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Umphrey's Mcgee
Umphrey’s McGee Brendan Bayliss: Guitar, vocals Jake Cinninger: Guitar, vocals Joel Cummins: Keyboard, piano, vocals Andy Farag: Percussion Kris Myers: Drums, vocals Ryan Stasik: Bass After 18-plus years of performing more than 100 concerts annually, releasing nine studio albums and selling more than 4.2 million tracks online, Umphrey’s McGee might be forgiven if they chose to rest on their laurels. But then that wouldn’t be consistent with the work ethic demonstrated by the band, which consistently attempts to raise the bar, setting and achieving new goals since forming on the Notre Dame campus in South Bend, Indiana, in 1997. After releasing their eighth studio album, Similar Skin, the first for their own indie label, Nothing Too Fancy (N2F) Music (distributed by RED), the group continued to push the envelope and test the limits. The London Session, was a dream come true for the members having been recorded at the legendary Studio Two at historic Abbey Road. The stealth recording session yielded 10 tracks in a single day, proving once again, the prolific UM waits for no one. As a follow up to The London Session, the envelope pushing continues with the November 11th release of ZONKEY. Umphrey’s McGee has been arranging and performing original mashups live for over eight years. It was only a matter of when, not if, some of those innovative concoctions would find their way into a studio. An album of 12 unique mashups, conceived and arranged by the band, ZONKEY is as seamless as it bizarre, playful as it is razor sharp. -
Producer Spotlight: Kurt Ballou
Producer Spotlight: Kurt Ballou An analysis of the chosen producer or production style. This will include a discussion of the historical/musical/cultural/technological context of the production style, as evidenced in existing literature; at least three case studies that identify the musical/sonic/aesthetic concerns of specific recorded works through a combination of original analysis/scholarship and reference to existing literature; and a discussion of your findings. Table of Contents Introduction .................................................................................................................................. 3 Literature Review.......................................................................................................................... 3 Methodology ................................................................................................................................ 5 Case Studies .................................................................................................................................. 6 Interview – Kurt Ballou ................................................................................................................. 9 Conclusions ................................................................................................................................... 9 Appendix A – Timelines............................................................................................................... 12 Appendix B................................................................................................................................. -
Black Metal and Brews
Review: Roadburn Friday 20th April 2018 By Daniel Pietersen Day Two at Roadburn ‘18 and already Never wandering off into too-loose the bar is raised pretty high, with sets jam-band territory, the quartet unleash from Black Decades, Kælan Mikla and some of the best heads-down psych- Servants of the Apocalyptic Goat Rave rock I’ve seen and the crowd absolutely being my personal highlights from the lap it up over the set’s two-hour (two day before. We’ve a lot to get through, hours!) duration. though, and these bands won’t watch themselves. The Ruins of Beverast unleash a black metal stormcloud, all martial drums and lightning-strike guitars sweeping scythe-like over the field of nodding heads in a packed Green Room. It’s a ferocious, scathing display made all the more intense by the devastatingly tight musicianship. An immense start to the Panopticon (Paul Verhagen) day and that’s Roadburn in a nutshell; What Jeremy Bentham, the 18th even the first band on one of the century English philosopher who smaller stages are world class. developed the concept of the Panopticon, would think of his creation’s musical namesake is, sadly, impossible to know. I like to think that, even if the music were beyond him, the passionate social reformer would appreciate the politically relevant sentiments of the band, something which is made most obvious on their opening selection of country- influenced tracks. Banjo and mandolin Motorpsycho (Paul Verhagen) blend with mournful voices, singing of Next door, on the Main Stage, lost families and failing factories, into Motorpsycho are working up their songs that wouldn’t be out of place on groove and creating the kind of sounds, a Steve Earle record. -
