Stefan Zweig
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Buddhist” Reading of Shakespeare
UNIWERSYTET ZIELONOGÓRSKI IN GREMIUM 14/2020 Studia nad Historią, Kulturą i Polityką DOI 10.34768/ig.vi14.301 ISSN 1899-2722 s. 193-205 Antonio Salvati Universitá degli Studi della Campania „Luigi Vanvitelli” ORCID: 0000-0002-4982-3409 GIUSEPPE DE LORENZO AND HIS “BUDDHIST” READING OF SHAKESPEARE The road to overcoming pain lies in pain itself The following assumption is one of the pivotal points of Giuseppe De Lorenzo’s reflection on pain: “Solamente l’umanità può attingere dalla visione del dolore la forza per redimersi dal circolo dalla vita”,1 as he wrote in the first edition (1904) of India e Buddhismo antico in affinity with Hölderlin’s verses: “Nah ist/Und schwer zu fassen der Gott./Wo aber Gefahr ist, wächst/Das Rettende auch”,2 and anticipating Giuseppe Rensi who wrote in 1937 in his Frammenti: “La natura dell’universo la conosce non l’uomo sano, ricco, fortunato, felice, ma l’uomo percorso dalle malattie, dalle sventure, dalla povertà, dalle persecuzioni. Solo costui sa veramente che cos’è il mondo. Solo egli lo vede. Solo a lui i dolori che subisce danno la vista”.3 If pain really is this anexperience in which man questions himself and acquires the wisdom to free himself from the state of suffering it is clear why suffering “seems to be particularly essential to the nature of man […] Suffering seems to belong to man’s 1 “Only humanity can draw the strength to redeem itself from the circle of life through the vision of pain”. Giuseppe De Lorenzo (Lagonegro 1871-Naples 1957) was a geologist, a translator of Buddhist texts and Schopenhauer, and a great reader of Shakespeare, Byron and Leopardi. -
Art and the Politics of Recollection in the Autobiographical Narratives of Stefan Zweig and Klaus Mann
Naharaim 2014, 8(2): 210–226 Uri Ganani and Dani Issler The World of Yesterday versus The Turning Point: Art and the Politics of Recollection in the Autobiographical Narratives of Stefan Zweig and Klaus Mann “A turning point in world history!” I hear people saying. “The right moment, indeed, for an average writer to call our attention to his esteemed literary personality!” I call that healthy irony. On the other hand, however, I wonder if a turning point in world history, upon careful consideration, is not really the moment for everyone to look inward. Thomas Mann, Reflections of a Nonpolitical Man1 Abstract: This article revisits the world-views of Stefan Zweig and Klaus Mann by analyzing the diverse ways in which they shaped their literary careers as autobiographers. Particular focus is given to the crises they experienced while composing their respective autobiographical narratives, both published in 1942. Our re-evaluation of their complex discussions on literature and art reveals two distinctive approaches to the relationship between aesthetics and politics, as well as two alternative concepts of authorial autonomy within society. Simulta- neously, we argue that in spite of their different approaches to political involve- ment, both authors shared a basic understanding of art as an enclave of huma- nistic existence at a time of oppressive political circumstances. However, their attitudes toward the autonomy of the artist under fascism differed greatly. This is demonstrated mainly through their contrasting portrayals of Richard Strauss, who appears in both autobiographies as an emblematic genius composer. DOI 10.1515/naha-2014-0010 1 Thomas Mann, Reflections of a Nonpolitical Man, trans. -
Political Fiction Or Fiction About Politics. How to Operationalize a Fluid Genre in the Interwar Romanian Literature
