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February 1991

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February 1991 VOLUME 15, NUMBER 2 RALPH PETERSON FEATURES The reason bebop is still alive is because artists like drummer Ralph Peterson instill their fire and creativity into it. In this exclusive interview, Peterson tells FRED about leading his quintet and "fotet" and his time playing alongside Art Blakey, and shares COURY some thoughts on the DAVID forces that make his Will the real Cinderella drummer music what it is. please stand up? Have no •by Ken Micallef 28 GARIBALDI doubt—it's Fred Coury, and on Cinderella's latest album and As the drummer with Tower of recent tours, Coury unmistakably Power, David Garibaldi laid down proves it. In this interview, Fred some of the freshest—and most explains how he's turned embar- MD's studied—grooves to emerge rassing dissapoint- from a drumset. Here David ments into inspiration. FESTIVAL talks about his Tower days and fay Teri Saccone 24 what he's been up to since—and offers up definitive transcriptions WEEKEND '90 of some of his favorite TOP grooves. Photo-essay of MD's 1990 •by Robyn Flans 18 Festival, starring William Calhoun, Larrie Londin, Tony Williams, Joe Morello, Ed Shaughnessy, Anton Fig, Alex Acuna, and Jonathan Mover. 32 MD TRIVIA CONTEST Win Sonor Piccolo and "Soprano" snare drums! 82 Cover Photo: Lissa Wales COLUMNS Education 56 ROCK 'N' Equipment JAZZ CLINIC Developing The "Two Sound Level" Concept 44 PRODUCT BY DAVID GARIBALDI CLOSE-UP Ludwig LR-2426 Departments 64 HEALTH AND Rocker Kit BY RICK VAN HORN 4 EDITOR'S SCIENCE OVERVIEW Profiles The Problem 46 Sabian B8 Pro Cymbals Of Addiction BY RICK VAN HORN BY BRIAN ALPERT 6 READERS' 58 IN MEMORIAM PLATFORM Art Blakey 48 Axis and Axis-E Pedals 78 HEAD TALK BY RICK MATTINGLY BY RICK VAN HORN Paradiddle Warm-Up 12 ASK A PRO BY CASEY SCHEUERELL 60 UP & COMING 48 UDU Drums Jerry Gaskill BY ED URIBE 14 IT'S of King's X 80 STRICTLY QUESTIONABLE BY ALBERT BOUCHARD TECHNIQUE 51 The Premier/ AND DEBORAH FROST More Variations On Voelker Rack 130 CRITIQUE Stick Control: Part 1 BY RICK VAN HORN 70 ENCORE BY JOE MORELLO 140 DRUM MARKET Dino Danelli: Groovin' News BY ROBERT SANTELLI 105 CONCEPTS 144 PHOTO GALLERY There Are 74 A DIFFERENT No Shortcuts 8 UPDATE Billy Cobham BY ROY BURNS Michael Derosier of BY JOOST LEIJEN VIEW Alias, Scott Rocken- John Scofield field, Steve Gorman of BY ADAM W. SELIGMAN 116 JAZZ the Black Crowes, and DRUMMERS' Wild Rose's Nancy WORKSHOP Given Prout, plus Easy Steps To News Independence: Part 1 BY SHARON ELDRIDGE 136 INDUSTRY HAPPENINGS EDITOR/PUBLISHER Ronald Spagnardi ASSOCIATE PUBLISHER Isabel Spagnardi MANAGING EDITOR Rick Van Horn Playing It Straight FEATURES EDITOR William F. Miller ASSOCIATE EDITOR Adam Budofsky CONTRIBUTING EDITOR Rick Mattingly The problem of drug and alcohol abuse has become a EDITORIAL ASSISTANT Karen Walsh key issue in our country. And it's no big secret that ART DIRECTOR Scott G. Bienstock the problem also tends to be somewhat pervasive in ADMINISTRATIVE MANAGER Tracy A. Kearns the music business. We've seen far too many incredi- bly talented musicians of all ages succumb to sub- ADMINISTRATIVE ASSISTANT Joan C. Stickel stance abuse, depriving us all of so much great music ADVERTISING DIRECTOR Bob Berenson that could have been. Unfortunately, I've personally SALES AND MARKETING Crystal W. Van Horn seen the problem completely destroy more than one DIRECTOR promising musical career. And I've known several fine players who CLASSIFIED ADVERTISING Lori Spagnardi came ever so close to losing it all at the peak of their careers, just prior CONSULTANT TO THE Arnold E. Abramson to a rehabilitation program that literally saved their lives. PUBLISHER Over the years, several artists we've interviewed have had the courage MODERN DRUMMER ADVISORY BOARD: Henry Adler, Kenny to relay their experiences with drugs or alcohol. For most, it proved to Aronoff, Louie Bellson, Bill Bruford, Roy Burns, Jim Chapin, Alan be the lowest point in an otherwise flourishing career, and an incredi- Dawson, Dennis DeLucia, Les DeMerle, Len DiMuzio, Charlie Donnelly, Peter Erskine, Vic Firth, Danny Gottlieb, Sonny Igoe, Jim ble hindrance to both their personal and professional lives. Keltner, Larrie Londin, Peter Magadini, George Marsh, Joe Morello, Substance abuse tends to be a very delicate subject, and yet, as the Andy Newmark, Neil Peart, Charlie Perry, Dave Samuels, John Santos, Ed Shaughnessy, Steve Smith, Ed Thigpen. leading publication among the brotherhood of drummers, we feel a strong obligation to spread a positive influence. So we plan to continue CONTRIBUTING WRITERS: Susan Alexander, Robyn Flans, Simon Goodwin, Jeff Potter, Teri Saccone, Robert Santelli, Robin Tolleson, enlightening readers on the potential dangers of substance abuse. For Lauren Vogel, T. Bruce