B9.1Ut Operation Manual

Total Page:16

File Type:pdf, Size:1020Kb

B9.1Ut Operation Manual Operation Manual © ZOOM Corporation Reproduction of this manual, in whole or in part, by any means, is prohibited. 00804B9E.indb804B9E.indb 1 008.4.258.4.25 110:57:100:57:10 AAMM Safety Precautions / Usage Precautions SAFETY PRECAUTIONS candles, on the B9.1ut since this can cause fi re. In this manual, symbols are used to highlight warnings • The B9.1ut is a precision instrument. Do not exert and cautions for you to read so that accidents can be undue pressure on the keys and other controls. prevented. The meanings of these symbols are as follows: Also take care not to drop the unit, and do not subject it to shock or excessive pressure. This symbol indicates explanations about extremely • Take care that no foreign objects (coins or pins dangerous matters. If users ignore this symbol and etc.) or liquids can enter the unit. handle the device the wrong way, serious injury or death could result. Connecting cables and input and output jacks You should always turn off the power to the This symbol indicates explanations about dangerous matters. If users ignore this symbol and handle the B9.1ut and all other equipment before connecting device the wrong way, bodily injury and damage to or disconnecting any cables. Also make sure to the equipment could result. disconnect all connection cables and the power cord before moving the B9.1ut. Please observe the following safety tips and precautions to ensure hazard-free use of the B9.1ut Alterations Never open the case of the B9.1ut or attempt to Power requirements modify the product in any way since this can result • Be sure to use only the AC adapter which is in damage to the unit. supplied with the B9.1ut. The use of any other adapter may lead to malfunction and damage and Volume pose a fi re hazard or other safety hazard. Do not use the B9.1ut at a loud volume for a long • Connect the AC adapter only to an AC outlet that time since this can cause hearing impairment. supplies the rated voltage required by the adapter. • When disconnecting the AC adapter from the AC outlet, always grasp the plug and do not pull at Usage Precautions the cable. Electrical interference • During lightning or when not using the unit for For safety considerations, the B9.1ut has been designed an extended period, disconnect the AC adapter to provide maximum protection against the emission from the AC outlet. of electromagnetic radiation from inside the device, • Do not pinch the power cord, bend it forcedly, or and protection from external interference. However, place heavy objects on the power cord. equipment that is very susceptible to interference or that emits powerful electromagnetic waves should not be Environment placed near the B9.1ut, as the possibility of interference To prevent the risk of fi re, electric shock cannot be ruled out entirely. or malfunction, avoid using your B9.1ut in environments where it will be exposed to: With any type of digital control device, the B9.1ut included, electromagnetic interference can cause • Extreme temperatures malfunctioning and can corrupt or destroy data. Care • Heat sources such as radiators or stoves should be taken to minimize the risk of damage. • High humidity or moisture • Excessive dust or sand Cleaning • Excessive vibration or shock Use a soft, dry cloth to clean the B9.1ut. If necessary, slightly moisten the cloth. Do not use abrasive cleanser, Keep a minimum distance of 5 cm around the unit wax, or solvents (such as paint thinner or cleaning for suffi cient ventilation. alcohol), since these may dull the fi nish or damage the Do not impede the ventilation openings with surface. objects such as newspapers or curtains. Please keep this manual in a convenient place for Handling future reference. • Never place objects fi lled with liquids, such as vases, on the B9.1ut since this can cause electric * MIDI is a registered trademark of Association of shock. Musical Electronics Industry(AMEI). • Do not place naked fl ame sources, such as lighted 2 ZOOM B9.1ut 00804B9E.indb804B9E.indb 2 008.4.258.4.25 110:57:100:57:10 AAMM Contents Safety Precautions / Usage Precautions. 2 MIDI Usage Examples . 42 Features . 4 What you can do with MIDI . 42 Terms Used in This Manual . 5 Selecting the MIDI channel . 42 Controls and Functions . 6 Sending and receiving patch switching Getting Connected . 8 information via MIDI (program change). 43 Sending and receiving pedal/switch/key Power-On . 9 operation information via MIDI Quick Guide 1 (Manual Mode/Play Mode (control change) . 46 Operation) . 10 Sending pedal synth playing information via Quick Guide 2 (Edit Mode/Store Mode MIDI (note on/note off) . 49 Operation) . 12 Sending and receiving B9.1ut patch data Switching Modules On and Off (Manual Mode) via MIDI. 50 . 14 Other Functions . 52 Panel display . 