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1 The bird, a pigeon was it? or a dove (she'd found there were doves here) flew through the air, its colour lost in what light remained. It might have been the wad of rag she'd taken it for at first glance, flung at the smallest of the boys out there wiping mud from his cheek where it hit him, catching it up by a wing to fling it back where one of them now with a broken branch for a bat hit it high over a bough caught and flung back and hit again into a swirl of leaves, into a puddle from rain the night before, a kind of battered shuttlecock moulting in a flurry at each blow, hit into the yellow dead end sign on the corner opposite the house where they'd end up that time of day. When the telephone rang she'd already turned away, catching breath, and going for it in the kitchen she looked up to the clock: not yet five. Had it stopped? The day was gone with the sun dropped behind the mountain, or what passed for one here rising up from the river. —Hello? she said, —who...? Oh yes no, no he's not here he's... No I'm not, no. No, I'm... Well I'm not his wife no, I just told you. My name is Booth, I don't even know him. We've just... Well if you'll just let me finish! We've just rented his house here, I don't know where Mister McCandless is I've never even met him. -
Jon Theodore
12 Modern Drummer June 2014 Booth #1219 Always on the go, Daru Jones desired a highly portable cymbal set for hip-hop sessions, DJ Jams, and other sit-ins that spontaneously present themselves, enabling him to preserve his personal sound in modern urban mobility. The concept was developed in the PST X series, which provides a suitable basis for the type of fast and dry sounds that perfectly fit the world of Hip-hop & Electronica percussion. It is executed with the DJs 45 set consisting of a 12" Crash, 12" Ride and 12" Hats. INTRODUCING ?MbcRaf^aYbE^]WPERZRPcEVRZZDRPW_Rb͜ŬeRQWbcW]PcZh d]W`dRS^a\dZMb͜QRbWU]RQ͜PaRMcRQM]QcRbcRQc^_RaS^a\ ^_cW\MZZhW]cVRR]eWa^]\R]ccVMcORMabWcb]M\R͙ studio heritage modern dry stadium urban ?MbcRaf^aYbGaOM]bVRZZbSRMcdaRMa^d]QRQ ʎORMaW]URQUR P^\OW]RQfWcV^da6eR]BZhEWgOZR]Q^S3WaPVΧ8d\Χ3WaPVfWcV?M_ZR aRW]S^aPR\R]caW]Ubc^_a^\^cR_a^]^d]PRQZ^fR]QMccMPYfWcV b\^^cV͜ReR]QRPMh͙Ada\W]W\MZP^]cMPcEF>bfWeRZZdUb͜P^\OW]RQ fWcV^da ͙ \\Ed_Ra:^^_ZZhoops increase projection without W\_RQW]U_RaS^a\M]PRMPa^bbcVRcd]W]Ub_RPcad\͙ FVWbWbcVRWQRMZb^d]QS^aB^_͜D̿3^a8^b_RZ͙ ?MbcRaf^aYbGaOM]bV^f]W]ORMdcWSdZ3ZMPY lacquer fWcV:^Z^UaM_VWPůMYRb͙>WbcR]c^cVR GaOM]aRPW_R_ZMhRQOh3aWM]7aMbWRa?^^aR Mc_RMaZQad\͙P^\ CONTENTS Volume 41 • Number 12 CONTENTS Cover and Contents photos by Andreas Neumann FEATURES 28 MODERN DRUMMER 2018 56 ELI KESZLER READERS POLL The multidisciplinary artist has Make your voice heard in the most dedicated much of his career important poll in the drumming to exploring the solo drumset’s world! expressionistic capabilities, leading to new creative and career 30 THE PSYCHEDELIC FURS’ opportunities. -
Seminar Archive
