1. In accordance with the Russian Government’s Order No. 2991-r dated 29 December 2017. 76 Russian Railways Sustainable development Corporate governance Appendices Investment highlights in 2019 As adjusted by the Board of Directors PROJECTS INCLUDED the target was met with 115.8 mt of cargo of Russian Railways, the Company’s -
Media Newsletter
MEDIA NEWSLETTER May 2009 Eurovision 2009 National representatives at the contest are most interesting for Russian TV During the past years the viewing of Eurovision was viewers; the interest to best singer depends on how his win was expected. This year growing, especially in Moscow. Eurovision-2009, which took mass media forecasted the win of A. Rybak, while the win of Lordi in 2006 was place in Moscow, got the largest audience. unexpected. The interest to voting process also depends on peoples expectations of Russia’s chances to win. 25 Moscow D. Bilan Russia 2006 2007 2008 2009 A. Prikhodko А. Rybak 20 150 People’s 17.6 16.9 expectations of D. 16.1 140 136 Bilan win 15.3 15 130 126 123 12.4 11.7 11.5 118 11.0 11.3 120 115 115 10.1 9.1 9.4 9.2 9.6 108 108 10 8.9 110 TVR %, All TVR 18+ 7.2 6.7 100 100 5.5 5.5 93 4.8 99 98 5 89 97 98 88 2.9 90 1.7 80 Lordi Index on average programme TVRTVR18+18+ programme programme average average onon IndexIndex 0 70 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 Russian singer Winner Other singers Voting 2 12 10 3 12 15 2 3 1 11 Alsou Mumiy Prime t.A.T.u. J. Savicheva D. Bilan Serebro D. Bilan troll minister N. Podolskaya A. Prikhodko Source: TNS Russia; All 18+ Source: TNS Russia; Initiative; Russia 100,000+, All 18+ Eurovision-2009 final was watched by more than 130 mln people in 22 European countries. -
SOVIET YOUTH FILMS UNDER BREZHNEV: WATCHING BETWEEN the LINES by Olga Klimova Specialist Degree, Belarusian State University
SOVIET YOUTH FILMS UNDER BREZHNEV: WATCHING BETWEEN THE LINES by Olga Klimova Specialist degree, Belarusian State University, 2001 Master of Arts, Brock University, 2005 Master of Arts, University of Pittsburgh, 2007 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2013 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Olga Klimova It was defended on May 06, 2013 and approved by David J. Birnbaum, Professor, Department of Slavic Languages and Literatures, University of Pittsburgh Lucy Fischer, Distinguished Professor, Department of English, University of Pittsburgh Vladimir Padunov, Associate Professor, Department of Slavic Languages and Literatures, University of Pittsburgh Aleksandr Prokhorov, Associate Professor, Department of Modern Languages and Literatures, College of William and Mary, Virginia Dissertation Advisor: Nancy Condee, Professor, Department of Slavic Languages and Literatures, University of Pittsburgh ii Copyright © by Olga Klimova 2013 iii SOVIET YOUTH FILMS UNDER BREZHNEV: WATCHING BETWEEN THE LINES Olga Klimova, PhD University of Pittsburgh, 2013 The central argument of my dissertation emerges from the idea that genre cinema, exemplified by youth films, became a safe outlet for Soviet filmmakers’ creative energy during the period of so-called “developed socialism.” A growing interest in youth culture and cinema at the time was ignited by a need to express dissatisfaction with the political and social order in the country under the condition of intensified censorship. I analyze different visual and narrative strategies developed by the directors of youth cinema during the Brezhnev period as mechanisms for circumventing ideological control over cultural production. -
Puthisen Neang Kongrey 12 Sisters
Puthisen Neang Kongrey 12 Sisters Ly Bun Yim After barely escaping the clutches of a man-eating witch, twelve Mit knapper Not einer garstigen Menschenfresserin entronnen, gelangen beautiful sisters arrive at the court of the king, who promptly zwölf schöne Schwestern an den Hof des Königs, der sie alle auf einmal marries all twelve of them. But their monstrous adversary heiratet. Doch das Ungeheuer nimmt die Gestalt einer attraktiven Frau an, takes the form of an attractive woman, bewitches the king and becirct den König und redet ihm ein, dass die Schwestern Hexen seien. Ih- persuades him that the sisters are witches. Their eyes are put res Augenlichts beraubt, werden sie in eine Höhle verbannt, wo sie überle- out