Wittet. some reason, that seems to hit home most effectively when it comes MODERN DRUMMER magazine (ISSN 0194-4533) is published directly from the lips of fellow drummers who came close to the brink monthly by MODERN DRUMMER Publications, Inc., 870 Pompton of personal destruction. Avenue, Cedar Grove, NJ 07009. Second-Class Postage paid at Cedar Grove, NJ 07009 and at additional mailing offices. Copyright 1991 by You may have also noticed the series of messages that have been MODERN DRUMMER Publications, Inc. All rights reserved. appearing in MD over the past several months. The "Play It Straight" Reproduction without the permission of the publisher is prohibited. campaign was developed by concerned members of our industry, and is EDITORIAL/ADVERTISING/ADMINISTRATIVE OFFICES: MODERN run as a public service for the drumming community. Since it began, DRUMMER Publications, 870 Pompton Avenue, Cedar Grove, NJ 07009. Tel.: (201) 239-4140. drummers such as Peter Erskine, Louie Bellson, Dave Weckl, Rod Morgenstein, and David Garibaldi have been involved. Other leading MODERN DRUMMER welcomes manuscripts and photographic mate- rial, however, cannot assume responsibility for them. Such items must players will soon be added to that list. All of these artists have lent their be accompanied by a self-addressed, stamped envelope. support to the campaign in an effort to impart this important message. MUSIC DEALERS: Modern Drummer is available for resale at bulk I'd also like to take this opportunity to invite MD advertisers and rates. Direct correspondence to Modern Drummer, Dealer Service, P.O. dealers to participate in the program. That could be in the form of Box 389, Mt. Morris, IL 61054. Tel.: (800) 334-DRUM or (815) 734- 6013. using the campaign logo in their advertising promotions and special events, or involving other major drumming figures in the effort. Feel SUBSCRIPTIONS: $27.95 per year; $49.95, two years. Single copies $3.95. free to call or write us for more information. This month we're also presenting an article called "The Problem Of SUBSCRIPTION CORRESPONDENCE: Modern Drummer, P.O. Box 480, Mt. Morris, IL 61054-0480. Change of address: Allow at least six Addiction," by Brian Alpert. It's an insightful look at substance abuse weeks for a change. Please provide both old and new address. Toll Free through the eyes of a drummer who has seen it damage many a career. Tel.: (800) 435-0715. We think the article offers a revealing perspective, along with some POSTMASTER: Send address changes to Modern Drummer, P.O. Box helpful thoughts on the rehabilitation process. 480, Mt. Morris, IL 61054. If all of our combined efforts help even one member of our family A Member Of: seriously think about the importance of "playing it straight," then Audit Bureau Of Circulations Membership applied for. maybe we can all feel that we've accomplished something of real signif- icance. Magazine Publishers of America Studio Drummers Second, with the increasing use of racks, From New Orleans, North Round Table we were somewhat forced into designing As a New Orleans drummer misplaced in The insight I gained from reading your a sturdier way to rack-mount the larger the Heartland (and the teacher referred Studio Drummers Round Table in the floor toms. Our June 1990 price list to by Johnny Vidacovich in the October November issue was both illuminating includes the 16" and 18" rack-mount, '91 Drummers Of New Orleans and a little depressing. I learned a full-circle tom RIMS, which utilize two article—thanks, John), I have a comment tremendous amount, but not all of what I plates and two arms for stabilizing the and an anecdote. learned was encouraging. There was a lot instrument while suspended from the The comment is that any article trac- of agreement among the studio super- rack. ing influences on New Orleans drum- stars featured in that story—mostly about Walter S. Johnston mers should mention the genius of Ed the musical requirements of the studio Vice President Blackwell. He was a drummer of stun- scene. But there was also a lot of dis- PureCussion, Inc. ning invention in the mid-'50s, and an agreement over how to approach a given influence on the late James Black and gig, and how cooperative and flexible a Editor's note: MD had advised Mr. just about everyone who heard his studio drummer should be. Mike Baird Seyler against suspending the floor toms incredible artistry before he left town and seemed to take a "love me: love my of a Pearl Export kit on the assumption joined Ornette Coleman. drumming" approach, while Harvey that standard Pearl shell-mounted tom The anecdote is about John Vidaco- Mason seemed to espouse a "you pay me, brackets and protrusion-type tom arms vich's earliest approach to sonic drum- I'll do it your way" philosophy. They both would be used, since that was what Mr.
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