Novosibirsk Digest March 2018
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Developing the Future Объекты Национального Значения
Объекты национального значения 1 Developing the Future Объекты национального значения Crocus Group is one of the leading development companies in Russia. Founded in 1989, Crocus Group has developed over 4,000,000 m2 of real estate. Объекты национального значения 3 CroCus Group • General Contractor for the Construction of Stadiums for the 2018 F.I.F.A. World Cup Championship in Kaliningrad and Rostov-on-Don; • General Contractor for the Construction of the First Stage of the TsKAD (Central Ring Highway); • General Contractor for the construction of the Pavshinsky Pedestrian Bridge (Krasnogorsk, Moscow Oblast); • General Contractor for the Far Eastern Federal University on Russky Island (built for the 2012 APEC Summit, the first to occur in Russia); • The first Russian company to build a station of the Moscow metropolitan system (Myakinino) using private funds; • Organizer of the 2013 Miss Universe pageant, which took place for the first time in Russia 4 CroCus Group’s porTFoLIo Crocus City — Satellite City of Moscow; U-BOAT brand of luxury watches; Crocus Expo — International Exhibition Center; Restaurants by Crocus Group, including Shore House (Crocus City), Shore House (Sea Breeze), Baku (Tvoy Dom Kashirskoye Shosse), Crocus City Hall concert venue; Baku (Tvoy Dom Crocus City), Zafferano (VEGAS Kashirskoye Shosse), Myakinino Metro Station; Zafferano (VEGAS Crocus City), Edoko (VEGAS Kashirskoye Shosse), Manhattan Mixed-Use Residential-Commercial complex Edoko (VEGAS Crocus City), Forte Bello (Crocus City), Fusion (construction ongoing, with 14 towers planned); (Crocus City Mall), Casa Mia (Crocus City Mall), Traktir Pozharskago (Crocus City Mall), Asia Cafe (Crocus City Mall), Backstage VEGAS chain of retail-entertainment stores, including VEGAS Crocus City, (Crocus City), Nobu (B. -
Mercedes-Benz Fashion Day St
MERCEDES-BENZ FASHION DAY ST. PETERSBURG On April 1, 2017 IANIS CHAMALIDY, VIKKI, Anastasia Dokuchaeva, IGOR GULYAEV and the winners of the New Names in Design 2017 contest organized by Sobaka.Ru magazine will meet at the very center of Russia's cultural capital for Mercedes-Benz Fashion Day St. Pe- tersburg. The shows will be held at a new location, at the major historical space of the Ma- nege Central Exhibition Hall. Ianis Chamalidy presented his first collection when he was 17. This designer of the year cre- ated stage images for St. Petersburg Olympic champions in figure skating twice. The designer created his new collection EMANATIO CREATURAE (Emanation of Creation) inspired by the Renaissance. VIKKI brand will for the second time present its collection in the MBFashionDay. Victoria Afanasieva follows the ‘think small’ principle. She uses IT-technologies to present ingenious solutions like scanned pictures of brain neurons in her clothes. Anastasia Dokuchaeva is a young brand that presented its debut collection in March during Mercedes-Benz Fashion Week Russia. Velvet suits, bomber jackets and sporty chic. The col- lection by Anastasia Dokuchaeva is intended to create a wow-effect. The jury of the New Names in Design 2017 contest organized by Sobaka.Ru magazine in col- laboration with the Russian Fashion Council has chosen the designers to take part in the runway shows: Alisa Gagarina, Ilya Petrov (Boston) and his Dress Up Hero brand, as well as PSSP, UMI (Tbilisi), LOH Apparel (Minsk), Natasha Timofeeva (Rostov), Olga Cherno- schekova, Anna Polyakova. Ladygina and Amplituda won the online vote. -
Quick Guide to the Eurovision Song Contest 2018
The 100% Unofficial Quick Guide to the Eurovision Song Contest 2018 O Guia Rápido 100% Não-Oficial do Eurovision Song Contest 2018 for Commentators Broadcasters Media & Fans Compiled by Lisa-Jayne Lewis & Samantha Ross Compilado por Lisa-Jayne Lewis e Samantha Ross with Eleanor Chalkley & Rachel Humphrey 2018 Host City: Lisbon Since the Neolithic period, people have been making their homes where the Tagus meets the Atlantic. The sheltered harbour conditions have made Lisbon a major port for two millennia, and as a result of the maritime exploits of the Age of Discoveries Lisbon became the centre of an imperial Portugal. Modern Lisbon is a diverse, exciting, creative city where the ancient and modern mix, and adventure hides around every corner. 