Composer Nationality Piece Movement(s) Instruments Year Performed Abigana, Brett USA L'Histoire du Soldat Jouet 3 flutes, 3 dancers 2012 Abigana, Brett USA On Simple Songs Violin, viola, cello, piano 2012 Abigana, Brett USA Prelude for Piano Piano 2012 Abigana, Brett USA Sonata for Solo Flute iii. Improvisation, V. Postlude Flute 2019 Abou-Khalil, Rabih Lebanon Arabian Waltz String quartet 2015 Acimovic, Philip USA Afternoon Excursion Guitar, marimba 2007 Adams, John USA Road Movies I. Relaxed Groove II. Meditative III. 40% Swing Violin, piano 2008 Adderly, Nat USA Work Song Jazz Ensemble 1988 Adler, Samuel USA A Bonnie Tune - A Scherzo for Solo Flute Flute 2014 Adler, Samuel USA Ask Me 1. Song Now Soprano, guitar 2004 Adler, Samuel USA Canto XI for Horn Solo French Horn 2004 Adler, Samuel USA Capriccio Piano 1995 Adler, Samuel USA Concerto No. 3 Piano, string orchestra 2004 Adler, Samuel USA Dream Sequence, Thy Song Expands My Spirit Piano 2004 Adler, Samuel USA Duo Sonata I. Toccata II. Scherzo--with dance 2 Pianos, 2 Dancers 2004 Adler, Samuel USA Fantasy for Piano Piano 2018 Adler, Samuel USA Gradus I #1-6, 10 , 12 Piano 2004 Adler, Samuel USA Gradus III #1, #4 Piano 2003 Adler, Samuel USA Gradus III #4, 8, 13, 17, 19 Piano 2004 Adler, Samuel USA Gradus, Book II #17 Piano 2002 Adler, Samuel USA Meadowmountetudes I. II. Violin 2004 Adler, Samuel USA Ports of Call: A "Mediterranean" Suite I. Marseille 2 violins, guitar 2004 Adler, Samuel USA Ports of Call: A "Mediterranean" Suite II. Alexandria 2 Violins, guitar 2007 Adler, Samuel USA Sonata Breve Allegro di Bravura Piano 1985 Adler, Samuel USA Sonata Breve Allegro grazioso, Adagio con delicatezza Piano 1986 Adler, Samuel USA Sonata for Flute and Piano II. -
February 1991
VOLUME 15, NUMBER 2 RALPH PETERSON FEATURES The reason bebop is still alive is because artists like drummer Ralph Peterson instill their fire and creativity into it. In this exclusive interview, Peterson tells FRED about leading his quintet and "fotet" and his time playing alongside Art Blakey, and shares COURY some thoughts on the DAVID forces that make his Will the real Cinderella drummer music what it is. please stand up? Have no •by Ken Micallef 28 GARIBALDI doubt—it's Fred Coury, and on Cinderella's latest album and As the drummer with Tower of recent tours, Coury unmistakably Power, David Garibaldi laid down proves it. In this interview, Fred some of the freshest—and most explains how he's turned embar- MD's studied—grooves to emerge rassing dissapoint- from a drumset. Here David ments into inspiration. FESTIVAL talks about his Tower days and fay Teri Saccone 24 what he's been up to since—and offers up definitive transcriptions WEEKEND '90 of some of his favorite TOP grooves. Photo-essay of MD's 1990 •by Robyn Flans 18 Festival, starring William Calhoun, Larrie Londin, Tony Williams, Joe Morello, Ed Shaughnessy, Anton Fig, Alex Acuna, and Jonathan Mover. 32 MD TRIVIA CONTEST Win Sonor Piccolo and "Soprano" snare drums! 82 Cover Photo: Lissa Wales COLUMNS Education 56 ROCK 'N' Equipment JAZZ CLINIC Developing The "Two Sound Level" Concept 44 PRODUCT BY DAVID GARIBALDI CLOSE-UP Ludwig LR-2426 Departments 64 HEALTH AND Rocker Kit BY RICK VAN HORN 4 EDITOR'S SCIENCE OVERVIEW Profiles The Problem 46 Sabian B8 Pro Cymbals Of Addiction -
Frederick Forsyth – the Deceiver
Frederick Forsyth – The Deceiver DON’T MISS THESE GRIPPING BOOKS BY FREDERICK FORSYTH THE DAY OF THE JACKAL THE ODESSA FILE THE DOGS OF WAR THE DEVIL’S ALTERNATIVE NO COMEBACKS THE FOURTH PROTOCOL THE NEGOTIATOR THE DECEIVER THE FIST OF GOD AVAILABLE WHEREVER BANTAM BOOKS ARE SOLD LOOK FOR ICON IN BANTAM HARDCOVER 1 Frederick Forsyth – The Deceiver PRAISE FOR THE DECEIVER: “Nothing that Frederick Forsyth has written in the 20 years since his debut, The Day of the Jackal, is as solidly entertaining as The Deceiver. That’s how good it is.” —Daily News, New York “Forsyth’s stalwart tribute to the spies who came in from the cold: four ingenious thriller- novellas featuring