Beast and the Sovereign Volume 2
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Robert Johnson, Folk Revivalism, and Disremembering the American Past
The Green Fields of the Mind: Robert Johnson, Folk Revivalism, and Disremembering the American Past Blaine Quincy Waide A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Folklore Program, Department of American Studies Chapel Hill 2009 Approved by: William Ferris Robert Cantwell Timothy Marr ©2009 Blaine Quincy Waide ALL RIGHTS RESERVED ii Abstract Blaine Quincy Waide: The Green Fields of the Mind: Robert Johnson, Folk Revivalism, and Disremembering the American Past (Under the direction of William Ferris) This thesis seeks to understand the phenomenon of folk revivalism as it occurred in America during several moments in the twentieth and twenty-first centuries. More specifically, I examine how and why often marginalized southern vernacular musicians, especially Mississippi blues singer Robert Johnson, were celebrated during the folk revivals of the 1930s and 1960s as possessing something inherently American, and differentiate these periods of intense interest in the traditional music of the American South from the most recent example of revivalism early in the new millennium. In the process, I suggest the term “disremembering” to elucidate the ways in which the intent of some vernacular traditions, such as blues music, has often been redirected towards a different social or political purpose when communities with divergent needs in a stratified society have convened around a common interest in cultural practice. iii Table of Contents Chapter Introduction: Imagining America in an Iowa Cornfield and at a Mississippi Crossroads…………………………………………………………………………1 I. Discovering America in the Mouth of Jim Crow: Alan Lomax, Robert Johnson, and the Mississippi Paradox…………………………………...23 II. -
Essentials-Of-Leadership-Book-2Nd-Ed-Web.Pdf
Second Edition The Essentials of LEADERSHIP in Government UNDERSTANDING THE BASICS By Darryl Plecas, Colette Squires & Len Garis About the Authors Darryl Plecas, University of the Fraser Valley Darryl Plecas is Professor Emeritus, University of the Fraser Valley. Prior to his retirement he served as the RCMP Senior University Research Chair and Director of the Centre for Public Safety and Criminal Justice Research in the university’s School of Criminology and Criminal Justice. While he continues to teach, research, and write on a range of public safety issues, his most recent focus is on improving the effectiveness of government. A second-term MLA for Abbotsford South, he is Speaker of the Legislative Assembly for British Columbia. Colette Squires, Justice Institute of BC Colette Squires is a Sessional Faculty member at the Justice Institute of BC in the Centre for Conflict Resolution, and an Instructor in Criminology for the Sociology Department at Trinity Western University. A published writer, Colette is also an organizational consultant and mediator working with government and the not-for-profit sector, providing training, conflict resolution services, research and proposal writing, organizational development, program design, and evaluation. In 2016 she was part of the design team for the City of Surrey’s new Public Safety Strategy, and she continues to work with a variety of organizations to foster community well-being, and excellence in organizational strength and leadership. Len Garis, University of the Fraser Valley Th e Fire Chief for the City of Surrey, Len Garis is also Adjunct Professor in the School of Criminology and Criminal Justice at the University of the Fraser Valley in British Columbia. -