14 Using the ARRM function . .52 Selecting patches . 14 Using the sound-on-sound function . 54 Turning a module on and off . 15 Using the pedal synth function . 55 Adjusting the sound . 16 Using the B9.1ut as audio interface for Using the Accelerator . 17 a computer . .57 Selecting Patches for Playing (Play Mode) . 18 Muting the direct output when using Using the Tuner (Bypass/Mute Mode) . 20 a USB connection . 58 Using the chromatic tuner . 20 Changing the default reference pitch of Using the bass tuner . 21 the tuner . 59 Changing the Sound of a Patch Use as a direct box . 59 Checking the B9.1ut version . 60 (Edit Mode) . 23 Editor/librarian software for the B9.1ut . 60 Patch confi guration . 23 Linking Effects . 61 Basic edit mode steps . 23 Using the Pickup Select function . 61 Changing a patch name . 26 Changing the insert position of the Storing Patches and Banks (Store Mode) . 27 pre-amp section and WAH/EFX1 module . 62 Storing/swapping patches . 27 Effect Types and Parameters . 64 Storing/swapping banks . 28 How to read the parameter table . 64 Returning patches to factory default condition COMP (Compressor) module . 65 . 29 WAH/EFX1 (Wah/Effects 1) module . 65 Using the Expression Pedal . 30 EXT LOOP (External Loop) module . .68 About the expression pedal . 30 ZNR (Zoom Noise Reduction) module . 68 Assigning control targets to the expression PRE-AMP (Preamplifi er) module . 68 pedal . 31 EQ (Equalizer) module . 70 Adjusting the expression pedal . 33 CABINET module . 71 Using an external expression pedal . 34 MOD/EFX2 (Modulation/Effects 2) module . 71 DELAY module . 76 Adjusting the expression pedal torque. .35 REVERB module . 77 Using the Foot Switches. 36 TOTAL module. 79 Making settings for function foot switches . 36 Troubleshooting. 80 Assigning modules to foot switches 1 – 4 . 38 B9.1ut Specifi cations . 81 Specifying the tempo for a patch . 38 MIDI implementation chart . 82 Using the Effect Loop . 40 B9.1ut patch/bank number + program number assignment table . 83 * Windows, Windows XP, and Windows Vista are registered trademarks of Microsoft Corporation. * Macintosh is a registered trademark of Apple, Inc.. * All other trademarks, product names, and company names mentioned in this document are the property of their respective owners. * Manufacturer names and product names mentioned in this document are trademarks or registered trademarks of their respective owners. The names are used only to illustrate sonic characteristics and do not indicate any affi liation with ZOOM CORPORATION. ZOOM B9.1ut 3 00804B9E.indb804B9E.indb 3 008.4.258.4.25 110:57:120:57:12 AAMM Features Thank you for selecting the ZOOM B9.1ut (simply called the "B9.1ut" in this manual). The B9.1ut is a sophisticated Multi Effect Processor with the following features. ● Latest technology for top performance Excellent sound quality is assured by signal processing featuring 96 kHz/24 bit sampling and internal 32-bit processing. Frequency response remains fl at to 40 kHz, and input converted noise is an amazing 120 dB or better. ● Ready-to-use patches Effect module combinations and settings can be stored and recalled as "patches". The B9.1ut offers 80 patches in the read-only preset group, plus 80 patches in the user group which can be freely rewritten, resulting in a total of 160 choices. ● Tube powered Accelerator The analog input stage features an Accelerator that lets you freely mix the signal amplified by a vacuum tube circuit to the solid-stage signal. In this way, you can add characteristic tube compression and distortion to a clean sound. ● Versatile array of effects Out of a versatile palette of 112 effects, up to ten (including ZNR) can be used simultaneously. Recreate the distortion sound of famous amps and compact effects, apply compressor effects to spruce up the sound, use the 6-band equalizer, control delay, add modulation, or select from many other great effects. Both in quality and versatility, the B9.1ut far surpasses anything in its class. You can even transform the output into a cool synth bass or fretless bass sound. ● Two selectable operation modes (manual mode/play mode) In manual mode, you can use the foot switches to turn individual effects in patches on and off. This makes it easy to simulate playing with an array of compact effects and stomp boxes. In play mode, the foot switches serve to quickly move between patches. ● XLR connectors for direct output In addition to the OUTPUT jacks, a set of XLR connectors lets you send a balanced line-level signal directly to a PA mixer or recording console. The signal can be branched off either before or after effect processing. A switch for uncoupling the direct signal from ground in case of hum problems is also provided. ● Z-Pedal senses not only vertical but even horizontal movement The B9.1ut comes with a built-in Z-type expression pedal that offers great functionality.
