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The Transformation of Pushkin's Eugene Onegin Into Tchaikovsky's Opera
THE TRANSFORMATION OF PUSHKIN'S EUGENE ONEGIN INTO TCHAIKOVSKY'S OPERA Molly C. Doran A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2012 Committee: Eftychia Papanikolaou, Advisor Megan Rancier © 2012 Molly Doran All Rights Reserved iii ABSTRACT Eftychia Papanikolaou, Advisor Since receiving its first performance in 1879, Pyotr Il’yich Tchaikovsky’s fifth opera, Eugene Onegin (1877-1878), has garnered much attention from both music scholars and prominent figures in Russian literature. Despite its largely enthusiastic reception in musical circles, it almost immediately became the target of negative criticism by Russian authors who viewed the opera as a trivial and overly romanticized embarrassment to Pushkin’s novel. Criticism of the opera often revolves around the fact that the novel’s most significant feature—its self-conscious narrator—does not exist in the opera, thus completely changing one of the story’s defining attributes. Scholarship in defense of the opera began to appear in abundance during the 1990s with the work of Alexander Poznansky, Caryl Emerson, Byron Nelson, and Richard Taruskin. These authors have all sought to demonstrate that the opera stands as more than a work of overly personalized emotionalism. In my thesis I review the relationship between the novel and the opera in greater depth by explaining what distinguishes the two works from each other, but also by looking further into the argument that Tchaikovsky’s music represents the novel well by cleverly incorporating ironic elements as a means of capturing the literary narrator’s sardonic voice. -
COCKEREL Education Guide DRAFT
VICTOR DeRENZI, Artistic Director RICHARD RUSSELL, Executive Director Exploration in Opera Teacher Resource Guide The Golden Cockerel By Nikolai Rimsky-Korsakov Table of Contents The Opera The Cast ...................................................................................................... 2 The Story ...................................................................................................... 3-4 The Composer ............................................................................................. 5-6 Listening and Viewing .................................................................................. 7 Behind the Scenes Timeline ....................................................................................................... 8-9 The Russian Five .......................................................................................... 10 Satire and Irony ........................................................................................... 11 The Inspiration .............................................................................................. 12-13 Costume Design ........................................................................................... 14 Scenic Design ............................................................................................... 15 Q&A with the Queen of Shemakha ............................................................. 16-17 In The News In The News, 1924 ........................................................................................ 18-19 -
Three Poems on the Death of Pushkin
STEPHANIE SANDLER THE LAW, THE BODY, AND THE BOOK: THREE POEMS ON THE DEATH OF PUSHKIN ... the Cheated Eye Shuts Arrogantly-in the Grave- Another way-to See- Emily Dickinson No fact of Alexander Pushkin's life or work was so important in constructing modern mythologies of Pushkin as his death. As a preliminary effort toward understanding those modern myths, I propose here to consider three nineteenth-century poems on Pushkin's death, all written soon thereafter. Mikhail Lermontov's "Smert' poeta" ("The Death of the Poet," 1837) de- fined Pushkin's death as an act of social violence and created a powerful discourse about Pushkin's death based on moral judgment. His definition itself constituted a symbolic act in Russian political and cultural life: "Smert' poeta" attained great authority for succeeding generations' writings about Pushkin's death and about the political context of his life. Less well-known accounts by Vasilii Zhukovskii and Countess Evdokiia Rostopchina will show more personal and strictly historical responses, foreshadowing the unorthodox responses of some of Pushkin's later readers. At the time of his death in a duel in 1837, Alexander Pushkin was admired as Russia's great national poet. Though his fame had declined during the 1830s, crowds who waited for news of the dying poet revealed how much Pushkin was loved and how pro- found was Russia's loss. The transformation of the death into tributes to his greatness began at once,l and Lermontov's "Smert' 1. For a survey of nineteenth-century poems about Pushkin, see R. V. Iezuitova, "Evoliutsiia obraza Pushkina v russkoi poezii XIX veka," Pushkin: Issledovaniia i materialy, 5 (1967), 113-39. -
The University of Chicago Objects of Veneration
