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Robert Johnson, Folk Revivalism, and Disremembering the American Past
The Green Fields of the Mind: Robert Johnson, Folk Revivalism, and Disremembering the American Past Blaine Quincy Waide A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Folklore Program, Department of American Studies Chapel Hill 2009 Approved by: William Ferris Robert Cantwell Timothy Marr ©2009 Blaine Quincy Waide ALL RIGHTS RESERVED ii Abstract Blaine Quincy Waide: The Green Fields of the Mind: Robert Johnson, Folk Revivalism, and Disremembering the American Past (Under the direction of William Ferris) This thesis seeks to understand the phenomenon of folk revivalism as it occurred in America during several moments in the twentieth and twenty-first centuries. More specifically, I examine how and why often marginalized southern vernacular musicians, especially Mississippi blues singer Robert Johnson, were celebrated during the folk revivals of the 1930s and 1960s as possessing something inherently American, and differentiate these periods of intense interest in the traditional music of the American South from the most recent example of revivalism early in the new millennium. In the process, I suggest the term “disremembering” to elucidate the ways in which the intent of some vernacular traditions, such as blues music, has often been redirected towards a different social or political purpose when communities with divergent needs in a stratified society have convened around a common interest in cultural practice. iii Table of Contents Chapter Introduction: Imagining America in an Iowa Cornfield and at a Mississippi Crossroads…………………………………………………………………………1 I. Discovering America in the Mouth of Jim Crow: Alan Lomax, Robert Johnson, and the Mississippi Paradox…………………………………...23 II. -
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1 IN THE DISTRICT COURT OF CLEVELAND COUNTY 2 STATE OF OKLAHOMA 3 STATE OF OKLAHOMA, ex rel., ) MIKE HUNTER ) 4 ATTORNEY GENERAL OF OKLAHOMA, ) ) 5 Plaintiff, ) ) 6 vs. ) Case No. CJ-2017-816 ) 7 (1) JOHNSON & JOHNSON; ) (2) JANSSEN PHARMACEUTICALS, ) 8 INC.; ) (3) ORTHO-McNEIL-JANSSEN ) 9 PHARMACEUTICALS, INC., ) n/k/a JANSSEN PHARMACEUTICALS; ) 10 (4) JANSSEN PHARMACEUTICA, ) INC., n/k/a JANSSEN ) 11 PHARMACEUTICALS, INC., ) ) 12 Defendants. ) 13 14 PORTIONS OF TRANSCRIPT MAY BE COVERED UNDER PROTECTIVE ORDER 15 TRANSCRIPT OF PROCEEDINGS HAD ON MAY 28, 2019 (MORNING SESSION) 16 AT THE CLEVELAND COUNTY COURTHOUSE BEFORE THE HONORABLE THAD BALKMAN 17 DISTRICT JUDGE 18 19 20 21 22 23 24 25 REPORTED BY: ANGELA THAGARD, CSR, RPR DISTRICT COURT OF OKLAHOMA - OFFICIAL TRANSCRIPT 2 1 APPEARANCES: 2 ON BEHALF OF THE PLAINTIFF: 3 MR. MICHAEL BURRAGE MR. REGGIE WHITTEN 4 ATTORNEYS AT LAW 512 N. BROADWAY AVE, SUITE 300 5 OKLAHOMA CITY, OK 73102 6 7 MR. MIKE HUNTER ATTORNEY GENERAL 8 MS. ABBY DILLSAVER MR. ETHAN A. SHANER 9 ATTORNEY GENERAL'S OFFICE 313 N.E. 21ST STREET 10 OKLAHOMA CITY, OK 73105 11 MR. BRAD BECKWORTH 12 MR. TREY DUCK MS. LISA BALDWIN 13 MR. DREW PATE ATTORNEYS AT LAW 14 3600 N. CAPITAL OF TEXAS HWY, SUITE 350 AUSTIN, TX 78746-3211 15 16 17 18 19 20 21 22 23 24 25 DISTRICT COURT OF OKLAHOMA - OFFICIAL TRANSCRIPT 3 1 ON BEHALF OF ORTHO McNEIL JANSSEN PHARMACEUTICALS, INC.; JANSSEN PHARMACEUTICA, INC.; JANSSEN PHARMACEUTICALS, INC.; AND 2 JOHNSON & JOHNSON: 3 MR. JOHN SPARKS MR. BENJAMIN H. -
Elp -Discography