Recommended publications
  • Mise En Page 1
    NANCY , ville d’échange, dynamique, jeune, première ville universitaire du grand Est, s’impose frustrée. Comme jadis au CMCN et maintenant à Music Academy International, nous sommes des comme un des pôles culturels et artistiques européens. Point chaud du rock, capitale du jazz, européens convaincus. La vocation internationale de notre école n’est pas uniquement dictée par la haut-lieu de la musique classique, Nancy a le goût de la scène. Du club de jazz intimiste à “l’Autre situation géographique de Nancy (dans un rayon de 350 km nous touchons Paris et 6 pays, dans un Canal”, scène de Rock, chanson & électro ultra-équipée, en passant par la salle de concerts rayon de 950 km nous touchons Brest et 11 pays), mais également par l’enrichissement culturel et majestueuse jusqu’au Zénith imposant, Nancy accueille à bras ouverts les musiciens de tous économique qui se présente à l’artiste qui profite de l’ouverture des frontières. horizons. Music Academy International est implantée à proximité de trois parcs, à deux pas de la célèbre place Stanislas, en plein centre ville dans un quartier sympathique et sécurisant. Pour cette raison Music Academy International entre autres, accueille nombre d’artistes étrangers réputés. Music Academy se félicite également d’un partenariat privilégié avec une vingtaine des INTERNATIONAL : Le caractère universel de la musique et plus particulièrement les qualités de plus grandes écoles du monde entier. Mais ne nous y trompons pas, même si à Music Academy le brassage et d’intégration des courants actuels, interdit de délimiter son champ d’action, de rester mot “International” prend toute sa mesure, même si les accents sont multiples, même si tous les replié sur son territoire national.
    [Show full text]
  • Pacad286-All Access#7
    “It was never my goal to become technical. I just wanted to play the cool stuff I heard in my head.” Billy Sheehan may be the most influential rock bassist of the last 20 years. And throughout those years, he’s favored the signature instruments he co-designed with Yamaha’s custom shop. Unlike many of the players who mimic his fretboard pyrotechnics, Sheehan has always balanced virtuosity with solid songwriting and supportive rhythm-section playing. Evidence: his work with Talas, the David Lee Roth Band and on solo albums like his most recent, Cosmic Troubadour , which also highlighted Billy’s guitar and vocal skills. Sheehan recently called from Sofia, Bulgaria, where he was on tour with another David Lee Roth Band vet, guitarist Steve Vai. What first inspired you to expand the technical boundaries they made superbly crafted instruments. The first bass we came up with was of electric bass? part of the BB Series, and later we developed the Attitude series. We’ve made It was never my goal to become technical. I just wanted to play the cool stuff I several other models, but I still gravitate most toward the ATT LTDII. It’s a heard in my head. I’d hear a string of notes played on some instrument and try P-style bass, but with some unique features, like a more solid neck joint than to figure out how to do them on bass. I don’t read music. I don’t know theory. I the one on vintage basses. I often bend the neck for vibrato, and I always used just have an intense, ongoing love of playing.