ȘTEFAN FIRICĂ POLITICAL FICTION OR FICTION ABOUT POLITICS. HOW TO OPERATIONALIZE A FLUID GENRE IN THE INTERWAR ROMANIAN LITERATURE What’s in a Genre? A reader of contemporary genre theories is compelled to conclude that, one way or another, the idea of literary class has managed a narrow escape from obsolescence. Conceptual maximalism fell behind the pragmatic call to respond to a global cultural environment for which the task of grouping, structuring, organizing, labelling remains vital for a long list of reasons, of which marketing policies are not to be forgotten. The modern story of the field has seen many twists and turns. After some theories of genre evolutionism – derived more or less from Darwinism – consumed their heyday in the 1890s–1920s1, Bakhtin (1937) took a decisive step toward a “historical poetics”, before Wellek, Warren (1948), Northrop Frye (1957), and Käte Hamburger (1957), and, later on, Gérard Genette (1979), Alastair Fowler (1982), or Jean-Marie Schaeffer (1989) returned to self- styled mixtures of formalism and historicism2. The study which pushed forward the scholarship in the field was, surprisingly or not, a fierce deconstruction of the “madness of the genre”, perceived as a self- defeating theory and practice of classification, highly necessary and utterly impossible at the same time. In his usual paradoxical manner, Derrida (1980) construes the relationship between the individual work and its set as one of 1 See, for instance: Ferdinand Brunetière, L’évolution des genres dans l’histoire de la littérature, Paris, Hachette, 1890–1892; Albert Thibaudet, Le liseur de romans, Paris, G. Crès et Cie, 1925; Viktor Shklovsky, O теории прозы [On the Theory of Prose], Москва, Издательств o “Федерация”, 1925. -
Die Hessischen Lizenzträger Und Ihre Zeitungen
Die hessischen Lizenzträger und ihre Zeitungen Inauguraldissertation zur Erlangung des Doktorgrades in der Fakultät für Kulturwissenschaften der Universität Dortmund vorgelegt von Eva-Juliane Welsch aus Spenge 2002 Erstgutachter: Prof. Dr. Hans Bohrmann Zweitgutachter: Prof. Dr. Gerd G. Kopper - 1 - Inhaltsverzeichnis 1 EINLEITUNG 1.1 Problemstellung ............................................................................................................7 1.2 Literatur und Datenlage................................................................................................8 1.3 Vorgehensweise...........................................................................................................10 TEIL I 2 DER AUFBAU EINER NEUEN PRESSE NACH 1945 ...............................................12 2.1 Die Organisation der amerikanischen Militärregierung und ihre Aufgabe als Besatzungsmacht in Deutschland zwischen 1945 und 1949 unter besonderer Berücksichtigung der Massenmedien..........................................................................12 2.2 Pläne zur Schaffung einer neuen Presse in der amerikanischen Zone .........................14 2.3 Die Aufgaben der Abteilung für Psychologische Kriegsführung..................................17 2.4 Die Herausgabe alliierter Mitteilungsblätter gemäß der Phase II................................20 2.4.1 Die Gründung der “Aachener Nachrichten“ als Testfall der Phase III................................ 21 2.4.2 Ursachen für die Verzögerung einer Lizenzvergabe an deutsche Zeitungen...................... -
Introduction
Notes Introduction 1. Richard Brett-Smith, Berlin ’45: The Grey City (London: Macmillan, 1966), 54. 2. Anke Pinkert, Film and Memory in East Germany (Bloomington: Indiana Uni- versity Press, 2008); Robert R. Shandley, Rubble Films: German Cinema in the Shadow of the Third Reich (Philadelphia, PA: Temple University Press, 2001); Eric Rentschler, “The Place of Rubble in the Trümmerfilm,” in Julia Hell and Andreas Schönle (eds.), Ruins of Modernity (Durham, NC: Duke University Press, 2010), 418–39; Wilfried Wilms and William Rasch, German Postwar Films: Life and Love in the Ruins (Basingstoke: Palgrave Macmillan, 2008). 3. Histories of the Aftermath: The Cultural Legacies of the Second World War in Europe, ed. Frank Biess and Robert Moeller (New York: Berghahn Books, 2010). 4. Dagmar Herzog, Sex After Fascism: Memory and Morality in Twentieth-Century Germany (Princeton, NJ: Princeton University Press, 2005), 1. 5. On this point, see the essays in Hell and Schönle (eds.), Ruins of Modernity, especially Andreas Huyssen, “Authentic Ruins: Products of Modernity” and Todd Samuel Presner, “Hegel’s Philosophy of World History via Sebald’s Imaginary of Ruins: A Contrapuntal Critique of the “New Space’ of Modernity,” pp. 17–28 and 193–211. 6. Dorothy Rowe, Representing Berlin: Sexuality and the City in Imperial and Weimar Germany (Aldershot: Ashgate Publishing Ltd, 2003); Eric D. Weitz, Weimar Germany: Promise and Tragedy (Princeton, NJ: Princeton University Press, 2007). 7. Paul Rutherford draws on Bruno Latour’s We Have Never Been Modern (Cambridge, MA: Harvard University Press, 1993) in A World Made Sexy: Freud to Madonna (Toronto: University of Toronto Press, 2007), 9. -