ELP Discography ELP -DISCOGRAPHY- (1970 - 2002) NOTE: THIS DISCOGRAPHY and SONG LIST is BASED ON MY OWN COLLECTION, plus LATEST INFO FROM WEBSITES (inc. DISCOGRAPHY ORIGINALLY PUBLISHED by ELP DIGEST) and “THE SHOW THAT NEVER ENDS…” A MUSICAL BIOGRAPHY (by FORRESTER, HANSON & ASKEW) DICOGRAPHY covers ALL KNOWN ALBUMS, SINGLES and VIDEOS by EMERSON, LAKE and PALMER (either TOGETHER or INDIVIDUALLY), ordered CHRONOLOGICALLY between the Years 1970 to 2002 Clive ffitch (a fan!) Logo/Link to Official ELP Global Web Site SUMMARY: ALL ALBUMS / CDs (inc. ELPowell and Three) ALL SINGLES + ALBUMS - KEITH EMERSON + ALBUMS - GREG LAKE + ALBUMS - CARL PALMER + ALL ELP VIDEOS + THE BOOK! Page 1 ELP Discography ELP - THE COLLECTION TITLES: ELP ALBUMS / CDs (inc. ELPowell and Three): ELP SINGLES (inc. Individuals): Vinyl CD Vinyl CD (excluding other Promo’s) [ ] [ ] 1. Emerson Lake and Palmer [ ] 1. Lucky Man / Knife Edge [ ] [ ] 2. Tarkus [ ] 2. Take a Pebble / Lucky Man [ ] [ ] 3. Pictures at an Exhibition [ ] 3. Stones of Years / A Time... [ ] [ ] 4. Trilogy [ ] 4. Nutrocker / Great Gates... [ ] [ ] 5. Brain Salad Surgery [ ] 5. From the Beginning / Living... [ ] [ ] 6. Welcome Back My Friends [ ] 6. Brain Salad (NME Floppie) [ ] [ ] 7. Works Vol.I [ ] 7. Jerusalem / Apple Blossom... [ ] [ ] 8. Works Vol.II [ ] 8. Still... You Turn Me On / Brain [ ] [ ] 9. Love Beach [ ] [ ] 9. I Believe in Father Xmas (L) [ ]. 10. In Concert (re-issued as Works Live) [ ] 10. Honky Tonk Train Blues (E) [ ] [ ] 11. The Best of ELP (1980) [ ] [ ] 11. Fanfare for Common Man [ ] [ ] 12. Emerson Lake and Powell (ELPo) [ ] 12. C’est La Vie (L) [ ] [ ] 13. To the Power of Three (Three) [ ] 13. All I Want is You / Tiger.. -
Daily Iowan (Iowa City, Iowa), 1967-11-29
?resent "" ~~I Command Headquarters In He will also receive the ail wan Medal, earned during his Semina till! it" () I 1(It/'(l awl tIl(> Peolile vI Iowa Cill, in Vietnam. ) 0 cent. a cop,. Assoelated Prss Leased ~ and Wlrf'OMlO Iowa City. Iowa 5:!2~Wedne_ than 100 cadets will reo at the ceremony. ing officel' for the cere· will be Cadet Col. Harold B4, Des Moines, deputy corps commander. Fasters, Campers Capt. David R. Mason, Lime Springs, will receive top cadet award, the Legion Cross for Achievement. one of 14 awards given an· by the Legion of Valor of Begin Long Vigil ited , States for scholastic lence and leadership. Luckenbill , A4, Glen El· Ill., president of Guidon So the Army ROTC women's To Protest Dow will receive a certifi· of appreciation from the By ROY PETTY ture wa belo" freeling. One of thl' camp City Veterans Administra· ers cradled a 'mall do in h arms Nearly a doz n antiwar prolE' ~er' be an Hospital for the society's vol· Ilvin!( In tent on the alhlf'lic f~ld SQuill On .. ot the camJ>i'r a< Fred Barn It, work there during the of the Union Tue _day ni"ht to ob rn 213 S. CapLol t., \\ho lurned in hi draft year. a day-and·nifh \'illil unlil Dow Ch mical ('ard to federal official m Cedar Rapids Co., makers 01 napalm, leave. Ihe cam· nn 1\ov. 16 with Ed Hoffm n., University Times Fined pus on Dec 5., 01 Norlhern Iowa Englbh instructor. -
Forms of Intertextuality: Keith Emerson’S Development As a “Crossover” Musician
FORMS OF INTERTEXTUALITY: KEITH EMERSON’S DEVELOPMENT AS A “CROSSOVER” MUSICIAN Akitsugu Kawamoto A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Musicology in the Department of Music. Chapel Hill 2006 Approved by Advisor: John Covach Reader: John Nádas Reader: Severine Neff Reader: Allen Anderson Reader: David Garcia © 2006 Akitsugu Kawamoto ALL RIGHTS RESERVED ii ABSTRACT AKITSUGU KAWAMOTO: Forms of Intertextuality: Keith Emerson’s Development as a “Crossover” Musician (Under the direction of John Covach) Despite the broad range of attempts to mix “rock” and “classical” music by “progressive (“prog”) rock” musicians from the late 1960s, many writers on prog rock have interpreted the music in a relatively monolithic manner; they often have interpreted the resulting intertextuality simplistically as an elitist experiment that opposes rock’s populist origin. This could certainly be one interpretation of prog, but it is only one of many; there are additional kinds of possible narratives, according to the specific ways in which the materials are combined and fused. Yet the variety of intertextual approaches has rarely been recognized explicitly, and little analytical or musicological attention has been paid to the distinctly different intertextual styles. Generalized approaches to intertextuality have been common not only within popular music studies, however, but also within many humanistic fields. Since Julia Kristeva’s coinage of the term intertextuality in the late 1960s, theorists of the arts (literature, music, painting, architecture, etc.), sociology, politics, economics, and many other fields, have almost always treated intertextuality in a singular manner, presuming that all intertextual practices are more or less of the same kind. -