    [Show full text]
  • Minitaur Editor マニュアル
    MINITAUR ANALOG BASS SYNTHESIZER エディターユーザーズマニュアル MINITAUR エディターマニュアル オーバービュー & フィーチャー Minitaur Plugin と Standalone Editor を使用することにより、リアルタイムの編集、プリセットライブラリ管理やシェアリ ング、ホスト DAW との統合が可能となります。これにより Minitaur の強力な 諸機能を簡単に利用することができます。 Minitaur Editor は DAW 上で作動している VST や AU,RTAS あるいは AAX フォーマットにも対応しています。 Minitaur Editor には 3 つのスクリーンレイアウトがあります : PANEL UNDER THE HOOD EXTENDED このモードでは、 Minitaur のフロント このモードでは、このソフトウェア このモードでは一つの画面上で パネルの外観と感覚で操作を行うこと 自身もしくはハードウェアコントロ PANEL と UNDER THE HOOD のど が可能です。 ーラーのような MIDI コントロール ちらも利用することができます。また、 ソースからのみ操作可能な Minitaur エンベロープ・リリースを追加して個 が持つ様々な音作りの追加機能を手 別に利用することも可能です。 軽に利用することができます。 PRESET MANAGER と SETTINGS へアクセスするボタンもここに置かれています。 注意 : このソフトウェアは MIDI コントロール専用です。音声を作成・処理することは出来ません。 より詳細な機能の説明については、Minitaur Manual を参照してください: http://www.moogmusic.com/products/taurus/minitaur#downloads-tab 1 動作環境 Mac: OS X 10.6.8 以上 PC: Windows 7 以上、Intel もしくは AMD のプロセッサ搭載 • 使用可能な USB ポートもしくは DIN MIDI IN/OUT。 • VST, AU, RTAS, AAM プラットフォーム対応の DAW 。 • Minitaur のファームウェアは 2.1.0 以上を必要とします。 VST 互換性 : 2.4+ もしくは VST 3+ サポートについては DAW のソフトウェアメーカにお問い合わせください。 全ての仕様は予告なしに変更されることがあります。 設定 & 接続 USB ケーブルで Minitaur シンセサイザをコンピュータに接続してください。 注意 :ご自身の Mac/PC で MIDI I/O を設定してください。 コンピュータやオーディオデバイスへの接続についての詳細は Minitaur User’s Manual の 4-5 ページを参照して ください。 インストール : Mac ユーザー : .pkg ファイルをクリックし、インストールしたいエディタのバージョンを 選択したのち CONTINUE ボタンをクリックしてください。 Windows ユーザー : 手動で.dll ファイルをデフォルトの VST プラグインのディレクトリに保存して下さ い。 32 Bit: C:\Program Files(x86)\”Name of DAW manufacturer”\Vst Plugins\ 64 Bit : C:\Program Files\”Name of DAW manufacturer”\VST Plugins\ (for 64 bit) RTAS:
    [Show full text]
  • Robert Walser Published Titles My Music by Susan D
    Running With the Devil : Power, Gender, title: and Madness in Heavy Metal Music Music/culture author: Walser, Robert. publisher: Wesleyan University Press isbn10 | asin: 0819562602 print isbn13: 9780819562609 ebook isbn13: 9780585372914 language: English Heavy metal (Music)--History and subject criticism. publication date: 1993 lcc: ML3534.W29 1993eb ddc: 781.66 Heavy metal (Music)--History and subject: criticism. Page i Running with the Devil Page ii MUSIC / CULTURE A series from Wesleyan University Press Edited by George Lipsitz, Susan McClary, and Robert Walser Published titles My Music by Susan D. Crafts, Daniel Cavicchi, Charles Keil, and the Music in Daily Life Project Running with the Devil: Power, Gender, and Madness in Heavy Metal Music by Robert Walser Subcultural Sounds: Micromusics of the West by Mark Slobin Page iii Running with the Devil Power, Gender, and Madness in Heavy Metal Music Robert Walser Page iv WESLEYAN UNIVERSITY PRESS Published by University Press of New England, Hanover, NH 03755 © 1993 by Robert Walser All rights reserved Printed in the United States of America 5 4 3 2 1 CIP data appear at the end of the book Acknowledgments for song lyrics quoted: "Electric Eye": Words and music by Glenn Tipton, Rob Halford, and K. K. Downing, © 1982 EMI APRIL MUSIC, INC. / CREWGLEN LTD. / EBONYTREE LTD. / GEARGATE LTD. All rights controlled and administered by EMI APRIL MUSIC, INC. International copyright secured. All rights reserved. Used by permission. "Suicide Solution": Words and music by John Osbourne, Robert Daisley, and Randy Rhoads, TRO© Copyright 1981 Essex Music International, Inc. and Kord Music Publishers, New York, N.Y.