Mise En Page 1
NANCY , ville d’échange, dynamique, jeune, première ville universitaire du grand Est, s’impose frustrée. Comme jadis au CMCN et maintenant à Music Academy International, nous sommes des comme un des pôles culturels et artistiques européens. Point chaud du rock, capitale du jazz, européens convaincus. La vocation internationale de notre école n’est pas uniquement dictée par la haut-lieu de la musique classique, Nancy a le goût de la scène. Du club de jazz intimiste à “l’Autre situation géographique de Nancy (dans un rayon de 350 km nous touchons Paris et 6 pays, dans un Canal”, scène de Rock, chanson & électro ultra-équipée, en passant par la salle de concerts rayon de 950 km nous touchons Brest et 11 pays), mais également par l’enrichissement culturel et majestueuse jusqu’au Zénith imposant, Nancy accueille à bras ouverts les musiciens de tous économique qui se présente à l’artiste qui profite de l’ouverture des frontières. horizons. Music Academy International est implantée à proximité de trois parcs, à deux pas de la célèbre place Stanislas, en plein centre ville dans un quartier sympathique et sécurisant. Pour cette raison Music Academy International entre autres, accueille nombre d’artistes étrangers réputés. Music Academy se félicite également d’un partenariat privilégié avec une vingtaine des INTERNATIONAL : Le caractère universel de la musique et plus particulièrement les qualités de plus grandes écoles du monde entier. Mais ne nous y trompons pas, même si à Music Academy le brassage et d’intégration des courants actuels, interdit de délimiter son champ d’action, de rester mot “International” prend toute sa mesure, même si les accents sont multiples, même si tous les replié sur son territoire national. -
Historic Coast Culture's Farm‐To‐Fork Chef Series
Historic Coast Culture’s Farm‐to‐Fork Chef Series Presented by the St. Johns Cultural Council Overview Food is a major part of understanding any culture or region. On Florida’s Historic Coast, the culinary scene reflects 450 years of its coastal location and diverse heritage. From the original Spanish settlers, British colonists and the Greeks and Minorcans who emigrated here, visitors can savor a fascinating array of local culinary tastes and farm‐to‐table dishes. Visitors can experience everything from fine dining and quick eats to food festivals, in‐town and farm‐tasting events and culinary classes. Vision Today, farm‐to‐table Culinary is one of Florida’s Historic Coast’s key cultural assets that offers cultural travelers even deeper experiences while they are visiting. To showcase St. Johns County’s farm‐to‐table restaurants and farms, the St. Johns Cultural Council is creating a series of Farm‐to‐Fork Chef Dinners. Each will feature a top local chef from a farm‐to‐table restaurant and a local farm(s). The Chef Series will include both “In‐Town Dinners” at unusual places and “Farm Dinners” in rural settings. These culinary events will also feature local artisans, farm‐to‐table produce, local seafood and/or meats, farm‐to‐table desserts as well as local spirits. Each event will be unique, with a theme chosen by the Chef(s) for the location. These tastings will feel like an intimate dining experience where 30‐40 guests can speak one‐on‐one with the Chef(s) as well as local artisans and farms. -
RAGE AGAINST the MACHINE Rage Against the Machine (Metal)
RAGE AGAINST THE MACHINE Rage against the machine (Metal) Année de sortie : 1992 Nombre de pistes : 10 Durée : 53' Support : CD Provenance : Acheté Nous avons décidé de vous faire découvrir (ou re découvrir) les albums qui ont marqué une époque et qui nous paraissent importants pour comprendre l'évolution de notre style préféré. Nous traiterons de l'album en le réintégrant dans son contexte originel (anecdotes, etc.)... Une chronique qui se veut 100% "passionnée" et "nostalgique" et qui nous l'espérons, vous fera réagir par le biais des commentaires ! ...... Bon voyage ! Musiciens dotés d’une forte personnalité, le chanteur Zack DE LA ROCHA et le guitariste Tom MORELLO s’illustrent déjà à la fin des années 1980 dans diverses formations. Le premier appartient à la scène hardcore de Californie, où il débute la guitare puis fonde en 1988 INSIDE OUT. Ce groupe, dans lequel il tient le micro, exercera une influence certaine sur ce courant musical. Quant à MORELLO, il a formé dans l’Illinois ELECTRIC SHEEP, en compagnie d’Adam JONES, futur guitariste de TOOL. Persuadé de pouvoir y mener des projets plus sérieux, il se rend à Los Angeles, où il assiste à une prestation de Zack DE LA ROCHA. Le guitariste est séduit par le discours du chanteur, avec qui il fonde rapidement une nouvelle formation, complétée par le batteur Brad WILK et le bassiste Tim COMMERFORD, ami d’enfance du chanteur. Les musiciens optent pour le nom de RAGE AGAINST THE MACHINE. A l’origine, il s’agissait du titre d’un des morceaux d’INSIDE OUT, et également celui prévu pour leur deuxième album, finalement jamais paru. -