A Treasure Chest of Classic Albums Extensive Vinyl, Cd & Digital Reissue Programme Through Bmg C
EMERSON, LAKE & PALMER: A TREASURE CHEST OF CLASSIC ALBUMS EXTENSIVE VINYL, CD & DIGITAL REISSUE PROGRAMME THROUGH BMG COMMENCES ON 29 TH JULY 2016 WITH THE RELEASE OF THE FIRST 3 ALBUMS AND A NEW ANTHOLOGY Emerson, Lake & Palmer were one of the most successful, innovative and ground breaking British groups of the golden age of Progressive Rock. As well as creating spectacular ‘live’ shows that incorporated advanced technology and showmanship, they also recorded a cascade of powerful albums that sold in millions around the world. During 2016 and 2017 the band’s musical legacy will be celebrated by BMG with an important and comprehensive re-issue programme that will put the spotlight on ELP’s nine studio albums as well as their ‘live’ recordings and compilations. The trio’s remarkable style, combining original compositions with rock, jazz, folk and classical influences, was performed with passion and integrity by the founder members: Keyboard maestro - the late, great Keith Emerson Singer, guitarist, bass player and producer - Greg Lake Drummer and percussionist - Carl Palmer Their phenomenal mix of melodic songs, dynamic arrangements, brilliant musicianship and electrifying sound broadened the audience for progressive rock and guaranteed ELP massive international appeal, as they headlined stadium tours throughout the 1970s and 1990s and achieved sales of over 40 million albums. ELP also enjoyed a major hit single with ‘Fanfare For The Common Man’, and their 21 minute epic track ‘Tarkus’ is hailed as a milestone in Prog Rock history. New and old generations of fans will now be able to enjoy ELP’s music afresh, as their albums are released in a range of different formats, from CD and freshly cut vinyl LP to digital download, high definition digital and mastered for iTunes. -
The Published Music of Keith Emerson: Expanding the Solo Piano
THE PUBLISHED MUSIC OF KEITH EMERSON: EXPANDING THE SOLO PIANO REPERTOIRE by GIUSEPPE LUPIS (Under the Direction of Richard Zimdars) ABSTRACT The study examines the published music of Keith Emerson (b.1944) and includes solo piano transcriptions of thirteen of his compositions. Emerson’s music was published on three continents over a period of thirty years (1975-2005). Because almost all of it is currently out of print, a need exists for a cataloguing and a rediscovery of his music. The work is in five chapters. The first, a short biography, examines Emerson as a composer. The second addresses the importance of Emerson’s music. The third covers the sources of Emerson’s published compositions and a performance and recording history of Emerson’s music performed by pianists other than the composer. The fourth chapter surveys thirteen compositions which appear as solo piano transcriptions in the fifth chapter. INDEX WORDS: Keith Emerson, Dissertation, Published Music, Rock history, Transcriptions, Solo piano repertoire, ELP, Emerson Lake & Palmer, Tarkus, Pictures at an Exhibition THE PUBLISHED MUSIC OF KEITH EMERSON: EXPANDING THE SOLO PIANO REPERTOIRE by GIUSEPPE LUPIS A Dissertation Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF MUSICAL ARTS ATHENS, GEORGIA 2006 © 2006 Giuseppe Lupis All Rights Reserved. THE PUBLISHED MUSIC OF KEITH EMERSON: EXPANDING THE SOLO PIANO REPERTOIRE by GIUSEPPE LUPIS Major Professor: Richard Zimdars Committee: Evgeny Rivkin Ivan Frazier Leonard Ball Susan Thomas Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2006 DEDICATION To Keith Emerson iv ACKNOWLEDGEMENTS I wish to acknowledge the many people who supported my research: Karen Stober, private collector, United States; Virginia Feher, University of Georgia Library, United States; Dominik Brükner, professor, University of Freiburg, Germany; Roberto Mosciatti, Italy; Maurizio Pisati, composer, Italy; Marco Losavio, Italy; Ms. -
