The Universal of Human Rights: Precondition for a Dialogue of Cultures
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A University of Sussex Phd Thesis Available Online Via Sussex
A University of Sussex PhD thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details Peripheral Vision: The Miltonic in Victorian Painting, Poetry, and Prose, 1825–1901 Laura Fox Gill Submitted for the examination of Doctor of Philosophy in English University of Sussex May 2017 I hereby declare that this thesis has not been and will not be, submitted in whole or in part to another University for the award of any other degree. Signature: . UNIVERSITY OF SUSSEX LAURA FOX GILL DOCTOR OF PHILOSOPHY PERIPHERAL VISION: THE MILTONIC IN VICTORIAN PAINTING, POETRY, AND PROSE, 1825–1901 SUMMARY This thesis explores the influence of John Milton on the edges of Victorian culture, addressing temporal, geographical, bodily, and sexual thresholds in Victorian poetry, painting, and prose. Where previous studies of Milton’s Victorian influence have focused on the poetic legacy of Paradise Lost, this project identifies traces of Miltonic concepts across aesthetic borders, analysing an interdisciplinary cultural sample in order to state anew Milton’s significance in the period between British Romanticism and early twentieth-century critical debates about the value of Paradise Lost. -
The Fate of Invention in Late 19 Century French Literature
The Fate of Invention in Late 19th Century French Literature Ana I. Oancea Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2015 ©2014 Ana I. Oancea All rights reserved ABSTRACT The Fate of Invention in Late 19th Century French Literature Ana I. Oancea This dissertation reads the novels of Jules Verne, Albert Robida, Villiers de l’Isle-Adam and Emile Zola, investigating the representation of inventors who specialize in electricity. The figure appears as the intersection of divergent literary movements: Zola, the father of Naturalism and leading proponent of a ‘scientific’ approach to literature, Villiers de l’Isle-Adam, decadent playwright and novelist, Robida, leading caricaturist and amateur historian, and Verne, prominent figure in the emerging genre of anticipation, all develop the inventor character as one who succeeds in realizing key technological aspirations of the 19th century. The authors, however, take a dim view of his activity. Studying the figure of the inventor allows us to gain insight into fundamental 19th century French anxieties over the nation’s progress in science and technology, its national identity, and international standing. The corpus casts science as a pillar of French culture and a modern expression of human creativity, but suggests that social control over how progress is achieved is more important than pure advancement, no matter the price of attaining control. There is a great desire for progress in this period, but as society’s dependence on scientific advancement is becoming apparent, so is its being ignorant of the means through which to achieve it. -
Caio Yurgel Landscape's Revenge
Caio Yurgel Landscape’s Revenge Latin American Literatures in the World Literaturas Latinoamericanas en el Mundo Edited by / Editado por Gesine Müller Volume / Volumen 2 Caio Yurgel Landscape’s Revenge The ecology of failure in Robert Walser and Bernardo Carvalho ISBN 978-3-11-061757-3 e-ISBN (PDF) 978-3-11-061758-0 e-ISBN (EPUB) 978-3-11-061766-5 ISSN 2513-0757 e-ISSN 2513-0765 This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 4.0 License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number: 2018956339 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Caio Yurgel, published by Walter de Gruyter GmbH Berlin/Boston Typesetting: Integra Software Services Pvt. Ltd. Printing and binding: CPI books GmbH, Leck www.degruyter.com Acknowledgement If this book