    [Show full text]
  • 11C Software 1034-1187
    Section11c PHOTO - VIDEO - PRO AUDIO Computer Software Ableton.........................................1036-1038 Arturia ...................................................1039 Antares .........................................1040-1044 Arkaos ....................................................1045 Bias ...............................................1046-1051 Bitheadz .......................................1052-1059 Bomb Factory ..............................1060-1063 Celemony ..............................................1064 Chicken Systems...................................1065 Eastwest/Quantum Leap ............1066-1069 IK Multimedia .............................1070-1078 Mackie/UA ...................................1079-1081 McDSP ..........................................1082-1085 Metric Halo..................................1086-1088 Native Instruments .....................1089-1103 Propellerhead ..............................1104-1108 Prosoniq .......................................1109-1111 Serato............................................1112-1113 Sonic Foundry .............................1114-1127 Spectrasonics ...............................1128-1130 Syntrillium ............................................1131 Tascam..........................................1132-1147 TC Works .....................................1148-1157 Ultimate Soundbank ..................1158-1159 Universal Audio ..........................1160-1161 Wave Mechanics..........................1162-1165 Waves ...........................................1166-1185
    [Show full text]
  • THE COMPLETE SYNTHESIZER: a Comprehensive Guide by David Crombie (1984)
    THE COMPLETE SYNTHESIZER: A Comprehensive Guide By David Crombie (1984) Digitized by Neuronick (2001) TABLE OF CONTENTS TABLE OF CONTENTS...........................................................................................................................................2 PREFACE.................................................................................................................................................................5 INTRODUCTION ......................................................................................................................................................5 "WHAT IS A SYNTHESIZER?".............................................................................................................................5 CHAPTER 1: UNDERSTANDING SOUND .............................................................................................................6 WHAT IS SOUND? ...............................................................................................................................................7 THE THREE ELEMENTS OF SOUND .................................................................................................................7 PITCH ...................................................................................................................................................................8 STANDARD TUNING............................................................................................................................................8 THE RESPONSE OF THE HUMAN
    [Show full text]
  • HOT-FOR-TEACHER-Bio
    Formed in 1999 to showcase Van Halen’s David Lee Roth hits, HOT FOR TEACHER has been relentlessly performing throughout the United States, thrilling concert-goers and dedicated fans. HFT brings to the stage everything fans of the world’s greatest party band crave; including the biggest and greatest hits from the Van Hagar era as well. Fans can expect both roaring and melodic lead vocals from Dave & Sam, Eddie Van Halen’s most stunning guitar solos, thundering bass, massive drums, angelic vocal harmonies… and best of all, one helluva good time! HOT FOR TEACHER features four explosive performers that are not only among the most talented musicians on the West Coast, but are also dedicated scholars of the Van Halen musical legacy. 3 distinct packages and custom blends to unlock your favorite eras of the Van Halen family canon Van Halen Experience — “Jump” into the “Best of Both Worlds” when HFT combines the entire catalog of classic Van Halen with Van Hagar into one awesome show. Diamond Dave Experience — Featuring the sounds of the David Lee Roth era Van Halen and DLR Band. So, come “Dance the Night Away” with your favorite gigolo! Red Rocker Experience — Bringing all the great and iconic Sammy Hagar tunes to life from Montrose to Sammy, to Van Hagar and the Wabos, to Chickenfoot and The Circle. HFTROCKS.com Productions & industry favorite HOT FOR TEACHER are "blazing new trails" as the lead in putting together the new "Roll In & Rock Out" drive-in-style "LIVE concerts in Northern California. The ONLY "LIVE music for hundreds of miles in every direction.