THE UNIVERSITY OF CHICAGO OBJECTS OF VENERATION: MUSIC AND MATERIALITY IN THE COMPOSER-CULTS OF GERMANY AND AUSTRIA, 1870-1930 A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF MUSIC BY ABIGAIL FINE CHICAGO, ILLINOIS AUGUST 2017 © Copyright Abigail Fine 2017 All rights reserved ii TABLE OF CONTENTS LIST OF MUSICAL EXAMPLES.................................................................. v LIST OF FIGURES.......................................................................................... vi LIST OF TABLES............................................................................................ ix ACKNOWLEDGEMENTS............................................................................. x ABSTRACT....................................................................................................... xiii INTRODUCTION........................................................................................................ 1 CHAPTER 1: Beethoven’s Death and the Physiognomy of Late Style Introduction..................................................................................................... 41 Part I: Material Reception Beethoven’s (Death) Mask............................................................................. 50 The Cult of the Face........................................................................................ 67 Part II: Musical Reception Musical Physiognomies............................................................................... -
Copy of [Original Size] Conference at a Glance
THE ECIIA CONFERENCE AT A GLANCE The ECIIA (European Confederation of Institutes of Internal Auditing) annual conference is held each year in a different European country. For the first time, the Institute of Internal Auditors Luxembourg will host the ECIIA annual conference. The 2019 ECIIA conference will take place from 18 to 20 September 2019 at the European Convention Center in Luxembourg. Come and join us on a journey to Embrace Change and Innovation in Internal Audit ! The ECIIA 2019 conference will WELCOME TO THE HEART OF take place at the European EUROPE Convention Center Luxembourg (ECCL). Ideally situated on the Be captivated by a stay in Luxembourg, a Kirchberg cosmopolitan country in the heart of Europe. plateau in Luxembourg Discover a multicultural city, the Grand Duchy of City, within easy Luxembourg's capital and seat of many European reach of the city institutions. Between tradition and modernity, centre, the let yourself be surprised by its many tourist airport, the places to visit, its UNESCO World Heritage financial district monuments and the numerous museums and as well as squares. touristic sights and several hotels. KEYNOTE SPEAKER Christopher Wylie Trend Forecaster and Cambridge Analytica Whistleblower The New Yorker calls him “a pink-haired, nose-ringed oracle sent from the future”. Best known for hisrole in setting up – and then taking down – the cyberwarfare firm Cambridge Analytica, Chris has beenlisted in TIME100 Most Influential People in the World, Forbes’ 30 Under 30, Politico’s 50 Most Influential People in Politics and Business Insider’s 100 Coolest People in Tech. Named as “the millennials’ first great whistleblower,” his revelations exposing the rampant misuse of data rocked Silicon Valley and forced numerous Fortune 500 companies to overhaul cybersecurity and user privacy practices. -
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International Conference on Arts, Design and Contemporary Education (ICADCE 2016) Russianness in the Works of European Composers Liudmila Kazantseva Department of Theory and History of Music Astrakhan State Concervatoire Astrakhan, Russia E-mail: [email protected] Abstract—For the practice of composing a conscious Russianness is seen more as an exotic). As one more reproduction of native or non-native national style is question I’ll name the ways and means of capturing Russian traditional. As the object of attention of European composers origin. are constantly featured national specificity of Russian culture. At the same time the “hit accuracy” ranges here from a Not turning further on the fan of questions that determine maximum of accuracy (as a rule, when finding a composer in the development of the problems of Russian as other- his native national culture) to a very distant resemblance. The national, let’s focus on only one of them: the reasons which out musical and musical reasons for reference to the Russian encourage European composers in one form or another to culture they are considered in the article. Analysis shows that turn to Russian culture and to make it the subject of a Russiannes is quite attractive for a foreign musicians. However creative image. the European masters are rather motivated by a desire to show, to indicate, to declare the Russianness than to comprehend, to II. THE OUT MUSICAL REASONS FOR REFERENCE TO THE go deep and to get used to it. RUSSIAN CULTURE Keywords—Russian music; Russianness; Western European In general, the reasons can be grouped as follows: out composers; style; polystyle; stylization; citation musical and musical. -
