Bedienungsanleitung Rev 2.2 a Vc
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Minitaur Editor マニュアル
MINITAUR ANALOG BASS SYNTHESIZER エディターユーザーズマニュアル MINITAUR エディターマニュアル オーバービュー & フィーチャー Minitaur Plugin と Standalone Editor を使用することにより、リアルタイムの編集、プリセットライブラリ管理やシェアリ ング、ホスト DAW との統合が可能となります。これにより Minitaur の強力な 諸機能を簡単に利用することができます。 Minitaur Editor は DAW 上で作動している VST や AU,RTAS あるいは AAX フォーマットにも対応しています。 Minitaur Editor には 3 つのスクリーンレイアウトがあります : PANEL UNDER THE HOOD EXTENDED このモードでは、 Minitaur のフロント このモードでは、このソフトウェア このモードでは一つの画面上で パネルの外観と感覚で操作を行うこと 自身もしくはハードウェアコントロ PANEL と UNDER THE HOOD のど が可能です。 ーラーのような MIDI コントロール ちらも利用することができます。また、 ソースからのみ操作可能な Minitaur エンベロープ・リリースを追加して個 が持つ様々な音作りの追加機能を手 別に利用することも可能です。 軽に利用することができます。 PRESET MANAGER と SETTINGS へアクセスするボタンもここに置かれています。 注意 : このソフトウェアは MIDI コントロール専用です。音声を作成・処理することは出来ません。 より詳細な機能の説明については、Minitaur Manual を参照してください: http://www.moogmusic.com/products/taurus/minitaur#downloads-tab 1 動作環境 Mac: OS X 10.6.8 以上 PC: Windows 7 以上、Intel もしくは AMD のプロセッサ搭載 • 使用可能な USB ポートもしくは DIN MIDI IN/OUT。 • VST, AU, RTAS, AAM プラットフォーム対応の DAW 。 • Minitaur のファームウェアは 2.1.0 以上を必要とします。 VST 互換性 : 2.4+ もしくは VST 3+ サポートについては DAW のソフトウェアメーカにお問い合わせください。 全ての仕様は予告なしに変更されることがあります。 設定 & 接続 USB ケーブルで Minitaur シンセサイザをコンピュータに接続してください。 注意 :ご自身の Mac/PC で MIDI I/O を設定してください。 コンピュータやオーディオデバイスへの接続についての詳細は Minitaur User’s Manual の 4-5 ページを参照して ください。 インストール : Mac ユーザー : .pkg ファイルをクリックし、インストールしたいエディタのバージョンを 選択したのち CONTINUE ボタンをクリックしてください。 Windows ユーザー : 手動で.dll ファイルをデフォルトの VST プラグインのディレクトリに保存して下さ い。 32 Bit: C:\Program Files(x86)\”Name of DAW manufacturer”\Vst Plugins\ 64 Bit : C:\Program Files\”Name of DAW manufacturer”\VST Plugins\ (for 64 bit) RTAS: -
11C Software 1034-1187
Section11c PHOTO - VIDEO - PRO AUDIO Computer Software Ableton.........................................1036-1038 Arturia ...................................................1039 Antares .........................................1040-1044 Arkaos ....................................................1045 Bias ...............................................1046-1051 Bitheadz .......................................1052-1059 Bomb Factory ..............................1060-1063 Celemony ..............................................1064 Chicken Systems...................................1065 Eastwest/Quantum Leap ............1066-1069 IK Multimedia .............................1070-1078 Mackie/UA ...................................1079-1081 McDSP ..........................................1082-1085 Metric Halo..................................1086-1088 Native Instruments .....................1089-1103 Propellerhead ..............................1104-1108 Prosoniq .......................................1109-1111 Serato............................................1112-1113 Sonic Foundry .............................1114-1127 Spectrasonics ...............................1128-1130 Syntrillium ............................................1131 Tascam..........................................1132-1147 TC Works .....................................1148-1157 Ultimate Soundbank ..................1158-1159 Universal Audio ..........................1160-1161 Wave Mechanics..........................1162-1165 Waves ...........................................1166-1185 -
THE COMPLETE SYNTHESIZER: a Comprehensive Guide by David Crombie (1984)