Radio Essentials 2012
Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat. -
Robert Johnson, Folk Revivalism, and Disremembering the American Past
The Green Fields of the Mind: Robert Johnson, Folk Revivalism, and Disremembering the American Past Blaine Quincy Waide A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Folklore Program, Department of American Studies Chapel Hill 2009 Approved by: William Ferris Robert Cantwell Timothy Marr ©2009 Blaine Quincy Waide ALL RIGHTS RESERVED ii Abstract Blaine Quincy Waide: The Green Fields of the Mind: Robert Johnson, Folk Revivalism, and Disremembering the American Past (Under the direction of William Ferris) This thesis seeks to understand the phenomenon of folk revivalism as it occurred in America during several moments in the twentieth and twenty-first centuries. More specifically, I examine how and why often marginalized southern vernacular musicians, especially Mississippi blues singer Robert Johnson, were celebrated during the folk revivals of the 1930s and 1960s as possessing something inherently American, and differentiate these periods of intense interest in the traditional music of the American South from the most recent example of revivalism early in the new millennium. In the process, I suggest the term “disremembering” to elucidate the ways in which the intent of some vernacular traditions, such as blues music, has often been redirected towards a different social or political purpose when communities with divergent needs in a stratified society have convened around a common interest in cultural practice. iii Table of Contents Chapter Introduction: Imagining America in an Iowa Cornfield and at a Mississippi Crossroads…………………………………………………………………………1 I. Discovering America in the Mouth of Jim Crow: Alan Lomax, Robert Johnson, and the Mississippi Paradox…………………………………...23 II. -
“The Analysis of Figure of Speech in Rage Against the Machine Songs Lyrics” (Bullet in the Head, No Shelter)
“The Analysis of Figure of Speech In Rage Against the Machine Songs Lyrics” (Bullet in the Head, No Shelter) Achmad Rifai NIM. 202026001084 ENGLISH LETTER DEPARTMENT FACULTY OF ADAB AND HUMANITIES STATE ISLAMIC UNIVERSITY “SYARIF HIDAYATULLAH” JAKARTA 2010 “The Analysis of Figure of Speech In Rage Against the Machine Songs Lyrics” (Bullet in the Head, No Shelter) A Thesis Submitted to Letters and Humanities Faculty In Partially Fulfillment of the Requirement For the Degree of Strata 1 (S1) Achmad Rifai NIM. 202026001084 ENGLISH LETTER DEPARTMENT FACULTY OF ADAB AND HUMANITIES STATE ISLAMIC UNIVERSITY “SYARIF HIDAYATULLAH” JAKARTA 2010 ABSTRACT Achmad Rifai, The Analysis of figure of speech in Rage Against The Machine Songs Lyric (Bullet in the Head, No Shelter), Strata 1 Degree, Thesis: English Letters Department, Letters and Humanities Faculty, State Islamic University “Syarif Hidayatullah” Jakarta, 2010. The aim of this research is to find out the kinds of figure of speech and their meaning of figure of speech in two songs. The writer analyzes songs entitled Bullet in the Head, and No Shelter. In this research, the writer uses qualitative research with descriptive analysis as the method of the research. The writer analyzes the lyrics by reading them intensively and giving attention to each line. After that, the writer tries to explicate the songs by examining the figure of speech. From the two lyrics, the writer has found seven types of figure of speech; they are Simile, Metaphor, Personification, Metonymy, Symbol, Allegory, and Hyperbole. The two lyrics have a similar theme, railed against the corporate America. The first lyrics, Bullet in the Head is a lyric about the songwriter criticizes the TV Corporations and other news corporation distract people from the big issues of the world and influence them to be mass consumerism. -
Midnight Highway Eighteen-Year-Old Prodigy and Buddy Guy Protégée