    [Show full text]
  • Download (1MB)
    University of Huddersfield Repository Quinn, Martin The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980 Original Citation Quinn, Martin (2019) The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34986/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ 0. A Musicological Exploration of the Musicians and Their Use of Technology. 1 The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. A Musicological Exploration of the Musicians and Their Use of Technology. MARTIN JAMES QUINN A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts.
    [Show full text]
  • Psaudio Copper
    Issue 142 AUGUST 2ND, 2021 Is there a reader among us who doesn’t dig ZZ Top? We mourn the passing of Joseph Michael “Dusty” Hill (72), bassist, vocalist and keyboardist for the tres hombres. Blending blues, boogie, bone-crushing rock, born-for-MTV visuals, humor and outrageousness – they once took a passel of live animals on stage as part of their 1976 – 1977 Worldwide Texas Tour – Hill, drummer Frank Beard and guitarist Billy F. Gibbons have scorched stages worldwide. As a friend said, “it’s amazing how just three guys could make that much sound.” Rest in peace, Mr. Hill. In this issue: Anne E. Johnson gets inspired by the music of Renaissance composer William Byrd, and understands The Animals. Wayne Robins reviews Native Sons, the superb new album from Los Lobos. Ray Chelstowski interviews The Immediate Family, featuring studio legends Waddy Wachtel, Lee Sklar, Russ Kunkel and others, in an exclusive video interview. I offer up more confessions of a record collector. Tom Gibbs finds much to like in some new SACD discs. John Seetoo winds up his coverage of the Audio Engineering Society’s Spring 2021 AES show. Ken Sander travels through an alternate California reality. WL Woodward continues his series on troubadour Tom Waits. Russ Welton interviews cellist Jo Quail, who takes a unique approach to the instrument. In another article, he ponders what's needed for sustaining creativity. Adrian Wu looks at more of his favorite analog recordings. Cliff Chenfeld turns us on to some outstanding new music in his latest Be Here Now column.
    [Show full text]
  • Personal Music Collection
    Christopher Lee :: Personal Music Collection electricshockmusic.com :: Saturday, 25 September 2021 < Back Forward > Christopher Lee's Personal Music Collection | # | A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | | DVD Audio | DVD Video | COMPACT DISCS Artist Title Year Label Notes # Digitally 10CC 10cc 1973, 2007 ZT's/Cherry Red Remastered UK import 4-CD Boxed Set 10CC Before During After: The Story Of 10cc 2017 UMC Netherlands import 10CC I'm Not In Love: The Essential 10cc 2016 Spectrum UK import Digitally 10CC The Original Soundtrack 1975, 1997 Mercury Remastered UK import Digitally Remastered 10CC The Very Best Of 10cc 1997 Mercury Australian import 80's Symphonic 2018 Rhino THE 1975 A Brief Inquiry Into Online Relationships 2018 Dirty Hit/Polydor UK import I Like It When You Sleep, For You Are So Beautiful THE 1975 2016 Dirty Hit/Interscope Yet So Unaware Of It THE 1975 Notes On A Conditional Form 2020 Dirty Hit/Interscope THE 1975 The 1975 2013 Dirty Hit/Polydor UK import {Return to Top} A A-HA 25 2010 Warner Bros./Rhino UK import A-HA Analogue 2005 Polydor Thailand import Deluxe Fanbox Edition A-HA Cast In Steel 2015 We Love Music/Polydor Boxed Set German import A-HA East Of The Sun West Of The Moon 1990 Warner Bros. German import Digitally Remastered A-HA East Of The Sun West Of The Moon 1990, 2015 Warner Bros./Rhino 2-CD/1-DVD Edition UK import 2-CD/1-DVD Ending On A High Note: The Final Concert Live At A-HA 2011 Universal Music Deluxe Edition Oslo Spektrum German import A-HA Foot Of The Mountain 2009 Universal Music German import A-HA Hunting High And Low 1985 Reprise Digitally Remastered A-HA Hunting High And Low 1985, 2010 Warner Bros./Rhino 2-CD Edition UK import Digitally Remastered Hunting High And Low: 30th Anniversary Deluxe A-HA 1985, 2015 Warner Bros./Rhino 4-CD/1-DVD Edition Boxed Set German import A-HA Lifelines 2002 WEA German import Digitally Remastered A-HA Lifelines 2002, 2019 Warner Bros./Rhino 2-CD Edition UK import A-HA Memorial Beach 1993 Warner Bros.