exists – and I would like to believe that it does –, it is greatly due to the unwavering generosity and guidance of Joachim Küpper and Susanne Zepp. The final text has also benefited from the insights and support of Jürgen Brokoff, Anne Fleig, Gaia Gubbini, and Gesine Müller. This book also couldn’t have existed without the love and encouragement of some of the kindest Berliners to ever have ventured north of the Ring: Camila Gonzatto, Jasmin Wrobel, Jorge Estrada, Jule Govrin, Laura Gagliardi, Lena Abraham, Maddalena Graziano, Marcos Freire de Andrade Neves, Nora Weinelt, and Zairong Xiang. -
Beast and the Sovereign Volume 2
the beast & the sovereign ii the seminars of jacques derrida Edited by Geoffrey Bennington & Peggy Kamuf The Beast & the Sovereign volume ii y Jacques Derrida Edited by Michel Lisse, Marie- Louise Mallet, and Ginette Michaud Translated by Geoffrey Bennington The University of Chicago Press ‡ chicago and london jacques derrida (1930–2004) was Directeur d’études at the École des hautes etudes en sciences sociales, Paris, and professor of humanities at the University of California, Irvine. He is the author of many books published by the Press, including Writing and Difference; Dissemination; and The Work of Mourning. Originally published as Séminaire: La bête et le souverain, Volume II ( 2002 – 2003 ) . © 2010 Éditions Galilée. Ouvrage publié avec le soutien du Centre national du livre–ministère français chargé de la culture / This work is published with support from the National Center of the Book–French Ministry of Culture. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2011 by The University of Chicago All rights reserved. Published 2011. Printed in the United States of America 20 19 18 17 16 15 14 13 12 11 1 2 3 4 5 isbn- 13: 978- 0- 226- 14430- 6 (cloth) isbn- 10: 0- 226- 14430- 5 (cloth) Library of Congress Cataloging-in-Publication Data Derrida, Jacques. [Bête et le souverain. English] The beast and the sovereign / Jacques Derrida; translated by Geoffrey Bennington. p. cm. — (Seminars of Jacques Derrida; v. 1) Translation of: Séminaire: la bête et le souverain. isbn- 13: 978- 0- 226- 14428- 3 (cloth: alk. paper) isbn- 10: 0- 226- 14428- 3 (cloth: alk. -
Inventairealpha Fonds Dávila.XLS
InventaireAlpha_fonds_ Dávila POSITION AUTEUR TITRE NOMBRE DE VOLUME 136 --- WANN-CHLORE 2 137 ---- FAITS ET GESTES DU VICOMTE DE NANTEL 1 135 -(DUCREST, M ?) MEMOIRES SUR L'IMPERATRICE JOSEPHINE, SES CONTEM- 1 138 -1- DE PUGET-SAINT-P. 2-DE GON 1- HISTOIRE DE CHARLES DE SAINTE-MAURE 1 139 A. GELLII NOCTIVM ATTICARUM 2 140 A. U. RELATION DU VOYAGE D'ESPAGNE 1 141 ABEL,F.M. HISTOIRE DE LA PALESTINE 2 142 ABELLIO, RAYMOND LES YEUX D'EZECHIEL SONT OUVERTS 1 143 ABELLIO, RAYMOND HEUREUX LES PACIFIQUES 1 145 ABERCROMBIE LASCELLES AN ESSAY TOWARD A THEORY OF ART 1 146 ABERCROMBIE LASCELLES THE IDEA OF GREAT POETRY 1 148 ABERCROMBIE LASCELLES PROGRESS IN LITERATURE 1 147 ABERCROMBIE LASCELLES POETRY,ITS MUSIC AND MEANING 1 144 ABERCROMBIE LASCELLES PRINCIPLES OF LITERARY CRITICISM 1 149 ABERCROMBIE,NIGEL THE ORIGINS OF JANSENISM 1 153 ABOUT,EDMOND LA QUESTION ROMAINE 2 150 ABOUT,EDMOND VOYAGE A TRAVERS DE L'EXPOSITION DES BEAUX-ARTS 1 151 ABOUT,EDMOND NOS ARTISTES AU SALON DE 1857 1 161 ABOUT,EDMOND DERNIERES LETTRES D'UN JEUNE HOMME 1 152 ABOUT,EDMOND LE SALON DE 1864 1 157 ABOUT,EDMOND LE MARIAGE DE PARIS 1 155 ABOUT,EDMOND LE DECAMERON DU SALON DE PEINTURE 1 160 ABOUT,EDMOND TOLLA 1 156 ABOUT,EDMOND LA GRECE CONTEMPORAINE 1 158 ABOUT,EDMOND TRENTE ET QUARANTE 1 154 ABOUT,EDMOND GERMAINE 1 159 ABOUT,EDMOND LE ROI DES MONTAGNES 1 162 ABRAMS, M.H.; WIMSATT, W.K., B ENGLISH ROMANTIC POETS 1 164 ABRAMS,M.H. THE MIRROR AND THE LAMP 1 163 ABRAMS,M.H. -
Places of Rest in Worlds of Ruin Havens in Post-Apocalyptic Fiction