P. Vasundhara Rao.Cdr
ORIGINAL ARTICLE ISSN:-2231-5063 Golden Research Thoughts P. Vasundhara Rao Abstract:- Literature reflects the thinking and beliefs of the concerned folk. Some German writers came in contact with Ancient Indian Literature. They were influenced by the Indian Philosophy, especially, Buddhism. German Philosopher Arther Schopenhauer, was very much influenced by the Philosophy of Buddhism. He made the ancient Indian Literature accessible to the German people. Many other authors and philosophers were influenced by Schopenhauer. The famous German Indologist, Friedrich Max Muller has also done a great work, as far as the contact between India and Germany is concerned. He has translated “Sacred Books of the East”. INDIAN PHILOSOPHY IN GERMAN WRITINGS Some other German authors were also influenced by Indian Philosophy, the traces of which can be found in their writings. Paul Deussen was a great scholar of Sanskrit. He wrote “Allgemeine Geschichte der Philosophie (General History of the Philosophy). Friedrich Nieztsche studied works of Schopenhauer in detail. He is one of the first existentialist Philosophers. Karl Eugen Neuman was the first who translated texts from Pali into German. Hermann Hesse was also influenced by Buddhism. His famous novel Siddhartha is set in India. It is about the spiritual journey of a man (Siddhartha) during the time of Gautam Buddha. Indology is today a subject in 13 Universities in Germany. Keywords: Indian Philosophy, Germany, Indology, translation, Buddhism, Upanishads.specialization. www.aygrt.isrj.org INDIAN PHILOSOPHY IN GERMAN WRITINGS INTRODUCTION Learning a new language opens the doors of a different culture, of the philosophy and thinking of that particular society. How true it is in case of Indian philosophy having traveled to Germany years ago. -
Scattered Thoughts on Trauma and Memory*
Scattered thoughts on trauma and memory* ** Paolo Giuganino Abstract. This paper examines, from a personal and clinician's perspective, the interrelation between trauma and memory. The author recalls his autobiographical memories and experiences on this two concepts by linking them to other authors thoughts. On the theme of trauma, the author underlines how the Holocaust- Shoah has been the trauma par excellence of the twentieth century by quoting several writing starting from Rudolf Höss’s memoirs, Nazi lieutenant colonel of Auschwitz, to the same book’s foreword written by Primo Levi, as well as many other authors such as Vasilij Grossman and Amos Oz. The author stresses the distortion of German language operated by Nazism and highlights the role played by the occult, mythological and mystical traditions in structuring the Third Reich,particularly in the SS organization system and pursuit for a pure “Aryan race”. Moreover, the author highlights how Ferenczi's contributions added to the developments of the concept of trauma through Luis Martin-Cabré exploration and detailed study of the author’s psychoanalytic thought. Keywords: Trauma, memory, testimony, Holocaust, Shoah, survivors, state violence, forgiveness, Höss, Primo Levi, Karl Jaspers, Martin Heidegger, Vasilij Grossman, Amos Oz, Ferenczi, Freud, Luis-Martin Cabré. In memory of Gino Giuganino (1913-1949). A mountaineer and partisan from Turin. A righteous of the Italian Jewish community and honoured with a gold medal for having helped many victims of persecution to cross over into Switzerland saving them from certain death. To the Stuck N. 174517, i.e. Primo Levi To: «Paola Pakitz / Cantante de Operetta / Fja de Arone / De el ghetto de Cracovia /Fatta savon / Per ordine del Fuhrer / Morta a Mauthausen» (Carolus L. -
Esperanto, Civility, and the Politics of Fellowship: A
