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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Night Ranger (From the 1983 Album MIDNIGHT MADNESS) Transcribed by Roadkill Words and Music by Jack Blades, Brad Gillis, Alan Francis Fitzgerald
WHEN YOU CLOSE YOUR EYES As recorded by Night Ranger (From the 1983 Album MIDNIGHT MADNESS) Transcribed by Roadkill Words and Music by Jack Blades, Brad Gillis, Alan Francis Fitzgerald Gadd2/B C6 Em7add4 Dm7add4 A7sus4 Am7 Gadd2 G Gmaj7 C x 7 fr. xx 7 fr. x 7 fr. x x 5 fr. x 5 fr. 5 fr. xx 3 fr. x x 3 fr. x x 3 fr. Cadd11 Fadd2 D B E G/B Em D/C Dsus4 G5 x x 3 fr. x x 5 fr. x ` x x ` x 6 fr. x x x 7 fr. x x 7 fr. x x 5 fr. xxx 3 fr. Cmaj7 G/F C/F Dm7 Cmaj9 F/C F C/D x x 3 fr. x x x x x 5 fr. x x 3 fr. x x 5 fr. x x 5 fr. A Intro Moderate Rock = 140 P Gadd2/B C6 Gtr II f (Keyboards play chords) ^ ^ ^ R V V V 1 g P V V V V V V V P V V V V I 4 u u u z u v 1/2 vib. w/bar Gtr I f (Brad Gillis) [[[[[[ M Note:*1 [[[[[[ [[[[[[[[ T 12 (12) O A 12 14 12 14 14 12 12 14 12 14 B H P H Em7add4 ^ 8va ^ ^ V V V V V V V W 5 g c P V V V V I V V V c z u u Trem. bar * Note:*2 7 V 1/2 vib. w/bar Full M A.H. -
December People Band Biographies
December People Band Biographies Robert Berry: Robert Berry was born into a musical family. His father had a dance band that travelled the ballroom circuit in the late 40's and 50's, where his mother was the featured vocalist. When Berry was born his father opened a music store. There, through the busy store’s affiliation with Vox guitars and amps - the brand the Beatles used, Robert was introduced to many of the local musicians. Local hit makers like the Count Five, Syndicate of Sound, Harper’s Bizarre and others often frequented the store. Berry began studying piano in earnest at 6 years old and by age 12 was recruited to join his first rock band with 4 older high school seniors. He continued classical and jazz studies before entering San Jose State University, as a music major. Berry first gained international attention with San Francisco based Hush, and headed to the UK to play in GTR along with Steve Howe of Yes fame, and then achieved a top ten charting single and toured with 3, his partnership with Keith Emerson and Carl Palmer. Before launching December People, Robert played with Sammy Hagar and toured with Ambrosia. When not touring with December People Robert is the bass player with the Greg Kihn Band. Gary Pihl: Raised in the suburbs of Chicago for the first 12 years of his life, Gary Pihl relocated to the San Francisco Bay area. Gary had his recording debut at age 19 with Day Blindness. He says, “After my time in Day Blindness, I was in a band called Fox with Roy Garcia and Johnny V (Vernazza), who went on to play in Elvin Bishop’s band. -
Mise En Page 1
NANCY , ville d’échange, dynamique, jeune, première ville universitaire du grand Est, s’impose frustrée. Comme jadis au CMCN et maintenant à Music Academy International, nous sommes des comme un des pôles culturels et artistiques européens. Point chaud du rock, capitale du jazz, européens convaincus. La vocation internationale de notre école n’est pas uniquement dictée par la haut-lieu de la musique classique, Nancy a le goût de la scène. Du club de jazz intimiste à “l’Autre situation géographique de Nancy (dans un rayon de 350 km nous touchons Paris et 6 pays, dans un Canal”, scène de Rock, chanson & électro ultra-équipée, en passant par la salle de concerts rayon de 950 km nous touchons Brest et 11 pays), mais également par l’enrichissement culturel et majestueuse jusqu’au Zénith imposant, Nancy accueille à bras ouverts les musiciens de tous économique qui se présente à l’artiste qui profite de l’ouverture des frontières. horizons. Music Academy International est implantée à proximité de trois parcs, à deux pas de la célèbre place Stanislas, en plein centre ville dans un quartier sympathique et sécurisant. Pour cette raison Music Academy International entre autres, accueille nombre d’artistes étrangers réputés. Music Academy se félicite également d’un partenariat privilégié avec une vingtaine des INTERNATIONAL : Le caractère universel de la musique et plus particulièrement les qualités de plus grandes écoles du monde entier. Mais ne nous y trompons pas, même si à Music Academy le brassage et d’intégration des courants actuels, interdit de délimiter son champ d’action, de rester mot “International” prend toute sa mesure, même si les accents sont multiples, même si tous les replié sur son territoire national. -