Levan Bregadze the Markers of Nikoloz Baratashvili's
Levan Bregadze The Markers of Nikoloz Baratashvili’s Romanticism Abstract: It is discussed N. Baratashvili’s romanticism in close connection with the worldview of one of the most prominent creators and thinkers, “foremost” romanticist Novalis; on the basis of Novalis’ perception of the life romanticizing, using the technical means of polarization and potentiation it is studied how in the Nikoloz Baratashvili’s creative works the relationship with the universe, people, everyday occurrences is romanticized, the goal of which is to make the life intensive, full-blooded, to open its way towards infinity. Key words: Baratashvili, Novalis, romanticism, polarization, potentiation. Most of the writer-romanticists lived short lives: Edgar Allan Poe lived 40 years on this earth, Giacomo Leopardi and Juliusz Słowacki died at their 39th years of age, Charlotte Brontë passed away at the age of 38, Robert Burns and Alexander Pushkin diedat 37, George Gordon Byron – 36, José María Heredia – 35, Heinrich von Kleist, José de Espronceda and Gustavo Adolfo Bécquer – 34, Wilhelm Müller – 33, Percy Bysshe Shelley and Emily Brontë -30, Novalis, Anne Brontë and Branko Radičević – 29, Nikoloz Baratashvili – 27, Mikhail Lermontov, Sándor Petőfi, Karel Hynek Mácha and Karoline von Günderrode – 26, John Keats, Wilhelm Hauff and Wilhelm Heinrich Wackenroder – 25... and yet, in the short time of their lives, they created the literature of such a quality that they will remain in the memory of mankind forever; some of them marked the history of literature so profoundly that they still influence and will continue to influence in future the spiritual formation of people. How did they manage that? What explanation can be found? The answer to this conundrumhas to be found in their philosophy of life, in the philosophy of romantic life. -
UNIVERSITY of PITTSBURGH Department of Slavic Languages and Literatures
UNIVERSITY OF PITTSBURGH Department of Slavic Languages and Literatures Russian 2301. Pushkin, Lermontov, and the Ethics of Appropriation Fall 2010 CL 2321, Wed 2.30-5.25 Jonathan Platt [email protected] Office: CL 1421A, phone: 412-624-5714 Hours: Mon 3.00-5.00 or by appt. While this course provides a useful survey of the major works of Alexander Pushkin and Mikhail Lermontov, our primary focus will be these authors‟ engagement with and appropriation of a range of Western European themes, motifs, genres, and aesthetic strategies. We will consider these acts of appropriation from a variety of theoretical perspectives in an effort to understand how Pushkin and Lermontov‟s texts incorporate a common European inheritance in different ways. At the heart of our discussions will be a concern with the ethics of appropriation. We will ask what the creative acts of borrowing, imitation, and quotation reveal about the subject positions Pushkin and Lermontov define in their works. Our interest in the ethical core of aesthetics will also be reflected in the works covered in the course—most of which deal with the dynamics of self and other, love and death, desire and transgression. Readings: Readings for the course will be made available (as links or attached files) on Courseweb as the semester progresses. Readings marked (R) are recommended, but not required. I will make an effort to provide both the original and a English or Russian translation of all French and German readings. Please have copies (either printed or electronic) of the required readings with you for reference in class. -
A Journey Through Polish Literature
A JOURNEY THROUGH POLISH LITERATURE European Literature 09 OCTOBRE 2013 GORA BERNADETTE Henryk Sienkiewicz (1905), Władysław Reymont (1924), Czesław Miłosz (1980), Wisława Szymborska (1996). How many of you know these four authors and know what they have in common, besides their nationalities? The four of them were awarded a Nobel Prize but nevertheless remain little known outside of Poland. How many of you can give the name of, at least, one polish contemporary author? These examples, among many others, prove that Polish literature remains unknown despite it being a big part of European literature. To start my presentation, I’d like you to have a look on this quotation by Czesław Miłosz who wrote, among other, a book about the History of Polish Literature (The History of Polish Literature, Berckeley,1969). In his work, he wrote “Polish literature focused more on drama and the poetic expression of the self than on fiction (which dominated the English-speaking world). The reasons find their roots on the historical circumstances of the nation.” Over a first phase, it thus seems important to start out with a broad overview of the general history of Polish literature throughout the ages before we can understand what happened during the 20th century, and fully understand the main references to the previous time periods which we can find today. In Polish literature, historical problems have always been an essential characteristic. One can notice that Polish literature has always been torn between its social duties and literary obligations. With this in mind, it is possible for me to offer you the promised journey through my national literature. -