Places of Rest in Worlds of Ruin Havens in Post-Apocalyptic Fiction Andreas Nyström Places of Rest in Worlds of Ruin Havens in Post-Apocalyptic Fiction Andreas Nyström Faculty of Arts and Social Sciences English DOCTORAL THESIS | Karlstad University Studies | 2021:6 Places of Rest in Worlds of Ruin Havens in Post-Apocalyptic Fiction Andreas Nyström DOCTORAL THESIS | Karlstad University Studies | 2021:6 Places of Rest in Worlds of Ruin - Havens in Post-Apocalyptic Fiction Andreas Nyström DOCTORAL THESIS Karlstad University Studies | 2021:6 urn:nbn:se:kau:diva-82698 ISSN 1403-8099 ISBN 978-91-7867-191-5 (print) ISBN 978-91-7867-201-1 (pdf) © The author Distribution: Karlstad University Faculty of Arts and Social Sciences Department of Language, Literature and Intercultural Studies SE-651 88 Karlstad, Sweden +46 54 700 10 00 Print: Universitetstryckeriet, Karlstad 2021 WWW.KAU.SE Abstract In the inhospitable and ruined landscapes of post-apocalyptic fiction there are often found havens, places of rest that provide contrast to the desolation of the wasteland. This study explores the generic functions of such havens. As scholarly attention has mainly been towards the genre’s main themes of survival and death, paying close attention to the haven offers an important addition to previous research. Although not comprehensive as there is room for further explorations, the study claims that the haven in post-apocalyptic fiction serves at least three different and overlapping functions: as a focal point for the genre’s attempts to recover and represent a lost paradise, as a place for the exploration of tensions between mobility and immobility, and/or as a narrative endpoint for inquiries into spatiotemporal infinity and death. -
Chronology of Key Titles in Science Fiction and Developments in Science
Chronology of Key Titles in Science Fiction and Developments in Science c.80 Plutarch, Peri tou prosôpou c.100 Antonius Diogenes, Ta huper Thulên c.170 Lucian, Alêthês Historia 1516 Thomas More, Utopia 1543 Copernicus, De revolutionibus orbium coelestium c.1600 Johannes Kepler’s Somnium written (not published until 1634) 1622 Giovan Battista Marino, L’Adone 1638 William Godwin, The Man in the Moone John Wilkins, The Discovery of a World in the Moone 1644 René Descartes, Principia Philosophiae 1657 Savinien de Cyrano de Bergerac, L’Autre Monde ou les Etats et Empires de la lune (Voyage dans la lune) 1656 Athanasius Kircher, Iter exstaticum coeleste 1659 Jacques Guttin, Epigone, histoire du siècle futur 1665 Robert Hooke, Micrographia 1685 Isaac Newton, ‘De Motu Corporum’ 1686 Bernard de Fontenelle, Entretiens sur la pluralité des mondes 1687 Isaac Newton, Principia Mathematica 1690 Gabriel Daniel, Voyage du Monde de Descartes 1698 Christiaan Huygens, Cosmotheoros 1726 Jonathan Swift, Travels into Several Remote Nations of the World (Gulliver’s Travels) 1730 Voltaire’s Micromégas (published 1750) 1737 Thomas Gray, ‘Luna habitabilis’ 1741 Ludvig Holberg, Nikolai Klimi iter subterraneum 1750 Robert Paltock, The Life and Adventures of Peter Wilkins 1765 Marie-Anne de Roumier, Les Voyages de Milord Ceton dans les sept planettes 1771 Louis Sébastien Mercier, L’An deux mille quatre cent quarante 1781 Nicolas-Edme Restif de la Bretonne, La découverte australe par un homme volant 1798 Thomas Malthus, An Essay on the Principle of Population, as it -
Réfutation 7 L'islam Et Le Péché Originel Cet Exposé a Pour Objet De Réfuter Les Allégations De Bien Aimé Sur Le Péché Originel