the intrigues of British superagent Sam McCready ... sophisticated, shrewd, roundly satisfying spy-stuff.” —Kirkus Reviews “A master of Cold War suspense, Forsyth here points out a few directions toward which glasnost and the fall of the Berlin Wall might deflect the genre. ... Flawless espionage fiction.” —Publishers Weekly 2 Frederick Forsyth – The Deceiver Bantam Books by Frederick Forsyth Ask your bookseller for the books you have missed THE DAY OF THE JACKAL THE ODESSA FILE THE DOGS OF WAR THE DEVIL’S ALTERNATIVE NO COMEBACKS THE FOURTH PROTOCOL THE NEGOTIATOR THE DECEIVER THE FIST OF GOD 3 Frederick Forsyth – The Deceiver FREDERICK FORSYTH THE DECEIVER BANTAM BOOKS NEW YORK • TORONTO • LONDON • SYDNEY • AUCKLAND 4 Frederick Forsyth – The Deceiver THE DECEIVER A Bantam Book PUBLISHING HISTORY Bantam hardcover edition published October 1991 Bantam paperback edition I July 1992 Bantam reissue / August 1995 Grateful acknowledgment is made for permission to reprint the following: Excerpt from THOSE WERE THE DAYS, Words and Music by Gene Raskin. -
Cohens Avishai, Anat Anat Avishai, Il Fam
DOWNBEAT Best CDs of 2011 John Scofield Peter Brötzmann 3 COHENS // JOHN JOHN Sc OFIEL D // PETER BRÖTZMANN PETER // BEST CDS OF 2011 Eric Reed BLINDFOLDED // SPECIAL SECTION JAZZ JAZZ JAZZ SCHOOL Sc HOOL » Charles Mingus TRANSCRIBED » Dr. Lonnie Smith MASTER CLASS » Jazz Camp Italian Style » Jim Snidero COHENS3 Avishai, Anat & Yuval JANUARY 2012 U.K. £3.50 FamILY CONQUERS ALL J ANUARY 2012 ANUARY DOWNBEAT.COM JANUARY 2012 VOLUme 79 – NUMBER 1 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
May 8, 2017 Price $8.99
PRICE $8.99 MAY 8, 2017 MAY 8, 2017 GOINGS ON ABOUT TOWN THE TALK OF THE TOWN Jelani Cobb on the death penalty in Arkansas; the Big Book in L.A.; after the Oregon stando; a bio-pic about Emily Dickinson; Jimmy Webb. LETTER FROM FRANCE Lauren Collins Can the Center Hold? Notes from a free-for-all election. SHOUTS & MURMURS Ann Beattie Flood Airlines ONWARD AND UPWARD WITH THE ARTS Andrew Marantz The Best Medicine Kumail Nanjiani turns pain into comedy. THE POLITICAL SCENE Evan Osnos Endgames How could Trump be removed from oce? A R E P O RT E R AT L A RG E Michael Grabell Cut to the Bone Using immigration law to exploit workers. FICTION Yiyun Li “A Small Flame” THE CRITICS BOOKS Garth Greenwell Édouard Louis’s “The End of Eddy.” Alexandra Schwartz The fiction of Grace Paley. Briefly Noted THE ART WORLD Peter Schjeldahl A Louise Lawler retrospective. THE THEATRE Hilton Als A sequel to “A Doll’s House.” POEMS Ryan Fox “And Both Hands Wash the Face” Sophie Cabot Black “Chorus and Anti-chorus” COVER Bruce Eric Kaplan “Man’s Best Friend” DRAWINGS Amy Hwang, Sam Marlow, Drew Dernavich, Mike Twohy, Will McPhail, Liana Finck, David Sipress, Harry Bliss, Jason Adam Katzenstein, Roz Chast, William Haefeli, Barbara Smaller, Seth Fleishman, Paul Noth, Trevor Spaulding SPOTS Pablo Amargo CONTRIBUTORS Lauren Collins (“Can the Center Hold?,” Evan Osnos (“Endgames,” p. 34) writes p. 20) is the author of “When in French: about politics and foreign afairs for Love in a Second Language,” which the magazine. -
Mestrado-Musica Interpretacao-Hugo Miguel Valbom Marques Trindade.Pdf