Beast and the Sovereign Volume 2
the beast & the sovereign ii the seminars of jacques derrida Edited by Geoffrey Bennington & Peggy Kamuf The Beast & the Sovereign volume ii y Jacques Derrida Edited by Michel Lisse, Marie- Louise Mallet, and Ginette Michaud Translated by Geoffrey Bennington The University of Chicago Press ‡ chicago and london jacques derrida (1930–2004) was Directeur d’études at the École des hautes etudes en sciences sociales, Paris, and professor of humanities at the University of California, Irvine. He is the author of many books published by the Press, including Writing and Difference; Dissemination; and The Work of Mourning. Originally published as Séminaire: La bête et le souverain, Volume II ( 2002 – 2003 ) . © 2010 Éditions Galilée. Ouvrage publié avec le soutien du Centre national du livre–ministère français chargé de la culture / This work is published with support from the National Center of the Book–French Ministry of Culture. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2011 by The University of Chicago All rights reserved. Published 2011. Printed in the United States of America 20 19 18 17 16 15 14 13 12 11 1 2 3 4 5 isbn- 13: 978- 0- 226- 14430- 6 (cloth) isbn- 10: 0- 226- 14430- 5 (cloth) Library of Congress Cataloging-in-Publication Data Derrida, Jacques. [Bête et le souverain. English] The beast and the sovereign / Jacques Derrida; translated by Geoffrey Bennington. p. cm. — (Seminars of Jacques Derrida; v. 1) Translation of: Séminaire: la bête et le souverain. isbn- 13: 978- 0- 226- 14428- 3 (cloth: alk. paper) isbn- 10: 0- 226- 14428- 3 (cloth: alk. -
Coming out at Work: African-American Lesbians╎ Experiences
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 8-2004 Coming Out at Work: African-American Lesbians’ Experiences Melissa Ann Bartsch University of Tennessee, Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Education Commons Recommended Citation Bartsch, Melissa Ann, "Coming Out at Work: African-American Lesbians’ Experiences. " PhD diss., University of Tennessee, 2004. https://trace.tennessee.edu/utk_graddiss/1889 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Melissa Ann Bartsch entitled "Coming Out at Work: African-American Lesbians’ Experiences." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, with a major in Education. Marla Peterson, Major Professor We have read this dissertation and recommend its acceptance: Joy DeSensi, Mark Hector, Cheryl Travis Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Melissa Ann Bartsch entitled “Coming Out at Work: African-American Lesbians’ Experiences.” I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, with a major in Education. -
Spiritual Formation Program Is Found in the Rule of Life, Section I
The more you strive toward Him, the more you exalt Him. He is present to Me who goes out from the world; he is present to Me who thinks of Me, looks on Me, has hope of Me, he whose portion I am. He is present to Me who has been absent to himself, he is present to Me who has denied himself. He is with Me who is not within himself, because he who is in the flesh is not in the spirit. He is with Me who goes out from his own self, he is near Me who has been outside of himself, he is whole to Me who has lost his life on account of Me. -St. Ambrose (c.339-397) 1 Table of Contents Introductory messages ....................................................................................... 