2018 Venue: The Altice Arena Sitting like a beautiful UFO on the banks of the River Tagus, the Altice Arena has hosted events as diverse as technology forum Web Summit, the 2002 World Fencing Championships and Kylie Minogue’s Portuguese debut concert. With a maximum capacity of 20000 people and an innovative wooden internal structure intended to invoke the form of Portuguese carrack, the arena was constructed specially for Expo ‘98 and very well served by the Lisbon public transport system. 2018 Hosts: Sílvia Alberto, Filomena Cautela, Catarina Furtado, Daniela Ruah Sílvia Alberto is a graduate of both Lisbon Film and Theatre School and RTP’s Clube Disney. She has hosted Portugal’s edition of Dancing With The Stars and since 2008 has been the face of Festival da Cançao. Filomena Cautela is the funniest person on Portuguese TV. -
Media Newsletter
MEDIA NEWSLETTER May 2009 Eurovision 2009 National representatives at the contest are most interesting for Russian TV During the past years the viewing of Eurovision was viewers; the interest to best singer depends on how his win was expected. This year growing, especially in Moscow. Eurovision-2009, which took mass media forecasted the win of A. Rybak, while the win of Lordi in 2006 was place in Moscow, got the largest audience. unexpected. The interest to voting process also depends on peoples expectations of Russia’s chances to win. 25 Moscow D. Bilan Russia 2006 2007 2008 2009 A. Prikhodko А. Rybak 20 150 People’s 17.6 16.9 expectations of D. 16.1 140 136 Bilan win 15.3 15 130 126 123 12.4 11.7 11.5 118 11.0 11.3 120 115 115 10.1 9.1 9.4 9.2 9.6 108 108 10 8.9 110 TVR %, All TVR 18+ 7.2 6.7 100 100 5.5 5.5 93 4.8 99 98 5 89 97 98 88 2.9 90 1.7 80 Lordi Index on average programme TVRTVR18+18+ programme programme average average onon IndexIndex 0 70 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 Russian singer Winner Other singers Voting 2 12 10 3 12 15 2 3 1 11 Alsou Mumiy Prime t.A.T.u. J. Savicheva D. Bilan Serebro D. Bilan troll minister N. Podolskaya A. Prikhodko Source: TNS Russia; All 18+ Source: TNS Russia; Initiative; Russia 100,000+, All 18+ Eurovision-2009 final was watched by more than 130 mln people in 22 European countries. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
Pdf Liste Totale Des Chansons
40ú Comórtas Amhrán Eoraifíse 1995 Finale - Le samedi 13 mai 1995 à Dublin - Présenté par : Mary Kennedy Sama (Seule) 1 - Pologne par Justyna Steczkowska 15 points / 18e Auteur : Wojciech Waglewski / Compositeurs : Mateusz Pospiezalski, Wojciech Waglewski Dreamin' (Révant) 2 - Irlande par Eddie Friel 44 points / 14e Auteurs/Compositeurs : Richard Abott, Barry Woods Verliebt in dich (Amoureux de toi) 3 - Allemagne par Stone Und Stone 1 point / 23e Auteur/Compositeur : Cheyenne Stone Dvadeset i prvi vijek (Vingt-et-unième siècle) 4 - Bosnie-Herzégovine par Tavorin Popovic 14 points / 19e Auteurs/Compositeurs : Zlatan Fazlić, Sinan Alimanović Nocturne 5 - Norvège par Secret Garden 148 points / 1er Auteur : Petter Skavlan / Compositeur : Rolf Løvland Колыбельная для вулкана - Kolybelnaya dlya vulkana - (Berceuse pour un volcan) 6 - Russie par Philipp Kirkorov 17 points / 17e Auteur : Igor Bershadsky / Compositeur : Ilya Reznyk Núna (Maintenant) 7 - Islande par Bo Halldarsson 31 points / 15e Auteur : Jón Örn Marinósson / Compositeurs : Ed Welch, Björgvin Halldarsson Die welt dreht sich verkehrt (Le monde tourne sens dessus dessous) 8 - Autriche par Stella Jones 67 points / 13e Auteur/Compositeur : Micha Krausz Vuelve conmigo (Reviens vers moi) 9 - Espagne par Anabel Conde 119 points / 2e Auteur/Compositeur : José Maria Purón Sev ! (Aime !) 10 - Turquie par Arzu Ece 21 points / 16e Auteur : Zenep Talu Kursuncu / Compositeur : Melih Kibar Nostalgija (Nostalgie) 11 - Croatie par Magazin & Lidija Horvat 91 points / 6e Auteur : Vjekoslava Huljić -
2021 Conference Downloadable Program
AATSEEL 2021 Conference Program *all online* Detailed Panel Listings *all times are EST* AATSEEL Keynote Address (asynchronous): Evgeny Dobrenko, "The Stalinist State (of) Laughter: The Fate of the Comic in a Tragic Age" SATURDAY, FEBRUARY 20, 2021 AATSEEL "zakuska" Session 1: 10:00am-12:00pm 1-1. Instructional Practice and Design for the 2020s: Inclusive and High-Impact Approaches to Language, Literature, and Culture Chair: Mark Lipovetsky, Columbia University Discussant: Rachel Stauffer, James Madison University/Virginia Tech Panelists: Teaching for Liberal Arts Goals in the Literature and Culture in Translation Courses Benjamin Rifkin, Hofstra University Diversity and Inclusion in the Russian Language Classroom? Joan