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1 IN THE DISTRICT COURT OF CLEVELAND COUNTY 2 STATE OF OKLAHOMA 3 STATE OF OKLAHOMA, ex rel., ) MIKE HUNTER ) 4 ATTORNEY GENERAL OF OKLAHOMA, ) ) 5 Plaintiff, ) ) 6 vs. ) Case No. CJ-2017-816 ) 7 (1) JOHNSON & JOHNSON; ) (2) JANSSEN PHARMACEUTICALS, ) 8 INC.; ) (3) ORTHO-McNEIL-JANSSEN ) 9 PHARMACEUTICALS, INC., ) n/k/a JANSSEN PHARMACEUTICALS; ) 10 (4) JANSSEN PHARMACEUTICA, ) INC., n/k/a JANSSEN ) 11 PHARMACEUTICALS, INC., ) ) 12 Defendants. ) 13 14 PORTIONS OF TRANSCRIPT MAY BE COVERED UNDER PROTECTIVE ORDER 15 TRANSCRIPT OF PROCEEDINGS HAD ON MAY 28, 2019 (MORNING SESSION) 16 AT THE CLEVELAND COUNTY COURTHOUSE BEFORE THE HONORABLE THAD BALKMAN 17 DISTRICT JUDGE 18 19 20 21 22 23 24 25 REPORTED BY: ANGELA THAGARD, CSR, RPR DISTRICT COURT OF OKLAHOMA - OFFICIAL TRANSCRIPT 2 1 APPEARANCES: 2 ON BEHALF OF THE PLAINTIFF: 3 MR. MICHAEL BURRAGE MR. REGGIE WHITTEN 4 ATTORNEYS AT LAW 512 N. BROADWAY AVE, SUITE 300 5 OKLAHOMA CITY, OK 73102 6 7 MR. MIKE HUNTER ATTORNEY GENERAL 8 MS. ABBY DILLSAVER MR. ETHAN A. SHANER 9 ATTORNEY GENERAL'S OFFICE 313 N.E. 21ST STREET 10 OKLAHOMA CITY, OK 73105 11 MR. BRAD BECKWORTH 12 MR. TREY DUCK MS. LISA BALDWIN 13 MR. DREW PATE ATTORNEYS AT LAW 14 3600 N. CAPITAL OF TEXAS HWY, SUITE 350 AUSTIN, TX 78746-3211 15 16 17 18 19 20 21 22 23 24 25 DISTRICT COURT OF OKLAHOMA - OFFICIAL TRANSCRIPT 3 1 ON BEHALF OF ORTHO McNEIL JANSSEN PHARMACEUTICALS, INC.; JANSSEN PHARMACEUTICA, INC.; JANSSEN PHARMACEUTICALS, INC.; AND 2 JOHNSON & JOHNSON: 3 MR. JOHN SPARKS MR. BENJAMIN H. -
Elp -Discography
ELP Discography ELP -DISCOGRAPHY- (1970 - 2002) NOTE: THIS DISCOGRAPHY and SONG LIST is BASED ON MY OWN COLLECTION, plus LATEST INFO FROM WEBSITES (inc. DISCOGRAPHY ORIGINALLY PUBLISHED by ELP DIGEST) and “THE SHOW THAT NEVER ENDS…” A MUSICAL BIOGRAPHY (by FORRESTER, HANSON & ASKEW) DICOGRAPHY covers ALL KNOWN ALBUMS, SINGLES and VIDEOS by EMERSON, LAKE and PALMER (either TOGETHER or INDIVIDUALLY), ordered CHRONOLOGICALLY between the Years 1970 to 2002 Clive ffitch (a fan!) Logo/Link to Official ELP Global Web Site SUMMARY: ALL ALBUMS / CDs (inc. ELPowell and Three) ALL SINGLES + ALBUMS - KEITH EMERSON + ALBUMS - GREG LAKE + ALBUMS - CARL PALMER + ALL ELP VIDEOS + THE BOOK! Page 1 ELP Discography ELP - THE COLLECTION TITLES: ELP ALBUMS / CDs (inc. ELPowell and Three): ELP SINGLES (inc. Individuals): Vinyl CD Vinyl CD (excluding other Promo’s) [ ] [ ] 1. Emerson Lake and Palmer [ ] 1. Lucky Man / Knife Edge [ ] [ ] 2. Tarkus [ ] 2. Take a Pebble / Lucky Man [ ] [ ] 3. Pictures at an Exhibition [ ] 3. Stones of Years / A Time... [ ] [ ] 4. Trilogy [ ] 4. Nutrocker / Great Gates... [ ] [ ] 5. Brain Salad Surgery [ ] 5. From the Beginning / Living... [ ] [ ] 6. Welcome Back My Friends [ ] 6. Brain Salad (NME Floppie) [ ] [ ] 7. Works Vol.I [ ] 7. Jerusalem / Apple Blossom... [ ] [ ] 8. Works Vol.II [ ] 8. Still... You Turn Me On / Brain [ ] [ ] 9. Love Beach [ ] [ ] 9. I Believe in Father Xmas (L) [ ]. 10. In Concert (re-issued as Works Live) [ ] 10. Honky Tonk Train Blues (E) [ ] [ ] 11. The Best of ELP (1980) [ ] [ ] 11. Fanfare for Common Man [ ] [ ] 12. Emerson Lake and Powell (ELPo) [ ] 12. C’est La Vie (L) [ ] [ ] 13. To the Power of Three (Three) [ ] 13. All I Want is You / Tiger.. -
Daily Iowan (Iowa City, Iowa), 1967-11-29
?resent "" ~~I Command Headquarters In He will also receive the ail wan Medal, earned during his Semina till! it" () I 1(It/'(l awl tIl(> Peolile vI Iowa Cill, in Vietnam. ) 0 cent. a cop,. Assoelated Prss Leased ~ and Wlrf'OMlO Iowa City. Iowa 5:!2~Wedne_ than 100 cadets will reo at the ceremony. ing officel' for the cere· will be Cadet Col. Harold B4, Des Moines, deputy corps commander. Fasters, Campers Capt. David R. Mason, Lime Springs, will receive top cadet award, the Legion Cross for Achievement. one of 14 awards given an· by the Legion of Valor of Begin Long Vigil ited , States for scholastic lence and leadership. Luckenbill , A4, Glen El· Ill., president of Guidon So the Army ROTC women's To Protest Dow will receive a certifi· of appreciation from the By ROY PETTY ture wa belo" freeling. One of thl' camp City Veterans Administra· ers cradled a 'mall do in h arms Nearly a doz n antiwar prolE' ~er' be an Hospital for the society's vol· Ilvin!( In tent on the alhlf'lic f~ld SQuill On .. ot the camJ>i'r a< Fred Barn It, work there during the of the Union Tue _day ni"ht to ob rn 213 S. CapLol t., \\ho lurned in hi draft year. a day-and·nifh \'illil unlil Dow Ch mical ('ard to federal official m Cedar Rapids Co., makers 01 napalm, leave. Ihe cam· nn 1\ov. 16 with Ed Hoffm n., University Times Fined pus on Dec 5., 01 Norlhern Iowa Englbh instructor. -