ESPERANTO, CIVILITY, AND THE POLITICS OF FELLOWSHIP: A COSMOPOLITAN MOVEMENT FROM THE EASTERN EUROPEAN PERIPHERY A Dissertation Submitted to the Graduate School of the University of Notre Dame in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Ana Velitchkova Omar Lizardo, Director Graduate Program in Peace Studies and Sociology Notre Dame, Indiana July 2014 © Copyright by ANA MILENOVA VELITCHKOVA 2014 All rights reserved ESPERANTO, CIVILITY, AND THE POLITICS OF FELLOWSHIP: A COSMOPOLITAN MOVEMENT FROM THE EASTERN EUROPEAN PERIPHERY Abstract by Ana Velitchkova This dissertation examines global, regional, state-, group-, and person-level processes involved in the growth of the movement formed around the constructed international language Esperanto. The Esperanto movement emerged in the global arena in the late nineteenth century as a response to inequalities in the nation-state field. In the course of several decades, the movement established a new global field based on the logic of equal communication through Esperanto and on the accumulation of cultural capital. While the field gained autonomy from the nation-state field, it has not been recognized as its equal. Persons endowed with cultural capital but lacking political and economic capital have been particularly drawn to Esperanto. Ironically, while attempting to overcome established unfair distinctions based on differential accumulation of political and economic capital, the Esperanto movement creates and maintains new distinctions and inequalities based on cultural capital accumulation. Ana Velitchkova At the regional level, the Esperanto movement became prominent in state- socialist Eastern Europe in the second half of the twentieth century. The movement found unexpected allies among independent states in the Eastern European periphery. -
June 2021 Published: May 2021 Ed for the Booksellers’ Prize
We’re delighted to introduce the wonderful books gracing our list in the first half of 2021. Featuring an epic debut of the legacies of migration and the CONTENTS tangled bonds of family (Little Gods), a moving and witty graphic novel about the life of a real ten- New Titles year-old girl (Esther’s Notebooks 1) and an unset- tling psychological thriller about a woman with Pushkin Vertigo multiple personalities (The Eighth Girl), there is New Editions truly something here for every reader. Pushkin Collection From a heartstopping memoir spanning Liberia Recent Highlights and the United States (The Dragons, the Giant, the Women) to a beguiling mystery set in foggy 1990s Prague (The Ghost of Frederic Chopin), from a pacy Israeli crime novel about a serial killer targeting women without children (The Others) to a poignant animal fable by the greatest living Tamil author (The Story of a Goat), this is a list of the world’s best stories, to be read and read again. MY BROTHER KARIN SMIRNOFF Pushkin Press new titles A publishing phenomenon from Sweden: a novel about new titles NEW uncovering family secrets, abuse, trauma and resilience Jana is returning to see her twin brother Bror, still living in the small family farmhouse in the TITLES rural north of Sweden. It’s decrepit and crum- bling, and Bror is determinedly drinking him- self to an early grave. They’re both damaged by horrific childhood experiences, buried deep in the past, but Jana cannot keep running. Alive with the brutality and beauty of the landscape, My Brother is a novel steeped in darkness and violence – about abuse, love, complicity, and coming to terms with the past. -
The Zweigesque in Wes Anderson's "The Grand Budapest Hotel"
THE ZWEIGESQUE IN WES ANDERSON’S “THE GRAND BUDAPEST HOTEL” Malorie Spencer A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2018 Committee: Edgar Landgraf, Advisor Kristie Foell ii ABSTRACT Edgar Landgraf, Advisor This thesis examines the parallels between narrative structures, including frame narratives and narrative construction of identity, as well as poetic and thematic parallels that exist between the writings of Stefan Zweig and the Wes Anderson film, The Grand Budapest Hotel. These parallels are discussed in order to substantiate Anderson’s claim that The Grand Budapest Hotel is a zweigesque film despite the fact that it is not a direct film