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R. 2013, Č. 01-02 (( 1–2 2013 M Spravodajstvo: Next, Nová slovenská hudba / Andrej Gál / < ISCM World New Music Days v Bruseli / História: L. M. Gottschalk / Jazz: Ján Hajnal N „” Richard H. Hoppin Hudba stredoveku Antológia stredovekej hudby $ % 8 ! 8 $ & ! 8% 8 ( ) * ! $ $ .$/0 12343543333643247 .$/0 12343543168245349 Editorial Obsah Vážení itatelia, Spravodajstvo, koncerty, festivaly 2 Slovenská lharmónia, Symfonický orchester Slovenského rozhlasu, prvé dvojíslo asopisu Hudobný Viva zbor! SOOUZVUK 2012, Nede5né matiné v Mirbachovom paláci, Hommage život v roku 2013 prináša viacero à Claude Debussy alebo nový Steinway vo Dvorane, Albrechtina, ažiskových materiálov. Zaiatkom Štátny komorný orchester Žilina, Galéria hudby v Nitre, Štátna lharmónia Košice, Trio Mediaeval, Ars Nova Cassoviae, Akadémia januára zomrel skladate Pavol súasnej hudby, NEXT 2012, Za Pavlom Baginom, Medzinárodný Bagin, ktorý pôsobil poas komunis- festival gregoriánskeho chorálu, Prehliadka mladých organistov, Nová tického režimu na viacerých význam- slovenská hudba 2012, ISCM World New Music Days 2012, Anketa: ných postoch. Pre niektorých vený Slovenská hudba 2012 funkcionár, pre iných talentovaný skladate a slušný lovek. Osobná Roman Berger Téma skúsenos nám neumožuje posúdi, 13 Viva Sitnianski rytieri!? A. Šuba aký bol Pavol Bagin. Nechceme mu Rozhovor stava pomník, ani ho súdi. Ale ke 18 Pavol Bagin: „Nechajte súdruha, ve sú tu zahraniní hostia...” sa raz bude niekto zaobera obdo- D. Jakubcová bím, od ktorého nám stále chýba dostatoný odstup, v poslednom Esej rozhovore s predstaviteom jednej 30 Raport z cesty R. Berger generácie nájde v našom asopise ISCM WNMD 2012 svedectvo pamätníka. Minipro l 33 Andrej Gál J. Kubandová Na rozdiel od Pavla Bagina je skladate a myslite Roman Berger vnímaný v hudobnej História komunite jednoznane ako lovek étosu. Sme vemi radi, že 34 Louis Moreau Gottschalk (1829–1869) T. Ileko sa svoju lozo ckú esej o poskom muzikológovi Andrzejovi Chopeckom rozhodol uverejni práve na našich stránkach. Hudobné divadlo Jeho text spája originálnym spôsobom naratívnos s re- 37 Opereta bez š\astného konca M. Glocková - exiou, fakty s pôsobivými metaforami a po sústredenom 38 O hudbe k dvom atraktívnym taneným predstaveniam / Vypäté emócie v muzikáli Pokrvní bratia M. Glocková zaítaní sa poskytuje množstvo podnetov na zamyslenie. 39 Ve5ká doktorská – po prvé, po druhé, odklepnuté... T. Ursínyová Na sklonku uplynulého roka zarezonoval medzi pedagógmi 40 Operný zápisník V. Blaho, P. Unger hudby projekt Viva zbor!, ktorého iniciátorom je úspešný manažér Matej Drlika. Ten je príkladom, ako môže Zahraniie schopný lovek v prostredí malej krajiny ahko podahnú 41 Babylon ako lozo cký konštrukt R. Bayer presvedeniu o nadradenosti vlastného talentu a kontaktov 42 Zneužívaná Rusalka a stavite5 Lohengrin M. Mojžišová akejkovek diskusii. Napriek tomu, že o polemiku s hudob- 43 Dvakrát klasika v netradinom šate V. Blaho nou obcou o svojom umelecko-edukanom projekte zjavne Jazz nestojí, chceme úvodným lánkom o projekte Viva zbor! 44 Nezáväzný rozhovor o aktuálnej téme – S Jánom Hajnalom iniciova diskusiu o hudobnej pedagogike na