A University of Sussex Phd Thesis Available Online Via Sussex
A University of Sussex PhD thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details Peripheral Vision: The Miltonic in Victorian Painting, Poetry, and Prose, 1825–1901 Laura Fox Gill Submitted for the examination of Doctor of Philosophy in English University of Sussex May 2017 I hereby declare that this thesis has not been and will not be, submitted in whole or in part to another University for the award of any other degree. Signature: . UNIVERSITY OF SUSSEX LAURA FOX GILL DOCTOR OF PHILOSOPHY PERIPHERAL VISION: THE MILTONIC IN VICTORIAN PAINTING, POETRY, AND PROSE, 1825–1901 SUMMARY This thesis explores the influence of John Milton on the edges of Victorian culture, addressing temporal, geographical, bodily, and sexual thresholds in Victorian poetry, painting, and prose. Where previous studies of Milton’s Victorian influence have focused on the poetic legacy of Paradise Lost, this project identifies traces of Miltonic concepts across aesthetic borders, analysing an interdisciplinary cultural sample in order to state anew Milton’s significance in the period between British Romanticism and early twentieth-century critical debates about the value of Paradise Lost. -
The Fate of Invention in Late 19 Century French Literature
The Fate of Invention in Late 19th Century French Literature Ana I. Oancea Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2015 ©2014 Ana I. Oancea All rights reserved ABSTRACT The Fate of Invention in Late 19th Century French Literature Ana I. Oancea This dissertation reads the novels of Jules Verne, Albert Robida, Villiers de l’Isle-Adam and Emile Zola, investigating the representation of inventors who specialize in electricity. The figure appears as the intersection of divergent literary movements: Zola, the father of Naturalism and leading proponent of a ‘scientific’ approach to literature, Villiers de l’Isle-Adam, decadent playwright and novelist, Robida, leading caricaturist and amateur historian, and Verne, prominent figure in the emerging genre of anticipation, all develop the inventor character as one who succeeds in realizing key technological aspirations of the 19th century. The authors, however, take a dim view of his activity. Studying the figure of the inventor allows us to gain insight into fundamental 19th century French anxieties over the nation’s progress in science and technology, its national identity, and international standing. The corpus casts science as a pillar of French culture and a modern expression of human creativity, but suggests that social control over how progress is achieved is more important than pure advancement, no matter the price of attaining control. There is a great desire for progress in this period, but as society’s dependence on scientific advancement is becoming apparent, so is its being ignorant of the means through which to achieve it. -
Forms of Intertextuality: Keith Emerson’S Development As a “Crossover” Musician