Ahmed Simozrag D E B A T I S L AM – C H R I S T I A N I S M E Tome 3 1ère édition Octobre 2008 Centre Africain de Diffusion Islamique et Scientifiqu (CADIS) www.bismillah-debats.net 1 Avant Propos Facealislam est un site spécialisé dans les attaques contre l’Islam. Ses animateurs s’efforcent d’accréditer le faux et de discréditer le vrai. Selon eux, le christianisme serait la vraie religion et l’Islam une fausse religion, Jésus le vrai dieu et Allah un Dieu inconnu. Cet ouvrage répond à une infime partie de leurs attaques. On y trouve également des réponses à un défi lancé aux musulmans, des réponses concernant le péché originel et d’autres au sujet de la non divinité de Jésus. Le tout sous le titre ‘‘Réfutation’’. Les auteurs des attaques sont des protestants opérant à partir de divers sites web, notamment un site anglophone ‘‘answering-islam’’ dirigé par Sam Shamoun et un site francophone ‘‘facealislam’’ dirigé par Bien Aimé. La méconnaissance de la langue arabe par ces derniers ajoutée aux préjugés anti- islamiques fut à l’origine de confusion et d’erreurs qui pourraient tromper ceux qui n’ont pas une bonne connaissance de l’Islam. D’autant plus que certaines critiques se fondent sur un semblant d’analyse scientifique qui pourrait faire croire au sérieux de la démarche et les rendre crédibles. Néanmoins, il y a, à la base des critiques, un manque d’objectivité qui se manifeste à travers l’acharnement dans la recherche des contradictions et des failles dans le Coran et les hadiths. -
Revue De Presse 2012 Janvier
CITE DU LIVRE – BIBLIOTHEQUE MEJANES Revue de Presse 2012 Janvier Magazines Critiques n°776-777, janvier-février 2012, Philippe Roger : Le roman du populisme (p.5- 23) [Camus est évoqué au travers de sa rupture avec la pensée de Sartre]. Etudes tome 416/1, janvier 2012, Denis Salas : Albert Camus, l'humanisme intransigeant. Le Point n°2051, 13 janvier 2012 : La tentative d'assassinat de Sartre contre Camus [voir aussi le document original In 4 pce 123]. Le Point n°2051, 13 janvier 2012 : En Algérie, sur les traces de Camus [avec Michel Onfray, voir aussi le document original In 4 pce 123]. Le Point n°2051, 13 janvier 2012 : Camus, l'homme qui avait toujours raison [dans L'ordre libertaire, Michel Onfray réhabilite Camus, voir aussi le document original In 4 pce 123]. Le Point n°2051, 13 janvier 2012 : Camus – Le père, la mère et la tuberculose. Quatre morceaux choisis de L'ordre libertaire de Michel Onfray [voir aussi le document original In 4 pce 123]. Le Nouvel Observateur, 05 janvier 2012, Jean-Claude Guillebaud : Bonjour les inquisiteurs!. La démarche inquisitoriale est un sous-produit du ressentiment et du panurgisme. Ces lynchages post modernes sont pires qu'avant, car la blogosphère en accroit la venimosité jusqu'à l'hystériser. Marianne, 14 janvier 2012, Luc Boutin : Camus ou le refus de la radicalité romantique, qui tue toute pensée. Le Point, 23 janvier 2012 : Algérie : plaque commémorative dans la maison de Camus 52 ans après sa mort. Courrier international, 26 janvier 2012, Ian Hollingshead : Journal intime du candidat Cantona. Pèlerin, 26 janvier 2012 : Plaidoyer pour la culture générale. -
Constructing Kafka, Deconstructing the Self in French Letters
The Kafka Case: Constructing Kafka, Deconstructing the Self in French Letters Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jacob Ryan Schott, M.A. Graduate Program in French and Italian The Ohio State University 2010 Dissertation Committee: Karlis Racevskis, Advisor Eugene Holland Jennifer Willging Copyright By Jacob Ryan Schott 2010 ABSTRACT This dissertation studies the presence and importance of Franz Kafka‘s writing in French letters of the twentieth century. Though born in Prague and a speaker of German, Kafka‘s work has been instrumental to many French thinkers, and I study three in particular: Marthe Robert, Maurice Blanchot, and Alain Robbe-Grillet. I analyze the critical writings of Robert and Blanchot, as they are two of the most comprehensive and prolific writer‘s on Kafka. Their theoretical writings will in turn be used to read and reevaluate the novels Dans le labyrinthe by Robbe-Grillet and Aminadab by Blanchot. This project may be divided into three parts. The first part consists of two chapters and relies on the critical work of Marthe Robert. In her career, she wrote three books devoted entirely to Kafka, and a cycle of four books which reference his writing with great frequency. In her criticism, several themes reappear that treat genre, the conventions of the novel, and the dualities that writers face between living their life, and crafting their art. In the light of her critical oeuvre, the second chapter uses Robert‘s insights to read two novels that belong to a Kafkaesque tradition. -