and they are banished to a cave, where they only survive by ben, indem sie die eigenen Kinder verspeisen. eating their own offspring. Lediglich Puthisen bleibt verschont und erweist sich als geschicktes Kind, Only Puthisen remains unharmed and turns out to be a most dem es gelingt, seine blinde Mutter und elf Tanten zu versorgen. Zu einem shrewd child, quite capable of looking after his blind mother stattlichen jungen Mann herangewachsen, gewinnt er das Vertrauen des and eleven aunts. Having grown up into a handsome young man, Königs und entrinnt einer List der bösen Stiefmutter, deren hübsche Toch- he wins the king’s trust and eludes his wicked stepmother’s ter Kongrey nun seine Frau wird. Die Rettung der zwölf Schwestern erfor- ploys, whose pretty daughter Kongrey is now to become his dert jedoch tragische Opfer. wife. Tragically however, rescuing the twelve sisters will not be Grausames Märchen, bukolische Folklore, naive Fantasy, höfisches Ränke- without casualties. -
Reeification NEWS from INDIANA UNIVERSITY’S RUSSIAN and EAST EUROPEAN INSTITUTE Padraic Kenney, Director Austin Kellogg, Editor Vol.36, No
REEIfication NEWS FROM INDIANA UNIVERSITY’S RUSSIAN AND EAST EUROPEAN INSTITUTE Padraic Kenney, Director Austin Kellogg, Editor Vol.36, No. 1 Winter 2012 Robert C. Tucker and Stephen F. Cohen Fellowship by Jocelyn Bowie The Russian and East European Institute at Indiana University has established a new fellowship to support master’s degree candidates, thanks to a $240,000 donation by Katrina vanden Heuvel along with her husband, Stephen F. Cohen, an IU alumnus and a pre-eminent scholar of the Soviet Union and Winter 2012 Russia. The fellowship will be called the Robert C. Tucker and Features Stephen F. Cohen Fellowship. Robert C. Tucker was a faculty Tucker-Cohen Fellowship 1 member in the IU Department Stephen Cohen and Katrina vanden Heuvel at a IU Alumni Reception at of Political Science from 1958 ceremony honoring him in Moscow in 2008. ASEEES 2 to 1961 who was instrumental Photo courtesy of AIRO-XXI Publishers Revisiting the Fall of The in the institute’s early years and Soviet Union 3 was Cohen’s mentor. REEI is an interdisciplinary unit within the IU College of Arts and Sciences. Former Ambassador to The Tucker-Cohen Fellowship will be given to incoming Master of Arts students Bosnia at IU 5 who demonstrate an interest in the history and politics of the Soviet Union or Outreach Notes: 6 Russia and who plan to pursue careers in public service, such as journalism, secondary education, nonprofit work or the foreign service. Faculty Profile: Cohen is a professor of Russian studies and history at New York University Jacob Emery 7 and professor of politics emeritus at Princeton University. -
Novosibirsk Digest March 2018
Novosibirsk Digest March 2018 1 Contents We already made Novosibirsk easy for you. Now it’s time to go out and have fun! Your Intermark Relocation Team Click the icon below to go to the required section Concerts Theater page 3 and Ballet page 4 Exhibitions For Children page 5 page 6 t t Ticket Instructions kek ke ic c t page 7 i t 2 Concerts The Rasmus Rock The Rasmus are a Finnish rock band that formed in 1994 in Helsinki while the band members were still in upper comprehensive school. The band has sold 4 million albums worldwide, 310,000 copies in their native Finland alone. The Rasmus is going to Russia to give concerts in 21 Russian cities. Don’t miss their show in Novosibirsk! Date and time: March 16, 7:00 pm Venue: DK Zheleznodorojhnikov Address: Cheluskincev st. 11 (m. Krasniy prospect) Phone: +7 (383) 229-25-49 Price: 2 900 – 5 800 RUB Tickets: afisha.yandex.ru Vyacheslav Butusov Rock Nautilus Pompilius is a cult Russian rock band that had an incredible number of admirers who filled the stadiums under the impact of their powerful music. Today in Russia you can hardly find a person who has never heard such masterpieces as “Goodbye, America ...” or “I want to be with you”. This March the lead singer of the band will give a concert in Novosibirsk. Date and time: March 12, 7:00 pm Venue: DK Zheleznodorojhnikov Address: Cheluskincev st. 11 (m. Krasniy prospect) Phone: +7 (383) 229-25-49 Price: 2 600 – 3 800 RUB Tickets: afisha.yandex.ru Irina Dubtsova Pop Irina Dubtsova is a Russian singer, songwriter, and actress.