FORMS OF INTERTEXTUALITY: KEITH EMERSON’S DEVELOPMENT AS A “CROSSOVER” MUSICIAN Akitsugu Kawamoto A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Musicology in the Department of Music. Chapel Hill 2006 Approved by Advisor: John Covach Reader: John Nádas Reader: Severine Neff Reader: Allen Anderson Reader: David Garcia © 2006 Akitsugu Kawamoto ALL RIGHTS RESERVED ii ABSTRACT AKITSUGU KAWAMOTO: Forms of Intertextuality: Keith Emerson’s Development as a “Crossover” Musician (Under the direction of John Covach) Despite the broad range of attempts to mix “rock” and “classical” music by “progressive (“prog”) rock” musicians from the late 1960s, many writers on prog rock have interpreted the music in a relatively monolithic manner; they often have interpreted the resulting intertextuality simplistically as an elitist experiment that opposes rock’s populist origin. This could certainly be one interpretation of prog, but it is only one of many; there are additional kinds of possible narratives, according to the specific ways in which the materials are combined and fused. Yet the variety of intertextual approaches has rarely been recognized explicitly, and little analytical or musicological attention has been paid to the distinctly different intertextual styles. Generalized approaches to intertextuality have been common not only within popular music studies, however, but also within many humanistic fields. Since Julia Kristeva’s coinage of the term intertextuality in the late 1960s, theorists of the arts (literature, music, painting, architecture, etc.), sociology, politics, economics, and many other fields, have almost always treated intertextuality in a singular manner, presuming that all intertextual practices are more or less of the same kind. -
A Treasure Chest of Classic Albums Extensive Vinyl, Cd & Digital Reissue Programme Through Bmg C
EMERSON, LAKE & PALMER: A TREASURE CHEST OF CLASSIC ALBUMS EXTENSIVE VINYL, CD & DIGITAL REISSUE PROGRAMME THROUGH BMG COMMENCES ON 29 TH JULY 2016 WITH THE RELEASE OF THE FIRST 3 ALBUMS AND A NEW ANTHOLOGY Emerson, Lake & Palmer were one of the most successful, innovative and ground breaking British groups of the golden age of Progressive Rock. As well as creating spectacular ‘live’ shows that incorporated advanced technology and showmanship, they also recorded a cascade of powerful albums that sold in millions around the world. During 2016 and 2017 the band’s musical legacy will be celebrated by BMG with an important and comprehensive re-issue programme that will put the spotlight on ELP’s nine studio albums as well as their ‘live’ recordings and compilations. The trio’s remarkable style, combining original compositions with rock, jazz, folk and classical influences, was performed with passion and integrity by the founder members: Keyboard maestro - the late, great Keith Emerson Singer, guitarist, bass player and producer - Greg Lake Drummer and percussionist - Carl Palmer Their phenomenal mix of melodic songs, dynamic arrangements, brilliant musicianship and electrifying sound broadened the audience for progressive rock and guaranteed ELP massive international appeal, as they headlined stadium tours throughout the 1970s and 1990s and achieved sales of over 40 million albums. ELP also enjoyed a major hit single with ‘Fanfare For The Common Man’, and their 21 minute epic track ‘Tarkus’ is hailed as a milestone in Prog Rock history. New and old generations of fans will now be able to enjoy ELP’s music afresh, as their albums are released in a range of different formats, from CD and freshly cut vinyl LP to digital download, high definition digital and mastered for iTunes. -
Caio Yurgel Landscape's Revenge