Slovensku, o percepcii jazzu I. Wasserberger o vzdelávaní a kompetenciách uiteov hudby a o postavení 46 Chameleón jazzovej gitary M. Zahradník hudobnej výchovy na školách. Prvý krok prišiel zo strany 49 Cesty Raviho Shankara D. Hevier ml. hudobnej publicistiky, v nasledujúcich íslach ako správco- via verejného priestoru radi poskytneme priestor každému, V Zrkadle asu kto sa bude chcie k spomínaným témam kvali kovane 50 Vladimír Horváth I. Marton vyjadri. Budeme radi, ak sa od februára stretneme s vašimi 51 Recenzie CD, DVD, knihy reakciami aj na facebookovom pro le asopisu Hudobný život. 56 Index lánkov 44. roníka asopisu Hudobný život Príjemné ítanie 60 Kam/kedy, Informácie Andrej ŠUBA Mesaník Hudobný život/január-február 2013 vychádza v Hudobnom centre, Distribúcia a marketing: Rút Veselová (tel: +421 2 20470460, fax: +421 2 20470421, [email protected]) • Adresa re- Michalská 10, 815 36 Bratislava, INO 00 164 836 dakcie: Michalská 10, 815 36 Bratislava 1, www.hudobnyzivot.sk • Gra cký návrh: Peter Beo, Róbert Szegény • Tla: Róbert Jurových – NIKARA • Rozširuje: Slovenská pošta, a.s., Mediaprint-Kapa a súkromní distributéri • Zapísané v zozname periodickej tlaRe MK SR pod ev. íslom EV 3605/09 Objednávky na predplatné prijíma každá pošta a doruovate! Slovenskej pošty, alebo e-mail: predplatne@slposta. RedakRná rada: Alžbeta Rajterová, Igor Wasserberger, Vladimír Zvara sk • Objednávky do zahraniRia vybavuje Slovenská pošta, a.s., Stredisko predplatného tlae, Uzbecká 4, P.O.BOX Šéfredaktor: Peter Zagar (tel. +421 2 20470420, 0905 643 926, [email protected]) 164, 820 14 Bratislava 214, e-mail: [email protected] Objednávky na predplatné prijíma aj redakcia a- Redakcia: Andrej Šuba ([email protected]), Robert Kolá ([email protected]), Michaela sopisu. Používanie novinových zásielok povolené RPPBA Pošta 12, da 23. 9. 1993, . 102/03. • Indexové íslo Mojžišová – klasická hudba, Peter Motyka – jazz ([email protected]) 49215. ISSN 13 35 41 40 • Obálka: John Sco+ eld, foto: Patrick Španko • Výtvarná spolupráca: Róbert Szegény • Názory a postoje vyjadrené v uverejnených textoch nie sú stanoviskom redakcie. Redakcia si vyhradzuje prá- Jazykové redaktorky: Dorota Balcarová, Eva Planková vo redakRne upravova_ a kráti_ objednané i neobjednané rukopisy. Texty akceptujeme len v elektronickej podobe. • Vyh!adáva_ v dátach uverejnených v tomto ísle môžete na adrese www.siac.sk 1 SPRAVODAJSTVO / KONCERTY mikou. Szabó pokraoval s dielom sklada- Interpret tak ich výberom uzatvoril drama- Slovenská fi lharmónia te!a, ktorý má ešte bližšie k modelu symfo- turgickú koncepciu vyskladanú z tých naj- nika ako Franck. Zo Symfónie . 3 s mol dôležitejších mien. V rámci nového cyklu organových koncer- povinnej organovej literatúry. Hlasy neboli op. 28. Louisa Vierna zazneli len vybrané Messiaen vo svojom predhovore k dielu La tov sa v Redute 18. 