THE COMPLETE SYNTHESIZER: A Comprehensive Guide By David Crombie (1984) Digitized by Neuronick (2001) TABLE OF CONTENTS TABLE OF CONTENTS...........................................................................................................................................2 PREFACE.................................................................................................................................................................5 INTRODUCTION ......................................................................................................................................................5 "WHAT IS A SYNTHESIZER?".............................................................................................................................5 CHAPTER 1: UNDERSTANDING SOUND .............................................................................................................6 WHAT IS SOUND? ...............................................................................................................................................7 THE THREE ELEMENTS OF SOUND .................................................................................................................7 PITCH ...................................................................................................................................................................8 STANDARD TUNING............................................................................................................................................8 THE RESPONSE OF THE HUMAN -
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University of Huddersfield Repository Quinn, Martin The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980 Original Citation Quinn, Martin (2019) The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34986/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ 0. A Musicological Exploration of the Musicians and Their Use of Technology. 1 The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. A Musicological Exploration of the Musicians and Their Use of Technology. MARTIN JAMES QUINN A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts. -
T3 User Manual.Indd
Table of Contents FOREWORD by Cyril Lance ........................................ 4 THE USER INTERFACE Preset Mode ............................................................................ 28 THE BASICS Master Mode ........................................................................... 30 How to Use this Manual .......................................... 5 A. Master Mode Menu Structure .................... 31 Setup and Connections ........................................... 6 B. Master Mode Menus ....................................... 32 Overview and Features ........................................... 7 C. Advanced Presets Menus ............................... 35 Signal Flow ....................................................................... 9 D. MIDI Setup Menus ............................................ 38 Basic Operation ............................................................ 10 E. System Exclusive (SysEx) Menus ............... 42 F. System Utilities Menus .................................... 44 THE COMPONENTS How the Taurus 3 handles MIDI .................................... 50 A. Oscillator/LFO Panel............................................. 11 B. Filter/Arpeggiator Panel ..................................... 15 APPENDICES C. CONTROL Footwheel ..................................... 18 A – Arpeggiator Examples .............................................. 53 D. Footswitches .......................................................... 19 B – MIDI Implementation Chart ................................. 54 E. Pedalboard -
EMU Vintage Keys Manual