i i ii Constituição do Júri da Prova Pública Presidente do Júri Nome: Filipe Santos Mesquita de Oliveira Instituição: Universidade de Évora/Departamento de Música Categoria profissional: Professor Auxiliar Vogais Nome: Mário Dinis Coelho da Silva Marques (Vogal) Instituição: Universidade de Évora/Departamento de Música Categoria profissional: Professor Auxiliar Nome: Eduardo José Monserrate Tavares Lopes (Orientador) Instituição: Universidade de Évora/Departamento de Música Categoria profissional: Professor associado c/ agregação iii Dedicada à minha querida avó Graciete Luísa Valbom que, no meio da sua vida humilde, honesta e honrada, prioritariamente ligada à família, ao campo e aos animais, sempre gostou de música: principalmente daquela ‘’em que se bate palmas quando um músico para de tocar e o outro começa’’. iv Agradecimentos Em primeiro lugar quero agradecer aos meus pais pelo apoio que sempre me deram nas escolhas que fiz ao longo da vida, principalmente nesta difícil e desafiante escolha que é ser músico profissional. Cumpre-me também agradecer à minha família mais próxima: à Filipa, à Marta, aos meus pais, aos meus tios Rui e Jerónima e à minha sogra Maria Augusta por todo o apoio e ajuda que possibilitaram a minha ingressão, percurso e conclusão deste mestrado. Ao meu orientador Prof. Eduardo Lopes, por toda a ajuda, disponibilidade e sábios conselhos; aos meus professores de guitarra da Universidade de Évora – Mário Delgado & André Fernandes – pelo incentivo, ajuda, partilha de conhecimentos, aconselhamentos bibliográficos -
BLOGCRITICS.ORG Music DVD Review: John Scofield
BLOGCRITICS.ORG Music DVD Review: John Scofield - New Morning: The Paris Concert John Scofield has been one of the most important and influential jazz guitarists and composers in the world since he first arrived on the scene back in the mid '70s. He has played and collaborated with such jazz legends as George Duke, Charles Mingus, Jaco Pastorius, and Miles Davis, and has gone on to release over 30 albums under his own name since releasing his self-titled debut in 1977. Admittedly, the type of traditional jazz that Scofield plays has never really been my thing. Whenever I need the occasional jazz guitar fix, I will usually turn to jazz fusion guys like Al DiMeola, Robben Ford, Larry Carlton, Frank Gambale, or Mike Stern, who tend to fuse more rock and blues into the mix. Listening to instrumental jazz guitar can be about as easy as listening to speed metal. It's typically not something you're going to play in the background as you are cooking the evening meal, like you might do with a smooth jazz album from Lee Ritenour. This style really requires your focus and attention to truly reap the full benefits. I nearly broke out in a sweat halfway through the first track on this DVD. New Morning: The Paris Concert was filmed in high definition at the New Morning club in Paris, France on April 23rd, 2010. The DVD immediately dives into the performance just as Scofield is plucking the first few notes of the opening track, "Ten Taken." Being more accustomed to rock and blues, I often found myself thinking that Scofield was hitting a lot of wrong notes, which is obviously not the case, but since jazz guitarists rarely stay within the bounds of the common pentatonic and blues scales that our ears are more accustomed to hearing, it can take your brain some time to wrap around these strange notes it is hearing. -
Castle Danger