Chevalier, United States Naval Academy Think Tank for BIPOC Students Amarilis Lugo de Fabritz, Howard University Session 2: 12:15pm-1:45pm 2-1. Translation Workshop with Ekaterina Simonova (Ekaterinburg) Session 3: 2:00pm-4:00pm 3-1. Open Seminar with Thomas Garza (University of Texas - Austin) 1 The Myth of «Шире круг»: Addressing Diversity and Intersectionality in the Teaching of Russian Session 4: 4:30pm-6:30pm 4-1. Alternative Paths for Slavic PhDs Chair: Ekaterina Shubenkina, USC Roundtable participants: Karen Evans-Romaine, UW-Madison Brendan Nieubuurt, University of Michigan-Ann Arbor Boris Dralyuk, LARB executive editor Shannon Spasova, Michigan State U 4-2. Study Abroad: Accessibility, Diversity, Inclusivity Chair: Natalie McCauley, University of Richmond Roundtable participants: Irina Levin, ASU Naomi Olsen, -
Download Article
Advances in Social Science, Education and Humanities Research, volume 469 Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020) Main Themes and Characters of the 1990s in the Cover Versions of Soviet Songs Zhurkova Daria1,* 1The State Institute for Art Studies, Mass Media Arts Department, Moscow, Russia *Corresponding author. Email: [email protected] ABSTRACT The article investigates the aspects of recycling of the Soviet culture drawing on the example of a music TV show "Stariye pesni o glavnom" ("Old Songs About the Most Important Things"). It is traceable that there are main themes that are peculiar to the Russian reality of the 1990s and that are used in the reconstruction of the Soviet era both intentionally and spontaneously. The primary focus is on the features of body discourse, which becomes more and more explicit with each episode and, therefore, diverges from the canons of Soviet morality. This trend of bodily liberation reached its peak when the motif of harem was included in the narrative in the third episode. Another curious feature of the time is gangster characters who "wandered" from episode to episode, disguised in one way or another. The show romanticised the gangsters' image, and the criminal world of the 1990s got its "pedigree" represented by charming, charismatic characters. Keywords: Soviet culture, popular music, Soviet variety art, television, body culture studies, "Old Songs About the Most Important Things", the nineties, recycling, nostalgia, film music, music clips, harem, gangsters glass which showed dramatic changes in people's I. INTRODUCTION relationships and cultural values of the Russian nation This paper draws on the concept of cultural in the critical period. -
Uzbek: War, Friendship of the Peoples, and the Creation of Soviet Uzbekistan, 1941-1945
Making Ivan-Uzbek: War, Friendship of the Peoples, and the Creation of Soviet Uzbekistan, 1941-1945 By Charles David Shaw A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Yuri Slezkine, Chair Professor Victoria Frede-Montemayor Professor Victoria E. Bonnell Summer 2015 Abstract Making Ivan-Uzbek: War, Friendship of the Peoples, and the Creation of Soviet Uzbekistan, 1941-1945 by Charles David Shaw Doctor of Philosophy in History University of California, Berkeley Professor Yuri Slezkine, Chair This dissertation addresses the impact of World War II on Uzbek society and contends that the war era should be seen as seen as equally transformative to the tumultuous 1920s and 1930s for Soviet Central Asia. It argues that via the processes of military service, labor mobilization, and the evacuation of Soviet elites and common citizens that Uzbeks joined the broader “Soviet people” or sovetskii narod and overcame the prejudices of being “formerly backward” in Marxist ideology. The dissertation argues that the army was a flexible institution that both catered to national cultural (including Islamic ritual) and linguistic difference but also offered avenues for assimilation to become Ivan-Uzbeks, part of a Russian-speaking, pan-Soviet community of victors. Yet as the war wound down the reemergence of tradition and violence against women made clear the limits of this integration. The dissertation contends that the war shaped the contours of Central Asian society that endured through 1991 and created the basis for thinking of the “Soviet people” as a nation in the 1950s and 1960s. -
A Companion to Andrei Platonov's the Foundation