adaptation of any one Zweig work. Anderson’s adaptations of zweigesque elements show that Zweig’s writings continue to be relevant today. These adaptations demonstrate the intricate ways in which narrative devices can be used to construct stories and reconstruct history. By drawing on thematic and stylistic elements of Zweig’s writings, Anderson’s The Grand Budapest Hotel raises broader questions about both the necessity of narratives and their shortcomings in the construction of identity; Anderson’s characters both rely on and challenge the ways identity is constructed through narrative. This thesis shows how the zweigesque in Anderson’s film is able to challenge how history is viewed and how people conceptualize and relate to their continually changing notions of identity. iii ACKNOWLEDGMENTS I would like to thank my family for their encouragement throughout the process of writing this thesis. -
Modern Group Portraits in New York Exile Community and Belonging in the Work of Arthur Kaufmann and Hermann Landshoff
Modern Group Portraits in New York Exile Community and Belonging in the Work of Arthur Kaufmann and Hermann Landshoff Burcu Dogramaci In the period 1933–1945 the group portrait was an important genre of art in exile, which has so far received little attention in research.1 Individual works, such as Max Beckmann’s group portrait Les Artistes mit Gemüse, painted in 1943 in exile in Amsterdam,2 were indeed in the focus. Until now, however, there has been no systematic investigation of group portraits in artistic exile during the Nazi era. The following observations are intended as a starting point for further investigations, and concentrate on the exile in New York and the work of the emigrated painter Arthur Kaufmann and photographer Hermann Landshoff in the late 1930s and 1940s, who devoted themselves to the genre of group portraits. 3 New York was a destination that attracted a much larger number of emigrant artists, writers, and intellectuals than other places of exile, such as Istanbul or Shanghai. A total of 70,000 German-speaking emigrants who fled from National Socialism found (temporary) refuge in New York City, including—among many others—the painters Arthur Kaufmann and Lyonel Feininger, and the photographers Hermann Landshoff, Lotte Jacobi, Ellen Auerbach, and Lisette Model.4 Such an accumulation of emigrated artists and photographers in one place may explain the increasing desire to visualize group formats and communal compositions. In the genre of the group picture there are attempts to compensate for the displacement from the place of origin.5 This mode of self-portrayal as a group can be 1/15 found in the photographic New York group portraits where the exiled surrealists had their pictures taken together or with their American colleagues. -
Exporting the Cult of Martyrs to Lands of Exile. the Communities of Banished Italians in France and Piedmont-Sardinia in the Early 1850S Pierre-Marie Delpu
Exporting the cult of martyrs to lands of exile. The communities of banished Italians in France and Piedmont-Sardinia in the early 1850s Pierre-Marie Delpu To cite this version: Pierre-Marie Delpu. Exporting the cult of martyrs to lands of exile. The communities of banished Italians in France and Piedmont-Sardinia in the early 1850s. Catherine Brice. Exile and the circulation of political practices, Cambridge Scholars Publishing, 2020, 978-1527548121. halshs-02924904 HAL Id: halshs-02924904 https://halshs.archives-ouvertes.fr/halshs-02924904 Submitted on 28 Aug 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Exporting the cult of martyrs to lands of exile. The communities of banished Italians in France and Piedmont-Sardinia in the early 1850s Pierre-Marie Delpu 1. Exile and martyrdom, two tools for mass liberal politicisation The aftermath of the 1848 European revolutions saw significant increase in political exiles. The drift back towards authoritarian monarchies, coupled with the new role played by measures to take in political migrants in certain European states (France, Great Britain, and Piedmont), contributed to a massive increase in their number and the generalisation of the practice of exile.