INTAGE KEYS V CLASSIC ANALOG KEYBOARDS OPERATION MANUAL E-mu Systems, Inc. INTAGE KEYS V CLASSIC ANALOG KEYBOARDS Operation Manual © 1992 E-mu Systems, Inc. All Rights Reserved • FI407 Rev. C Manual - Riley Smith Design & Cover - Nancy Enge E-mu World Headquarters Europe, Africa, Middle East E-mu Systems, Inc. U.S.A. E-mu Systems, Ltd. P.O. Box 660015 Suite 6, Adam Ferguson Scotts Valley, CA USA House 95067–0015 Eskmills Industrial Park Telephone: 408-438-1921 Musselburgh, East Lothian Fax: 408-438-8612 Scotland, EH21 7PQ Telephone: 44-31-653-6556 Fax: 44-31-665-0473 Important Notice: In order to obtain warranty service on your Vintage Keys unit, the serial number sticker must be intact and you must have a sales receipt or other proof of purchase. If there is no serial number sticker on Vintage Keys, please contact E-mu Systems at once. This product is covered under one or more of the following U. S. patents: 3,969,682; 3,986,423; 4,404,529; 4,506,579; 4,699,038; 4,987,600; 5,013,105; 5,072,645; 5,111,727 and foreign patents and/or pending patents. Vintage keys is a registered trademark of E-mu Systems, Inc. PRINTED AND MADE IN THE USA WARNING: READ THIS FIRST! IMPORTANT SAFETY INSTRUCTIONS Use in countries other than the U.S.A. may require the use of a different line cord or attachment plug, or both. To reduce the risk of fire or electric shock, refer servicing to qualified service personnel. To reduce risk of fire or electric shock do not expose this product to rain or moisture. -
Buy UNO, Get a TRIO Sale
Buy UNO, get a TRIO Sale Register UNO Synth or UNO Drum and get Syntronik* for free! This month, get more out of your UNO with our Buy UNO, get a TRIO Sale. From September 2nd - September 30th, register UNO Synth or UNO Drum and get 3 free Syntronik Singles of your choice. Register both UNO Synth and Drum, or complete your duo*, and get Syntronik full for free. *Customers who already own either UNO Drum or UNO Synth only need to register the other to get Syntronik full. How to qualify for the promotion: 1. Register your product online via the IK Multimedia website. 2. Go to your User Area and click on 'Promotions' to view the details. 3. If you’re registering your 1st UNO product, you’ll be able to choose 3 of the below Syntronik singles 4. If you’ve registered both UNO Synth and UNO Drum, Syntronik full will be added to “My Products” automatically. Offer valid September 2, 2019 – September 30, 2019 Eligible Singles are: Syntronik - T-03 The massive bass of the Roland TB-303 Syntronik - SAM The iconic sound of the Oberheim SEM synthesizer Syntronik - Polymorph Based on the Polymoog, Opus 3, Rogue, and Concertmate MG-1 Syntronik - 99 Our take on the Yamaha SY99 Syntronik - Blau Classic sounds of the PPG Wave 2.3 Syntronik - Bully The iconic bass of the Moog Taurus I, II, and 3 Syntronik - DCO-X Based on the Roland JX series classic synths Syntronik - Galaxy Our spin on the Alesis Andromeda Syntronik - Harpy 260 Iconic sounds of the ARP 2600 Syntronik - J-60 Based on the Juno 60, including chorus Syntronik - J-8 Iconic sounds of the Roland Jupiter series Syntronik - Minimod Our take on the Minimoog, Modular and Voyager synths Syntronik - Noir Based on the Moog Prodigy, Micromoog and the Multimoog Syntronik - OXa Based on the Oberheim OB-X and OB-Xa Syntronik - Pro-V Classic sounds of the Prophet-5 and Prophet-10 Syntronik - String Box Based on ARP, Elka, Hohner, and Roland string machines Syntronik - V-80 Classic sounds of the Yamaha CS-80, GX-1 and CS-01 . -
Synthesizer 1 Guide 2013 Guide Nr
Synthesizer 1 Guide 2013 Guide Nr. 4 Synthesizer Sonnenstraße 15 Tel: 0049/(0)89/55146-116 D-80331 München www.hieber-lindberg.de www.hieber-lindberg.de [email protected] www.hieber-lindberg.de MFB Seite 4 Vorwort Dominion X / X SED Liebe Synthesizer-Freunde! Arturia Seite 8 3 MiniBrute Arturia überrascht die Musikwelt. Als führender Hersteller von Soft- ware-Instrumenten (Emulationen von legendären Synthesizern wie etwa Endorphin.es Seite 10 CS-80, ARP-2600, u.a.) bringt der Hersteller mit dem MiniBrute einen Furthrrrr Generator 3HE VCO vollanalogen, monophonen Hardware-Synthesizer auf den Markt. Ein Studiologic Seite 13 fantastisches Instrument zu einem unschlagbaren