A Companion to Andrei Platonov’s The Foundation Pit Studies in Russian and Slavic Literatures, Cultures and History Series Editor: Lazar Fleishman A Companion to Andrei Platonov’s The Foundation Pit Thomas Seifrid University of Southern California Boston 2009 Copyright © 2009 Academic Studies Press All rights reserved ISBN 978-1-934843-57-4 Book design by Ivan Grave Published by Academic Studies Press in 2009 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com iv Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open. Published by Academic Studies Press 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com CONTENTS CHAPTER ONE Platonov’s Life . 1 CHAPTER TWO Intellectual Influences on Platonov . 33 CHAPTER THREE The Literary Context of The Foundation Pit . 59 CHAPTER FOUR The Political Context of The Foundation Pit . 81 CHAPTER FIVE The Foundation Pit Itself . -
Annual Report
ANNUAL REPORT on most significant events of 2014 radio year and core trends in streaming broadcast and music industry' development of 2015 Part 1 – RADIO STARS & RADIO HITS ООО “СОВРЕМЕННЫЕ МЕДИА ТЕХНОЛОГИИ”, 127018 РОССИЯ, МОСКВА, СТАРОПЕТРОВСКИЙ ПРОЕЗД, ДОМ 11, КОРП. 1, ОФИС 111, +7 (495) 645 78 55, +44 20 7193 7003, +1 (347) 274 88 41, +49 69 5780 1997, WWW.TOPHIT.RU CONTENTS Introduction.………………….…………………………………………………………………………………………………………………. 2 Radio stars and radio hits…………………………………………………………………………………………………………………. 4 Artists and songs – Top Hit Music Awards 2015 winners…….…………………………………………………….……… 6 Achievements of record labels in 2014…………………………………………………………………………………………….. 7 Top 10 of Companies with biggest number of spins on radio air……………………..……………………………….. 8 Top 10 Companies with biggest number of songs on radio air …………………………………………………………. 9 Top 10 Companies with biggest number of spins per each song………………………………………………………. 10 Top 10 Companies with biggest number of songs on TOP HIT 100 radio chart…………………………………. 11 Top 10 Companies with best song test results …………………………………………………………………………………. 12 Top 100 of most frequently rotated local and foreign songs on Moscow radio air 2014…………………… 13 Top 20 of hot rotation playlists, set music trends on Moscow radio air 2014.…………………………………… 15 2015: Top Hit 3.0 ……………………………………………………………………………………………………………………………… 19 About the author……………………………………………………………………………………………………………………………… 20 1 ООО “СОВРЕМЕННЫЕ МЕДИА ТЕХНОЛОГИИ” 125130 РОССИЯ МОСКВА СТАРОПЕТРОВСКИЙ ПРОЕЗД, 11, КОРП. 1, ОФИС 102 +7 495 645 7855 +44 20 7193 7003 +1 347 274 8841 +49 69 5780 1997 WWW.TOPHIT.RU Introduction Every day hundreds of millions of people listen to radio, driving their cars. Music, news, programs and advertising are delivered in single information flows to listeners. Today the radio air brodcast is gradually replaced by the Internet streaming, and the place of customary radiostations and TV sets is more often taken by desktops, tablet PCs and smartphones with various entertainment apps in them. -
Eurovision in Moscow: Re-Imagining Russia on the Global Stage
Eurovision in Moscow: Re-imagining Russia On The Global Stage Author(s): Jordan, Paul Source: eSharp , Issue 14: Imagination and Innovation (Winter 2009), pp. 39-61 URL: http://www.gla.ac.uk/esharp ISSN: 1742-4542 Copyright in this work remains with the author. _______________________________________________________ eSharp is an international online journal for postgraduate research in the arts, humanities, social sciences and education. Based at the University of Glasgow and run by graduate students, it aims to provide a critical but supportive entry to academic publishing for emerging academics, including postgraduates and recent postdoctoral students. [email protected] eSharp Issue 14: Imagination and Innovation Eurovision in Moscow: Re-imagining Russia on the Global Stage Paul Jordan (University of Glasgow) This article considers how the Eurovision Song Contest has come to be used by participating countries as a platform for image-building and identity politics. With particular focus on the 2009 contest, this article explores the debates which surrounded the event which was staged in Moscow. The programme is often dismissed as a kitsch and not very serious event in the UK (West 2006), yet even a brief examination of the contest’s history shows that it has in fact had tremendous economic, political and socio-cultural significance for a number of European countries (Jordan 2005, p.51-53). The 2009 event was dubbed ‘the Beijing Olympics of Eurovision’ (Norton 2009) given the spectacle and scale which were like no other before. It was widely seen by media commentators as an opportunity to promote a positive image of Russia to the international media and therefore to the imaginations of millions of viewers (Malpas 2009).