Gigantic Book Of
e’re all made of cocaine use”); James meat, even the Lorenzo from Pride & not-so-meaty Glory (“about the size of amonWg us. We like to pre - a pinkie finger”); Stefan tend we are something Adika from Dad’s Porno more than meat, yet when Mag (“hung like a baby we die, only the meat remains. and is a quick shooter”); Slik Toxik’s Rob Bruce (“small cock, Women, because they are congenitally plus he only has ONE BALL! He lost his other ball in an acci - insane, are the most fervid propagandists of dent”); Dokken’s Mick Brown (“maybe 3 inches if you pull on the idea that we possess something beyond it”); one-time Van Halen singer Gary Cherone (“so small if mere flesh, blood, bone, and the occasional somebody saw you sucking his dick it would look like waste product. Women, especially when they you were smoking a joint!”); Jack Russell get older and their meat starts to sag, invari - from Great White (“Mushroom CAP & that’s ably lose their minds and indulge psychotic it, ONCE BITTEN and it never grew delusions such as the notion that we all have back!”); Tommy Thayer from Black-n-Blue a “soul.” And since they clutch their aging (“so small crabs could use it as a flag - chicken claws onto this notion with bloody pole”); Marq Torien from BulletBoys (“so desperation, they are the first to shriek when small he probably pisses on his balls”); someone alleges that they are, in the end, Glenn Danzig (“his cock is just like him, meat. -
Inyo National Forest Visitor Guide
>>> >>> Inyo National Forest >>> >>> >>> >>> >>> >>> >>> >>> >>> >>> >>> Visitor Guide >>> >>> >>> >>> >>> $1.00 Suggested Donation FRED RICHTER Inspiring Destinations © Inyo National Forest Facts “Inyo” is a Paiute xtending 165 miles Bound ary Peak, South Si er ra, lakes and 1,100 miles of streams Indian word meaning along the California/ White Mountain, and Owens River that provide habitat for golden, ENevada border between Headwaters wildernesses. Devils brook, brown and rainbow trout. “Dwelling Place of Los Angeles and Reno, the Inyo Postpile Nation al Mon ument, Mam moth Mountain Ski Area National Forest, established May ad min is tered by the National Park becomes a sum mer destination for the Great Spirit.” 25, 1907, in cludes over two million Ser vice, is also located within the mountain bike en thu si asts as they acres of pris tine lakes, fragile Inyo Na tion al For est in the Reds ride the chal leng ing Ka mi ka ze Contents Trail from the top of the 11,053-foot mead ows, wind ing streams, rugged Mead ow area west of Mam moth Wildlife 2 Sierra Ne va da peaks and arid Great Lakes. In addition, the Inyo is home high Mam moth Moun tain or one of Basin moun tains. El e va tions range to the tallest peak in the low er 48 the many other trails that transect Wildflowers 3 from 3,900 to 14,494 feet, pro vid states, Mt. Whitney (14,494 feet) the front coun try of the forest. Wilderness 4-5 ing diverse habitats that sup port and is adjacent to the lowest point Sixty-five trailheads provide Regional Map - North 6 vegetation patterns ranging from in North America at Badwater in ac cess to over 1,200 miles of trail Mono Lake 7 semiarid deserts to high al pine Death Val ley Nation al Park (282 in the 1.2 million acres of wil der- meadows. -
Press Release