Caio Yurgel Landscape’s Revenge Latin American Literatures in the World Literaturas Latinoamericanas en el Mundo Edited by / Editado por Gesine Müller Volume / Volumen 2 Caio Yurgel Landscape’s Revenge The ecology of failure in Robert Walser and Bernardo Carvalho ISBN 978-3-11-061757-3 e-ISBN (PDF) 978-3-11-061758-0 e-ISBN (EPUB) 978-3-11-061766-5 ISSN 2513-0757 e-ISSN 2513-0765 This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 4.0 License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number: 2018956339 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Caio Yurgel, published by Walter de Gruyter GmbH Berlin/Boston Typesetting: Integra Software Services Pvt. Ltd. Printing and binding: CPI books GmbH, Leck www.degruyter.com Acknowledgement If this book exists – and I would like to believe that it does –, it is greatly due to the unwavering generosity and guidance of Joachim Küpper and Susanne Zepp. The final text has also benefited from the insights and support of Jürgen Brokoff, Anne Fleig, Gaia Gubbini, and Gesine Müller. This book also couldn’t have existed without the love and encouragement of some of the kindest Berliners to ever have ventured north of the Ring: Camila Gonzatto, Jasmin Wrobel, Jorge Estrada, Jule Govrin, Laura Gagliardi, Lena Abraham, Maddalena Graziano, Marcos Freire de Andrade Neves, Nora Weinelt, and Zairong Xiang. -
The Published Music of Keith Emerson: Expanding the Solo Piano
THE PUBLISHED MUSIC OF KEITH EMERSON: EXPANDING THE SOLO PIANO REPERTOIRE by GIUSEPPE LUPIS (Under the Direction of Richard Zimdars) ABSTRACT The study examines the published music of Keith Emerson (b.1944) and includes solo piano transcriptions of thirteen of his compositions. Emerson’s music was published on three continents over a period of thirty years (1975-2005). Because almost all of it is currently out of print, a need exists for a cataloguing and a rediscovery of his music. The work is in five chapters. The first, a short biography, examines Emerson as a composer. The second addresses the importance of Emerson’s music. The third covers the sources of Emerson’s published compositions and a performance and recording history of Emerson’s music performed by pianists other than the composer. The fourth chapter surveys thirteen compositions which appear as solo piano transcriptions in the fifth chapter. INDEX WORDS: Keith Emerson, Dissertation, Published Music, Rock history, Transcriptions, Solo piano repertoire, ELP, Emerson Lake & Palmer, Tarkus, Pictures at an Exhibition THE PUBLISHED MUSIC OF KEITH EMERSON: EXPANDING THE SOLO PIANO REPERTOIRE by GIUSEPPE LUPIS A Dissertation Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF MUSICAL ARTS ATHENS, GEORGIA 2006 © 2006 Giuseppe Lupis All Rights Reserved. THE PUBLISHED MUSIC OF KEITH EMERSON: EXPANDING THE SOLO PIANO REPERTOIRE by GIUSEPPE LUPIS Major Professor: Richard Zimdars Committee: Evgeny Rivkin Ivan Frazier Leonard Ball Susan Thomas Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2006 DEDICATION To Keith Emerson iv ACKNOWLEDGEMENTS I wish to acknowledge the many people who supported my research: Karen Stober, private collector, United States; Virginia Feher, University of Georgia Library, United States; Dominik Brükner, professor, University of Freiburg, Germany; Roberto Mosciatti, Italy; Maurizio Pisati, composer, Italy; Marco Losavio, Italy; Ms. -
Coming out at Work: African-American Lesbians╎ Experiences
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 8-2004 Coming Out at Work: African-American Lesbians’ Experiences Melissa Ann Bartsch University of Tennessee, Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Education Commons Recommended Citation Bartsch, Melissa Ann, "Coming Out at Work: African-American Lesbians’ Experiences. " PhD diss., University of Tennessee, 2004. https://trace.tennessee.edu/utk_graddiss/1889 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Melissa Ann Bartsch entitled "Coming Out at Work: African-American Lesbians’ Experiences." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, with a major in Education. Marla Peterson, Major Professor We have read this dissertation and recommend its acceptance: Joy DeSensi, Mark Hector, Cheryl Travis Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Melissa Ann Bartsch entitled “Coming Out at Work: African-American Lesbians’ Experiences.” I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, with a major in Education.