extra EXTRA ating in and around New Orleans, dropping albums BETH GARNER QUINN SULLIVAN Midnight Highway since the late 1990s. His Snake Farm Eighteen-year-old prodigy slow-burning countrified Texas’ Garner is double and Buddy Guy protégée blues nods to the music of trouble. She can sing a Sullivan returns with his Robbie Robertson and the DOUG MUNRO AND soulful tune and play a third album of high-octane cool soul of Curtis Mayfield. LA POMPE ATTACK mean blues guitar. The blues. He’s got the licks, the The title cut starts the album, The Harry Warren Songbook title tune was penned sound, and the kudos from establishing its seductively Guitar heaven here as by Ray Wylie Hubbard the greats, and the disc languid style and Robertson’s Munro and friends cover about the real-life snake musical buddy Daniel Lanois Warren tunes in the style farm roadside attraction won’t disappoint. – MD adds tasty slide to several of Django Reinhardt. You near San Antonio. “Used ear-pleasing cuts. – RA have the likes of Howard To Be” is a tip of the hat Alden, Vinny Raniolo, Vic to Hound Dog Taylor and Juris, and several oth- Elmo James. – MD ers shining on tunes like “Lullaby Of Broadway,” “Jeepers Creepers,” and CURTIS KNIGHT (FEATUR- the wonderful ballad “I Only ING JIMI HENDRIX) Live At George’s Club 20 CHICKENFOOT Have Eyes For You.” – JH This is pre-Experience Best + Live Hendrix playing with Knight’s This best-of collection THE DRUGSTORE GYPSIES The Drugstore Gypsies band between 1965 and ’66. -
Essentials-Of-Leadership-Book-2Nd-Ed-Web.Pdf
Second Edition The Essentials of LEADERSHIP in Government UNDERSTANDING THE BASICS By Darryl Plecas, Colette Squires & Len Garis About the Authors Darryl Plecas, University of the Fraser Valley Darryl Plecas is Professor Emeritus, University of the Fraser Valley. Prior to his retirement he served as the RCMP Senior University Research Chair and Director of the Centre for Public Safety and Criminal Justice Research in the university’s School of Criminology and Criminal Justice. While he continues to teach, research, and write on a range of public safety issues, his most recent focus is on improving the effectiveness of government. A second-term MLA for Abbotsford South, he is Speaker of the Legislative Assembly for British Columbia. Colette Squires, Justice Institute of BC Colette Squires is a Sessional Faculty member at the Justice Institute of BC in the Centre for Conflict Resolution, and an Instructor in Criminology for the Sociology Department at Trinity Western University. A published writer, Colette is also an organizational consultant and mediator working with government and the not-for-profit sector, providing training, conflict resolution services, research and proposal writing, organizational development, program design, and evaluation. In 2016 she was part of the design team for the City of Surrey’s new Public Safety Strategy, and she continues to work with a variety of organizations to foster community well-being, and excellence in organizational strength and leadership. Len Garis, University of the Fraser Valley Th e Fire Chief for the City of Surrey, Len Garis is also Adjunct Professor in the School of Criminology and Criminal Justice at the University of the Fraser Valley in British Columbia. -
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1 IN THE DISTRICT COURT OF CLEVELAND COUNTY 2 STATE OF OKLAHOMA 3 STATE OF OKLAHOMA, ex rel., ) MIKE HUNTER ) 4 ATTORNEY GENERAL OF OKLAHOMA, ) ) 5 Plaintiff, ) ) 6 vs. ) Case No. CJ-2017-816 ) 7 (1) JOHNSON & JOHNSON; ) (2) JANSSEN PHARMACEUTICALS, ) 8 INC.; ) (3) ORTHO-McNEIL-JANSSEN ) 9 PHARMACEUTICALS, INC., ) n/k/a JANSSEN PHARMACEUTICALS; ) 10 (4) JANSSEN PHARMACEUTICA, ) INC., n/k/a JANSSEN ) 11 PHARMACEUTICALS, INC., ) ) 12 Defendants. ) 13 14 PORTIONS OF TRANSCRIPT MAY BE COVERED UNDER PROTECTIVE ORDER 15 TRANSCRIPT OF PROCEEDINGS HAD ON MAY 28, 2019 (MORNING SESSION) 16 AT THE CLEVELAND COUNTY COURTHOUSE BEFORE THE HONORABLE THAD BALKMAN 17 DISTRICT JUDGE 18 19 20 21 22 23 24 25 REPORTED BY: ANGELA THAGARD, CSR, RPR DISTRICT COURT OF OKLAHOMA - OFFICIAL TRANSCRIPT 2 1 APPEARANCES: 2 ON BEHALF OF THE PLAINTIFF: 3 MR. MICHAEL BURRAGE MR. REGGIE WHITTEN 4 ATTORNEYS AT LAW 512 N. BROADWAY AVE, SUITE 300 5 OKLAHOMA CITY, OK 73102 6 7 MR. MIKE HUNTER ATTORNEY GENERAL 8 MS. ABBY DILLSAVER MR. ETHAN A. SHANER 9 ATTORNEY GENERAL'S OFFICE 313 N.E. 21ST STREET 10 OKLAHOMA CITY, OK 73105 11 MR. BRAD BECKWORTH 12 MR. TREY DUCK MS. LISA BALDWIN 13 MR. DREW PATE ATTORNEYS AT LAW 14 3600 N. CAPITAL OF TEXAS HWY, SUITE 350 AUSTIN, TX 78746-3211 15 16 17 18 19 20 21 22 23 24 25 DISTRICT COURT OF OKLAHOMA - OFFICIAL TRANSCRIPT 3 1 ON BEHALF OF ORTHO McNEIL JANSSEN PHARMACEUTICALS, INC.; JANSSEN PHARMACEUTICA, INC.; JANSSEN PHARMACEUTICALS, INC.; AND 2 JOHNSON & JOHNSON: 3 MR. JOHN SPARKS MR. BENJAMIN H.