Contact Marketing / Promotion Label: UDR GmbH Süderwungweg 10 thomas@udr‐music.com 25813 Husum . Germany serena@udr‐music.com Phone: +49 (0)4841 - 66 821 67 Mail: [email protected] Mobile: +49 (0)151 - 2523 7051 Fax: +49 (0) 4841 - 66 821 68 Label @ Facebook: www.facebook.com/UDR.Music Label @ Web: www.udr‐music.com Saxon @ Facebook: www.facebook.com/saxon Saxon @ Web: www.saxon747.com Press Release COVER CD I Tracklist – including performers: 1. Crazy Train 7. Goodbye to Romance Vocals: Serj Tankiann Vocals: Ripper Gtrs: Tom Morello Gtrs: Gus G. Bass: Rudy Sarzo Bass: Rudy Sarzo Drums: Vinny Appice Drums: Brett Chassen 2. Over the Mountain 8. Back To The Coast (Quiet Riot) Vocals: Ripper Vocals: Kelle Rhoads Gtrs: Jon Donais Gtrs: Bruce Kulick Bass: Rudy Sarzo Bass: Rudy Sarzo Drums: Frankie Banali Drums Frankie Banali 3. Mr Crowley 9. Killer Girl. (Quiet Riot) Vocals: Chuck Billy Vocals: Ripper Owens Gtrs: Alexi Laiho Gtrs: Joel Hoekstra Keyboards: Kelle Rhoads Bass: Rudy Sarzo Bass Rudy: Sarzo Drums: Brett Chassen Drums: Vinny Appice 10. Believer 4. Suicide Solution Vocals: Ripper Vocals: Ripper Gtrs: Doug Aldrich Gtrs: Brad Gillis Bass: Rudy Sarzo Bass: Rudy Sarzo Drums: Vinny Appice Drums: Brett Chassen 11. S A T 0 5. I Don't Know Vocals: Ripper Owens Vocals: Ripper Rhythm guitars: Bob Kulick Gtrs: George Lynch Lead guitar: Dweezil Zappa Bass: Rudy Sarzo Bass: Rudy Sarzo Drums: Brett Chassen Drums: Vinny Appice 6. Flying High Again Vocals: Ripper Gtrs: Bernie Torme Bass: Rudy Sarzo Drums: Brett Chassen Press Release: IMMORTAL RANDY RHOADS – THE ULTIMATE TRIBUTE wird weltweit über UDR Music im März 2015 veröffentlicht. -
University News, February 1 Students of Boise State University
Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 2-1-1984 University News, February 1 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. Volume IV, Issue 3 . Boise State's Student Weekly Wednesday, February.I, 1984' .. '. , ' , , IPIRG core members [from left] Glenn Goffin, Denise Callaway and Brad Martin. Photos; by Russ P. Markus PIRG tries to fly at BSU Core members to petition ASBSUjor studentfunding that much control. .. but people have by Brian Mason and Julie Nash simple majority of signatures from among other campuses. Eventually, students who concerns." . The UniversityNews He added, ~~itmight.helpdesign the next . 1~ ';"'- ", ,didn}t kJlow;~becaIJ).e~inv9\ved .:. Weaver .'\ survey. All information that can be, will be 'I Idaho Public Interest Group (IPIRG) asked the core to find others who would be interested .by informing people on gathered and considered." will .soon petition BSU students for a Why can't only interested parties $40,000 annual budget supported by in- campus." . Denise callaway, a coremember and a research the issues on their own time, with .creased student fees. The proposed fee their own money, The University News increase would amount to an additional $3 junior in social work, said, "We need a PIRG. -
Eddie Van Halen 1955–2020 Remembering
FEATURE EDDIE VAN HALEN 1955–2020 REMEMBERING Eddie Van Halen passed on 6 October at the age of 65, and the outpouring of emotion from fans and musicians alike only serves to confirm what a unique guitar talent he was. Rock Candy Mag pays tribute to EVH with a heartfelt opinion piece from respected Los Angeles-based critic Bob Lefsetz, a personal appreciation of Eddie’s craft by legendary guitarist Steve Vai, Rock Candy boss Derek Oliver’s insightful recollections of seeing The Great Man in action back in the ’70s, and a technical explanation of Eddie’s abilities from our in-house shredder Oliver Fowler… AND THE CRADLE WILL no longer rock. That’s my ‘1984’ that broke the band wide, I mean to everybody. favourite Van Halen song. It sounds so alive, but Eddie Van Halen isn’t. He paid his dues. You’ve got to be a AND DAVID Lee Roth thought he was the act, but it virtuoso. When no one is watching, no one is paying was always Eddie Van Halen, always. Van Halen could attention, you’re on a mission. continue with a new lead singer, but not without Eddie. Van Halen was one of the very few bands that could AND THEN they started knocking around town. Most succeed at the same level with a new lead singer. That’s bands fermented in their local burb and ultimately pulled testimony to Van Halen’s skills. Sammy Hagar has the up roots and moved to Hollywood. Van Halen started pipes, but look at the venues Hagar’s playing now. -