Preis/Leistungs- Sledge verhältnis. Damit hat Arturia nicht nur eine Sensation gelandet, damit hat es auch den Weg für andere Hersteller vorgegeben: Analoge Syn- Hieber Lindberg Seite 16 thesizer mit ausgezeichnetem Klang, mit MIDI/CV/Gate und Tastatur 3 Jahre Synthesizer Ausstellung sowie gewissen Extras (Arpeggiator z.B.), das ist es, wonach viele Hieber Lindberg Seite 22 Musiker Ausschau halten. Und nachdem der Gebrauchtmarkt entwe- Synthesizer Preisliste der leergefegt oder vielfach nur von sehr zweifelhaften Exponaten der Hieber Lindberg Seite 28 gesuchten Vintage Synthesizer gekennzeichent ist, trifft der MiniBrute News auf voller Länge und zum exakt richtigen Zeitpunkt ins Schwarze. Doch auch darüber hinaus ist die Synthesizer-Welt weiterhin im Auf- Cwejman Seite 30 schwung. Doepfer, Cwejman, MacBeth, Moog, Roland, Korg, GRP ... VM-1 Voice Module die Hersteller sind sehr aktiv und bieten uns erstaunliche Instrumente, Doepfer Seite 32 über die wir im vorliegenden Heft berichten. In diesem Sinne: Viel Spaß A-106-6 Xpander VCF mit dem neuen Synthesizer Guide. -
Syntronik™ - the Legendary Synth Powerhouse Is Now Available for Ipad
For immediate release Syntronik™ - the legendary synth powerhouse is now available for iPad Cutting-edge virtual instrument turns the iPad into a classic synth workstation delivering iconic synthesizers and string machines with a unique synthesis engine and superb sound quality September 20, 2017 - IK Multimedia is pleased to announce that Syntronik™, the legendary synth powerhouse, is now available for iPad® from the App Store®. Syntronik offers the largest and best-sounding collection of classic synthesizers in a virtual instrument for iPad to date. This is thanks to a unique combination of the most advanced sampling techniques with a new hybrid sample and modeling synthesis engine, an arsenal of high-quality modeled effects and innovative instrument features that raise the bar for flexibility and sound quality. Syntronik for iPad includes 17 amazing Synths covering a wide selection from 38 of the most iconic to ultra-rare classic synthesizers and string machines of all time: 99 - Based on the Yamaha SY99 Blau - Classic sounds of the PPG Wave 2.3 Bully - Iconic bass sounds of the Moog Taurus I, II and 3 DCO-X - Based on the Roland JX-3P, JX-8P and JX-10 classic synths Galaxy - Iconic sounds of the Alesis Andromeda Harpy 260 - Classic sounds of the ARP 2600 J-8 - Iconic sounds of the Roland Jupiter 4, 6 and 8 J-60 - Based on the Juno 60, including analog modeled chorus Minimod - Based on the Minimoog, Modular and Voyager synths Noir - Based on the Moog Prodigy, Micromoog and Multimoog OXa - Classic sounds of the Oberheim OB-X and OB-Xa -
Chicken CD-ROM
Other great 16-Plus, ASR-10/88, and TS Se- ries products from Rubber Chicken! 714 5th Street SE 4mb SIMMS! Willmar, MN 56201-4543 Upgrade the memory in your Ensoniq keyboard to the fullest! We guarantee 320-235-9798 the best price - do it cheep - do it Rubber Chicken! "The Human Company" Sounds and more Sounds! We've been doing sounds for at least twelve years - as long as samplers ahve existed! Checkout the Ultimate Organ Library, or the PIANO! Pak, or the new "XP meets Sampler" set. Get sounds on CD-ROM, floppy, or ZipDisk. The possibilities are endless! Chicken™ I Hard Drives and CD-ROM Drives! We sell all types of SCSI peripherals to work with your keyboard. Iomega ZipDrives, as well as our best-selling Chick- CD-ROM en CD-ROM Drives. Great Computer Pro- grams! We program the best utilities that are USEFUL for your needs - get better sounds from your sampler! Essentials of your trade - available at low low prices! Future Products! At Rubber Chicken, we're always developing new products! Check out our Web Site for the latest: www. Over 300 megabytes of samples for the For the... Ensoniq EPS 16-Plus, ASR-10/88, and TS-10/12 Copyright ©1996, Rubber Chicken Software Co. All Rights Reserved DIRECTORY STRUCTURE New Creations "SD meets ASR" - K. Thomas JD-800 Chicken Plus Pak Orchestral Morpheus Chicken "SD meets ASR" I Keyboards Introductory Pak "SD meets ASR" II Saxes MicroWave Chicken I "SD meets ASR" III Miscellany MicroWave Chicken II Plus Pak I D-50 Synth MicroWave Chicken III Plus Pak II M-1 More Intro Plus Pak III Original Chicken -