Nederlands Letterenfonds Dutch Foundation for Literature No. 16
ederlands N letterenfonds dutch foundation for literature Quality Non- Fiction from Holland no. 16 autumn 2011 Vincent van der Noort The Numbers Are Your Best Friends Foundation Confessions of a nerd The most beautiful of all mathematics, writes young mathematician Vincent van der Noort (b. 1980) Dutch Foundation The Dutch Foundation for Literature stimulates interest Vincent van der Noort, involves problems you could explain to a child studied mathematics at the for Literature in Dutch literary fiction, non-fiction, poetry and children’s University of Amsterdam and yet which even the cleverest thinkers are as yet unable solve. Better still, Nieuwe Prinsengracht 89 books by providing information and granting translation gained his doctorate at the 1018 VR Amsterdam the fact that professional mathematicians are stumped does not put it Tel. +31 20 520 73 00 subsidies. The foundation maintains contacts with a University of Utrecht on the Fax +31 20 520 73 99 large number of international publishers, and has a beyond the bounds of possibility that an eleven-year-old will come up subject of symmetries in spaces The Netherlands stand at major international book fairs, including the with the answer one morning under the shower. whose dimensions are infinite. [email protected] www.letterenfonds.nl Frankfurt Book Fair, the London Book Fair and the He has been a supervisor at Beijing Book Fair. mathematics camps for school- Non-Fiction Numbers Are Your Best Friends presents a broad selection of mathematical Maarten Valken, children and currently works as [email protected] Translation Grants problems, insights, theories, games, observations, even mathematical a maths teacher. -
News and Notes
News and Notes Newsletter of the Royal College of Psychiatrists’ History of Psychiatry Special Interest Group Issue 6 Spring 2018 In this issue… 1. Editorial | Lydia Thurston and Claire Hilton 2. Dates for your diary 3. Picture quiz 4-5. Autumn meeting | Jo Davies Memoir competition 6. Judging the memoir writing competition 7-9. Memoir | Eilis Kempley 10-12. Memoir of working as a psychiatrist | Teresa Black Archives 13-14. Learning from Dr Conolly: Clinical teaching at Hanwell, 1848 | Polina Merkulova 15. College Archives update | Francis Maunze Mental hospitals in the UK 16-18. Enoch Powell’s ‘Water Tower’ speech of 1961 revisited | RHS Mindham 19-21. Exploring old psychiatric hospitals: Crichton Royal | Claire Hilton Book reviews 22. Beware of Pity, Stefan Zweig | RHS Mindham 23-25. Improving Psychiatric Care, Claire Hilton | Sophie Behrman 1 Editorial by Lydia Thurston and Claire Hilton It's been a busy six months for HoPSIG. In Also, towards the end of this year, October, we held our second full-day Claire Hilton (Chair of HoPSIG) and workshop at the University of West England's Jane Mounty (Finance Officer) will have Glenside campus in Bristol. The day was a completed their terms of office, so please let great success and included a lunchtime visit us know if you are interested in stepping into to the Glenside Hospital Museum. There their shoes! We would be happy to tell you were some fascinating lectures, as well as more about what is involved. some excellent presentations from Bristol We are also looking for a trainee psychiatrist and Birmingham medical students. -
«Poor Family Name», «Rich First Name»
ENCIU Ioan (S&D / RO) Manager, Administrative Sciences Graduate, Faculty of Hydrotechnics, Institute of Construction, Bucharest (1976); Graduate, Faculty of Management, Academy of Economic Studies, Bucharest (2003). Head of section, assistant head of brigade, SOCED, Bucharest (1976-1990); Executive Director, SC ACRO SRL, Bucharest (1990-1992); Executive Director, SC METACC SRL, Bucharest (1992-1996); Director of Production, SC CASTOR SRL, Bucharest (1996-1997); Assistant Director-General, SC ACRO SRL, Bucharest (1997-2000); Consultant, SC GKS Special Advertising SRL (2004-2008); Consultant, SC Monolit Lake Residence SRL (2008-2009). Vice-President, Bucharest branch, Romanian Party of Social Solidarity (PSSR) (1992-1994); Member of National Council, Bucharest branch Council and Sector 1 Executive, Social Democratic Party of Romania (PSDR) (1994-2000); Member of National Council, Bucharest branch Council and Bucharest branch Executive and Vice-President, Bucharest branch, Social Democratic Party (PSD) (2000-present). Local councillor, Sector 1, Bucharest (1996-2000); Councillor, Bucharest Municipal Council (2000-2001); Deputy Mayor of Bucharest (2000-2004); Councillor, Bucharest Municipal Council (2004-2007). ABELA BALDACCHINO Claudette (S&D / MT) Journalist Diploma in Social Studies (Women and Development) (1999); BA (Hons) in Social Administration (2005). Public Service Employee (1992-1996); Senior Journalist, Newscaster, presenter and producer for Television, Radio and newspaper' (1995-2011); Principal (Public Service), currently on long