Cyberpunk in a Transnational Context
arts Cyberpunk in a Transnational Context Edited by Takayuki Tatsumi Printed Edition of the Special Issue Published in Arts www.mdpi.com/journal/arts Cyberpunk in a Transnational Context Cyberpunk in a Transnational Context Special Issue Editor Takayuki Tatsumi MDPI • Basel • Beijing • Wuhan • Barcelona • Belgrade Special Issue Editor Takayuki Tatsumi Keio University Japan Editorial Office MDPI St. Alban-Anlage 66 4052 Basel, Switzerland This is a reprint of articles from the Special Issue published online in the open access journal Arts (ISSN 2076-0752) from 2018 to 2019 (available at: https://www.mdpi.com/journal/arts/special issues/cyberpunk) For citation purposes, cite each article independently as indicated on the article page online and as indicated below: LastName, A.A.; LastName, B.B.; LastName, C.C. Article Title. Journal Name Year, Article Number, Page Range. ISBN 978-3-03921-421-1 (Pbk) ISBN 978-3-03921–422-8 (PDF) Cover image courtesy of ni ka: ”Hikari” (Light). c 2019 by the authors. Articles in this book are Open Access and distributed under the Creative Commons Attribution (CC BY) license, which allows users to download, copy and build upon published articles, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. The book as a whole is distributed by MDPI under the terms and conditions of the Creative Commons license CC BY-NC-ND. Contents About the Special Issue Editor ...................................... vii Preface to ”Cyberpunk in a Transnational Context” .......................... ix Takayuki Tatsumi The Future of Cyberpunk Criticism: Introduction to Transpacific Cyberpunk Reprinted from: Arts 2019, 8, 40, doi:10.3390/arts8010040 ...................... -
Darkness” (1816)
Paula Alexandra Varanda Ribeiro Guimarães ‘The sun shall be darkened’: Eco-critical Byron and the Feminine Apocalyptic Sublime in “Darkness” (1816) In terms of the representation of apocalyptic vision in modern English literature, there is a set of texts produced around 1816 by a group of Romantic authors that constitutes the most immediate response to climate change – a sense of the end of the world caused by untimely darkness and stormy weather. A brief three-year period of reduced sunlight in the northern hemisphere, caused by a major volcanic eruption, suggested to Byron a world in which human civilization, having lost every vestige of social contract, was finally extinguished in cannibalism. Though less famous than Mary Shelley’s novel, and its scenery of frozen Alpine wastes, Byron’s poem “Darkness” (1816) expresses in even more vivid imagery the sense of impending doom, the imminent collapse of social order, and the consequent threat to the human species that pervades Frankenstein (1818). The poem has been read both as a dream- vision with references to the Apocalypse and the De Rerum Natura of Lucretius and as a kind of figurative biography, an unfiltered response to the chaotic upheavals that rocked Byron’s personal life during the year of its composition. A more political dimension may also be derived from this text if we have in consideration its historical context of the aftermath of the Napoleonic wars in Europe. Indeed, within the artistic framework of the lyric in blank verse, Byron’s personal, political and ecological visions of the world are here jointly presented.