“Black and Blue” (PDF)
BLACK AND BLUE As recorded by Van Halen (From the 1988 Album OU812) Transcribed by zwilling99 Words and Music by Edward Van Halen, Alex Van Halen, Sammy Hagar, and Michael Anthony A Intro Moderate Rock = 104 P N.C. (E7) (E6) E5 N.C. Dsus2 Asus2 E5 3 1 g j j 4 j V gV V V V gV V V V V V V V V V I 4 gV V gV gV V 3 V V W V V V V V V V V V k V V u Gtr I u 1/4 1/4 w/chorus mf let ring let ring 0 0 M M 0 T 0 0 3 3 0 4 6 7 6 4 (4) 2 2 A 0 2 B 2 4 5 4 2 (2) 2 4 0 2 0 0 0 (0) 0 3 (0) 3 0 0 sl. H P N.C. (E7) (E6) E5 N.C. A11 Dadd2/A A5 3 3 3 3 5 R j j g V V gV V P gV V V V V I V V V V V V V V V W V gV f V Vj gV V gV P V V V V Vj gV W W V V V V V W W V V V V V 3 3 3 1/4 1/4 let ring 0 0 M M 0 0 T 0 0 7 6 6 4 (4) 4 6 7 7 2 A 2 5 4 2 B 2 4 5 4 4 2 (2) 2 4 0 0 0 0 3 4 3 0 0 0 0 (0) 0 3 0 3 0 sl. -
Pacad286-All Access#7
“It was never my goal to become technical. I just wanted to play the cool stuff I heard in my head.” Billy Sheehan may be the most influential rock bassist of the last 20 years. And throughout those years, he’s favored the signature instruments he co-designed with Yamaha’s custom shop. Unlike many of the players who mimic his fretboard pyrotechnics, Sheehan has always balanced virtuosity with solid songwriting and supportive rhythm-section playing. Evidence: his work with Talas, the David Lee Roth Band and on solo albums like his most recent, Cosmic Troubadour , which also highlighted Billy’s guitar and vocal skills. Sheehan recently called from Sofia, Bulgaria, where he was on tour with another David Lee Roth Band vet, guitarist Steve Vai. What first inspired you to expand the technical boundaries they made superbly crafted instruments. The first bass we came up with was of electric bass? part of the BB Series, and later we developed the Attitude series. We’ve made It was never my goal to become technical. I just wanted to play the cool stuff I several other models, but I still gravitate most toward the ATT LTDII. It’s a heard in my head. I’d hear a string of notes played on some instrument and try P-style bass, but with some unique features, like a more solid neck joint than to figure out how to do them on bass. I don’t read music. I don’t know theory. I the one on vintage basses. I often bend the neck for vibrato, and I always used just have an intense, ongoing love of playing. -
Van Halen to Tour North America Summer/Fall 2015
VAN HALEN TO TOUR NORTH AMERICA SUMMER/FALL 2015 – VAN HALEN to Perform March 30 on Hollywood Boulevard for Jimmy Kimmel Live in Rare Television Concert Appearance – - Songs from the Concert to Air March 30 and March 31 – LOS ANGELES (March 24, 2015) – In celebration of a 2015 Summer/Fall North American tour, VAN HALEN will perform a special concert for Jimmy Kimmel Live March 30 on Hollywood Boulevard. Featuring some of the band’s essential rock ‘n’ roll classics, the concert will be broadcast over two nights, March 30 and March 31, on the late night talk show and marks VAN HALEN's first U.S. television performance with original lead singer David Lee Roth. Jimmy Kimmel Live airs weeknights at 11:35 p.m. / 10:35 p.m. Central Time on ABC. VAN HALEN is touring North America beginning July 5 in Seattle, Washington at the White River Amphitheatre, with concerts scheduled through Oct. 2 in Los Angeles, California at the legendary Hollywood Bowl. Special guest Kenny Wayne Shepherd Band will support all dates along the tour. Tickets for the Live Nation-promoted tour go on sale beginning April 4 at www.ticketmaster.com and www.livenation.com, with special pre-sale information being announced locally. A complete list of tour dates can be found below. The special Hollywood Boulevard concert will be a hit-heavy set of songs featured on TOKYO DOME LIVE IN CONCERT, the first-ever live album to feature original singer David Lee Roth. Recorded on June 21, 2013 in Tokyo, Japan, TOKYO DOME LIVE IN CONCERT includes 23 songs, spanning all seven of the band’s albums with Roth.