3 Sacrament of Reconciliation ............................................................................. 6 Spiritual Direction ............................................................................................. 8 Some ideas on purity and chastity ................................................................... 14 Spiritual Reading ............................................................................................ 16 Lectio Divina .................................................................................................. 25 The Duty of Self Denial .................................................................................. 28 Excerpts of Cardinal Mercier’s Conferences .................................................. 31 The Mount: Cradle of Saints .......................................................................... -
Iowa Chapter Newsletter Mr
IOWA CHAPTER OF THE F A L L 2 0 1 2 AMERICAN PUBLIC WORK S ASSOCIATION NEWSLETT ER F A L L 2 0 1 2 I A C H A P T E R OFFICERS President Iowa Chapter Newsletter Mr. Ronald Knoche, P.E. President Elect Mr. Pat A. Miller Secretary/Treasurer Mr. Adam Smith President’s Message Director Mr. Jon R. Burgstrum Director Submitted by Ron Knoche, APWA the educational sessions. Mr. Patrick J. Kozitza IA Chapter President I am excited to have the oppor- Director Mr. David McDermott As I write this, I am on my re- tunity to host you September th st turn flight from Anaheim, Cali- 19 through the 21 in Iowa City Director fornia. As your President, I was for the Iowa Chapter Fall Con- Mr. Chris Payer given the incredible and reward- ference. We will kick the event Director ing opportunity to represent the off with our annual golf outing Ms. Tracy L. Warner, PE Iowa Chapter at the APWA which will be held at Finkbine Director International Congress. This was Golf Course on Wednesday, IA Chapter President—Ron th Mr. Dan Whitlow, PE the first time that I have at- September 19 . The event will R. Knoche, City Engineer, tended this event and it was truly be in our traditional Rider Cup Past President Iowa City, Iowa. Mr. Chad W. Schaeffer, P.E. an amazing experience. format. The welcome event Wednesday night will take us to Delegate The Iowa Chapter was recog- the Iowa City East Side Recycle September 20th at the Iowa City Mr. -
Robert Penn Warren and James Farmer: Notes on the Creation of New Journalism James A
Robert Penn Warren Studies Volume 1 Article 12 2001 Robert Penn Warren and James Farmer: Notes on the Creation of New Journalism James A. Perkins Follow this and additional works at: https://digitalcommons.wku.edu/rpwstudies Part of the American Literature Commons, and the English Language and Literature Commons Recommended Citation Perkins, James A. (2001) "Robert Penn Warren and James Farmer: Notes on the Creation of New Journalism," Robert Penn Warren Studies: Vol. 1 , Article 12. Available at: https://digitalcommons.wku.edu/rpwstudies/vol1/iss1/12 This Article is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Robert Penn Warren Studies by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. Robert Penn Warren and James Farmer: Notes Oil the Creation of New Joumalism JAMES A. PERKINS James H. Justus, in his The Achievemellt of Robert Penn Warrell, noted that Warren's Who Speaks for the Negro? is similar to "other examples of 'the higher journalism' of recent years"'; and Hugh Ruppersburg, in his Robert Penll Warrell alld the American Imagination, said "it compares favorably with other examples of the New Journalism which had begun to appear during the mid-I 960s."2 These two scholars made an important connection, but they did not follow the implication of the connection to its logical and surprising conclusion. In this essay, I will use Warren's interview with James Farmer, in "The Big Brass" section, as well as Warren's treatment of events