CASTLE DANGER Chris Norbury Copyright © 2016-2017 Christopher Norbury ISBN: 978-1-63491-049-1 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording, or otherwise, without the prior written permission of the author. Published by BookLocker.com, Inc., Bradenton, Florida, U.S.A. Printed on acid-free paper. The characters and events in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author. BookLocker.com, Inc. 2017 Second Edition Also by Chris Norbury Straight River (Matt Lanier #1) Dedication To Mom: You are the embodiment of unconditional mother's love. To Dad: Your generous, expert feedback inspired me to believe in my writing ability. To Sandra: You've lovingly allowed me to follow my many and varied muses since the day we were married. Acknowledgements Thank you to my outstanding group of beta readers: Jody Brown (who also consulted on the cover blurb), Paula Matsumoto, Margaret Mazzaferro, Polly Rodriquez, Val Rudy, Betsy Wade, and Daniel Williams. Their collective evaluations and critiques inspired me to bring this novel to reality. Thank you to my editor and proofreader, Lauren O'Neil of Sharp Eye Edits. She took a chance on a rookie and treated me like a veteran. I owe thanks to Kimberli Bindschatel for opening my eyes to the possibilities of independent publishing. Her success with her own writing motivated me to keep chasing my writing goals. Dr. Jim Sheard, an author and avid golfer, provided me with wise counsel, encouragement, and friendship early on in my writing efforts, often while we commiserated about our golfing woes and maladies. -
English Newslettres
All translations by Michele Steele. Newsletter 4: And they’re off Paris, France October 30 2002 Hi everyone, and to all the new recipients of this newsletter – which will become livelier and livelier as we go. First thanks to everyone who was present at our departure from Vitry Le Francois, even those who hadn’t slept much, and those who couldn’t partake in the good red wine and “saucission” today. Those who saw us take off from La Marne must have seen the several difficulties we encountered – certainly the fatigue from the party the night before took its toll, but the 120 km/hour wind was one of our biggest obstacles. Yes – we have met our first enemy, swift and terrible moving direct from Brittany, picking up speed as it crosses the Parisian plains. This new adversary has considerably decreased our progress, we ride along at about 8 kilometers an hour on average. That’s how we end up camping at Somessous, barely 30 kilometers away from Vitry. We stay for 13 hours thanks to daylight savings time, not too much to allow us to recover enough to meet our invisible combatant, the wind. Nonetheless, this first day allows us some surprises, with the meeting of an unexpected person – Rene Flinois, the owner of a bar in Fere Champenoise, a man who walked to Tokyo from Paris before becoming a reporter in Afghanistan for 6 years. He gives us pointers on our map, a quick photo lesson and some advice on taking care of our feet and backsides. The two following days finally see the wind diminish to 0 km/hr, and it’s on a cushion of air, let’s say, a cloud that carries us the 120 km to Paris. -
61St Annual Critics Poll
D O W N B E AT 61st Annual Critics Poll 61ST A NNUAL CRITI C S POLL /// W AYNE AYNE S HORTER WINS! Jazz /// CHARLIE CHARLIE ARTIST Jazz H ALBUM A D Jazz Without A Net EN /// R GROUP O B Wayne Shorter ERT JOHNSON ERT Quartet Soprano SAX /// CHRISTIAN M Hall of Fame Charlie Haden C BRI Robert Johnson D E Poll Winners Wadada Leo Smith Christian McBride Gregory Porter AUGUST 2013 U.K. £3.50 Gerald Clayton Tia Fuller AU G UST Top 2013 91 DOWNBEAT.COM Albums AUGUST 2013 VOLUME 80 / NUMBER 8 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Maggie Glovatski Cuprisin 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.