11. predstavil recitálom jasné, škoda aj nepresností v parte pedálu. Rasti (II. Cantilène, V. Final). Iskra, ktorá Nativité du Seigneur píše: „Cit a úprimnos_ Imrich Szabó. Sólista, ktorý získal mnoho Ani zvolená registrácia nepomohla trans- chýbala prvej z nich, dominovala v závere predovšetkým. Ale poslucháRovi tlmoRe- ocenení na medzinárodných aj slovenských parentnému vyzneniu skladby. Interpre- skladby. Škoda, že nebolo možné vypou_ né istými a jasnými prostriedkami.” V nie- súažiach, realizátor poetných nahrávok tácia chorálu Nun komm', der Heiden He- si celé dielo. La Nativité du Seigneur z pera ko!kých slovách zhrnutá podstata, ktorá kon- svetovej i domácej tvorby a iniciátor vzni- iland BWV 659 bola však istá a premysle- Oliviera Messiaena, Viernovho žiaka, je certu miestami chýbala. Vypredaná sála však ku organových koncertov pod pyramídou, ná. Nasledovala jedna z najznámejších or- najvýznamnejšou kompozíciou jeho mla- potvrdila, že Bratislava má organovú tradíciu okrem mnohých aktivít vypracoval aj dis- ganových skladieb, Grande pièce sympho- dosti. Messiaenov organový cyklus symfo- a má o ponúknu. Blízkos_ Viedne, organo- poziRnú koncepciu nového organu, na kto- nique op. 17 Césara Francka. RegistraRné nických meditácií, v ktorých koncentrova- vej „mekky” strednej Európy, a nový nástroj rom sa prezentoval. Úvod koncertu už tra- stvárnenie skladby mohlo by_ odvážnejšie, ne uplatnil svoj zrelý hudobný jazyk, má 9 v Redute by mohli vo väRšej miere prepoji_ diRne patril dielam J. S. Bacha. Fantázia a no umelcovi sa podarilo pekne vygradova_ Rastí, z ktorých si interpret vybral dve (II. interpretov oboch miest. Podobné podujatia fúga g mol BWV 542 bola však rozpaitým závereRnú pasáž. Chorál a mol potešil tem- Les bergers, IX. Dieu parmi nous). Rytmic- majú šancu odštartova novú etapu organo- zaRiatkom. Nepresnosti v technicky expo- peramentým úvodom, ale sklamal prácou ky symetrické diela typické svojou fareb- vých koncertov v našom hlavnom meste. novaných pasážach Fantázie i nejasné me- na kontrastných, meditatívnych plochách. nosou boli už súRasníkmi oznaované za lodické ozdoby oslabili dielo, ktoré patrí do Chýbalo tiež citlivejšie narábanie s dyna- nesmierny prínos pre organovú literatúru. Magdaléna STÝBLOVÁ Prvý decembrový koncert symfonicko- váhania prítomné v prvej polovici koncer- ju plnú silu. V hudobnom výraze i celkovej zaváhania a absencia precíznosti v súhre. vokálneho cyklu Slovenskej lharmónie tu sa v priebehu skladby vytratili a Kanta dramaturgickej výstavbe som videl oproti Kladne však hodnotím výkony hráRov na (7. 12.) bol venovaný dielam skladate!ov, predviedol sólový part s istotou opierajúc prvej polovici koncertu znaný posun. Prvá plechových dychových a na bicích nástro- ktorí sa zaraujú medzi „klasikov“ hudby sa o skvelú techniku. Vo všetkých polohách Ras_ zaujala efektnými sonoristickými va- joch. Predvedenie skladby orchestrom Slo- 20. storoRia. Slovenská lharmónia vystú- dokázal z nástroja vy_aži_ množstvo fareb- riáciami a premyslenou gradáciou témy, venskej lharmónie žia! nenaplnilo moje pila pod taktovkou japonského dirigen- ných, výrazových nuáns a pestré dynamic- ktorá sa pretransformovala na hrozivý ob- oRakávania v dostaRujúcej miere. Dirigent ta Michiyoshiho Inoueho. Prvá polovica ké spektrum. Orchester sa snažil sólistu raz vojny a sveta, v ktorom dielo vznikalo. Michiyoshi Inoue podal pri naštudovaní veRera patrila Koncertu pre violonelo a podporova, vzájomná synergia sa však Nasledujúci priebeh skladby bol výrazovo
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