    [Show full text]
  • Coming Soon to Shank Hall
    Coming Soon To Shank Hall http://www.shankhall.com/rss_event.htm?1000 shank hall 1434 N Farwell Ave · Milwaukee, WI 53202 · (414) 276-7288 Schedule Tickets Map FAQ Rent Specs Photos Forums June 28, 2009 Michael Schenker Group , Doug Doppler 8pm $25 1 of 4 6/9/2009 1:51 PM Coming Soon To Shank Hall http://www.shankhall.com/rss_event.htm?1000 Born in Sarstedt, Germany, Schenker has had a long career that has seen him rise to become one of the most influential and respected rock guitarists working today. He started playing in his early teens when his brother Rudolf brought home a Flying V guitar, which captured Michael's imagination. Schenker debuted with Scorpions on their debut album Lonesome Crow at age 16 and was lauded at the time for his mature technique. After Scorpions, Schenker joined upcoming UK band UFO under somewhat unusual circumstances. UFO left the UK to play some dates in Germany, and Scorpions were hired to open for them. UFO's guitarist Bernie Marsden forgot his passport and was unable to make the first gig. At the venue members of UFO spotted Michael playing a sound check with the Scorpions and managed to persuade him into playing that evening's show. Shortly afterwards Schenker was offered the lead guitar spot in UFO and, with the blessing of his brother Rudolf, accepted it. Schenker wrote the music for most of UFO's major label (Chrysalis Records) debut album Phenomenon. His playing on this and subsequent UFO albums attracted attention from music critics and especially from the guitar community.
    [Show full text]
  • Brother Mark Leaving the Band Big Screen Tvs All Week
    NIGHTLIFE wednesdays • PaRTy On THe PaTIO $1.50 MILLER LITE & COORS LIGHT, 50¢ WINGS ANGOLA SCOTT FREDRICKS (6-8PM) After Work Acoustic Series SHUT UP & SING KARAOKE @ 8PM Thursday, May 8 • 7:00 pm-9:00 pm Thursday, May 8, 7:30pm • Just $8 MAD ANTHONY’S LAKEVIEW ALE HOUSE THURSDAYS • PaRTy On THe PaTIO Mark Garr Fri. & Sat., May 9-10, 7:30 & 9:45 • $9.50 $1.50 BUD/BUD LIGHT & 1/2 PRICE APPETIZERS (6-10PM) Eclectic • 4080 N 300 W, Angola • 260-833-2537 Friday, May 9 • 6:00 pm-8:00 pm EXP E CT : Twelve handcrafted beers on tap; also featuring Indiana craft • fRIday-saTURday, may 9-10 • 10Pm • beers and local wines. Patio with seating for 100; 7 dock slips; 150- Billie Dale Gayle seat banquet facility. EATS : 4-1/2 star menu, including famous gourmet Friday, May 9 • 9:30 pm-1:30 am DR. SUESS pizza, unique eats and vegetarian fare. GE TTIN G TH E R E : Located on • fRIday-saTURday, may 16-17 • 10Pm • beautiful Lake James above Bledsoe’s Beach. HOURS : 11 a.m.-11 p.m. Joel Young Band LCOHOL Becwar Sun.-Thurs.; 11 a.m.-midnight or later Fri.-Sat. A : Full Service; Saturday, May 10 • 9:30-1:30 am w/Nate Armbruster MILES HIGH PMT : MC, Visa, Disc • sUNDAYS • Clean, Interactive, Fast-Paced Magic NASCAR ON THE MEGATRON AUBURN Dirty Lixx and Comedy. Has Shared Stages with $2.50 DOMESTIC LONGNECKS Carrot Top, Bill Engvall and More. $11 PBR & Busch LT 100OZ TubES $14 bud LT & millER LT 100OZ TubES MAD ANTHONY TAP ROOM Call 486-0216 for More Information Music/Rock • 114 N.
    [Show full text]