Dynamic BASSYNTH Sound Source Guide
dynamic BASSYNTH Sound Source Guide BASSYNTH – Sound Source guide BASSYNTH Sound Source Guide A list of some of the Sound Sources we recorded, and Processing used to create BASSYNTH’s ground-breaking Sound Library: Synth / Electronic Sources • ARP 2600 Modular • Roland Jupiter 8 • EMS VCS3 (The Putney) • Sequential Circuits Prophet 5 • Sequential Circuits Pro One • Sequential Prophet 6 • Sequential OB-6 • DSI Pro 2 • DSI Prophet 12 • Roland TB-303 • Fully stacked Eurorack Modular System (Make Noise, Cwejman, Intellijel, Plan B etc) • TR-808 • TR-909 • Mutable Instruments Ambika • Korg MS-20 • Acidlab Miami • Acidlab Drumatix • Serge Modular System • Pearl Syncussion • ARP Odyssey • Moog Memorymoog • Moog Minimoog • Moog Taurus Bass Pedals MK1 • Moog Sub 37 • Moog CP-251 & Moogerfoogers • Roland System 100 Modular • Roland System 100, 101 • Roland SH-101 • Roland Jupiter 6 • Metasonix D-1000 • Roland Juno 106 • Roland Juno 6 • Yamaha TX81Z • Yamaha TX802 • Re-amped Synths (amped through classic guitar and bass amps) • Synths Played through live spaces and rooms • Synths re-pitched on analogue tape 2 BASSYNTH – Sound Source guide Bass Guitars • 60s Fender Jazz Bass • Custom Shop Fender Jazz Bass • 60s Rickenbacker Bass • Danelectro Bass • Fender Japan Jaguar Bass • Fender Japan Mustang Bass • 60s Hofner Viola Bass • Fender Precision Bass (Flatwound Strings) • Custom built fretless bass • Custom built Bass Veena (one of a kind instrument) • Gibson Thunderbird • Ukulele Acoustic Instruments • Ensemble Brass Sections • Mixed & Processed Low -
Keyboardmag.Com STAGE SKILLS · STUDIO SMARTS
® keyboardmag.com STAGE SKILLS · STUDIO SMARTS NEW GEAR 2012 | MARIAN PETRESCU | VIENNA ENSEMBLE PRO | CHORD ORCHESTRATION | MONOTRONS NEW GEAR 2012 | MARIAN PETRESCU VIENNA ENSEMBLE PRO CHORD ORCHESTRATION 04.2012 A MUSIC PLAYER PUBLICATION From Live Mixing to Studio Recording, The 01V96is Faders Move Smoothly. Yamaha just (re-)invented the small format digital mixer. Over ten years ago, we were the first company to make an affordable moving fader mixer for stage and studio. When you are mixing live, motor faders let you easily see exactly where your main, aux and monitor levels are at the touch of a button. In the studio, they let you take full control of the powerful automation features of your DAW. The 01V96i continues our tradition of digital mixing innovation with 16-in/16-out USB 2.0 computer connectivity, Virtual Circuit Modeling effects and advanced DAW control for Cubase® (as well as Pro Tools,® Logic,® Sonar ® and Digital Performer ® ). So if you need a mixer that moves easily between live mixing, live recording and home studio, you need to check out the 01V96i. • 24-bit/96kHz digital mixing console with 40 mixing channels • 24 inputs built-in (8 digital) • 16-in /16-out USB 2.0 audio streaming at 96kHz • Full suite of VCM DSP effects (Master Strip, Channel Strip, Vintage Stomp FX) and high resolution REV-X reverb • Studio Manager Editor with complete mixing control via PC, Mac® and even iPad® (with Air Display) • Advanced DAW control • Improved studio-quality head amps • 100mm motor faders • Mini YGDAI expansion slot For more info visit 4wrd.it/01VKEY2 ©2012 Yamaha Corporation of America.